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A lyrical culinary journey that explores the hidden legacy of Black Appalachians, through powerful storytelling alongside nearly forty comforting recipes, from the former poet laureate of Kentucky. “With Praisesong for the Kitchen Ghosts, Crystal Wilkinson cements herself as one of the most dynamic book makers in our generation and a literary giant. Utter genius tastes like this.”—Kiese Laymon, author of the Carnegie Medal-winning Heavy People are always surprised that Black people reside in the hills of Appalachia. Those not surprised that we were there, are surprised that we stayed. Years ago, when O. Henry Prize-winning writer Crystal Wilkinson was baking a jam cake, she felt her late grandmother’s presence. She soon realized that she was not the only cook in her kitchen; there were her ancestors, too, stirring, measuring, and braising alongside her. These are her kitchen ghosts, five generations of Black women who settled in Appalachia and made a life, a legacy, and a cuisine. An expert cook, Wilkinson shares nearly forty family recipes rooted deep in the past, full of flavor—delicious favorites including Corn Pudding, Chicken and Dumplings, Granny Christine’s Jam Cake, and Praisesong Biscuits, brought to vivid life through stunning photography. Together, Praisesong for the Kitchen Ghosts honors the mothers who came before, the land that provided for generations of her family, and the untold heritage of Black Appalachia. As the keeper of her family’s stories and treasured dishes, Wilkinson shares her inheritance in Praisesong for the Kitchen Ghosts. She found their stories in her apron pockets, floating inside the steam of hot mustard greens and tucked into the sweet scent of clove and cinnamon in her kitchen. Part memoir, part cookbook, Praisesong for the Kitchen Ghosts weaves those stories together with recipes, family photos, and a lyrical imagination to present a culinary portrait of a family that has lived and worked the earth of the mountains for over a century.

From the critically acclaimed, award-winning author of Blackberries, Blackberries and Water Street comes an astonishing new novel. A lyrical exploration of love and loss, The Birds of Opulence centers on several generations of women in a bucolic southern black township as they live with and sometimes surrender to madness.

The Goode-Brown family, led by matriarch and pillar of the community Minnie Mae, is plagued by old secrets and embarrassment over mental illness and illegitimacy. Meanwhile, single mother Francine Clark is haunted by her dead, lightning-struck husband and forced to fight against both the moral judgment of the community and her own rebellious daughter, Mona. The residents of Opulence struggle with vexing relationships to the land, to one another, and to their own sexuality. As the members of the youngest generation watch their mothers and grandmothers pass away, they live with the fear of going mad themselves and must fight to survive.

Crystal Wilkinson offers up Opulence and its people in lush, poetic detail. It is a world of magic, conjuring, signs, and spells, but also of harsh realities that only love―and love that's handed down―can conquer. At once tragic and hopeful, this captivating novel is a story about another time, rendered for our own.

You know that 3 a.m. feeling? When you’re wide awake asking yourself: Is this really it?

That nagging feeling that "this isn’t enough anymore" isn’t weakness—it’s wisdom. What once felt fresh now feels like going through the motions. Successful but not satisfied. Accomplished but not alive. You’ve spent years building a life that looks perfect on paper but feels like something is missing when you’re alone with your thoughts.

Society calls it a crisis. But what if it’s actually clarity?

In The Comeback Era, TODAY Show wellness expert Yasmine Cheyenne transforms that restless feeling into rocket fuel for authentic change. Through reconnecting with "Little You"—the person you were before the world told you who to be—you’ll stop performing for everyone else and start living for yourself. This isn’t about burning your life down. It’s about remembering who you were before you learned to dim your light.

In the book, you’ll meet five people who also answered the call: The executive who realized her corner office was a cage. The mother who discovered "having it all together" meant losing herself completely. The achiever who checked every box except the one that mattered. Their stories—and Yasmine’s Seven C’s of Purpose framework—will show you how to:

* Stop watching your life go by and start living it
* Transform past mistakes into pocket wisdom—not baggage
* Convert “someday” dreams into today’s reality
* Turn midlife confusion into crystal clarity

This book is your permission slip to stop pretending everything’s fine and start building the life you actually want.

From spiritual guide and teacher Aycee Brown, a warm and inviting handbook to discovering wholeness by embodying your truth and embracing your power.

When Aycee Brown was a child, her connection to spirit made her feel like an outcast, until her grandmother helped her see this burden as a gift. Now, Aycee helps readers—as well as clients and “Is My Aura on Straight?” podcast listeners—map their journey from trauma to wholeness.
Rather than relying on a one-size-fits-all approach, Aycee teaches us which healing modality to use, when. Embarking on a soul journey, readers will explore different parts of themselves and step into their own story by exploring the canyon, or shadow self, through the following modalities:

* Knowing Your Story—The Embodiment of Validation
* Psychic Channeling—The Embodiment of Anger
* Astrology—The Embodiment of Self
* Numerology—The Embodiment of Alignment
* Mediumship—The Embodiment of Truth
* Metaphysics—The Embodiment of Choice
* Human Design for Liberation—The Embodiment of Change
* I Am—The Embodiment of Destiny (Internal Family Systems therapy)

As readers engage with these practices, their intuition grows stronger and paths are revealed. With Aycee holding our hand, we can connect to our truth and realize our wildest dreams. We become more capable of having healthy relationships, finding joy in our lives, and maintaining loving connections with those we have lost.
Embody Your Magic invites the conversations you’ve been waiting to have and reveals the psychic magic within you.

Join us as we celebrate Houston's own, Rinny Perkins and her new book, Not Everyone is Going to Like You! 

EVENT DEETS

When: August 22 at 7 PM CST

Where: The Reading Room HTX (401 Franklin St, Houston, TX 77201)

How: RSVP to grab you free ticket or RSVP with book to support the author and our program!

ABOUT THE BOOK

ABOUT THE AUTHOR 

Rinny Perkins is a performer, multidisciplinary artist, and writer. Her graphic design and installation work nods to '70s ephemera with an emphasis on Black and queer womanhood. Her work has been featured by outlets such as I-D/VICE, Nylon and Teen Vogue.

ABOUT THE CONVERSATION PARTNER

deun ivory is a texas-based creative wellness visionary, multidisciplinary artist & photographer whose work centers and celebrates black women. widely known for her ethereal aesthetic & creative ingenuity, ivory curates visual experiences that inspire those who engage with her work to restore and reclaim narratives rooted in self-empowerment, joy & worthiness. ivory draws from the belief that beauty is wellness, which informs her exploration of art, spaces and design as healing mechanisms for marginalized communities. 

as a visionary,  ivory serves as the founder and creative director of two influential brands: the body: a home for love, a 501(c)3 non-profit & black women are worthy, a social impact initiative specializing in conceptual design and immersive art installations. 

ivory has cemented her power and influence as a thought-leader and visual storyteller by working with some of the world’s biggest brands to produce creative projects that have resonated & inspired communities worldwide. some of her clients include: google, facebook, lululemon, HBO, glossier, issa rae, apple, and more. ivory has been featured in vogue, harpers bazaar, essence, glamour magazine and beyond for her impactful contributions & authentic presence in the creative and wellness space. 

ABOUT THE READING ROOM

Founded by Amarie Gipson, The Reading Room is a reference library and creative incubator based in Houston, Texas.

Gipson is a Houston-born art worker, writer and creative entrepreneur. She has held curatorial positions at The Studio Museum in Harlem, the Art Institute of Chicago, The Renaissance Society, the Contemporary Austin and The Museum of Fine Arts, Houston. Independently, her writing has been published in several journals and magazines including Artforum, ARTNews, ARTS.BLACK, Cite, ESSENCE, Gulf Coast, MUD and THE SEEN.

After seven years of travel, Gipson is currently based in her hometown. She created an open-format dance party and community called PHYSICAL THERAPY where she serves as creative director and resident DJ. She is also the former Arts & Culture editor of Houstonia Magazine, where she worked to bring much-needed attention to Houston’s art scene.  

With nearly a decade of experience in the realms of fine art, music and media, Gipson built The Reading Room with a desire to share her deep passion for Black culture. It is a culmination of her professional experience and a labor of love.

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A debut illustrated manifesto by Rinny Perkins (@RinnyRiot) about what she's learned as a queer Black woman through the art of self-validation.

In this graphic collection of mini essays, comedian Rinny Perkins illustrates her experiences as the owner of a popular online shop while she figures out antidepressant prescriptions and the seemingly never-ending dating-app cycle.
 
Rinny shares what she's learned across topics like mental health, work, sex and dating, and family and friends. Featuring funny, real reflections from experiences in her hometown of (Third Ward!) Houston, Texas to Los Angeles — the author traces her journey to understanding that whether through a friendship break-up or saving up for a Telfar bag, the only person who can truly validate us is ourselves.
 
With 1970s-inspired graphics like a "When To Quit Your Job" checklist and Microaggressions Bingo, Not Everyone's Going to Like You is a long DM of affirmations from Rinny to herself on how to get through life. Her advice? Stop ignoring your intuition, ignore perfection, and leave them on read.

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Dubbed the "LeBron James of plant styling..." by "Good Morning America," Hilton Carter now shows how you can make, style, decorate, and care for your own stunning plant-inspired interior with his 25 step-by-step DIY projects and plant hacks.

In plant and interior stylist Hilton Carter’s previous books he has given us glimpses into stunning plant-filled homes where ivy and creeping figs hang miraculously from ceilings, mosses grow effortlessly to create living walls, and succulents flourish planted in terrariums. Now in Wild Creations, Hilton will show you how you can actually create these amazing fixtures for your own home. There are step-by-step instructions for Wild Ideas—making projects such as a wall mounted plant and a leather hanging plant stand, genius Wild Hacks for all of your plant worries from how to water your plants while you are away to repelling bugs, thought-provoking Wild Rants looking at the transformative power of plants, and finally a detailed look at ten key Wild Plants and how to care for them. Design and learn about your very own wild interior, get creative, and get WILD!

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In It’s Always Been Ours eating disorder specialist and storyteller Jessica Wilson challenges us to rethink what having a "good" body means in contemporary society. By centering the bodies of Black women in her cultural discussions of body image, food, health, and wellness, Wilson argues that we can interrogate white supremacy’s hold on us and reimagine the ways we think about, discuss, and tend to our bodies.

A narrative that spans the year of racial reckoning (that wasn't), It’s Always Been Ours is an incisive blend of historical documents, contemporary writing, and narratives of clients, friends, and celebrities that examines the politics of body liberation. Wilson argues that our culture’s fixation on thin, white women reinscribes racist ideas about Black women's bodies and ways of being in the world as "too much." For Wilson, this white supremacist, capitalist undergirding in wellness movements perpetuates a culture of respectability and restriction that force Black women to perform unhealthy forms of resilience and strength at the expense of their physical and psychological needs.

With just the right mix of wit, levity, and wisdom, Wilson shows us how a radical reimagining of body narratives is a prerequisite to well-being. It’s Always Been Ours is a love letter that celebrates Black women’s bodies and shows us a radical and essential path forward to rediscovering their vulnerability and joy.

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From author and Instagram personality Chrissy King, an exciting, genre-redefining narrative mix of memoir, inspiration, and specific exercises and prompts, with timely messages about social and racial justice, and how the world needs to move beyond body positivity to something even more exciting and revolutionary—body liberation.

Simply said, diet culture is rooted in white supremacy. The notion that those who fall outside of Eurocentric standards of beauty (think Black, fat, trans, etc.) are less attractive is a message that is transmitted daily from multiple external forces or social institutions (e.g., church, government, business industries, media, and family/peer groups). Body image and beauty standards can only be truly understood within a framework of interlocking systems of “isms” – (e.g., racism, sexism, classism, heterosexism).

While it’s challenging for everyone, it’s even more complicated for those living in marginalized bodies. That being said, the solution isn’t body acceptance or even body positivity. Those may be an important part of the journey, but the answer is . . . body liberation, with the recognition that none of us are free unless all of us are free.

The Body Liberation Project is about just that. It’s about finding actual freedom in our bodies, through finding strength and the aspects of fitness that work for YOU. It’s about understanding that the goal is not to look at our bodies and love everything that we see. It’s to understand that at our essence we are so much more than our bodies. But it’s also about recognizing the harsh realities that prohibit some people from being able to do that.

WINNER OF THE 2022 NATIONAL BOOK AWARD FOR NONFICTION

“An elegant meditation on the complexities of the American South—and thus of America—by an esteemed daughter of the South and one of the great intellectuals of our time. An inspiration.” —Isabel Wilkerson

In celebration of the 250th anniversary of the United States, HarperCollins is proud to present this library of American classics drawn from our storied catalog. South to America is an essential, surprising journey through the history, rituals, and landscapes of the American South—and a revelatory argument for why you must understand the South in order to understand America

We all think we know the South. Even those who have never lived there can rattle off a list of signifiers: the Civil War, Gone with the Wind, the Ku Klux Klan, plantations, football, Jim Crow, slavery. But the idiosyncrasies, dispositions, and habits of the region are stranger and more complex than much of the country tends to acknowledge. In South to America, Imani Perry shows that the meaning of American is inextricably linked with the South, and that our understanding of its history and culture is the key to understanding the nation as a whole.

This is the story of a Black woman and native Alabaman returning to the region she has always called home and considering it with fresh eyes. Her journey is full of detours, deep dives, and surprising encounters with places and people. She renders Southerners from all walks of life with sensitivity and honesty, sharing her thoughts about a troubling history and the ritual humiliations and joys that characterize so much of Southern life.

Weaving together stories of immigrant communities, contemporary artists, exploitative opportunists, enslaved peoples, unsung heroes, her own ancestors, and her lived experiences, Imani Perry crafts a tapestry unlike any other. With uncommon insight and breathtaking clarity, South to America offers an assertion that if we want to build a more humane future for the United States, we must center our concern below the Mason-Dixon Line.

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More than 30 acclaimed writers—including diverse voices such as Nikki Giovanni, David Omotosho Black, Natasha Trethewey, Barry Jenkins, Jacqueline Woodson, Tayari Jones, and Angela Flournoy—reflect on their experience and expertise in this unique book on the craft of writing that focuses on the Black creative spirit.

How We Do It is an anthology curated by Black writers for the creation and proliferation of Black thought. While a creator’s ethnicity does not solely define them, it is inherently part of who they are and how they interpret the world.

For centuries, Black creators have utilized oral and written storytelling traditions in crafting their art. But how does one begin the process of constructing a poem or story or character? How do Black writers, when faced with questions of “authenticity,” dive deep into the essence of their lives and work to find the inherent truth? How We Do It addresses these profound questions. Not a traditional “how to” writing handbook, it seeks to guide rather than dictate and to validate the complexity and range of styles—and even how one thinks about craft itself.

An outstanding list of contributors offer their insights on a range of important topics. Pulitzer Prize winner Jericho Brown explores the lives personified in poetry, while Pulitzer Prize winner Natasha Trethewey explores decolonizing enduring metaphors. National Book Award finalist Angela Flournoy illuminates the pain of grief in all forms and how it can be revealed in the act of creation, and iconoclast Nikki Giovanni offers an elegiac declaration on language.

New and previously published essays and interviews provide encouragement, examples, and templates, and offer lessons on everything from poetic form and plotting a story to the lessons inherent in the act of writing, trial & error, and finding inspiration in the works of others, including those of Toni Morrison, Shakespeare, and Edward P. Jones. A handbook and a reference tool, How We Do It is a thoughtful and welcome tool that offers direction to help Black artists establish their own creative practice while celebrating and widening the scope of the Black writer’s role in art, history, and culture.

Contributors include David Omotosho Black, Jericho Brown, Breena Clark, Rita Dove, Camille T. Dungy, W. Ralph Eubanks, Curdella Forbes, Angela Flournoy, Ernest Gaines, Nikki Giovanni, Marita Golden, Ravi Howard, Terrance Hayes, Mitchell S. Jackson, Barry Jenkins, Charles S. Johnson, Tayari Jones, Jamaica Kincaid, Tony Medina, E. Ethelbert Miller, Elizabeth Nunez, Carl Phillips, Jewell Parker Rhodes, Rion Amilcar Scott, Evie Shockley, Natasha Trethewey, Frank X Walker, Afaa M. Weaver, Crystal Wilkinson, Jacqueline Woodson, Tiphanie Yanique.