A TIME AND WASHINGTON POST BEST BOOK OF THE YEAR • The New York Times Book Review Editors' Choice • A stunning personal manifesto on memory, family, and history that explores how we in America might—together—come to a new view of our shared past

“A vulnerable, honest look at a life lived in a country still struggling with its evils...Hopeful...Beautiful and haunting.” —Eddie S. Glaude Jr., author of Begin Again

In 2020, heartsick from constant assaults on Black life, Tracy K. Smith found herself soul-searching and digging into the historical archive for help navigating the “din of human division and strife.” With lyricism and urgency, Smith draws on several avenues of thinking—personal, documentary, and spiritual—to understand who we are as a nation and what we might hope to mean to one another.

To Free the Captives touches down in Sunflower, Alabama, the red-dirt town where Smith’s father’s family comes from, and where her grandfather returned after World War I with a hero’s record but difficult prospects as a Black man. Smith considers his life and the life of her father through the lens of history. Hoping to connect with their strength and continuance, she assembles a new terminology of American life.

Bearing courageous witness to the terms of Freedom afforded her as a Black woman, a mother, and an educator in the twenty-first century, Smith etches a portrait of where we find ourselves four hundred years into the American experiment. Weaving in an account of her growing spiritual practice, she argues that the soul is not merely a private site of respite or transcendence, but a tool for fulfilling our duties to each other, and a sounding board for our most pressing collective questions: Where are we going as a nation? Where have we been?

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Such Color collects the best poems from Smith’s award-winning books and culminates in thirty pages of brilliant, excoriating new poems. These new works confront America’s historical and contemporary racism and injustices, while they also rise toward the registers of the ecstatic, the rapturous, and the sacred—urging us toward love as a resistance to everything that impedes it. This magnificent retrospective affirms Smith’s place as one of the twenty-first century’s most treasured poets.

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The first volume in an anthology series that amplifies the voices of unsung Black poets to paint a more robust picture of our national past, and of the Black literary imagination, with a foreword by Tracy K. Smith

A Penguin Classic

Joshua Bennett and Jesse McCarthy repeatedly found themselves struck by the number of exciting poets they came across in long-out-of-print collections and forgotten journals whose work has been neglected or entirely ignored, even by scholars of Black poetry. Minor Notes is an excavation initiative that recovers and curates archival materials from these understudied, though supremely gifted, African American poets of the nineteenth and twentieth centuries, and aims to bridge scholarly interest with the growing general audience who reads, writes, and circulates poetry within that tradition. As Minor Notes clarifies, the work of contemporary Black poets is perhaps best understood through the lens of a long-standing tradition of the poet as witness, as prophetic voice, as communal bard, and as scholar of the everyday and the miraculous. The poets featured in Volume 1 are George Moses Horton, Fenton Johnson, Georgia Douglas Johnson, Henrietta Cordelia Ray, David Wadsworth Cannon Jr., Anne Spencer, and Angelina Weld Grimké.

The debut collection from a 2021 Whiting Award and Guggenheim Fellow recipient whose “astounding, dolorous, rejoicing voice is indispensable” (Tracy K. Smith)
  
The Sobbing School, Joshua Bennett’s mesmerizing debut collection of poetry, presents songs for the living and the dead that destabilize and de-familiarize representations of black history and contemporary black experience. What animates these poems is a desire to assert life, and interiority, where there is said to be none. Figures as widely divergent as Bobby Brown, Martin Heidegger, and the 19th-century performance artist Henry Box Brown, as well as Bennett’s own family and childhood best friends, appear and are placed in conversation in order to show that there is always a world beyond what we are socialized to see value in, always alternative ways of thinking about relation that explode easy binaries.

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A taut, edgy, deftly spun novel about four friends grappling with the dramatic twists and turns of life, love and what it means to "make it in America."

Ivy Donovan is a successful stylist, entrepreneur, and single mom who has been loyal to her sons’ father, Michael, who’s serving a lengthy prison sentence. But life has gotten lonely over the years, and Ivy wants more for herself. Michael, however, isn’t about to lose his family.

Coco Norris is successful, single, childless, and struggling with her unreciprocated allegiance to emotionally unavailable men. When she finds a man who seems like he can give her everything she has ever wanted, Coco soon discovers that she has taken on more than she can possibly handle.

Deja Maddox is a real estate agent who is married to a police sergeant with the NYPD. They have assimilated, looking down on anything that doesn’t fit their buttoned up, polished life. But Deja isn’t as satisfied as she would like everyone to believe. When Deja’s past returns with a vengeance, she’s forced to face herself and her “perfect” life begins to crumble.

Things come to a head when Ivy’s youngest son, Kingston, is caught up in a polarizing encounter with the NYPD. Everyone is forced to figure out where they stand, including the police sergeant who suddenly has to decide if his "blue life" matters more to him than his black life and the black lives of those he loves.

One night of passion and possibly one more chance at love…

Determined, motivated, goal-driven, and eternally single, Dr. Taylor James is an accomplished university administrator in San Francisco determined to get his campus successfully through an upcoming accreditation process. The process could set him up for his ultimate career goal–to be one of the only Black and openly queer university presidents in the US. Taylor gives himself just one day a week to have fun and let loose with friends–a one and done Sunday Funday brunch in the Castro District.

Dustin McMillan is a consultant and project manager who reluctantly returns to the Bay Area, his hometown, for an assignment. The first in his family to finish college, earn a healthy six-figure income, and have choice and agency in his life’s direction, Dustin is fearful that returning home could mean falling back into roles that he’d thought he’d resolved by moving miles away…and equally fearful of falling back into bed with one sexy and toxic ex-boyfriend who still lingers in his memories.

One chance encounter. One night of passion. Will Taylor and Dustin leave it at one and done?

Edited by the magazine’s poetry editor, Kevin Young, a celebratory selection from one hundred years of influential, entertaining, and taste-making verse in The New Yorker

Seamus Heaney, Dorothy Parker, Louise Bogan, Louise Glück, Randall Jarrell, Langston Hughes, Derek Walcott, Sylvia Plath, W. S. Merwin, Czesław Miłosz, Tracy K. Smith, Mark Strand, E. E. Cummings, Sharon Olds, Franz Wright, John Ashbery, Sandra Cisneros, Amanda Gorman, Maggie Smith, Kaveh Akbar: these stellar names make up just a fraction of the wonderfulness that is present in this essential anthology.

The book is organized into sections honoring times of day (“Morning Bell,” “Lunch Break,” “After-Work Drinks,” “Night Shift”), allowing poets from different eras to talk back to one another in the same space, intertwined with chronological groupings from the decades as they march by: the frothy 1920s and 1930s (“despite the depression,” Young notes), the more serious ’40s and ’50s (introducing us to the early greats of our contemporary poetry, like Elizabeth Bishop, W. S. Merwin, and Adrienne Rich), the political ’60s and ’70s, the lyrical ’80s and ’90s, and then the 2000s’ with their explosion of greater diversity in the magazine, greater depth and breadth. Inevitably, we see the high points when poems spoke directly into, about, or against the crises of their times—the war poetry of W. H. Auden and Karl Shapiro; the remarkable outpouring of verse after 9/11 (who can forget Adam Zagajewski’s “Try to Praise the Mutilated World”?); and more recently, stunning poems in response to the cataclysmic events of COVID and the murder of George Floyd.

The magazine’s poetic influence resides not just in this historical and cultural relevance but in sheer human connection, exemplified by the passing verses that became what Young calls “refrigerator poems”: the ones you tear out and affix to the fridge to read again and again over months and years. Our love for that singular Billy Collins or Ada Limón poem—or lines by a new writer you’ve never heard of but will hear much more from in the future—is what has made The New Yorker a great organ for poetry, a mouthpiece for our changing culture and way of life, even a mirror of our collective soul.

After a rough breakup, gay romance author Renny Ross heads to the Bay Area for a fresh start. His new gig writing the anniversary story for a local university is supposed to be a fresh chapter (thanks to university president Dr. Taylor James). But Renny didn't expect to run into a familiar face from his past.

After dropping off his youngest child at college, recently divorced Brent D. King DuPree, is on a journey to freedom, liberation, and living the life he put on hold for over twenty years to raise his family. Figuring out life as a newly out and newly single man, Brent is hesitant about stepping into the Bay Area gay scene until a chance reunion with his first real crush, and the guy he never quite forgot, his peer mentor and tutor in college: Renny Ross.

Neither man expected a second chance. But working together at the same university stirs up feelings that never really faded. Their love doesn't have to be a secret anymore, but will they get it right this time?

Celebrate the release of This Is How You Love Her with Traci Saulsberry!

EVENT DEETS

When: Sunday, September 27 @ 6 PM CST

Where: 2310 Elgin St, Houston, TX 77004

How:

• RSVP ONLY to reserve your seat.
• RSVP WITH BOOK to reserve your seat and purchase a copy This Is How You Love Her, supporting both the author and our store programming. The book will be available for pickup at the event.

Please Note: Books purchased from other retailers are not permitted in the bookstore and are not eligible for the signing or photo line. To participate in the signing and photo opportunity, you must purchase a copy from Kindred Stories. If you already purchased your book from Kindred Stories, you may select the RSVP Only ticket option and bring your Kindred Stories copy to the event.

If you purchase a ticket and are unable to attend the event, your ticket is non-refundable. If your ticket includes a book, an email will be sent to all attendees before and after the event with instructions on how to receive your book. Books must be claimed within 14 days following the event. If your book is not retrieved it will be returned to the publisher and will not be available for pick up in the future.

ABOUT THE BOOK

A fiercely candid, funny, and sometimes heartbreaking blend of memoir and self-help on vulnerability, identity, and reclaiming your life

What if you didn't need Bali to find yourself? For 14 years, Traci Saulsberry led communications at NBC, becoming one of the youngest Black executives at the company. She had everything a modern woman is told to want—the house, her son, the high-powered job.

But when her carefully constructed life collapsed, Saulsberry was confronted with a question she'd been avoiding for years: Who was she, really?

Here I was, caught on my heels, with no backup lover to pick up the slack. Naturally, because I am a product of an adolescence spent binging rom-coms filled with sweeping tales, I wanted to run away and leave it all behind. I romanticized that there must be a flight to the farthest island on the edge of the world where I could just start over again. My archnemesis, reality, quickly snapped me out of that daydream. I wasn't going anywhere. I felt trapped.

This Is How You Love Her is a vulnerable narrative guide to uncovering your identity in life's small moments, right where you are. With wit and insight, heart and cinematic prose, Saulsberry weaves together pages from her journal, conversational guides, poetry, and reflection prompts in this memoir-meets-guide that gives readers permission to get to know themselves at their own pace.

ABOUT THE AUTHOR

Traci Saulsberry is a senior communications executive, leadership coach, and writer. At twenty-seven, she became one of the youngest Black executives at NBC, where she spent fourteen years shaping narratives at the highest levels of entertainment. She later built and led the communications team at Peacock, managing a team of more than thirty people during the platform’s launch and growth.

She is currently a host and narrator for Calm, the world’s leading meditation and sleep app, where she guides original series including Workplace Wellbeing, Professional Growth, and Processing World Events, designed to help audiences navigate life with clarity and care.

As a leadership coach, keynote speaker, and learning facilitator, Saulsberry works with early-career professionals, executives, and business owners, with a focus on helping individuals find and own their voice—particularly while navigating spaces where they are underrepresented. She also serves as an adjunct professor at Syracuse University’s Newhouse School, where she teaches entertainment publicity.

ABOUT THE CONVERSATION PARTNER

Dee Brown is a former television reporter and producer, media personality, and founder of Happy + Home Collective, a boutique media agency specializing in home and garden PR, social marketing campaigns, production, and storytelling. Her background in television and brand communications has given her a passion for telling the stories behind beautiful spaces, the people who create them, and the transformations that make a house feel like home. Dee’s work and expertise have been featured by leading media outlets and platforms, including HGTV, NBC, Oprah Daily, and FOX SOUL, among others.

One World is proud to present THE 1619 PROJECT: A New Origin Story, a book that dramatically builds on the vision of the original magazine project with major expansions of the original essays, seven new essays by historians, and dozens of new poems and pieces of fiction. The book includes a significant elaboration of the project’s Pulitzer Prize-winning lead essay by Nikole Hannah-Jones and a new introduction that together offer a stirring rebuttal to critics. Hannah-Jones has also written a third essay that makes the case for reparative solutions to the legacy of injustice the project documents.

Edited by Hannah-Jones, along with New York Times Magazine editor-in-chief Jake Silverstein, features editor Ilena Silverman, and New York Times executive producer Caitlin Roper, the book offers work from some of the country’s most outstanding journalists, thinkers, historians and scholars, including: Michelle Alexander, Leslie Alexander, Carol Anderson, Jamelle Bouie, Anthea Butler, Matthew Desmond, Martha Jones, Ibram Kendi, Kevin Kruse, Trymaine Lee, Tiya Miles, Wesley Morris, Khalil Gibran Muhammad, Dorothy Roberts, Jeneen Interlandi, Bryan Stevenson, and Linda Villarosa.

Woven throughout the book are works of fiction and poetry that bring to life four hundred years of history with imaginative writing by Joshua Bennett, Reginald Dwayne Betts, Rita Dove, Camille Dungy, Cornelius Eady, Eve L. Ewing, Nikky Finney, Vievee Francis, Yaa Gyasi, Forrest Hamer, Terrance Hayes, Honorée Fanonne Jeffers, Barry Jenkins, Tyehimba Jess, Robert Jones, Jr., A. Van Jordan, Yusef Komunyakaa, Kiese Laymon, Jasmine Mans, Terry McMillan, Lynn Nottage, ZZ Packer, Gregory Pardlo, Darryl Pinckney, Claudia Rankine, Jason Reynolds, Evie Shockley, Tim Siebles, Clint Smith, Danez Smith, Patricia Smith, Tracy K. Smith, Nafissa Thompson-Spires, Natasha Trethewey, Jesmyn Ward and Sonia Sanchez.

The book also includes archival portrait photography of Black Americans paired with each essay, curated by Kimberly Annece Henderson.

FINALIST FOR THE 2020 NATIONAL BOOK CRITICS CIRCLE AWARD FOR POETRY
FINALIST FOR THE 2021 NAACP IMAGE AWARD FOR POETRY

Danez Smith is our president

Homie is Danez Smith’s magnificent anthem about the saving grace of friendship. Rooted in the loss of one of Smith’s close friends, this book comes out of the search for joy and intimacy within a nation where both can seem scarce and getting scarcer. In poems of rare power and generosity, Smith acknowledges that in a country overrun by violence, xenophobia, and disparity, and in a body defined by race, queerness, and diagnosis, it can be hard to survive, even harder to remember reasons for living. But then the phone lights up, or a shout comes up to the window, and family―blood and chosen―arrives with just the right food and some redemption. Part friendship diary, part bright elegy, part war cry, Homie is the exuberant new book written for Danez and for Danez’s friends and for you and for yours.