A nuanced profile, in image and text, of the great Black Power leader at the exhilarating moment of the movement’s ascendancy

Gordon Parks’ 1967 Life magazine essay “Whip of Black Power” is a nuanced profile of the young, controversial civil rights leader Stokely Carmichael. As chairman of the Student Nonviolent Coordinating Committee, Carmichael gained national attention and inspired media backlash when he issued the call for Black Power in Greenwood, Mississippi, in June 1966. Parks shadowed him from the fall of 1966 to the spring of 1967, as Carmichael gave speeches, headed meetings and promoted the growing Black Power movement. Parks’ photos and writing addressed Carmichael’s intelligence and humor, presenting the whole man behind the headline-making speeches and revealing his own advocacy of Black Power and its message of self-determination and love.
Stokely Carmichael and Black Power delves into Parks’ groundbreaking presentation of Carmichael, with analysis of his images and accompanying text about the charismatic leader. Lisa Volpe explores Parks’ complex understanding of the movement and its leader, and Cedric Johnson frames Black Power within the heightened political moment of the late 1960s. Carmichael’s own voice is represented through a reprint of his important 1966 essay “What We Want.”
Gordon Parks (1912–2006) was a photographer, filmmaker, musician and author whose 50-year career focused on American culture, social justice, the civil rights movement and the Black American experience. Born into poverty and segregation in Fort Scott, Kansas, Parks was awarded the Julius Rosenwald Fellowship in 1942, which led to a position with the Farm Security Administration. In 1969 he became the first Black American to write and direct a major feature film, The Learning Tree, and his next directorial endeavor, Shaft (1971), helped define a film genre.

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His white teacher tells her all-black class, You'll all wind up porters and waiters. What did she know? Gordon Parks is most famous for being the first black director in Hollywood. But before he made movies and wrote books, he was a poor African American looking for work. When he bought a camera, his life changed forever. He taught himself how to take pictures and before long, people noticed. His success as a fashion photographer landed him a job working for the government. In Washington DC, Gordon went looking for a subject, but what he found was segregation. He and others were treated differently because of the color of their skin. Gordon wanted to take a stand against the racism he observed. With his camera in hand, he found a way. Told through lyrical verse and atmospheric art, this is the story of how, with a single photograph, a self-taught artist got America to take notice.

Photo albums from the archives of the iconic chronicler of New York's 1980s rap, hip-hop and Black culture

The influential Brooklyn-based photographer Jamel Shabazz has been making portraits of New Yorkers for more than 40 years, creating an archive of cultural shifts and struggles across the city. His portraits of different communities underscore the street as a space for self-presentation, whether through fashion or pose. In every instance Shabazz aims, in his words, to represent individuals and communities with “honor and dignity.” This book—awarded the Gordon Parks Foundation/Steidl Book Prize—presents, for the first time, Shabazz’s work from the 1970s to ’90s as it exists in his archive: small prints thematically grouped and sequenced in traditional family photo albums that function as portable portfolios.
Shabazz began making portraits in the mid-1970s in Brooklyn, Queens, the West Village and Harlem. His camera was also at his side while working as an officer at Rikers Island in the 1980s, where he took portraits of inmates. This book features selections from over a dozen albums, many previously unseen, and includes his earliest photographs as well as images taken inside Rikers Island, all accompanied by essays that situate Shabazz’s work within the broader history of photography.
Born and raised in Brooklyn, Jamel Shabazz (born 1960) picked up his first camera at the age of 15 and began documenting his communities, inspired by photographers such as Leonard Freed, James Van Der Zee and Gordon Parks. His work has been featured in numerous solo and group exhibitions, including those at the Brooklyn Museum, the Studio Museum in Harlem, the J. Paul Getty Museum and the Victoria and Albert Museum. Shabazz is the author of Back in the Days (2001) and Sights in the City (2017).

In 1953, Gordon Parks returned to Chicago on assignment for Life magazine to photograph the Metropolitan Missionary Baptist Church for a series on American religious life. After the success of his recent work for Life, Parks approached the Near West Side church with a decisive eye toward composing compelling images that conveyed simultaneously the universal humanity and local specificity of the religious community. This would be the first assignment for which he was both writer as well as photographer. His photographs and essay were never published by Life, yet as this book demonstrates, Parks’ visual and textual representation of Black religious life powerfully documents the dynamism of a community shaped by the Great Migration and Chicago’s industrial landscape. Parks embarked on a significant chapter of his aesthetic and conceptual development through his engagement with the pastor, the Reverend Ernest F. Ledbetter, Sr., and the members of his church. This publication features more than 65 previously unpublished photographs and contact sheets, complemented by Parks’ unseen manuscript and ephemeral material from the private collection of the Ledbetter family. A range of scholarly essays provides further insight and contextual analysis in art history, cultural geography, Black religious studies, and creative writing. Co-published with The Gordon Parks Foundation and Howard University, Washington DC

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Originally published in 1971, Gordon Parks’ Born Black was the first book to unite his writing and his photography. It was also the first to provide a focused survey of Parks’ documentation of a crucial time for the civil rights and Black Power movements. Today, more than 50 years later, this expanded edition of Born Black illuminates Parks’ vision for the book and offers deeper insight into the series within it. The original publication featured nine articles commissioned by Life magazine from 1963 to 1970―some never-before published―supplemented with later commentary by Parks and presented as his personal account of these important historical moments. Born Black includes the original text and images, as well as additional photographs from each series, spreads from the 1971 book, early correspondence, reproductions of related Life articles, and new scholarly essays. The nine series selected by Parks for Born Black―a rare glimpse inside San Quentin State Prison; extensive documentation of the Black Muslim movement and the Black Panthers; his commentaries on the deaths of civil rights leaders Malcolm X and Martin Luther King, Jr.; intimate portrait studies of Stokely Carmichael, Muhammad Ali and Eldridge Cleaver; and a narrative of the daily life of the impoverished Fontenelle family in Harlem―have come to define his legendary career as a photographer and activist. This reimagined, comprehensive edition of Born Black highlights the lasting legacy of these projects and their importance to our understanding of critical years in American history. Co-published with The Gordon Parks Foundation

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Gordon Parks (1912–2006)—the groundbreaking photographer, writer, composer, activist, and filmmaker—was only sixteen in 1928 when he moved from Kansas to St. Paul, Minnesota, after his mother's death. There, homeless and hungry, he began his fight to survive, to educate himself, and to fulfill his potential dream.

This compelling autobiography, first published in 1966, now back in print by popular demand and with a new foreword by Wing Young Huie, tells how Parks managed to escape the poverty and bigotry around him and to launch his distinguished career by choosing the weapons given him by "a mother who placed love, dignity, and hard work over hatred." Parks, the first African American to work at Life magazine and the first to write, direct, and score a Hollywood film, told an interviewer in 1999, "I saw that the camera could be a weapon against poverty, against racism, against all sorts of social wrongs. I knew at that point I had to have a camera."

Praise for A Choice of Weapons

"A perceptive narrative of one man's struggle to realize the values (defined as democratic and especially American) he has been taught to respect." —New York Times Book Review

"A lean, well-written memoir."—Time

Sumptuous and tender portraits of an empowered Black queer experience

Eric Hart Jr.’s black-and-white photo series presents more than 70 portraits focusing on the notion of power as it relates to the Black queer experience. Begun in 2019, When I Think About Power investigates and expands the contemporary reimagining of men through themed chapters. “I'm fascinated with the intersectionality and the layers of what it means to be Black in the modern day,” he has said. “From masculinity, queerness, to dress, I strive to utilize image-making in a way that displays people like myself in all of their power and all of their beauty.” Hart's approach stems from his own journey toward self-acceptance growing up in Macon, Georgia. By visually exploring the differences and similarities between himself and the men who surround him, studying the words of Black queer icons and researching the visibility of power in eras such as the Ming dynasty or ancient Egypt, Hart has created an iconography of a power that so many queer individuals seek.
The work of Brooklyn-based photographer Eric Hart Jr. (born 1999) has been published in Rolling Stone, the Washington Post, the New York Times and i-D magazine, and has been praised by artists such as Beyoncé and Spike Lee. Hart is a two-time Gordon Parks scholar, a 2022 Forbes 30 under 30 Art & Style choice, and in 2020 was named one of Men's Health magazine's “20-year-old mavericks changing America.”

Selections from the extraordinary Studio Museum in Harlem Collection, accompanying the highly anticipated opening of the institution’s first-ever purpose-built museum

Meaning Matter Memory is a keepsake extension of the Studio Museum’s collection of artwork by artists of African descent. Beautiful illustrations of significant works by more than 250 artists are accompanied by original texts from more than 100 voices in the art world, including writers, scholars, artists, and critics.

Celebrating myriad voices and artistic media, styles, and eras, this handbook glimpses into the profound and manifold artistic achievements made by Black artists for over 200 years. The book exhibits and carries forward a principal tenet of the Studio Museum’s mission: to serve as the stewards of the work – old, new, and still to be created – by artists of African descent.

Featuring work by: Derrick Adams, Emma Amos, Jean-Michel Basquiat, Romare Bearden, Jordan Casteel, Elizabeth Catlett, Nick Cave, Samuel Fosso, Theaster Gates, Cy Gavin, Barkley L. Hendricks, Arthur Jafa, Rashid Johnson, Simone Leigh, Glenn Ligon, Julie Mehretu, Wangechi Mutu, Gordon Parks, Martin Puryear, Faith Ringgold, Betye Saar, Augusta Savage, Tschabalala Self, Lorna Simpson, Mickalene Thomas, Kara Walker, and Carrie Mae Weems, among many more.

Featuring more than 100 artists, this landmark book charts the intricate connections between photography and the Black Arts Movement
 
The Black Arts Movement brought together writers, filmmakers, and visual artists who were exploring ways of using art to advance civil rights and Black self-determination. This book examines the vital role of photography in the evolution of the Black Arts Movement, revealing how photographs operated across art, community building, journalism, and political messaging to contribute to the development of a distinctly Black art and culture.
 
Works by Romare Bearden, Dawoud Bey, Kwame Brathwaite, Samuel Fosso, Jeanne Moutoussamy-Ashe, Gordon Parks, Juan Sánchez, Robert A. Sengstacke, Lorna Simpson, Ming Smith, and Carrie Mae Weems, among dozens of other celebrated and underappreciated artists, span documentary and fashion photography, portraiture, collage, installation, performance, and video. Pictured luminaries include Miles Davis, Mahalia Jackson, Martin Luther King, Jr., Bob Marley, Nina Simone, Malcolm X, and many more. The book’s essays by distinguished scholars focus on topics such as women and the movement, community, activism, and Black photojournalism. Taking an expansive approach, the authors consider the complex connections between American artists and the African diaspora and the dynamic interchange of pan-African ideas that propelled the movement. Authoritative and beautifully illustrated, this is the definitive volume on photography and the Black Arts Movement.
 
Published in association with the National Gallery of Art, Washington
 
Exhibition Schedule:
 
National Gallery of Art, Washington, DC
(September 21, 2025–January 4, 2026)
 
J. Paul Getty Museum, Los Angeles, CA
(February 24–May 24, 2026)
 
Mississippi Museum of Art, Jackson, MS
(July 25–November 1, 2026)

A landmark survey of Black American photojournalism spanning 1945 to 1984, chronicling a critical period in the civil rights movements in the United States

This volume presents work by 57 Black photographers and contributions from scholars such as Joy Bivins, Tina M. Campt and Gerald Horne, chronicling historic events and daily life in the United States from the conclusion of World War II in 1945 to the presidential campaigns of 1984, including the civil rights movements through the 1950s, '60s and '70s. Drawn from archives and collections in the care of journalists, libraries, museums, newspapers, photographers and universities, the photographs in the catalog were circulated and reviewed in publishing offices across the country.
Responding to a dearth of stories about Black lives told from the perspectives of Black people, Black publishers and their staff created groundbreaking editorial and photojournalistic methods and news networks. During a period of urgent social change and civil rights advocacy, newspapers and magazines, including the Afro American News, Atlanta Daily World, Pittsburgh Courier, Chicago Defender and Ebony, transformed how people were able to access seeing themselves and their communities. Their impact on the media landscape continues into the digital present.
The catalog is published on the occasion of the exhibition of the same name at Carnegie Museum of Art. The exhibition and catalog are both designed by artist David Hartt, and organized and edited by Charlene Foggie-Barnett, Charles ""Teenie"" Harris, community archivist, and Dan Leers, curator of photography, in dialogue with an expanded network of archivists, curators, historians and scholars.
Photographers include: Harry Adams, Anthony Barboza, Kwame Brathwaite, Don Hogan Charles, Adger Cowans, Guy Crowder, Roy DeCarava, Doris Derby, Bob Douglas, Louis Draper, Theodore Gaffney, Charles "Teenie" Harris, Chester Higgins, Kojo Kamau, Jeanne Moutoussamy-Ashe, Marilyn Nance, Gordon Parks, Ming Smith, Bruce Talamon, Deborah Willis-Ryan.

Spanning 45 years of Jamel Shabazz’s photography in Prospect Park, this gorgeous and meditative volume captures the heart and soul of Brooklyn through one of its most cherished spaces.

Known for his iconic NYC street photography documenting the city’s African American community, Jamel Shabazz first gained widespread acclaim with his books Back in the Days and A Time Before Crack, renowned for their vivid portrayal of 1980s style and culture.

However, long before his fame as a photographer, Shabazz served in the military and as a corrections officer for twenty years. After long days at work, he often sought refuge in Brooklyn’s Prospect Park, describing it as a place to find inner peace—and, since 1980, he has continued capturing its vibrant spirit.

This collection features his signature portraits of locals, from Afro-Caribbean percussionists at Drummer’s Grove to multicultural families enjoying moments of quiet reflection. Complementing these human-centered images are lesser-seen landscapes revealing the serene beauty of the park.

Together, these photographs underscore its dual role as a bustling cultural hub and a tranquil refuge. Perfect for anyone who cherishes Brooklyn’s cultural history, this volume reveals a new and deeply personal side of Shabazz's work, offering a compelling portrait of community, resilience, and connection within an urban sanctuary.

From the New York Times bestselling team behind Parker Looks Up comes a paperback bind-up of five incredible Level 1 Ready-to-Reads about Parker’s adventures.

Come along for five joyful escapades with Parker Curry! Whether she’s playing dress-up with her siblings, having fun with her best friend, growing a garden with her grandmothers, learning how to manage big feelings, or going to her first sleepover, Parker has a story sure to delight her friends just beginning to read!

This adorable paperback bind-up contains:
Parker Dresses Up
Your Friend, Parker
Parker Grows a Garden
Parker’s Big Feelings
Parker’s Slumber Party