A new collection of the seminal writings and speeches of a legendary writer, orator, and civil rights leader
 
This compact volume offers a full course on the remarkable, diverse career of Frederick Douglass, letting us hear once more a necessary historical figure whose guiding voice is needed now as urgently as ever. Edited by renowned scholar Henry Louis Gates, Jr., and Pulitzer Prize–nominated historian John Stauffer, The Portable Frederick Douglass includes the full range of Douglass’s works: the complete Narrative of the Life of Frederick Douglass, as well as extracts from My Bondage and My Freedom and Life and Times of Frederick Douglass; The Heroic Slave, one of the first works of African American fiction; the brilliant speeches that launched his political career and that constitute the greatest oratory of the Civil War era; and his journalism, which ranges from cultural and political critique (including his early support for women’s equality) to law, history, philosophy, literature, art, and international affairs, including a never-before-published essay on Haitian revolutionary Toussaint L’Ouverture.
 
The Portable Frederick Douglass is the latest addition in a series of African American classics curated by Henry Louis Gates, Jr. First published in 2008, the series reflects a selection of great works of fiction, nonfiction, and poetry by African and African American authors introduced and annotated by leading scholars and acclaimed writers in new or updated editions for Penguin Classics. In his series essay, “What Is an African American Classic?” Gates provides a broader view of the canon of classics of African American literature available from Penguin Classics and beyond. Gates writes, “These texts reveal the human universal through the African American particular: all true art, all classics do this; this is what ‘art’ is, a revelation of that which makes each of us sublimely human, rendered in the minute details of the actions and thoughts and feelings of a compelling character embedded in a time and place.”
 
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A groundbreaking analysis of Frederick Douglass as constitutional theorist, showing how his vision, which prefigured today’s originalism, melded history and natural rights to address the evil of slavery.

In his celebrated address “What to the Slave is the Fourth of July?” Frederick Douglass denounced America’s hypocritical celebration of freedom. But he did not blame the nation’s founding document for enabling the evil of slavery. Rather, he proclaimed that “interpreted as it ought to be interpreted, the Constitution is a Glorious Liberty Document.”

This was no mere rhetorical flourish. Examining Douglass not just as an activist but as a legal and political theorist, Until the Last Yoke Is Broken reveals that his abolitionism was guided by rigorous constitutional interpretation. Reconstructing Douglass’s method from his speeches and writings, Bradley Rebeiro shows that his approach both anticipated and challenged aspects of contemporary originalism. Like today’s originalists, Douglass saw historical meaning as central to constitutional analysis. But unlike today’s originalism, Douglass’s goes beyond simply asking how the Constitution was understood at its ratification. Instead, Douglass insisted that whenever a constitutional provision is ambiguous, the interpreter must adopt whatever meaning best agrees with the natural rights affirmed in the Declaration of Independence.

Rebeiro also shows how Douglass balanced this constitutional vision with pragmatism during Reconstruction. When political tensions pitted the fate of black suffrage against women’s suffrage, Douglass set aside the theoretically pure for the politically possible; as soon as black suffrage was secured, he returned to advocating for universal voting rights. “It was mine to stand for the freedom of people of all colors,” Douglass wrote near the end of his life, “until in our land the last yoke was broken and the last bondsman was set free.”

An updated edition of a classic African American autobiography, with new supplementary materials

A Penguin Vitae Edition

The preeminent American slave narrative first published in 1845, Frederick Douglass’s Narrative powerfully details the life of the abolitionist from his birth into slavery in 1818 to his escape to the North in 1838, how he endured the daily physical and spiritual brutalities of his owners and driver, how he learned to read and write, and how he grew into a man who could only live free or die. In addition to Douglass’s classic autobiography, this new edition also includes his most famous speech “What to the Slave Is the Fourth of July?” and his only known work of fiction, The Heroic Slave, which was written, in part, as a response to Harriet Beecher Stowe’s Uncle Tom’s Cabin.

Penguin Classics presents Penguin Vitae, loosely translated as “Penguin of one’s life,” a deluxe hardcover series featuring a dynamic landscape of classic fiction and nonfiction that has shaped the course of our readers' lives. Penguin Vitae invites readers to find themselves in a diverse world of storytellers, with beautifully designed classic editions of personal inspiration, intellectual engagement, and creative originality.

Douglass’s letters from the 1880s reveal both his unrelenting efforts to protect African American rights and little-known details about his personal life
 
The fourth volume of the Correspondence Series presents Frederick Douglass as a still-influential public figure but also as a man aware that the gains African Americans made during the Civil War and Reconstruction were not as well secured as he had hoped.
 
For this volume, the editors selected 247 of the 914 known letters sent to or from Douglass between 1881 and 1888. An active partisan, Douglass corresponded regularly with Republican party leaders from the local to national level about campaign tactics and strategies. Douglass also often received letters from African Americans who detailed the deteriorating state of race relations across the South in the 1880s. Douglass used his correspondence to advance the political stature of Republicans he regarded as most sympathetic to protecting African American rights.
 
Douglass wrote about his taste in reading; his fondness for carriage riding; his feuds with family members and neighbors; his first wife, Anna Murray; and his remarriage, to Helen Pitts, and the controversy that the interracial marriage generated. Douglass’s correspondence details the seven-month honeymoon the couple took in Europe and Egypt, the reunion with old abolitionist friends in Great Britain, and candid appraisals of places he visited and people he met overseas.

One of the most memorable speeches in American history, Frederick Douglass’s What to the Slave is the Fourth of July? is now available in an elegant hardcover edition.

Douglass first delivered the famous speech on July 5, 1852, to the Rochester Ladies' Anti-Slavery Society. After paying respect to the patriotic architects of America’s independence, Douglass exposed the hypocrisy of a nation that enshrined the inalienable rights of man yet enslaved millions. The signing of the Declaration of Independence was meaningless to slaves, Douglass argued, and the annual celebration of a freedom not afforded to them was the worst possible insult.

Throughout the speech, Douglass directly quoted passages from the Declaration of Independence, the U.S. Constitution, and the Bible to support his argument that slavery must be abolished in the United States. Douglass was especially critical of the faith leaders in America that used the church to justify slavery rather than to spearhead positive societal change.

Despite Douglass’s condemnation of the institutions that protected slavery, the speech also emphasized America’s young age and her potential to change for the better. In keeping with this belief in an America that would one day guarantee freedom for all, Douglass delivered “What to the Slave is the Fourth of July?” to audiences nationwide in the decade preceding the Civil War.

Famous figures such as James Earl Jones, Morgan Freeman, and Douglass’s descendants have performed small sections of the hour-long speech. Abridged editions of the speech are also disseminated for educational purposes. Because “What to the Slave Is the Fourth of July?” is an incredibly nuanced speech, it is often misrepresented or shared out of context. Now you can read the speech as it was meant to be experienced, in its entirety.

Frederick Douglass’s most famous speech is as relevant today as when it was first delivered in 1852. A defining document of the United States, What to the Slave Is the Fourth of July? is essential reading for all Americans.

“Both heartening and heartbreaking, this richly layered, sensitive YA fiction debut from Joseph unflinchingly confronts systemic racism, classism, and homophobia via a powerful story of self-discovery and social justice that aims, shoots, and scores.” —Publishers Weekly (starred review)

In an instant, Ossie Brown’s entire future is in jeopardy when a torn ACL ends his promising basketball career. Now that basketball is no longer a major part of his identity, Ossie—a Black teen who doesn’t come from wealth and privilege—must navigate his new place in the social and academic ecosystems of his affluent, predominantly white school. When a Black teacher encourages him to join her highly regarded writing program, Ossie begins to find a new purpose, buoyed by not only the rich works of literature by marginalized authors he’s now reading, but also by new friends who see him as something more than an asset to the sports program. Everything changes when some students’ viral “anti-woke” video puts the teacher’s job, the writing program, and even Ossie’s friends’ safety at risk—and Ossie must find his true voice. This unflinching novel confronts critical issues like racism and classism, the treatment of student athletes, homophobia, and book banning while weaving together a moving testament to family, romance, friendship, and the power of words.

Frederick Douglass was the most prominent African American of the 19th Century and Sidney Morrison has created a mesmerizing historical novel richly detailing his life and the Civil War Era

Born into slavery, Frederick Douglass did what seemed impossible: he escaped, reinvented himself, and rose to become one of the most powerful voices in American history—a fierce abolitionist, gifted orator, founder of The North Star, and collaborator with Abraham Lincoln, William Lloyd Garrison, John Brown, and Susan B. Anthony in ending slavery and shaping U.S. democracy itself.

But in this singular work of historical fiction, Sidney Morrison is able to move beyond the legend to explore the full complexity of Douglass's interior life: the loves he protected, the choices he made, the costs paid for his greatness. Anna Murray Douglass, the wife instrumental to his escape. Julia Griffith, the British abolitionist whose closeness sparked scandal. Ottilie Assing, the German journalist who died by suicide after Douglass married another woman. Here is Douglass as history has never quite shown him: a towering public figure and a deeply complex private man, whose life was rich in conflict, consequence, and humanity.

How medieval-inspired racial feudalism reigned in early America and was challenged by Black liberal thinkers

Though the United States has been heralded as a beacon of democracy, many nineteenth-century Americans viewed their nation through the prism of the Old World. What they saw was a racially stratified country that reflected not the ideals of a modern republic but rather the remnants of feudalism. American Dark Age reveals how defenders of racial hierarchy embraced America’s resemblance to medieval Europe and tells the stories of the abolitionists who exposed it as a glaring blemish on the national conscience.

Against those seeking to maintain what Frederick Douglass called an “aristocracy of the skin,” Keidrick Roy shows how a group of Black thinkers, including Frances Ellen Watkins Harper, Hosea Easton, and Harriet Jacobs, challenged the medievalism in their midst—and transformed the nation’s founding liberal tradition. He demonstrates how they drew on spiritual insight, Enlightenment thought, and a homegrown political philosophy that gave expression to their experiences at the bottom of the American social order. Roy sheds new light on how Black abolitionist writers and activists worked to eradicate the pernicious ideology of racial feudalism from American liberalism and renew the country’s commitment to values such as individual liberty, social progress, and egalitarianism.

American Dark Age reveals how the antebellum Black liberal tradition holds vital lessons for us today as hate groups continue to align themselves with fantasies of a medieval past and openly call for a return of all-powerful monarchs, aristocrats, and nobles who rule by virtue of their race.

A new anthology celebrating the African American voices that influenced and shaped the history of the White House

A Penguin Classic

The People’s House is an anthology comprised primarily of first-person accounts, from the eighteenth century to the present, detailing the Black experience in the White House — in turn illustrating how African Americans have influenced the presidency and policy over America’s 250-year history. The collection’s diversity of perspectives — from dressmakers and domestic staff members to abolitionists and civil rights activists, as well as cabinet members, candidates, and elected officials — charts not only a history of African Americans in the most recognizable U.S. institution, but how African Americans have used their power and presence in the White House to urge the nation toward its democratic ideals. Through the words of Frederick Douglass, Ida B. Wells-Barnett, Thurgood Marshall, Shirley Chisholm, Colin M. Powell, Barack Obama, and dozens of other figures, both prominent and lesser-known, this anthology offers an expansive and intimate view of the White House as a key site in the struggle for Black freedom and equal citizenship. Each entry is accompanied by insight from editors Michelle D. Commander and Kathleen M. Kendrick, providing biographical information and historical context to help readers further understand how African Americans have shaped the story and meaning of the People’s House.

Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The bestselling, definitive study of African Americans throughout American history, now with a new introduction by noted scholar V. P. Franklin.

In The Negro in the Making of America, eminent historian Benjamin Quarles provides one of the most comprehensive and readable accounts ever gathered in one volume of the role that African Americans have played in shaping the destiny of America. Starting with the arrival of the slave ships in the early 1600s and moving through the Colonial period, the Revolutionary and Civil Wars, and into the last half of the twentieth century, Quarles chronicles the sweep of events that have brought blacks and their struggle for social and economic equality to the forefront of American life.

Through compelling portraits of central political, historical, and artistic figures such as Nat Turner, Frederick Douglass, Duke Ellington, Malcolm X, and the Reverend Martin Luther King, Jr., Quarles illuminates the African American contributions that have enriched the cultural heritage of America. This classic history also covers black participation in politics, the rise of a black business class, and the forms of discrimination experienced by blacks in housing, employment, and the media.

Quarles's groundbreaking work not only surveys the role of black Americans as they engaged in the dual, simultaneous processes of assimilating into and transforming the culture of their country, but also, in a portrait of the white response to blacks, holds a mirror up to the deeper moral complexion of our nation's history. The restoration of this history holds a redemptive quality—one that can be used, in the author's words, as a "vehicle for present enlightenment, guidance, and enrichment."

Celebrate the release of Good Spirits with Tiffanie Barriere! This special evening will feature an author conversation with Tiffanie and Chef Dominic Lee, owner of Augustine’s, followed by a cocktail tasting featuring recipes from the book. Join us for an engaging evening of conversation, cocktails, and good spirits!

EVENT DEETS

When: Thursday, December 10 @ 7PM

Where: Kindred Stories (2310 Elgin St., HTX 77004)

How: 

• RSVP ONLY
  Reserve your seat and participate in the tasting.

  RSVP WITH BOOK
  Reserve your seat and purchase a copy of Good Spirits, supporting both the author and our store programming. Your book will be available for pickup at the event. Includes the tasting.

  RSVP (I ALREADY HAVE THE BOOK)
  Reserve your seat and let us know you plan to bring a copy of Good Spirits that you previously purchased from another bookseller. Includes the tasting.

Please Note: Generally books purchased from other retailers are not permitted in the bookstore and are not eligible for the signing or photo line. To participate in the signing and photo opportunity, you must either purchase a copy from Kindred Stories or select the RSVP: I Already Have the Book ticket option, which allows you to bring a copy purchased elsewhere. If you already purchased your book from Kindred Stories, you may select the RSVP Only ticket option and bring your Kindred Stories copy to the event.

If you purchase a ticket and are unable to attend the event, your ticket is non-refundable. If your ticket includes a book, an email will be sent to all attendees before and after the event with instructions on how to receive your book. Books must be claimed within 14 days following the event. If your book is not retrieved it will be returned to the publisher and will not be available for pick up in the future.

ABOUT THE BOOK

The must-have companion for classic cocktails, mocktails, and creative drinks, plus historical insights, from a celebrated industry icon.

Good Spirits is a culture-rich cocktail exploration that seamlessly blends practiced technique with deep historical knowledge. For master bartender and cocktail educator Tiffanie Barriere, the bar has always been a place where history, creativity, and community combine. From gold-standard martinis and expert Manhattans to drinks inspired by mood, the cocktail curious will learn not only how to skillfully mix and pour with joy, but also about the fascinating and often untold history behind our favorite drinks and spirits.

In addition to the backstories and recipes for 125 cocktails, enthusiasts will find illuminating essays about choosing and using spirits and the legacies (both bitter and sweet) behind them; important historical figures who invented our favorite drinks, liqueurs, and bar tools; and truths that track the impact of trends and cocktail movements. Zero-proof variations abound thanks to the ingenious concept of cocktail “stock”, while dozens of bold-flavored syrups, shrubs, and infusions make it just as easy and exciting to take a drink in a no-alcohol direction as a boozy one. Insights on tools, garnishing, ice types, and the difference between shaking, rolling, and aerating set you up to hone your mixology and make drinks with confidence.

ABOUT THE AUTHOR

Tiffanie Barriere is a bartender’s bartender and award-winning mixologist, educator, and hospitality leader. The former beverage director at One Flew South, the “Best Airport Bar in the World,” she has been honored as a Food & Wine Game Changer and a Tales of the Cocktail Visionary Award recipient. She has contributed cocktail recipes to several cocktail books and cookbooks, including Juke Joints, Jazz Clubs & Juice and Modern Classic Cocktails. Her work has also been featured in Imbibe, Forbes, Essence, and Southern Living. She is based in Atlanta, Georgia.

ABOUT THE CONVERSATION PARTNER

Rooted in the unique tapestry of Creole culture, Chef Dominick Lee’s culinary journey pays heartfelt homage to his New Orleans heritage. After Hurricane Katrina in 2005, Lee’s passion for cooking led him to The Art Institute of Houston, where he received the inaugural “Underbelly Scholarship” from James Beard award-winning chef Chris Shepherd. His journey to his Bachelors in Culinary Management included roles as sous chef at Bay Oaks Country Club, Executive Sous Chef under James Beard semifinalist Chef Kiran Verma at Kiran’s and stages at some of the most highly acclaimed restaurants in the country, including Alinea (2 Michelin Stars), Next (1 Michelin Star), and Blue Hill at Stone Barns (2 Michelin Stars). At 29, Lee became one of the youngest executive chefs in Houston, taking the helm at Poitín Bar & Kitchen where he earned accolades such as Texas Monthly’s 2019 Best New Restaurants and a number of “Rising Star Chef” distinctions.

In 2021, Lee relocated to Europe to study Creole food derivatives and served as head chef at Villa Lena in Tuscany. Two years later, he returned back to The States, opening Alligator Pear in New York City, which showcased a New American menu inspired by New Orleans. Now, Lee has returned to Houston to open Augustine’s, a progressive Creole restaurant exploring the many dimensions of his Creole heritage — debuting Summer 2026.