*Ships in 7-10 Business Days*

Ranging from Ta-Nehisi Coates’s case for reparations to Toni Morrison’s revolutionary humanism to D’Angelo’s simmering blend of R&B and racial justice, Jesse McCarthy’s bracing essays investigate with virtuosic intensity the art, music, literature, and political stances that have defined the twenty-first century. Even as our world has suffered through successive upheavals, McCarthy contends, “something was happening in the world of culture: a surging and unprecedented visibility at every level of black art making.” Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis.

Addresses the political and aesthetic evolution of African American literature and its authors during the Cold War, an era McCarthy calls “the Blue Period.”

In the years after World War II, to be a black writer was to face a stark predicament. The contest between the Soviet Union and the United States was a global one—an ideological battle that dominated almost every aspect of the cultural agenda. On the one hand was the Soviet Union, espousing revolutionary communism that promised egalitarianism while being hostile to conceptions of personal freedom. On the other hand was the United States, a country steeped in racial prejudice and the policies of Jim Crow.

Black writers of this time were equally alienated from the left and the right, Jesse McCarthy argues, and they channeled that alienation into remarkable experiments in literary form. Embracing racial affect and interiority, they forged an aesthetic resistance premised on fierce dissent from both US racial liberalism and Soviet communism. From the end of World War II to the rise of the Black Power movement in the 1960s, authors such as Richard Wright, James Baldwin, Gwendolyn Brooks, and Paule Marshall defined a distinctive moment in American literary culture that McCarthy terms the Blue Period.

In McCarthy’s hands, this notion of the Blue Period provides a fresh critical framework that challenges long-held disciplinary and archival assumptions. Black writers in the early Cold War went underground, McCarthy argues, not to depoliticize or liberalize their work, but to make it more radical—keeping alive affective commitments for a future time.

*Ships in 7-10 Business Days*

The first volume in an anthology series that amplifies the voices of unsung Black poets to paint a more robust picture of our national past, and of the Black literary imagination, with a foreword by Tracy K. Smith

A Penguin Classic

Joshua Bennett and Jesse McCarthy repeatedly found themselves struck by the number of exciting poets they came across in long-out-of-print collections and forgotten journals whose work has been neglected or entirely ignored, even by scholars of Black poetry. Minor Notes is an excavation initiative that recovers and curates archival materials from these understudied, though supremely gifted, African American poets of the nineteenth and twentieth centuries, and aims to bridge scholarly interest with the growing general audience who reads, writes, and circulates poetry within that tradition. As Minor Notes clarifies, the work of contemporary Black poets is perhaps best understood through the lens of a long-standing tradition of the poet as witness, as prophetic voice, as communal bard, and as scholar of the everyday and the miraculous. The poets featured in Volume 1 are George Moses Horton, Fenton Johnson, Georgia Douglas Johnson, Henrietta Cordelia Ray, David Wadsworth Cannon Jr., Anne Spencer, and Angelina Weld Grimké.

*ships in 7 - 10 business days*

Where the Line Bleeds is Jesmyn Ward’s gorgeous first novel and the first of three novels set in Bois Sauvage—followed by Salvage the Bones and Sing, Unburied, Sing—comprising a loose trilogy about small town sourthern family life. Described as “starkly beautiful” (Publishers Weekly, starred review), “fearless” (Essence), and “emotionally honest” (The Dallas Morning News), it was a finalist for the Hurston/Wright Legacy Award and the Virginia Commonwealth University Cabell First Novelist Award.

Joshua and Christophe are twins, raised by a blind grandmother and a large extended family in rural Bois Sauvage, on Mississippi’s Gulf Coast. They’ve just finished high school and need to find jobs, but after Katrina, it’s not easy. Joshua gets work on the docks, but Christophe’s not so lucky and starts to sell drugs. Christophe’s downward spiral is accelerated first by crack, then by the reappearance of the twins’ parents: Cille, who left for a better job, and Sandman, a dangerous addict. Sandman taunts Christophe, eventually provoking a shocking confrontation that will ultimately damn or save both twins.

Where the Line Bleeds takes place over the course of a single, life-changing summer. It is a delicate and closely observed portrait of fraternal love and strife, of the relentless grind of poverty, of the toll of addiction on a family, and of the bonds that can sustain or torment us. Bois Sauvage, based on Ward’s own hometown, is a character in its own right, as stiflingly hot and as rich with history as it is bereft of opportunity. Ward’s “lushly descriptive prose…and her prodigious talent and fearless portrayal of a world too often overlooked” (Essence) make this novel an essential addition to her incredible body of work.

“Read Between the Lies is a dark, delicious takedown of cancel culture and the publishing industry―I read it in two sittings because I had to stop midway and go google my own name. Highly recommend.” ―Mindy Kaling

In this claustrophobic psychological suspense from USA Today bestselling author Jesse Q. Sutanto, the line between victim and villain blurs with every chapter. Because in the end, everyone has their own version of the truth―but only one will make it onto the page.

Fern’s dream of becoming a published author is finally coming true. After years of rejection, her debut novel has sold, and she’s ready to join the supportive online community of fellow debuts. But when she discovers her high school bully, Haven, has landed a major book deal and will be debuting alongside her, old wounds reopen.

As the pandemic forces everyone online, tensions escalate in their writing community. While Haven seems to succeed effortlessly, Fern watches her own career crumble. Yet beneath their polished personas lies a darker truth about their shared past―one involving a lost friend, Dani, and secrets neither wants revealed.

Fern isn’t the same person Haven bullied all those years ago. She’s learned that the best revenge stories aren’t written―they’re lived. And she’s been plotting this one for years.

What begins as online rivalry escalates into dangerous obsession. Because neither woman is telling the whole truth about what really happened to Dani…or about who’s the real victim in this story.

Funny, thoughtful, inspiring, and deeply personal essays about yoga, wellness, and life from author of EVERY BODY YOGA, Jessamyn Stanley. Stanley explores her relationship (and ours) to yoga (including why we practice, rather than how); wrestles with issues like cultural appropriation, materialism, and racism; and explores the ways we can all use yoga as a tool for self-love. 

Finding self-acceptance both on and off the mat.
In Sanskrit, yoga means to “yoke.” To yoke mind and body, movement and breath, light and dark, the good and the bad. This larger idea of “yoke” is what Jessamyn Stanley calls the yoga of the everyday—a yoga that is not just about perfecting your downward dog but about applying the hard lessons learned on the mat to the even harder daily project of living.
In a series of deeply honest, funny autobiographical essays, Jessamyn explores everything from imposter syndrome to cannabis to why it’s a full-time job loving yourself, all through the lens of yoke. She calls out an American yoga complex that prefers debating the merits of cotton versus polyblend leggings rather than owning up to its overwhelming Whiteness. She questions why the Western take on yoga so often misses—or misuses—the tradition’s spiritual dimension. And reveals what she calls her own “whole-ass problematic”: Growing up Baháí, loving astrology, learning to meditate, finding prana in music.
And in the end, Jessamyn invites every reader to find the authentic spirit of yoke—linking that good and that bad, that light and that dark.

"My clothes are different, my face is different, my hair is different, but I am somebody. I am black, brown, white. I speak a different language. But I must be respected, protected, never rejected. I am God’s child. ⁣I am somebody.” —Jesse Jackson

Few figures loom as large as Reverend Jesse Jackson in the history of American civil rights. From marching in the 1960s with Dr. Martin Luther King, Jr., to forming the Rainbow PUSH Coalition, to his historic presidential campaigns, Jesse Jackson spent his life at the forefront of the civil rights movement. Recipient of numerous awards including the Presidential Medal of Freedom and NAACP Spingarn Medal, Jackson is undoubtedly one of the most consequential figures in the nation's history.

Collected here are rare and previously uncollected interviews with magazines, newspapers, and television broadcasts. In them, Jackson talks of his work with Dr. King, and the tragic night when he was killed. He addresses the economic deregulation of the 1970s, how it translated to tax cuts for the wealthy but few benefits for the poor and underrepresented. He tells of his own presidential campaigns and, with the political rise of Barack Obama, anticipates the election of the country's first Black president. From these brief glimpses emerges a picture of a man of moral purpose, who taught us that the only justification to look down on someone is to stop and pick them up.

*Paperback Release Date - 10/27/2026*

CNN’s Abby Phillip, a triumphant new look at Jesse Jackson’s presidential campaigns of the 1980s and how they changed Black political power

“A joyful, rich, must-read biography of a politician whose flaws and gifts were in constant, intense competition.” ―Jake Tapper

Jesse Jackson, the civil rights leader, activist, raconteur, and political candidate, finally gets a book worthy of his stature courtesy of CNN anchor Abby Phillip.

Focusing on his presidential runs in 1984 and, especially, 1988, Phillip highlights how Jackson built an unlikely coalition that showed how Black political power could be consolidated. His experience working under Martin Luther King; his organizing the SLCC’s Operation Breadbasket in Chicago and beyond; and his roots in the deep South combined into two astonishingly impactful presidential campaigns. Appealing to the working people of urban enclaves like that of Chicago, young people on college campuses, and Black people across the South, he created the modern Democratic coalition―one that has been used by all major Democrats seeking national success from Obama to Biden to Harris.

With her expert reporting, natural storytelling skills, and a story so full of humanity, politics, and hope, Abby Phillip has written a rousing popular history that sheds new light on an American icon.

Jojo is thirteen years old and trying to understand what it means to be a man. He doesn’t lack in fathers to study, chief among them his Black grandfather, Pop. But there are other men who complicate his understanding: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who won’t acknowledge his existence; and the memories of his dead uncle, Given, who died as a teenager.

His mother, Leonie, is an inconsistent presence in his and his toddler sister’s lives. She is an imperfect mother in constant conflict with herself and those around her. She is Black and her children’s father is White. She wants to be a better mother but can’t put her children above her own needs, especially her drug use. Simultaneously tormented and comforted by visions of her dead brother, which only come to her when she’s high, Leonie is embattled in ways that reflect the brutal reality of her circumstances.

When the children’s father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love.