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Brave, clear-eyed, and passionate, Stakes Is High is the book we need to guide us past crisis mode and through an uncertain future.

The events of the past decade have forced us to reckon with who we are and who we want to be. We have been invested in a set of beliefs about our American identity: our exceptionalism, the inevitable rightness of our path, the promise that hard work and determination will carry us to freedom. But in Stakes Is High, Mychal Denzel Smith confronts the shortcomings of these stories -- and with the American Dream itself -- and calls on us to live up to the principles we profess but fail to realize.

Finalist for the National Book Award for Poetry
Winner of the Forward Prize for Best Collection

“[Smith's] poems are enriched to the point of volatility, but they pay out, often, in sudden joy.”―The New Yorker

Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don’t Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality―the dangers experienced in skin and body and blood―and a diagnosis of HIV positive. “Some of us are killed / in pieces,” Smith writes, “some of us all at once.” Don’t Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America―“Dear White America”―where every day is too often a funeral and not often enough a miracle.

The love child of The L Word and Brontez Purnell's 100 Boyfriends, with a disaffected flair all its own.
It’s San Francisco in the early aughts, and Howie Song is floundering. His failed projects—as a professional ballet dancer, as a boyfriend, as a friend—have left him forever the “third wheel.” But maybe he likes it that way? Leaping wildly between lovers, centuries, and an ever-changing cultural landscape, Howie might just feel most himself in the fracture.

Delicious, poetic, and delightfully pornographic, Tricyclist is an ode to the “abnormal angles” of people and art. As Howie overcomes his own ambivalences—in large part thanks to two suitors, and a circle of supporters who happen to be lesbians—Joon Oluchi Lee portrays, with his signature flamboyance, all of life’s joys, pitfalls, and pirouettes.

The New York Times bestselling book of essays celebrating ordinary delights in the world around us by one America's most original and observant writers, award-winning poet Ross Gay.

As Heard on NPR's This American Life

“Ross Gay’s eye lands upon wonder at every turn, bolstering my belief in the countless small miracles that surround us.” —Tracy K. Smith, Pulitzer Prize winner and U.S. Poet Laureate

The winner of the NBCC Award for Poetry offers up a spirited collection of short lyrical essays, written daily over a tumultuous year, reminding us of the purpose and pleasure of praising, extolling, and celebrating ordinary wonders.

In The Book of Delights, one of today’s most original literary voices offers up a genre-defying volume of lyric essays written over one tumultuous year. The first nonfiction book from award-winning poet Ross Gay is a record of the small joys we often overlook in our busy lives. Among Gay’s funny, poetic, philosophical delights: a friend’s unabashed use of air quotes, cradling a tomato seedling aboard an airplane, the silent nod of acknowledgment between the only two black people in a room. But Gay never dismisses the complexities, even the terrors, of living in America as a black man or the ecological and psychic violence of our consumer culture or the loss of those he loves. More than anything other subject, though, Gay celebrates the beauty of the natural world--his garden, the flowers peeking out of the sidewalk, the hypnotic movements of a praying mantis.

The Book of Delights is about our shared bonds, and the rewards that come from a life closely observed. These remarkable pieces serve as a powerful and necessary reminder that we can, and should, stake out a space in our lives for delight.

You can’t keep a sizzling little secret in a town like Peachtree Cove…

For a place that just won an award for Best Small Town, Peachtree Cove sure has a big rumor mill. And Tracey Thompson is tired of being at the center of it. She’s worked hard to make her bed-and-breakfast a success—only to have her soon-to-be ex’s very public affair with her business partner result in a shocking pregnancy…and the biggest scandal around.

If the whole town is going to talk no matter what she does, maybe it’s time that Tracey stopped trying to be perfect. Maybe she should start doing things for herself—like having a little fun. And Brian Nelson, the sexy nursery owner who supplies plants for all her special events, is more than willing to help.

Fresh out of a bad marriage, Brian is done with drama. Ever since high school, he’s admired Tracey’s strength and sass, and a friends with benefits deal sounds perfect. But now everyone in Peachtree Cove is talking. And they can all see what Brian and Tracey don’t want to admit, even to themselves…that nothing complicates a simple arrangement quite like love…

Peachtree Cove

Book 1: The Secret to a Southern Wedding
Book 2: Waiting for Friday Night
Book 3: Frenemies with Benefits

From beloved content creator Taryn Delanie Smith, comes a luminous and comforting vision of the afterlife—told through her beloved character, Denise, Heaven’s sharp-witted and big-hearted receptionist.

For millions of followers, Denise has become a guide to the great beyond: welcoming new arrivals at Heaven’s front desk, answering their most pressing questions, and offering reassurance with humor, grace, and a knowing wink. What is there to do in Heaven? Can our loved ones still sense us? What about our pets? Do we get to choose our eternal outfit? Denise has heard it all—and she’s ready with answers that are as thoughtful as they are disarming.

In Welcome to the Afterlife, Smith expands the world that has captivated those who know her from social media, inviting readers on a richly imagined tour of the “Upstairs.” From horseback riding and bingo nights to flying lessons and long-awaited reunions, Heaven is revealed as a place of joy, restoration, and deep connection. But Denise doesn’t shy away from the harder questions: What happens to unfinished business? How are babies cared for? How do we forgive ourselves—and each other—once we’ve crossed over?

Along the way, we meet unforgettable souls, and with each encounter, Denise gently reminds us that love endures, and that those we’ve lost are never truly far away.

Behind the humor and sparkle lies Smith’s own grounding in philosophy and religion, lending depth and nuance to Denise’s voice. The result is a work that is at once playful and profound—a comforting meditation on grief, grace, and the invisible threads that bind us to one another.

Warm, funny, and unexpectedly wise, Welcome to the Afterlife offers solace to anyone who has loved and lost—and a hopeful reminder that what awaits us may be far less frightening, and far more beautiful, than we imagine.

A fierce exposé of the resistance to believing Black people and its devastating effects throughout American history.

From Reconstruction to Redemption, from the enactment of landmark civil rights legislation to the execution of the Southern strategy, from 2020’s multiracial protests to the swift elimination of policies etching out a more inclusive society, Americans regularly experience periods of racial reckoning followed by walloping retrenchment.

In Black Evidence, political scientist Candis Watts Smith shows that this pattern is the result of an American habit: denying the truths about our society that Black people experience and remember. Smith then delivers a warning: the effects of this habit ripple out, dulling our ability to identify the signs of authoritarianism and heightening our tolerance for cruelty. Still, she shows how these same truths offer models to overcome our repeated predicament.

Through a curation of critical moments across four centuries, Smith invites us to review the evidence that has been obscured, distorted, and denied. She rigorously investigates the practices that turn Black witnesses into liars in the court room, Black patients into superbodies that don’t feel pain in health care settings, Black people into subhumans in scientific experiments, and Black children into superpredators. She reveals what happens when Black voices are subject to exclusion―their communities are terrorized, their memories are refuted, and their resistance is pathologized.

Written with compassion and tempered optimism, Black Evidence prescribes a cure and encourages readers to practice the skills needed to build a truly multiracial democracy: confront our past, acknowledge the damage of inequality in our present, and listen to the voices of those who experience the problems we wish to solve for an equitable future.

Written after two years of artistic silence, during which the world came to a halt due to the COVID-19 pandemic and Minneapolis became the epicenter of protest following the murder of George Floyd, Bluff is Danez Smith’s powerful reckoning with their role and responsibility as a poet and with their hometown of the Twin Cities. This is a book of awakening out of violence, guilt, shame, and critical pessimism to wonder and imagine how we can strive toward a new existence in a world that seems to be dissolving into desolate futures.

Smith brings a startling urgency to these poems, their questions demanding a new language, a deep self-scrutiny, and virtuosic textual shapes. A series of ars poetica gives way to “anti poetica” and “ars america” to implicate poetry’s collusions with unchecked capitalism. A photographic collage accrues across a sequence to make clear the consequences of America's acceptance of mass shootings. A brilliant long poem―part map, part annotation, part visual argument―offers the history of Saint Paul’s vibrant Rondo neighborhood before and after officials decided to run an interstate directly through it.

Bluff is a kind of manifesto about artistic resilience, even when time and will can seem fleeting, when the places we most love―those given and made―are burning. In this soaring collection, Smith turns to honesty, hope, rage, and imagination to envision futures that seem possible.

For fans of the New Camelot series by Sierra Simone and Kennedy Ryan’s All the King’s Men duet, comes The Illusion of Power. A spicy, contemporary romance that follows future First Lady, Selene Taylor, during the integral months of her husband's campaign for the Oval where she finds herself navigating the embarrassment of his infidelity, the dangers of being a Black woman in proximity to political power, and perhaps worst of all, falling for the two men tasked with protecting her.

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The expansion of Marvel and DC Comics’ characters such as Black Panther, Luke Cage, and Black Lightning in film and on television has created a proliferation of poetry in this genre—receiving wide literary and popular attention.

This groundbreaking collection highlights work from poets who have written verse within this growing tradition, including Terrance Hayes, Lucille Clifton, Gil Scott-Heron, A. Van Jordan, Glenis Redmond, Tracy K. Smith, Teri Ellen Cross Davis, Joshua Bennett, Douglas Kearney, Tara Betts, Frank X Walker, Tyree Daye, and others. In addition, the anthology will also feature the work of artists such as John Jennings and Najee Dorsey, showcasing their interpretations of superheroes, Black comic characters, Afrofuturistic images from the African diaspora.