Francesca Palmer, one half of the chart-topping country music duo Whiskey Wild, has built her life on the road and in the spotlight. But when she discovers her boyfriend has been cheating, her world is turned upside down. Craving peace and clarity, Francesca retreats to her quaint hometown of Hume, Tennessee, where she hopes to find solace and rediscover herself away from the pressures of fame.
Edison Birch spent his entire life in Hume, running the local plant nursery alongside his sister. Known for his steady nature and deep connection to the town, Edison has long accepted that love might not be in the cards for him. That is, until Francesca, the girl he secretly adored in high school, returns to town, bringing a spark of excitement and possibility back into his quiet life.
When the two reconnect, their old friendship blossoms into something neither of them expected, igniting a chemistry that feels both natural and electric. As Francesca and Edison navigate their deepening relationship, the realities of her life in the public eye loom large. Francesca is torn between the career she’s worked so hard to build and the love she’s found with Edison. Meanwhile, Edison wrestles with the fear of losing the woman who’s become his heart’s greatest hope. With their worlds so vastly different, they must decide if the love they’ve found is strong enough to bridge the gap—or if it’s destined to be a bittersweet memory of a summer in Hume.

Publisher’s Note: This special edition of Love You a Little Bit includes exclusive bonus content not featured in the original release.

A comprehensive look at the early career of a rising star in contemporary Black portraiture

This is the first monograph on the practice of young American painter Khalif Tahir Thompson (born 1995), who will receive an MFA from the Yale School of Art in the spring of 2024. With several solo exhibitions and artwork in museum permanent collections, Thompson is already prolific. His paintings are populated by Black figures set in colorful, shimmering environments that sometimes resemble patchworks verging on abstraction. They incorporate multiple materials apart from oil and acrylic, including handmade paper, pearls, fabric, velvet, newspaper and leather. Whether isolated or in a group, candid or posed, each figure is imbued with an innate identity. Says Thompson of his work: "I believe painting can be a tool in considering the emotional, psychological complexity of an individual's story and identity ... I alter perception and invoke empathy towards my subjects, depicting their reality across a visceral lens."

For numerous migrants who ventured westward in the twentieth century in search of greater opportunities, the glitter of California often proved to be mere fool’s gold—promising easy riches but frequently resulting in dispossession and displacement. Poet Wendy M. Thompson is descended from two of these migrant waves—post-1965 Chinese immigrants and Black southerners of the Second Great Migration—whose presence has permanently transformed the region.

In this arresting debut poetry collection, Thompson traces the past and present of California’s Bay Area, exploring themes of family, migration, girlhood, and identity against a backdrop of urban redevelopment, advanced gentrification, and the erasure of Black communities. Traveling down both familiar highways and obscure side streets, her poems map a region where race, class, and language are just some of the fault lines that divide communities and produce periodic tremors of violence and resistance.

Confronting assimilationist myths of the American Dream, Black California Gold depicts a setting that is less a melting pot than a smelting pot, subjecting different ethnic groups to searing trials and extreme pressures that threaten to break them down entirely. Yet, it also celebrates the Black residents of the Bay Area who have struggled to sustain home and hope amid increasingly desperate conditions.

Celebrate the release of The Waterbearers : A Memoir of Mothers and Daughters with Sasha Bonet!

EVENT DEETS

When: Tuesday, September 23 @ 7PM

Where: Kindred Stories (2310 Elgin St, #2, Houston, TX 77004)

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming.

Note: Outside copies of The Waterbearers will not be allowed in the venue. 

ABOUT THE BOOK

A sweeping narrative of the unique beauty and trials of Black matriarchy in America that weaves a sharp, tender examination of three single Black mothers—the author's grandmother, mother, and the author herself—with stories of influential Black women in our culture

"Bonét tells the whole history of this country through the relationships of and between Black mothers and daughters."—Imani Perry, National Book Award-winning author of South to America

“Bonét dances on our hearts in this classic creation of will and wit. Electrifying... Wow.”—Kiese Laymon, author of Heavy: An American Memoir

Betty Jean, the author’s grandmother, had a house along a bayou in Texas, a home paid for and run without a man by her side. This home served as the center of Bonét’s family’s universe, the one place that was a constant through all of life’s changes.

Mama Connie, one of Betty Jean’s eleven children, vowed that her life would be different. And in many ways it was: she got married, lived in suburbia, and built a life resembling the American dream. But when it came to raising children of her own, she was more like Betty Jean than she cared to admit. But, like her mother before her, Connie’s sweat was the founding salt of her own universe.

Today, Sasha Bonét navigates all aspects of being a mother—escape, promise, burden, assent, and rebellion—not just for the women in her family who came before her, but for Black women with whom society is acquainted, too: figures like Nina Simone, Betty Davis, and Darnella Frazier, who filmed the murder of George Floyd.

Generations of Black women have borne children, borne the burdens of events untold, and borne witness to unspeakable trials. The Waterbearers carries this history, its fierce eloquence capturing a masterpiece of life written by an author who is intimately acquainted with how Black women have passed down knowledge and culture. Sasha Bonét doesn’t just present genealogical lineages but illuminates the cultural and societal connections of strong Black women who have built legacies and changed the world, sometimes in the most mundane of moments. The fierce eloquence of this story confirms Sasha Bonét as a voice we all now need to hear.

ABOUT THE AUTHOR

SASHA BONÉT is a writer and cultural critic based in New York City. Her criticism and essays have appeared in The Paris Review, Aperture, New York Magazine, Vogue, and BOMB, among other publications. Bonét is a professor of creative writing for Columbia University and Barnard College.

ABOUT THE CONVERSATION PARTNER

Amarie Gipson is a Houston-born writer, editor and cultural worker. She has held curatorial positions at various art institutions, including The Studio Museum in Harlem, the Art Institute of Chicago, and the Museum of Fine Arts, Houston. Independently, her writing has been published in ARTS.BLACK, Artforum, ArtNews, ESSENCE, Oxford American and many others. She previously held editor positions at Houstonia and Atlanta-based arts criticism publication Burnaway. In 2024, she was awarded the AICA-USA's Irving Sandler Award for New Voices in Art Criticism. Gipson is the Founder and Director of The Reading Room, an independent reference library dedicated to increasing access to Black art and culture through literature, print media and community engagement. Located in downtown Houston, The Reading Room hosts curated events, including artist talks, film screenings, and interactive workshops, all designed to foster a deeper connection to the library’s growing collection of over 700 books.