Ayoola summons me with these words—Korede, I killed him.

I had hoped I would never hear those words again.

Bleach

I bet you didn’t know that bleach masks the smell of blood. Most people use bleach indiscriminately, assum­ing it is a catchall product, never taking the time to read the list of ingredients on the back, never taking the time to return to the recently wiped surface to take a closer look. Bleach will disinfect, but it’s not great for cleaning residue, so I use it only after I have first scrubbed the bathroom of all traces of life, and death.

It is clear that the room we are in has been remod­eled recently. It has that never-been-used look, especially now that I’ve spent close to three hours cleaning up. The hardest part was getting to the blood that had seeped in between the shower and the caulking. It’s an easy part to forget.

A young woman must shake off a family curse and the widely held belief that she is the reincarnation of her dead cousin in this wickedly funny, brilliantly perceptive novel about love, female rivalry, and superstition from the author of the smash hit My Sister, the Serial Killer (“A bombshell of a book... Sharp, explosive, hilarious'--New York Times)

When Ebun gives birth to her daughter, Eniiyi, on the day they bury her cousin Monife, there is no denying the startling resemblance between the child and the dead woman. So begins the belief, fostered and fanned by the entire family, that Eniiyi is the actual reincarnation of Monife, fated to follow in her footsteps in all ways, including that tragic end.

There is also the matter of the family curse: “No man will call your house his home. And if they try, they will not have peace...” which has been handed down from generation to generation, breaking hearts and causing three generations of abandoned Falodun women to live under the same roof.

When Eniiyi falls in love with the handsome boy she saves from drowning, she can no longer run from her family’s history. As several women in her family have done before, she ill-advisedly seeks answers in older, darker spiritual corners of Lagos, demanding solutions. Is she destined to live out the habitual story of love and heartbreak? Or can she break the pattern once and for all, not only avoiding the spiral that led Monife to her lonely death, but liberating herself from all the family secrets and unspoken traumas that have dogged her steps since before she could remember?

Cursed Daughters is a brilliant cocktail of modernity and superstition, vibrant humor and hard-won wisdom, romantic love and familial obligation. With its unforgettable cast of characters, it asks us what it means to be given a second chance and how to live both wisely and well with what we’ve been given.

PRE-ORDER. ON SALE DATE: March 31, 2026

“Violent, smart, gruesome and wildly original, this novel pulls readers into a horrific world of murder and cannibalism while also critiquing misogyny, exploring Asian fetishization and stereotypes, sharing what it’s like to navigate two cultures and telling a touching story of a family in turmoil.” —New York Times Book Review

TIME MAGAZINE'S 100 MUST-READ BOOKS OF THE YEAR

Crying in H-Mart meets My Sister, the Serial Killer in this brilliantly subversive, feminist psychological horror novel about the making of a female serial killer from a Korean-American perspective.

Ji-won’s life tumbles into disarray in the wake of her Appa’s extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshman grades, failing. Her dreams, horrifying . . . yet enticing.

In them, Ji-won walks through bloody rooms full of eyes. Succulent blue eyes. Mouthwatering blue eyes. Eyes the same shape and shade as George’s, who is Umma’s obnoxious new boyfriend. He brags about his puffed-up consulting job, ogles Asian waitresses while dining out, and acts condescendingly toward Ji-won and her sister, as if he deserves all of Umma’s fawning adoration. But George doesn’t deserve anything from her family. Ji-won will make sure of that.

No matter how many victims accumulate around her campus or how many people she must deceive and manipulate, Ji-won’s hunger and her rage deserve to be sated.

"I was enticed from the first line and entertained throughout. The Eyes Are the Best Part is a quirky, engaging read."—Oyinkan Brainthwaite, author of My Sister, the Serial Killer

We're meeting to discuss Cursed Daughters by Oyinkan Braithwaite!

BOOK CLUB MEETING DEETS

When: Wednesday, May 27 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to let us know you plan to attend! Support the Fiction Book Club by purchasing a copy of the book from Kindred Stories here!

ABOUT CURSED DAUGHTERS

A young woman must shake off a family curse and the widely held belief that she is the reincarnation of her dead cousin in this wickedly funny, brilliantly perceptive novel about love, female rivalry, and superstition from the author of the smash hit My Sister, the Serial Killer (“A bombshell of a book... Sharp, explosive, hilarious'--New York Times)

When Ebun gives birth to her daughter, Eniiyi, on the day they bury her cousin Monife, there is no denying the startling resemblance between the child and the dead woman. So begins the belief, fostered and fanned by the entire family, that Eniiyi is the actual reincarnation of Monife, fated to follow in her footsteps in all ways, including that tragic end.

There is also the matter of the family curse: “No man will call your house his home. And if they try, they will not have peace...” which has been handed down from generation to generation, breaking hearts and causing three generations of abandoned Falodun women to live under the same roof.

When Eniiyi falls in love with the handsome boy she saves from drowning, she can no longer run from her family’s history. As several women in her family have done before, she ill-advisedly seeks answers in older, darker spiritual corners of Lagos, demanding solutions. Is she destined to live out the habitual story of love and heartbreak? Or can she break the pattern once and for all, not only avoiding the spiral that led Monife to her lonely death, but liberating herself from all the family secrets and unspoken traumas that have dogged her steps since before she could remember?

Cursed Daughters is a brilliant cocktail of modernity and superstition, vibrant humor and hard-won wisdom, romantic love and familial obligation. With its unforgettable cast of characters, it asks us what it means to be given a second chance and how to live both wisely and well with what we’ve been given.

Grieving and starting over, a marketing research manager finds herself drawn to the one man she shouldn’t want in this soul-stirring, unconventional romance by BriAnn Danae.

Shyriq Hendrix is no stranger to success. As the heir to a legacy distillery and a man with wealth, status, and discipline, he’s built a life most would envy. But in the quiet moments when he’s not managing his multimillion-dollar empire, he’s aware that something is missing.

Then Nhuri Coleman steps into his life . . .

Nhuri has her reasons for keeping a low profile after relocating to Kansas City for a reset. After a chance encounter with Shyriq—the reserved but undeniably attractive owner of Great Hendrix Distillery—she accepts a job she hadn’t been pursuing, offered by a man who sees her worth before she’s ready to believe in it herself. She only expects a steady check and quiet routine, but instead, she experiences undeniable soul-stirring chemistry.

Their early exchanges are strictly professional. But how he watches, listens, and shows up without expectation catches her off guard. Just as their connection begins to deepen, the sudden appearance of her ex-boyfriend pulls Nhuri back into the past. Shyriq, not one to chase, finds himself wanting more than just her time—he wants her trust. And he learns quickly that loving someone who’s learned to survive alone isn’t about fixing them. It’s about staying when everything else says leave.

ONE OF BARACK OBAMA'S FAVORITE BOOKS OF 2022

A NEW YORKER “ESSENTIAL READ”

A NATIONAL BESTSELLER

NAMED A BEST BOOK OF THE YEAR BY THE NEW YORK TIMES, THE WASHINGTON POST, TIME, THE NEW YORKER, BOOKPAGE, AND KIRKUS REVIEWS

“Superb. . . . A celebration of a place and time when people held onto their own ways, and basked in ordinary joys even as outside forces conspired to take them away.” —New York Times

From the winner of the 2021 Nobel Prize in Literature, a sweeping, multi-generational saga of displacement, loss, and love, set against the brutal colonization of east Africa.

When he was just a boy, Ilyas was stolen from his parents on the coast of east Africa by German colonial troops. After years away, fighting against his own people, he returns home to find his parents gone and his sister, Afiya, abandoned into de facto slavery. Hamza, too, returns home from the war, scarred in body and soul and with nothing but the clothes on his back–until he meets the beautiful, undaunted Afiya. As these young people live and work and fall in love, their fates knotted ever more tightly together, the shadow of a new war on another continent falls over them, threatening once again to carry them away.

*Ships in 7-10 Business Days*

From the renowned Booker Prize–winning author, a powerful collection of poems covering topics of the day, such as the refugee crisis, Black Lives Matter protests, and COVID-19.

In our times of crisis
The mind has its powers
 
This book brings together many of Ben Okri’s most acclaimed and politically charged poems.
    “Grenfell Tower, June 2017” was published in the Financial Times less than ten days after the fire, and Okri’s reading of it was played more than six million times on Facebook.
    “Notre-Dame Is Telling Us Something” was first read on BBC Radio 4, in the aftermath of the cathedral’s near destruction. It speaks eloquently of the despair that was felt around the world.
    In “shaved head poem,” Okri writes of the confusion and anxiety felt as the world grappled with a health crisis unprecedented in our times.
    “Breathing the Light” is his response to the events of summer 2020, when a Black man died beneath the knee of a white policeman, a tragedy sparking a movement for change.
    These poems and others, including poems for Ken Saro-Wiwa, Barack Obama, Amnesty International, and more, make this a uniquely powerful collection that blends anger and tenderness with Okri’s inimitable vision.

She's a good girl.

And she has a thing for bad boys.

It's the reason I had to let her go. I knew that I was a mistake she was willing to make over and over, again. I loved her too much to hurt her, but that didn't give anyone else the right to. She's too pure and too precious. And, I'd do any nigga dirty that dared to play with her heart. I wasn't even the exception when it came to her. That's why I knew I had to get my shit together and cater to her heart the way only I could. And until she was mine again, I'd go to war with any n*gga, empty my bank accounts, ignite fires between us, sing every love song known to man, and grovel at her feet. Because I wouldn't rest until she belonged to me.

He's a heartbreaker.

And I'm still recovering from that time he broke mine.

A selection of the exquisite, passionate verse of the Palestinian poet Najwan Darwish, superbly translated into English

Finalist for the 2025 PEN Award for Poetry in Translation • Finalist for the 2025 Derek Walcott Prize for Poetry • Winner of the 2024 Big Other Readers’ Choice Award • Shortlisted for the 2025 PEN Heaney Prize • Longlisted for the 2025 National Translation Award for Poetry, sponsored by American Literary Translators Association

“An unvarnished view of war and its repercussions: fear, dread, devastation, and exile.”―Elisabeth Egan, New York Times Book Review
 
Born in Jerusalem in 1978, Najwan Darwish is one of the most important poets of the Arabic-speaking world. This definitive collection, which draws from five volumes published in Arabic as well as new unpublished work, brings to English-language readers a sweeping trove of Darwish’s most powerful and urgent poetry of the last decade.
 
In spare lyric verse, Darwish testifies to the brutal and intimate traumas of war, the anguished fatigue of waking up each morning in an occupied land, and the immeasurable toll of the Israeli-Palestinian conflict. While anchored in the geography of Palestine, his poetry also explores the rich artistic inheritance of the Arabic-speaking world, moving between regions, landscapes, and eras, from the glories of medieval Granada to the rippling shores of contemporary Haifa. In dialogue with poets, philosophers, and seekers from many different traditions, Darwish’s verse pulses with spiritual longing and a sense of battered, disoriented wonder―a witness to both the atrocities we visit upon one another and the miracle that we are here at all.
 
No One Will Know You Tomorrow is a tribute to the indomitability of the human spirit: its sensitive attunement to beauty and its endurance in the face of unspeakable tragedy.

A brilliant new collection by the great Caribbean writers and scholar: “an engaging, deep-hearted, strong-spirited, and richly musical poet” (The Multicultural Review)

Equinox is an unforgettable and never-before-published masterwork completed by Kamau Brathwaite before his death in 2020. Written in his unique Sycorax typeface and replete with compelling images and photographs, Equinox contains poems written in Brathwaite’s singular Barbadian vernacular and visionary style―poems about the Middle Passage, the natural world, Billie Holiday, Whitney Houston, the Kumina dance in Jamaica, Nelson and Winnie Mandela, the Fukushima nuclear disaster in Japan, and Breughel’s painting “Landscape with the Fall of Icarus,” among many tidalectic topics. The lyrical poems in Equinox weave together history and culture with the imagery of Brathwaite’s native Barbados, weaving a lush tapestry of injustice, redemption, and hope.

An urgent and unforgettable work of magical realism following a young man coming of age in rural West Africa as he bears witness to the violence, upheaval, and hope in a rapidly changing society

In a drought-stricken Igbo village, young Ekwe grows up haunted by owls, myths, and the boundaries of a world too small to contain his restless spirit. After touching a forbidden leaf that his father warns will trap him in astral planes, he is swept into a journey that will carry him across Nigeria, through savannas, deserts, and conflict zones, and into the heart of a nation’s unraveling.

Taken in by Danjuma, a gentle Fulani cowherd with a sprawling family and an instinct for danger, Ekwe enters a world of cattle herding, migration, and precarious survival. As insurgents tear through northern towns and tribal wars erupt in the Middle Belt, Danjuma leads his family on an epic pastoral flight southward, seeking safety in a country where no place is truly safe. Along the way, Ekwe witnesses birth and burial, kindness and betrayal, and the fragile alliances that form between strangers bound by necessity.

But violence follows them like a shadow, and the owls—symbols of myth, menace, and prophecy—perch over every new beginning. Back in his own village, Ekwe’s twelve-year-old sister is pressured to marry a wealthy adult suitor. Ekwe becomes obsessed with how much their lives would improve if she married this man, but Oyibo, stubborn and proud, resists the path that is laid out for her. Meanwhile, simmering tensions between herders and farmers threaten to ignite, forcing Ekwe to confront the truth of where he belongs.

Sweeping, immersive, and fiercely humane, A Siege of Owls traces a child’s odyssey across a fractured landscape, weaving folklore with the stark realities of insurgency, displacement, and the longing for home. It is a story of two families—one lost, one gained—bound together by fate, resilience, and the dangerous hope that somewhere, peace still exists.