Inspired by long-buried true stories of enslaved people who dared to fight back, this powerful novel offers a searing portrayal of resistance. From Clay Cane, award-winning journalist and New York Times bestselling author of The Grift, it's a must-read for fans of Colson Whitehead, Jesmyn Ward, and Percival Everett.

As turmoil simmers within a divided nation, smoke from another blaze begins to rise. Sparked by individual acts of resistance among those enslaved across the American South, their seemingly disparate rebellions fuel a singular inferno of justice, connecting them in ways quiet at times, explosive at others. As these flames rise, so will they.

Luke, quick-witted and perceptive, and Henri, a man of strong and defiant spirit, forge an unbreakable bond at a Virginia plantation called Magnolia Row. Both seek escape from unimaginable cruelty. And sure as the fires of hell, Luke and Henri will leave their mark among the lives they touch...
Like Josephine, a young and observant girl who wields silence as her greatest weapon. A witness to Luke and Henri's resilience, she listens, watches, and waits.

Then there's Charity Butler, inspired by a formerly enslaved man who found his freedom fighting alongside Josephine. At his encouragement, Charity rises up for her life and family—only to face a deeply unjust system.

And finally, there is Nathaniel, who ruthlessly exploits other Black people and mirrors the cruelty of the white men who, like him, are enslavers. A perversion of the system of slavery, his rule is both fragile and contradictory.

Burn Down Master's House is a singular tour de force of a novel—breathtaking in scope, compassion, and timeliness that speaks powerfully to our present era.

Part history and part cultural analysis, The Grift chronicles the nuanced history of Black Republicans. Clay Cane lays out how Black Republicanism has been mangled by opportunists who are apologists for racism.

After the Civil War, the pillars of Black Republicanism were a balanced critique of both political parties, civil rights for all Americans, reinventing an economy based on exploitation, and, most importantly, building thriving Black communities. How did Black Republicanism devolve from revolutionaries like Frederick Douglass to the puppets in the Trump era?

Whether it's radical conservatives like South Carolina Senator Tim Scott or Supreme Court Justice Clarence Thomas, they are consistently viral news and continuously upholding egregious laws at the expense of their Black brethren. Black faces in high places providing cover for explicit bigotry is one of the greatest threats to the liberation of Black and brown people. By studying these figures and their tactics, Cane exposes the grift and lays out a plan to emancipate our future.

Jean Toomer’s Cane is one of the most significant works to come out of the Harlem Renaissance, and is considered to be a masterpiece in American modernist literature because of its distinct structure and style.

First published in 1923 and told through a series of vignettes, Cane uses poetry, prose, and play-like dialogue to create a window into the varied lives of African Americans living in the rural South and urban North during a time when Jim Crow laws pervaded and racism reigned. While critically acclaimed and known today as a pioneering text of the Harlem Renaissance, the book did not gain as much popularity as other works written during the period. Fellow Harlem Renaissance writer Langston Hughes believed Cane’s lack of a wider readership was because it didn’t reinforce the stereotypes often associated with African Americans during the time, but portrayed them in an accurate and entirely human way, breaking the mold and laying the groundwork for how African Americans are depicted in literature.

For the first time in Penguin Classics, this edition of Cane features a new introduction, suggestions for further reading, and notes by scholar George Hutchinson, and National Book Award Foundation 5 Under 35 novelist Zinzi Clemmons contributes a foreword.

One mistake was innocent until it wasn’t.

After almost a ten-year relationship, Jersei Lane is forced into a journey of self-discovery. Her codependency made her put her own life on the back burner, but with one spark to her soul, everything shifted.

Vayce Denver is the school counselor at Sweet Pea Academy. His life is built on saving others until it is time to address his own. Love became a distant memory and peace became his priority.

How sweet can a guarded heart’s lesson be? Is love possible if we keep it Off the Charts?

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A prophetic new collection of poems from Shane McCrae, “a shrewd composer of American stories” (The New Yorker).

Writing you I give the death I take
I know I should feel wounded by your death
I write to you to make a wound write back

Shane McCrae fashions a world of endings and infinites in Cain Named the Animal. With cyclical, rhythmic lines that create and re-create images of our shared and specific pasts, he writes into and through the wounds that we remember and “strains toward a vision of joy” (Will Brewbaker, Los Angeles Review of Books).

Cain Named the Animal expands upon the biblical, heavenly world that McCrae has been building throughout his previous collections; he writes of Eden, of the lost tribe that watched time enter the garden and God rehearse the world, and of the cartoon torments of hell. Yet for McCrae, these outer bounds of our universe are inseparable from the lives and deaths on Earth, from the mundanities and miracles of time passing and people growing up, growing old, and growing apart. As he writes, “God first thought time itself / Was flawed but time was God’s first mirror.”

She's a good girl.

And she has a thing for bad boys.

It's the reason I had to let her go. I knew that I was a mistake she was willing to make over and over, again. I loved her too much to hurt her, but that didn't give anyone else the right to. She's too pure and too precious. And, I'd do any nigga dirty that dared to play with her heart. I wasn't even the exception when it came to her. That's why I knew I had to get my shit together and cater to her heart the way only I could. And until she was mine again, I'd go to war with any n*gga, empty my bank accounts, ignite fires between us, sing every love song known to man, and grovel at her feet. Because I wouldn't rest until she belonged to me.

He's a heartbreaker.

And I'm still recovering from that time he broke mine.

From the author of The Art of Scandal comes a small town romance about the visibility of Black women’s voices in country music, for readers of The Final Revival of Opal & Nev.

Every Thursday night, former country music heartthrob Luke Randall has to sing “Another Love Song.” God, he hates that song. But performing his lone hit at an interstate motel lounge is the only regular money he still has. Following another lackluster performance at the rock bottom of his career, Luke receives the opportunity of his dreams, opening for his childhood idol—90’s era Black country music star, JoJo Lane, who’s being inducted into the Country Music Hall of Fame. But the concert is in Arcadia, Arkansas, the small hometown he swore he’d never see again. Going back means facing a painful past of abuse and neglect. It also means facing JoJo’s daughter, August Lane—the woman who wrote the lyrics he’s always claimed as his own. 
 
August also hates that song. But she hates Luke Randall even more. When he shows up ten years too late to apologize for his betrayal, she isn’t interested in making amends. Instead, she threatens to expose his lies unless he co-writes a new song with her and performs it at the concert, something she hopes will launch her out of her mother's shadow and into a songwriting career of her own. Desperate to keep his secret, Luke agrees to put on the rogue performance, despite the risk of losing his shot at a new record deal.
 
When Luke’s guitar reunites with August’s soulful alto, neither can deny that the passionate bond they formed as teenagers is still there. As the concert nears, August will have to choose between an overdue public reckoning with the boy who betrayed her, or trusting the man he’s become to write a different love song.

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Winner of the 2021 Cave Canem Poetry Prize, selected by Rachel Eliza Griffiths

In her virtuosic debut, Courtney Faye Taylor explores the under-told history of the murder of Latasha Harlins—a fifteen-year-old Black girl killed by a Korean shop owner, Soon Ja Du, after being falsely accused of shoplifting a bottle of orange juice. Harlins’s murder and the following trial, which resulted in no prison time for Du, were inciting incidents of the 1992 Los Angeles uprising, and came to exemplify the long-fraught relationship between Black and Asian American communities in the United States. Through a collage-like approach to collective history and storytelling, Taylor’s poems present a profound look into the insidious points at which violence originates against—and between—women of color.

Concentrate displays an astounding breadth of form and experimentation in found texts, micro-essays, and visual poems, merging worlds and bending time in order to interrogate inexorable encounters with American patriarchy and White supremacy manifested as sexual and racially charged violence. These poems demand absolute focus on Black womanhood’s relentless refusal to be unseen, even and especially when such luminosity exposes an exceptional vulnerability to harm and erasure. Taylor’s inventive, intimate book radically reconsiders the cost of memory, forging a path to a future rooted in solidarity and possibility. “Concentrate,” she writes. “We have decisions to make. Fire is that decision to make.”

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“A significant new voice in fiction, Norris has written what may be one of the defining novels of the era at the intersection between Black Lives Matter and COVID-19.” —BuzzFeed

One of Publishers Weekly's Best Novels of the Summer ∙ One of The Millions' Most Anticipated Books of June ∙ One of ALTA's Recommended Reads for June ∙ One of BuzzFeed's Amazing Small Press Books To Add To Your Summer Reading List

Copeland Cane V, the child who fell outta Colored People Time and into America, is a fugitive…
He is also just a regular teenager coming up in a terrifying world. A slightly eccentric, flip-phone loving kid with analog tendencies and a sideline hustling sneakers, the boundaries of Copeland’s life are demarcated from the jump by urban toxicity, an educational apparatus with confounding intentions, and a police state that has merged with media conglomerates—the highly-rated Insurgency Alert Desk that surveils and harasses his neighborhood in the name of anti-terrorism.

Recruited by the nearby private school even as he and his folks face eviction, Copeland is doing his damnedest to do right by himself, for himself. And yet the forces at play entrap him in a reality that chews up his past and obscures his future. Copeland’s wry awareness of the absurd keeps life passable, as do his friends and their surprising array of survival skills. And yet in the aftermath of a protest rally against police violence, everything changes, and Copeland finds himself caught in the flood of history.

Set in East Oakland, California in a very near future, The Confession of Copeland Cane introduces us to a prescient and contemporary voice, one whose take on coming of age in America becomes a startling reflection of our present moment.

Whether infused by movement or stillness, Mlengeya's black-and-white portrait paintings radiate both power and peace

Born in 1991 in Dar es Salaam, Sungi Mlengeya captures the essence of Black womanhood in her haunting monochromatic acrylic portraits. The meticulously painted figures are set against a minimalist white background, creating a striking contrast that emphasizes skin texture and form. Her portraits, whether infused by movement or stillness, radiate both power and peace, offering the viewer intimate moments of strength and serenity. In this first monograph dedicated to Mlengeya, the curator Tandazani Dhlakama brilliantly analyzes how African, Black and feminist conditions are intertwined in her work, and the intimate conversation between Sungi and her model, Jemima Michael, takes us behind the scenes of a work in the making.