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An orphan grapples with gender, siblinghood, family, and coming-of-age as a Muslim in America in this lyrical debut novel from the acclaimed author of If They Come For Us

In this heartrending, lyrical debut work of fiction, Fatimah Asghar traces the intense bond of three orphaned siblings who, after their parents die, are left to raise one another. The youngest, Kausar, grapples with the incomprehensible loss of her parents as she also charts out her own understanding of gender; Aisha, the middle sister, spars with her "crybaby" younger sibling as she desperately tries to hold on to her sense of family in an impossible situation; and Noreen, the eldest, does her best in the role of sister-mother while also trying to create a life for herself, on her own terms.
 
As Kausar grows up, she must contend with the collision of her private and public worlds, and choose whether to remain in the life of love, sorrow, and codependency she's known or carve out a new path for herself. When We Were Sisters tenderly examines the bonds and fractures of sisterhood, names the perils of being three Muslim American girls alone against the world, and ultimately illustrates how those who’ve lost everything might still make homes in each other.

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A BreakBeat Poets anthology of writings by Muslims who are women, queer, genderqueer, nonbinary, or trans.

The collected poems dispel the notion that there is one correct way to be a Muslim by holding space for multiple, intersecting identities while celebrating and protecting those identities.

Halal If You Hear Me features poems by Safia Elhillo, Fatimah Asghar, Warsan Shire, Tarfia Faizullah, Angel Nafis, Beyza Ozer, and many others.

Fatimah Asghar is the creator of the Emmy-Nominated web series Brown Girls, now in development for HBO. She is the author of If They Come For Us and a recipient of a 2017 Ruth Lilly and Dorothy Sargent Rosenberg Fellowship. She is a member of the Dark Noise Collective and a Kundiman fellow. In 2017, she was listed on Forbes’s 30 Under 30 list.

Safia Elhillo is the author of The January Children. Sudanese by way of Washington, DC and a Cave Canem fellow, she holds an MFA from the New School. In 2018, she was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation.

For readers of Fatimah Asghar’s If They Come for Us, here is a searing, multidimensional debut about the search for language and self, which is life itself. I knew it was time to build what could carry, what could find the high point / to name what I knew to be the world and carry it with me At the heart of The Knot of My Tongue is Zehra Naqvi’s storying of language itself and the self-re-visioning that follows devastating personal rupture. Employing a variety of poetic forms, these intimate, searching poems address generations, continents, and dominions to examine loss of expression in the aftermath of collisions with powerful forces, ranging from histories to intimacies. Naqvi follows a cast of characters from personal memory, family history, and Quranic traditions, at instances where they have either been rendered silent or found ways to attempt the inexpressible—a father struggling to speak as an immigrant in Canada; a grandmother as she loses her children and her home after the 1947 Partition; the Islamic story of Hajar, abandoned in the desert without water; the myth of Philomela who finds language even after her husband cuts off her tongue. Brilliantly blending the personal and the communal, memory and myth, theology and tradition, the poems in this collection train our attention—slow and immediate, public and private—on our primal ability to communicate, recover, and survive. This example is striking for the power of its speaking through loss and a singular, radiant vision.

A brilliant and compelling debut, Ravishing shines a light on the dark enticements of the beauty industry and how it capitalizes on our desire to be someone we are not

A provocative, darkly surreal novel of two Indian American siblings caught in the clutches of a beauty tech company, Ravishing is a searing portrait of the beauty industry’s dangerous ability to change people’s relationship to their bodies and the cult-like grip it has on youth.

For teenage Kashmira, it’s painful to look in the mirror; she has her father’s face, and every feature is a reminder of his abandonment. When a friend introduces her to Evolvoir, a beauty product that changes users’ features, Kashmira is quickly hooked on how it allows her to erase the triggers of her grief. Meanwhile, at Evolvoir’s corporate offices, Kashmira’s estranged brother Nikhil first sees the product as an opportunity to make a difference and a name for himself, but is quickly mired in corporate complicity as reports surface of the product causing severe pain and persistent symptoms in some users. As chaos ensues, Kashmira is hospitalized and must negotiate the constraints of her new reality, while Nikhil uncovers a vicious truth that will force him to decide where his loyalties lie.

Perfect for readers of Gold Diggers and You Too Can Have a Body Like Mine, Ravishing is a visceral, yet immensely tender, coming-of-age story of two Indian American siblings caught in the clutches of a predatory beauty tech company, providing an illuminating portrait of the complexities of growing up brown, chronic illness, and our relationship to ourselves.

We all need a little sweetness sprinkled with a touch of spice.

Ashia Ismail-Singer, author of Ashia’s Table and Food for Sharing, is back with a collection of spice-infused desserts and baking from culinary traditions across the world, delivering 90 homemade delights to share. With her characteristic artistic flair, Ashia’s recipes are impossible to resist and guaranteed to impress, drawing inspiration from her Memon Indian heritage and immigrant upbringing that brought her family across continents.

Dishing up sweet treats that zing with cardamon and perfume the air with orange blossom, this divine cookbook is guaranteed to take your baking to that next level with the greatest of ease. Western classics are reinvented with a spiced twist and sit alongside Ashia’s unique take on Eastern staples such as baklava, lassi and halva.

There are quick and easy bakes for weeknight cravings, desserts to impress your dinner guests, and show-stopping cakes for the most memorable occasions. Try chai masala popsicles for a refreshing summer treat or pistachio and almond cake as a festive mid-winter indulgence.

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“When an author’s unmitigated brilliance shows up on every page, it’s tempting to skip a description and just say, Read this! Such is the case with this breathlessly powerful, deceptively breezy book of poetry.” —Booklist, Starred Review

The multi-disciplinary artist and author of Like a Bird and How to Cure a Ghost explores the commodification and appropriation of wellness through the lens of social justice, providing resources to help anyone participate in self-care, regardless of race, identity, socioeconomic status or able-bodiedness.

Growing up in Australia, Fariha Róisín, a Bangladeshi Muslim, struggled to fit in. In attempts to assimilate, she distanced herself from her South Asian heritage and identity. Years later, living in the United States, she realized that the customs, practices, and even food of her native culture that had once made her different—everything from ashwagandha to prayer—were now being homogenized and marketed for good health, often at a premium by white people to white people.

In this thought-provoking book,part memoir, part journalistic investigation,the acclaimed writer and poet explores the way in which the progressive health industry has appropriated and commodified global healing traditions. She reveals how wellness culture has become a luxury good built on the wisdom of Black, brown, and Indigenous people—while ignoring and excluding them.

Who Is Wellness For? is divided into four sections, beginning with The Mind, in which Fariha examines the art of meditation and the importance of intuition. In part two, The Body, she investigates the physiology of trauma, detailing her own journey with fatphobia and gender dysmorphia, as well as her own chronic illness. In part three, Self-Care, she argues against the self-care industrial complex but cautious us against abandoning care completely and offers practical advice. She ends with Justice, arguing that if we truly want to be well, we must be invested in everyone’s well being and shift toward nurturance culture. 

Deeply intimate and revelatory, Who Is Wellness For? forces us to confront the imbalance in health and healing and carves a path towards self-care that is inclusionary for all.

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Inspiring advice for navigating life’s ups and downs, and finding ways to grow every day—from the New York Times bestselling author of Set Boundaries, Find Peace and Drama Free

Life comes at us fast, with new challenges to navigate at every turn. Millions of fans have embraced the fresh insights of bestselling author Nedra Glover Tawwab, a popular therapist who brings both expertise and a fresh perspective to the everyday struggles we all navigate in our relationships and within ourselves.

In this inspiring book of daily insights, Nedra delivers food for thought, friendly reminders, and perspective shifts to help us stay true to who we are and what matters most.Topics include setting boundaries, rising above drama, expressing ourselves with clarity and integrity, and finding peace and joy every chance we can get.

This empowering and embraceable book will help us stay the course— and grow more fully into ourselves every day.

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Tabitha Brown’s path to stardom was a long and winding one. For years she pursued acting while raising a family and dealing with undiagnosed chronic autoimmune pain. Before she became vegan, her condition made her believe she wouldn’t live to see forty. Now she’s one of the most popular personalities in the world, with millions of followers on TikTok, Instagram, and Facebook whom she inspires to live and eat well with her blend of homespun wisdom and delicious home cooking. With her relatable personality and health struggles, approachable and nonjudgmental take on plant-based living, and warm voice reflecting her Southern upbringing, Tabitha connects with readers with a good story and gentle hand. The most important lesson Tabitha shares with readers is how to make a life for themselves that is rooted in kindness and love, both for themselves and for others.

From one of our most acclaimed contemporary writers, an urgent and essential collection of poems illuminating the visionary presence of Palestinians.

Fady Joudah’s powerful sixth collection of poems opens with, “I am unfinished business,” articulating the ongoing pathos of the Palestinian people. A rendering of Joudah’s survivance, [...] speaks to Palestine’s daily and historic erasure and insists on presence inside and outside the ancestral land. 

Responding to the unspeakable in real time, Joudah offers multiple ways of seeing the world through a Palestinian lens—a world filled with ordinary desires, no matter how grand or tragic the details may be—and asks their reader to be changed by them. The sequences are meditations on a carousel: the past returns as the future is foretold. But “Repetition won’t guarantee wisdom,” Joudah writes, demanding that we resuscitate language “before [our] wisdom is an echo.” These poems of urgency and care sing powerfully through a combination of intimate clarity and great dilations of scale, sending the reader on heartrending spins through echelons of time. […]is a wonder. Joudah reminds us “Wonder belongs to all.”