If the question is America-and by extension, who is and what does it mean to be American? -AFRICANAMERICAN'T offers no answers. The CAN'T in the title suggests impossibility and that is precisely what the book is interested in. Even in the so-called land of opportunity, some things remain impossible for its speaker(s). In a way, AFRICANAMERICAN'T is a document of attempted refusals: assimilation, forgetting, and allegiance to any one country. However valid despair might be as a response to the continued failings of his two countries, Ayokunle Falomo traverses the distance between betrayal and love in an attempt to find poetry-and perhaps, something like hope-in all the places it can't be found.

 Celebrate the release of Autobiomythography of with Ayokunle Falomo!

EVENT DEETS

When: Thursday, September 12 @ 7 PM 

Where: Kindred Stories (2304 Stuart Street, HTX, 77004) 

How:  RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming

ABOUT THE BOOK

ABOUT THE AUTHOR

AYOKUNLE FALOMO is Nigerian, American, and the author of Autobiomythography of (Alice James Books, 2024), AFRICANAMERICAN’T (FlowerSong Press, 2022), two self-published collections and African, American (New Delta Review, 2019; selected by Selah Saterstrom as the winner of New Delta Review’s 8th annual chapbook contest). A recipient of fellowships from Vermont Studio Center, MacDowell, and the University of Michigan’s Helen Zell Writers’ Program, where he obtained his MFA in Creative Writing—Poetry, his work has been anthologized and widely published

ABOUT THE MODERATOR

A derangeddeity, powerful nations, and heretic cultists clash. Meanwhile…

A girl with missing memories must find a way to survive this calamity

Set in a world shaped by powerful deities known as Oriṣa, Àyànmọ́ follows Iniọla, a teenage girl searching for purpose in a life clouded by sealed memories and hidden truths. As she unravels the mystery of her past, she must challenge the very forces that bind her and humanity’s fate to a divine design.

Join us for a poetry reading with Olatunde & friends, Ayokunle Falomo and Joshua Burton!

EVENT DEETS

When: Saturday, March 2 @ 6PM

Where: Kindred Stories Reading Garden (2304 Stuart Street, HTX, 77004)

How: RSVP Only to reserve seats or RSVP WITH BOOK to reserve your copy of the book and our programming. No refunds.

ABOUT THE BOOK

The irony of transformation often is that we mistake it to have occurred long before it does. Tender Headed takes its time in asserting the realization that growth remains ever ahead of you. Examining the themes of Black identity, accountability, and narration, we encounter a series of revealing snapshots into the role language plays in chiseling possibility and its rigid command of depiction. Olatunde Osinaike's startling debut sorts through the many-minded masks behind Black masculinity. At its center lies an inquiry about the puzzling nature of relationships, how ceaseless wonder can be in its challenge of a truth. In the name of music and self-identity, the speaker weaves their way through fault and how it amends Black life in America.

This is demonstrated best in how the demanding, yet vulnerable tone for the collection is set in "Men Like Me," its restless opening poem. Here, we find the speaker reciting a chronicle of generational neglect from men that became him also. Earnest and sharp, there is a beauty in seeing a poet not shy away from both the melancholy and resolve of rescripting their path while cherishing their steps and missteps along the way. This collection is a panel aching of fathers, sons, uncles, grandfathers, all of whom would do well to join in and confront shared privileges that are typically curtailed or altogether avoided in conversation. Tender Headed entrusts the heart to be a compass, insisting on a journey unto itself and a melodic detour toward tenderness precise with its own footing.

ABOUT THE AUTHOR

Celebrate the release of Lift Every Voice with Phillip B. Williams!

EVENT DEETS

When: Tuesday, July 14 @ 7PM

Where: Kindred Stories (2310 Elgin Street, Houston, TX 77004)

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to get a copy of Lift Every Voice and our store programming. 

Please note that copies of Lift Every Voice that were not purchased at Kindred Stories will not be allowed in the event and you will not be eligible for the signing/photo line. You must buy a book from Kindred Stories.

ABOUT THE BOOK

Captivating for both its grandeur and intimacy, Lift Every Voice explores the capacity for the past to be both a source of dread and empowerment, an unshakable reminder of violence and an indelible testament to the endurance of love. In virtuosic poems that are wise, musical, richly layered, and saturated with vivid imagery, Williams honors a mother “who knew seven ways to say bitch under her breath,” a grandma whose smile “reflects the world,” and wonders at “the impossible lift” of forgiveness. Lift Every Voice is a staggering tribute to personal and collective evolutions, a vital chorus that answers only to God, community, and the empowered self.

ABOUT THE AUTHOR

Phillip B. Williams is the author of the novel Ours and two collections of poetry: Thief in the Interior, which was the winner of the Kate Tufts Discovery Award and a Lambda Literary Award; and Mutiny, which was a finalist for the PEN/Voelcker Award for Poetry and the winner of a 2022 American Book Award. Williams is also the recipient of a Whiting Award and fellowships from the Radcliffe Institute for Advanced Study at Harvard University and the National Endowment for the Arts. Raised in Chicago, he is currently a professor of creative writing at Rice University and founding faculty of the Randolph College Low-res MFA.

ABOUT THE MODERATOR

AYOKUNLE FALOMO is Nigerian, American, and the author of Autobiomythography of (Alice James Books, 2024—winner of the 2025 Maine Literary Award for Excellence in Publishing and honor-winner for the Texas Institute of Letters' Burdine C. Johnson Award for Best Book of Poetry), AFRICANAMERICAN’T (FlowerSong Press, 2022—finalist for the Texas Institute of Letters' Helen C. Smith Memorial Award for Best Book of Poetry), two self-published collections and African, American (New Delta Review, 2019; selected by Selah Saterstrom as the winner of New Delta Review’s 8th annual chapbook contest). A recipient of fellowships from Vermont Studio Center, MacDowell, and the University of Michigan’s Helen Zell Writers’ Program, where he obtained his MFA in Creative Writing—Poetry, his work has been anthologized and widely published. You can find out more information about him at afalomo.com.

A seminal work that expands how we talk about the natural world and the environment as National Book Critics Circle Criticism finalist Camille T. Dungy diversifies her garden to reflect her heritage.

In Soil: The Story of a Black Mother’s Garden, poet and scholar Camille T. Dungy recounts the seven-year odyssey to diversify her garden in the predominately white community of Fort Collins, Colorado. When she moved there in 2013, with her husband and daughter, the community held strict restrictions about what residents could and could not plant in their gardens.

In resistance to the homogenous policies that limited the possibility and wonder that grows from the earth, Dungy employs the various plants, herbs, vegetables, and flowers she grows in her garden as metaphor and treatise for how homogeneity threatens the future of our planet, and why cultivating diverse and intersectional language in our national discourse about the environment is the best means of protecting it.

Definitive and singular, Soil functions at the nexus of nature writing, environmental justice, and prose to encourage you to recognize the relationship between the peoples of the African diaspora and the land on which they live, and to understand that wherever soil rests beneath their feet is home.