In over a dozen interviews, Conversations with Kiese Laymon provides an in-depth look at author Kiese Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon’s life and craft. Within these pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody’s Coming of Age in Mississippi, Welty’s One Writer’s Beginnings, Jesmyn Ward’s Men We Reaped, and Natasha Trethewey’s Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues.

As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon’s humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, this volume provides an unfiltered look at the prolific Southern writer in his own words.

Join us to commemorate Phillip B. Williams's first novel, Ours: A Novel!

EVENT DEETS

When: Sunday, October 27 @ 3PM CST

Where: Kindred Stories (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to reserve you seat (and bring your own copy) or RSVP WITH BOOK to reserve your copy. 

If you are student or in financial need, please reach out to inquire about a free ticket.

ABOUT THE BOOK

In this ingenious, sweeping novel, Phillip B. Williams introduces us to an enigmatic woman named Saint, a fearsome conjuror who, in the 1830s, annihilates plantations all over Arkansas to rescue the people enslaved there. She brings those she has freed to a haven of her own creation: a town just north of St. Louis, magically concealed from outsiders, named Ours.

It is in this miraculous place that Saint’s grand experiment—a truly secluded community where her people may flourish—takes root. But although Saint does her best to protect the inhabitants of Ours, over time, her conjuring and memories begin to betray her, leaving the town vulnerable to intrusions by newcomers with powers of their own. As the cracks in Saint’s creation are exposed, some begin to wonder whether the community’s safety might be yet another form of bondage.

Set over the course of four decades and steeped in a rich tradition of American literature informed by Black surrealism, mythology, and spirituality, Ours is a stunning exploration of the possibilities and limitations of love and freedom by a writer of capacious vision and talent.

ABOUT THE AUTHOR

Phillip B. Williams is from Chicago, Illinois, and is the author of two collections of poetry: Thief in the Interior, which was the winner of the Kate Tufts Discovery Award and a Lambda Literary Award, and Mutiny, which was a finalist for the PEN/Voelcker Award for Poetry Collection and the winner of a 2022 American Book Award. Williams is also the recipient of a Whiting Award and fellowships from the Radcliffe Institute for Advanced Study at Harvard University and the National Endowment for the Arts. He currently teaches in the MFA in creative writing program at New York University and the Randolph College low-residency MFA.

ABOUT THE CONVERSATION PARTNER

Kiese Laymon is a Black southern writer from Jackson, Mississippi. Laymon is the Libbie Shearn Moody Professor of English and Creative Writing at Rice University. Laymon is the author of Long Division, which won the 2022 NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America, named a notable book of 2021 by the New York Times critics. Laymon’s bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Barnes and Noble Discovery Award, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times. The audiobook, read by the author, was named the Audible 2018 Audiobook of the Year. Laymon is the recipient of 2020-2021 Radcliffe Fellowship at Harvard. Laymon is at work on the books, Good God, and City Summer, Country Summer, and a number of other film and television projects. He is the founder of “The Catherine Coleman Literary Arts and Justice Initiative,” a program based out of the Margaret Walker Center at Jackson State University, aimed at aiding young people in Jackson get more comfortable reading, writing, revising and sharing on their on their own terms, in their own communities. Kiese Laymon was awarded a MacArthur Fellowship in 2022.

Celebrate the release of Pretty: Memoir with author, KB Brookins!

EVENT DEETS

When: Wednesday, May 29 @ 7:30 PM CST

Where: Kindred Stories Reading Garden (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to reserve your seat or RSVP with book to support the author and our programming. 

ABOUT THE BOOK

By a prize-winning, young Black trans writer of outsized talent, a fierce and disciplined memoir about queerness, masculinity, and race.

Even as it shines light on the beauty and toxicity of Black masculinity from a transgender perspective—the tropes, the presumptions—Pretty is as much a powerful and tender love letter as it is a call for change.  

“I should be able to define myself, but I am not. Not by any governmental or cultural body,” Brookins writes. “Every day, I negotiate the space between who I am, how I’m perceived, and what I need to unlearn. People have assumed things about me, and I can’t change that. Every day, I am assumed to be a Black American man, though my ID says ‘female,’ and my heart says neither of the sort. What does it mean—to be a girl-turned-man when you’re something else entirely?” 

Informed by KB Brookins’s personal experiences growing up in Texas, those of other Black transgender masculine people, Black queer studies, and cultural criticism, Pretty is concerned with the marginalization suffered by a unique American constituency—whose condition is a world apart from that of cisgender, non-Black, and non-masculine people. Here is a memoir (a bildungsroman of sorts) about coming to terms with instantly and always being perceived as “other”

ABOUT THE AUTHOR

KB BROOKINS is a Black, queer, and trans writer and cultural worker from Texas. They are the author of Freedom House and How to Identify Yourself with a Wound. Brookins has poems, essays, and installation art published in Academy of American Poets, Teen Vogue, Poetry Magazine, Prizer Arts & Letters, Okayplayer, Poetry Society of America, Autostraddle, and other venues. They have earned fellowships from the National Endowment for the Arts, PEN America, Equality Texas, and others.

ABOUT THE CONVERSATION PARTNER

Kiese Laymon is a Black southern writer from Jackson, Mississippi. Laymon is the Libbie Shearn Moody Professor of English and Creative Writing at Rice University. Laymon is the author of Long Division, which won the 2022 NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America, named a notable book of 2021 by the New York Times critics. Laymon’s bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Barnes and Noble Discovery Award, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times. The audiobook, read by the author, was named the Audible 2018 Audiobook of the Year. Laymon is the recipient of 2020-2021 Radcliffe Fellowship at Harvard. Laymon is at work on the books, Good God, and City Summer, Country Summer, and a number of other film and television projects. He is the founder of “The Catherine Coleman Literary Arts and Justice Initiative,” a program based out of the Margaret Walker Center at Jackson State University, aimed at aiding young people in Jackson get more comfortable reading, writing, revising and sharing on their on their own terms, in their own communities. Kiese Laymon was awarded a MacArthur Fellowship in 2022.

A heartwarming and unforgettable collection of love stories set at Historically Black Colleges and Universities, exploring hope, endurance, and what it means to leave a legacy, from some of today’s most prominent Black writers and edited by the acclaimed author of Love Radio

Love can be messy, painful, and heartbreaking, but it can also be revolutionary, profound, and hopeful. For Celine, a forbidden crush on a professor evolves into a second chance at romance years later. Myra’s focus on a coveted audition for the Fisk Jubilee Singers is challenged by the handsome music major determined to help her. Kiese investigates the darker side to academia, love, and identity. Like most blessings, love emerges in the most unexpected places—in a training cockpit for new pilots, during a Mardi Gras celebration, or while gathering signatures to start the first-ever LGBTQ+ student organization officially recognized at an HBCU.

These are just a few of the heart-searing, tender, and transporting love stories collected in You’ve Got a Place Here, Too—a true celebration of Black love and the profound impact of HBCUs on the community.

Featuring stories by Elizabeth Acevedo, Jasmine Bell, Carla Bruce, Aaron Foley, Kai Harris, Ebony LaDelle, Kiese Laymon, Christine Platt, Farrah Rochon, Kennedy Ryan, Dawnie Walton, and Nicola Yoon.

A sweeping narrative of the unique beauty and trials of Black matriarchy in America that weaves a sharp, tender examination of three single Black mothers—the author's grandmother, mother, and the author herself—with stories of influential Black women in our culture

"Bonét tells the whole history of this country through the relationships of and between Black mothers and daughters."—Imani Perry, National Book Award-winning author of South to America

“Bonét dances on our hearts in this classic creation of will and wit. Electrifying... Wow.”—Kiese Laymon, author of Heavy: An American Memoir

Betty Jean, the author’s grandmother, had a house along a bayou in Texas, a home paid for and run without a man by her side. This home served as the center of Bonét’s family’s universe, the one place that was a constant through all of life’s changes.

Mama Connie, one of Betty Jean’s eleven children, vowed that her life would be different. And in many ways it was: she got married, lived in suburbia, and built a life resembling the American dream. But when it came to raising children of her own, she was more like Betty Jean than she cared to admit. But, like her mother before her, Connie’s sweat was the founding salt of her own universe.

Today, Sasha Bonét navigates all aspects of being a mother—escape, promise, burden, assent, and rebellion—not just for the women in her family who came before her, but for Black women with whom society is acquainted, too: figures like Nina Simone, Betty Davis, and Darnella Frazier, who filmed the murder of George Floyd.

Generations of Black women have borne children, borne the burdens of events untold, and borne witness to unspeakable trials. The Waterbearers carries this history, its fierce eloquence capturing a masterpiece of life written by an author who is intimately acquainted with how Black women have passed down knowledge and culture. Sasha Bonét doesn’t just present genealogical lineages but illuminates the cultural and societal connections of strong Black women who have built legacies and changed the world, sometimes in the most mundane of moments. The fierce eloquence of this story confirms Sasha Bonét as a voice we all now need to hear.

One World is proud to present THE 1619 PROJECT: A New Origin Story, a book that dramatically builds on the vision of the original magazine project with major expansions of the original essays, seven new essays by historians, and dozens of new poems and pieces of fiction. The book includes a significant elaboration of the project’s Pulitzer Prize-winning lead essay by Nikole Hannah-Jones and a new introduction that together offer a stirring rebuttal to critics. Hannah-Jones has also written a third essay that makes the case for reparative solutions to the legacy of injustice the project documents.

Edited by Hannah-Jones, along with New York Times Magazine editor-in-chief Jake Silverstein, features editor Ilena Silverman, and New York Times executive producer Caitlin Roper, the book offers work from some of the country’s most outstanding journalists, thinkers, historians and scholars, including: Michelle Alexander, Leslie Alexander, Carol Anderson, Jamelle Bouie, Anthea Butler, Matthew Desmond, Martha Jones, Ibram Kendi, Kevin Kruse, Trymaine Lee, Tiya Miles, Wesley Morris, Khalil Gibran Muhammad, Dorothy Roberts, Jeneen Interlandi, Bryan Stevenson, and Linda Villarosa.

Woven throughout the book are works of fiction and poetry that bring to life four hundred years of history with imaginative writing by Joshua Bennett, Reginald Dwayne Betts, Rita Dove, Camille Dungy, Cornelius Eady, Eve L. Ewing, Nikky Finney, Vievee Francis, Yaa Gyasi, Forrest Hamer, Terrance Hayes, Honorée Fanonne Jeffers, Barry Jenkins, Tyehimba Jess, Robert Jones, Jr., A. Van Jordan, Yusef Komunyakaa, Kiese Laymon, Jasmine Mans, Terry McMillan, Lynn Nottage, ZZ Packer, Gregory Pardlo, Darryl Pinckney, Claudia Rankine, Jason Reynolds, Evie Shockley, Tim Siebles, Clint Smith, Danez Smith, Patricia Smith, Tracy K. Smith, Nafissa Thompson-Spires, Natasha Trethewey, Jesmyn Ward and Sonia Sanchez.

The book also includes archival portrait photography of Black Americans paired with each essay, curated by Kimberly Annece Henderson.

Celebrate the release of Black Moses with Caleb Gayle!

EVENT DEETS

When: Thursday, November 6 @ 6PM

Where: Kindred Stories (2310 Elgin Street, Houston, Texas, Houston, 77004).

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming

ABOUT THE BOOK

The remarkable story of Edward McCabe, a Black man who tried to establish a Black state within the United States.

In this paradigm-shattering work of American history, Caleb Gayle recounts the extraordinary tale of Edward McCabe, a Black man who championed the audacious idea to create a state within the Union governed by and for Black people — and the racism, politics, and greed that thwarted him.

As the sweeping changes and brief glimpses of hope brought by the Civil War and Reconstruction began to wither, anger at the opportunities available to newly freed Black people were on the rise. As a result, both Blacks and whites searched for new places to settle. That was when Edward McCabe, a Black businessman and a rising political star in the American West, set in motion his plans to found a state within the Union for Black people to live in and govern. His chosen site: Oklahoma, a place that the U.S. government had deeded to Indigenous people in the 1830s when it forced thousands of them to leave their homes under Indian Removal, which became known as the Trail of Tears.

McCabe lobbied politicians in Washington, D.C., Kansas, and elsewhere as he exhorted Black people to move to Oklahoma to achieve their dreams of self-determination and land ownership. His rising profile as a leader and spokesman for Black people as well as his willingness to confront white politicians led him to become known as Black Moses. And like his biblical counterpart, McCabe nearly made it to the promised land but was ultimately foiled by politics, business interests, and the growing ambitions of white settlers who also wanted the land.

In Black Moses, Gayle brings to vivid life the world of Edward McCabe: the Black people who believed in his dream of a Black state, the white politicians who didn't, and the larger challenges of confronting the racism and exclusion that bedeviled Black people's attempts to carve a place in America for themselves. Gayle draws from extraordinary research and reporting to reveal an America that almost was.

ABOUT THE AUTHOR

Caleb Gayle is an award-winning journalist and the author of We Refuse to Forget: A True Story of Black Creeks, American Identity, and Power. A professor at Northeastern University, he is a contributing writer at The New York Times Magazine, and his work also has appeared in The Atlantic, TIME, The Guardian, Guernica, The New Republic, and The Boston Globe. He lives near Boston.

ABOUT THE MODERATOR 

Born and raised in Jackson, Mississippi, Kiese Laymon is the Ottilie Schillig Professor in English and Creative Writing at the University of Mississippi and author of the novel Long Division, the memoir Heavy, and the essay collection How to Slowly Kill Yourself and Others in America. He was recently named a 2022 MacArthur Fellow.

A liberatory anthology of twenty-six writers—a community in book form—charting paths ahead for action and care in the face of political uncertainty, curated by Maggie Smith and Saeed Jones.

Inspired by Saeed Jones and Maggie Smith’s conversations in the wake of the 2024 election, this is a collection of poems, essays, and visual art on what we—individually and collectively—can hold onto, and what we can work towards.

In times of difficulty, with a government working against its own people, we must turn to our friends and loved ones to provide context, language, energy, and hope. The People’s Project offers a range of perspectives, drawing wisdom from their communities and histories: from know-your-place aggression to crip time as a way forward, from finding strength in nature to how trans people provide a guide for the future, and how hope has everything to do with survival.

We hope these meditations and strategies will provide you with inspiration and fortitude for the years ahead.

Featuring original and selected work from Alexander Chee, Chase Strangio, Tiana Clark, Hala Alyan, Aubrey Hirsch, Imani Perry, Abi Maxwell, Victoria Chang, Koritha Mitchell, Jason Silverstein, Alice Wong, Mira Jacob, Aruni Kashyap, Sam Sax, Ashley C. Ford, Marlon James, Eula Biss, Randall Mann, Danez Smith, Ada Limon, Kiese Laymon, Joy Harjo, Jill Damatac, and Patricia Smith.

Winner of the Pulitzer Prize and the National Book Award, Alice Walker’s iconic modern classic, now in a beautiful 40th anniversary Penguin Vitae edition with a foreword by Kiese Laymon

A Penguin Classic Hardcover

A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early twentieth-century rural Georgia. Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance and silence. Through a series of letters spanning twenty years, first from Celie to God, then the sisters to each other despite the unknown, the novel draws readers into its rich and memorable portrayals of Celie, Nettie, Shug Avery and Sofia and their experience. The Color Purple broke the silence around domestic and sexual abuse, narrating the lives of women through their pain and struggle, companionship and growth, resilience and bravery. Deeply compassionate and beautifully imagined, Alice Walker’s epic carries readers on a spirit-affirming journey toward redemption and love.

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From the legendary author of Native Son and Black Boy, the novel he was unable to publish during his lifetime—an explosive story of racism, injustice, brutality, and survival. "Not just Wright's masterwork, but also a milestone in African American literature . . . One of those indispensable works that reminds all its readers that, whether we are in the flow of life or somehow separated from it, above- or belowground, we are all human." (Gene Seymour, CNN.com)

“The Man Who Lived Underground reminds us that any ‘greatest writers of the 20th century’ list that doesn’t start and end with Richard Wright is laughable. It might very well be Wright’s most brilliantly crafted, and ominously foretelling, book.”—Kiese Laymon

Fred Daniels, a Black man, is picked up by the police after a brutal double murder and tortured until he confesses to a crime he did not commit. After signing a confession, he escapes from custody and flees into the city’s sewer system.

This is the devastating premise of Richard Wright's scorching novel, The Man Who Lived Underground, written between his landmark books Native Son (1940) and Black Boy (1945), at the height of his creative powers. Now, for the first time, by special arrangement with the author’s estate, the full text of the work that meant more to Wright than any other (“I have never written anything in my life that stemmed more from sheer inspiration”) is published in the form that he intended, complete with his companion essay, “Memories of My Grandmother.” Malcolm Wright, the author’s grandson, contributes an afterword.

A New York Times Notable Book

A revised collection with thirteen essays, including six new to this edition and seven from the original edition, by the “star in the American literary firmament, with a voice that is courageous, honest, loving, and singularly beautiful” (NPR).

Brilliant and uncompromising, piercing and funny, How to Slowly Kill Yourself and Others in America is essential reading. This new edition of award-winning author Kiese Laymon’s first work of nonfiction looks inward, drawing heavily on the author and his family’s experiences, while simultaneously examining the world—Mississippi, the South, the United States—that has shaped their lives. With subjects that range from an interview with his mother to reflections on Ole Miss football, Outkast, and the labor of Black women, these thirteen insightful essays highlight Laymon’s profound love of language and his artful rendering of experience, trumpeting why he is “simply one of the most talented writers in America” (New York magazine).