*Ships/ready for pick up in 5-8 business days*

An orphan grapples with gender, siblinghood, family, and coming-of-age as a Muslim in America in this lyrical debut novel from the acclaimed author of If They Come For Us

In this heartrending, lyrical debut work of fiction, Fatimah Asghar traces the intense bond of three orphaned siblings who, after their parents die, are left to raise one another. The youngest, Kausar, grapples with the incomprehensible loss of her parents as she also charts out her own understanding of gender; Aisha, the middle sister, spars with her "crybaby" younger sibling as she desperately tries to hold on to her sense of family in an impossible situation; and Noreen, the eldest, does her best in the role of sister-mother while also trying to create a life for herself, on her own terms.
 
As Kausar grows up, she must contend with the collision of her private and public worlds, and choose whether to remain in the life of love, sorrow, and codependency she's known or carve out a new path for herself. When We Were Sisters tenderly examines the bonds and fractures of sisterhood, names the perils of being three Muslim American girls alone against the world, and ultimately illustrates how those who’ve lost everything might still make homes in each other.

A tender, searching collection that breaks open notions of faith to ask how a daughter, alienated from kin, can find love and a home in the world, from the award-winning author of If They Come for Us and When We Were Sisters

at the edge of an edge
is an edge. at that edge
is a cliff. beyond that cliff
is me.

Exiled from ancestral homelands, how can one find a place for themself in the world? In this stunning sophomore collection, the acclaimed poet Fatimah Asghar unweaves residual grief to reckon with their relationship to Allah, long-estranged but deeply loved kin, the landscape of their ancestors, and love itself.

In meditative poems, Daughter of the Mountains grapples with multiple facets of fulfillment, betrayal, love, loss, and longing, illustrating how place, lineage, and environment inform the practice of spirituality and vice versa. With wisps of humor, imagery that is as beautiful as it is startling, and powerfully disruptive formal invention, this is an intimately lyrical and explosive collection.

*Ships in 7-10 Business Days*

A BreakBeat Poets anthology of writings by Muslims who are women, queer, genderqueer, nonbinary, or trans.

The collected poems dispel the notion that there is one correct way to be a Muslim by holding space for multiple, intersecting identities while celebrating and protecting those identities.

Halal If You Hear Me features poems by Safia Elhillo, Fatimah Asghar, Warsan Shire, Tarfia Faizullah, Angel Nafis, Beyza Ozer, and many others.

Fatimah Asghar is the creator of the Emmy-Nominated web series Brown Girls, now in development for HBO. She is the author of If They Come For Us and a recipient of a 2017 Ruth Lilly and Dorothy Sargent Rosenberg Fellowship. She is a member of the Dark Noise Collective and a Kundiman fellow. In 2017, she was listed on Forbes’s 30 Under 30 list.

Safia Elhillo is the author of The January Children. Sudanese by way of Washington, DC and a Cave Canem fellow, she holds an MFA from the New School. In 2018, she was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation.

From the #1 New York Times bestselling author, rapper, and activist--Sister Souljah uses her passionate voice to deliver what is at once a fiercely candid autobiography and a survival manual for any Black woman determined to keep her heart open and her integrity intact in modern America.

Each chapter of No Disrespect is devoted to someone who made a difference in Sister Souljah's life--from the mother who raised her to the men who educated (and mis-educated) her about love--and each bares a controversial truth about the Black condition in America: the disintegration of families; the unremitting combat between the sexes; and the thousand and one ways in which racism continues to circumscribe how Black people see themselves and treat one another.

The result is an outspoken and often courageous rejoinder to the pieties of race, class, and gender by a writer who is at once wise, bawdy, brutally funny, and as sensitive a lightning rod in a thunderstorm.

Use discount code SALE at checkout for 30% off item

From an award-winning, innovative poet, a bold reimagination of Arab American womanhood in the modern military age

In her second full-length collection, Maya Salameh offers a profound exploration of Arab American identity, weaving together themes of myth, science, and cultural heritage. This daring collection deploys psychological evaluation forms, ritual incantations, and captivating visual poetry. 

Salameh transcends simple narratives of shame or violence to offer a nuanced portrayal of identity, exploring both the privileges and heartbreaks of diasporic exile. Her multilingual poetry bridges Arabic and English, enriching the poems’ sonic texture. Salameh scrutinizes established academic and cultural narratives, inviting readers to rethink their own understandings of history and identity.

The cult drama of The Girls meets Yellowface’s searing exploration of lies, immigration, and identity in this propulsive literary thriller debut.

A grieving actor-turned-memoirist reimagines his mother’s encounter with Jim Jones, the deadliest cult leader of all time—the only problem is, it’s mostly all lies . . .

Actor Jal Persad is enjoying moderate success when the death of his mother, Rita, sends him into a tailspin—after all, how could he grieve a woman he barely knew? Rita had grown up in Guyana during the rise and fall of the Jonestown cult, but never spoke of her home to Jal, always keeping him at a distance.

After months of avoiding work, a misunderstanding at lunch with his manager leads Jal into a web of lies. He soon finds himself writing a memoir of his mother’s adolescence, one that places her in direct contact with Jim Jones himself. There’s just one issue–Rita never met the man. Suddenly, the book goes viral, and Jal must face the looming threat of exposure, and his own guilt.

Alternating between Jal’s rapid rise and Rita’s distorted story, False Prophet confronts the intergenerational legacy of colonialism, the allure of power, and the age-old question–how much of yourself are you willing to lose in order to succeed?

*ships in 7-10 business days

“When an author’s unmitigated brilliance shows up on every page, it’s tempting to skip a description and just say, Read this! Such is the case with this breathlessly powerful, deceptively breezy book of poetry.” —Booklist, Starred Review

The soul-stirring intersectional biography of the most famous Islamic woman scholar working today, from the two-time Pulitzer Prize finalist author of If the Oceans Were Ink and Home, Land, Security.

“A testament to what it means to labor for justice from inside a faith tradition—to love it enough to transform it . . . The Lady Imam is right on time to ignite our courage.”—Valarie Kaur, bestselling author of See No Stranger and Sage Warrior

A feminist scholar-activist, single mother of five, and queer advocate, amina wadud has led a struggle against Islam’s patriarchal establishment that’s been felt keenly all over the world. Like Martin Luther King, Jr. and Malcolm X before her, wadud has mobilized faith’s potential as an engine of equality. Yet this American trail-blazer’s story has never been told in book form—until now.

Born Mary Teasley, the daughter of a Methodist preacher, wadud grew up in Maryland with a rare vantage on socioeconomic divides, living through poverty and her sister’s death from an illegal abortion. A gifted student, teenage wadud was sent to live with affluent white families in Weston, Massachusetts. After cross-country hitchhiking and a stint in a Buddhist ashram, she converted to Islam as a twenty-year-old Ivy League student.

wadud devoted her life to studying the Qur’an and challenged centuries of patriarchal interpretations, finding in it equality for all. In Manhattan in 2005, she became the world’s most famous—and infamous—Islamic scholar when she became the first woman in 1400 years to lead men and women together in public Friday prayers.

The Lady Imam chronicles the life of a singular figure not only in Islam, but also in feminism, Black history, and gender studies. With unprecedented access through years of interviews and archival research, Carla Power has written the definitive account of wadud's extraordinary life while shedding light on our deepest questions about faith, family, and social justice.

How do you find yourself when the world tells you that you don't exist?

Samra Habib has spent most of their life searching for the safety to be themself. As an Ahmadi Muslim growing up in Pakistan, they faced regular threats from Islamic extremists who believed the small, dynamic sect to be blasphemous. From their parents, they internalized the lesson that revealing their identity could put them in grave danger.

When their family came to Canada as refugees, Samra encountered a whole new host of challenges: bullies, racism, the threat of poverty, and an arranged marriage. Backed into a corner, their need for a safe space--in which to grow and nurture their creative, feminist spirit--became dire. The men in Samra's life wanted to police them, the women in their life had only shown them the example of pious obedience, and their body was a problem to be solved.

So begins an exploration of faith, art, love, and queer sexuality, a journey that takes them to the far reaches of the globe to uncover a truth that was within them all along. A triumphant memoir of forgiveness and family, both chosen and not, We Have Always Been Here is a rallying cry for anyone who has ever felt out of place and a testament to the power of fearlessly inhabiting one's truest self.

On May 2, 1973, Black Panther Assata Shakur (aka JoAnne Chesimard) lay in a hospital, close to death, handcuffed to her bed, while local, state, and federal police attempted to question her about the shootout on the New Jersey Turnpike that had claimed the life of a white state trooper. Long a target of J. Edgar Hoover's campaign to defame, infiltrate, and criminalize Black nationalist organizations and their leaders, Shakur was incarcerated for four years prior to her conviction on flimsy evidence in 1977 as an accomplice to murder.

This intensely personal and political autobiography belies the fearsome image of JoAnne Chesimard long projected by the media and the state. With wit and candor, Assata Shakur recounts the experiences that led her to a life of activism and portrays the strengths, weaknesses, and eventual demise of Black and White revolutionary groups at the hand of government officials. The result is a signal contribution to the literature about growing up Black in America that has already taken its place alongside The Autobiography of Malcolm X and the works of Maya Angelou.

Two years after her conviction, Assata Shakur escaped from prison. She was given political asylum by Cuba, where she now resides.