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A fascinating history of the art form that has transformed the cultural landscape, by one of its influential practitioners, an award-winning poet, professor, and slam champion

In 2009, when he was twenty years old, Joshua Bennett was invited to perform a spoken word poem for Barack and Michelle Obama, at the same White House "Poetry Jam" where Lin-Manuel Miranda declaimed the opening bars of a work-in-progress that would soon revolutionize American theater. That meeting is but one among many in the trajectory of Bennett's young life, as he rode the cresting wave of spoken word through the 2010s. In this book, he goes back to its roots, considering the Black Arts movement and the prominence of poetry and song in Black education; the origins of the famed Nuyorican Poets Cafe in the Lower East Side living room of the visionary Miguel Algarín, who hosted verse gatherings with legendary figures like Ntozake Shange and Miguel Piñero; the rapid growth of the "slam" format that was pioneered at the Get Me High Lounge in Chicago; the perfect storm of spoken word's rise during the explosion of social media; and Bennett's own journey alongside his older sister, whose work to promote the form helped shape spaces online and elsewhere dedicated to literature and the pursuit of human freedom.    

A celebration of voices outside the dominant cultural narrative, who boldly embraced an array of styles and forms and redefined what—and whom—the mainstream would include, Bennett's book illuminates the profound influence spoken word has had everywhere melodious words are heard, from Broadway to academia, from the podiums of political protest to cafés, schools, and rooms full of strangers all across the world.

The debut collection from a 2021 Whiting Award and Guggenheim Fellow recipient whose “astounding, dolorous, rejoicing voice is indispensable” (Tracy K. Smith)
  
The Sobbing School, Joshua Bennett’s mesmerizing debut collection of poetry, presents songs for the living and the dead that destabilize and de-familiarize representations of black history and contemporary black experience. What animates these poems is a desire to assert life, and interiority, where there is said to be none. Figures as widely divergent as Bobby Brown, Martin Heidegger, and the 19th-century performance artist Henry Box Brown, as well as Bennett’s own family and childhood best friends, appear and are placed in conversation in order to show that there is always a world beyond what we are socialized to see value in, always alternative ways of thinking about relation that explode easy binaries.

From an award-winning poet praised for his “rhapsodic, rigorous” work (The New Yorker) comes an immersive meditation on kindship, collectivity, and environmental thought

We (The People of The United States) is a book-length poem made to the measure of the modern world. Composed of 55 sections, it features a breathtaking range of characters and concerns: The Beach Boys, Gwendolyn Brooks, the invention of the typewriter, Zora Neale Hurston, Sun Ra, life on Mars, Robert Frost, experimental physics, The Jackson 5. Throughout the collection, Bennett summons Virgil’s Georgics as a lens through which to not only tell the story of his family, but a much larger one about the “form of the American mind,” our relationship to the natural world, and the pursuit of a dignified, abundant life. Published the year of the nation’s 250th anniversary, it is a collection that is right on time. One that calls us, as Langston Hughes once did, toward a future America that is not yet here, “and yet must be.”

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The first volume in an anthology series that amplifies the voices of unsung Black poets to paint a more robust picture of our national past, and of the Black literary imagination, with a foreword by Tracy K. Smith

A Penguin Classic

Joshua Bennett and Jesse McCarthy repeatedly found themselves struck by the number of exciting poets they came across in long-out-of-print collections and forgotten journals whose work has been neglected or entirely ignored, even by scholars of Black poetry. Minor Notes is an excavation initiative that recovers and curates archival materials from these understudied, though supremely gifted, African American poets of the nineteenth and twentieth centuries, and aims to bridge scholarly interest with the growing general audience who reads, writes, and circulates poetry within that tradition. As Minor Notes clarifies, the work of contemporary Black poets is perhaps best understood through the lens of a long-standing tradition of the poet as witness, as prophetic voice, as communal bard, and as scholar of the everyday and the miraculous. The poets featured in Volume 1 are George Moses Horton, Fenton Johnson, Georgia Douglas Johnson, Henrietta Cordelia Ray, David Wadsworth Cannon Jr., Anne Spencer, and Angelina Weld Grimké.

They're making an album. Not love. (Yet.)

Bishop's album is a disaster, and the only person who can fix it is Shiloh Ellis, the woman she ghosted four years ago.

Shiloh's the best producer in the business now. Button-downs sharp, studio pristine, boundaries ironclad. She doesn't do chaos, second chances, or Bishop. But when she hears that dying demo, she knows exactly what's missing: the raw honesty they used to create together. Before the fame. Before Bishop left without a word.

Four months to salvage the record. Two masculine-of-center women who used to finish each other's sentences, now barely able to tolerate sharing studio air. Bishop's all swagger and deflection. Shiloh's all logic, control, and precision. But in the booth, with nowhere left to hide, the music demands the truth they've been avoiding.

The album's coming together. So is everything they buried.

Some love you have to earn back-one track at a time.

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The expansion of Marvel and DC Comics’ characters such as Black Panther, Luke Cage, and Black Lightning in film and on television has created a proliferation of poetry in this genre—receiving wide literary and popular attention.

This groundbreaking collection highlights work from poets who have written verse within this growing tradition, including Terrance Hayes, Lucille Clifton, Gil Scott-Heron, A. Van Jordan, Glenis Redmond, Tracy K. Smith, Teri Ellen Cross Davis, Joshua Bennett, Douglas Kearney, Tara Betts, Frank X Walker, Tyree Daye, and others. In addition, the anthology will also feature the work of artists such as John Jennings and Najee Dorsey, showcasing their interpretations of superheroes, Black comic characters, Afrofuturistic images from the African diaspora.

Timnit Gebru, one of the fiercest voices in the world speaking truth to power, chronicles her journey as a refugee and Black woman in STEM—delivering an inspiring vision for better, human-centered, equitable technology.

Timnit Gebru has been present at nearly every inflection point in tech’s recent history. She was an engineer at Apple on the cusp of the iPhone’s first release, a PhD student at Stanford’s computer vision lab as her advisor worked on the enormous datasets so crucial to AI’s development, and the most senior Black woman on the Ethical AI team at Google as DeepMind and Open AI took over the field of artificial intelligence—where she was forced out for having raised the alarm about bias in large language models, causing global shockwaves in the tech industry.

Starting with her childhood during which she was forced to flee the 1998 Ethiopian-Eritrean war, through the fraught process of achieving refugee status, Gebru shows how her early love of science and math was inextricably intertwined with her belief that these were reliably objective safe spaces. Over time, through high school in Greater Boston, college at Stanford, and jobs at Apple, Microsoft, and Google, she came to realize that perhaps some of the biases and injustices she witnessed in her life outside of academics were true about technology, too.

Over the course of her life, Gebru has seen up close how the destructive ideologies and outsized egos of the tech world have come to wreak havoc on our environment, our economies, and the lives of billions of people. She has also come to understand how we could have made a different choice every step of the way, and how we still can.

Part memoir and part manifesto, Deep Unlearning is as much about ideology as it is about technology—and about how to privilege justice in both.

The poetry of Tom Postell, believed lost since a tragic death in 1980, appears here in its first authorized, comprehensive volume. While Postell ran with the masters of Beat, Black Power, and Hardbop in the 50's and 60's, he has remained elusive, enigmatic, unsung. His poems provide an astonishing look into how issues of race, music, and the political avant-garde intersect at this pivotal moment in post-WWII America. Essays and hybrid work by giovanni singleton, Derrick Harriell, and Aldon Lynn Nielsen complement interviews, typescripts, and archival photos, making this retrospective of Postell the first of its kind.

ABOUT TOM POSTELL

Tom Postell, born Thomas Freeman Postell Jr., was a Black American poet born in Cincinnati in 1927 and closely associated with the Beat Generation, Black Mountain School, and Black Arts Movement in New York City's Greenwich Village from 1953 to 1969. A close friend and mentor of poet Amiri Baraka, Postell's circle included musicians like Ornette Coleman and Archie Shepp and fellow poets like Allen Ginsberg and Ted Joans. Hindered by institutionalization, mental health struggles, and substance abuse, Postell disappeared from the literary scene in 1970, leaving a trove of innovative work thought lost upon his death in 1980.

"Postell wrote moon poems that would concern the authorities. A nature poet, jazz poet, love poet, and surrealist raconteur. He was multitudinous, hilarious, occasionally terrifying and always interstellar. In the pages of this iridescent collection, his voice arrives as if from another planet, another place in space-time, to call us forward.” —Dr. Joshua Bennett

"Tom Postell emerged from the mid-1960s Village literary scene as a self-sculpted, deft, barely-listened-to imaginal incessance. And yet, with this surprising new collection of unheralded poems, his work continues to radiate with incantatory significance. —Will Alexander

Reclaim your healing—and find the support you were never meant to go without after pregnancy and infant loss, birth trauma, or infertility.

After loss, many women are left navigating a silent, isolating grief—questioning their bodies, their faith, and their future. For Black women and women of color, this pain is often compounded by medical mistrust, systemic inequities, generational silence, and the unspoken expectation to remain strong.

But healing was never meant to happen in isolation.

In Never Healing Alone, grief and loss expert Erica Freeman, founder of Sisters in Loss, offers a compassionate, culturally responsive guide to life after loss—rooted in storytelling, sisterhood, and holistic healing.

Drawing from her own lived experience and the voices of more than 400 Black women, partners, and care providers, Freeman provides a powerful roadmap for navigating grief across the emotional, physical, spiritual, and communal layers of healing. This is not a book about “moving on.” It’s about learning how to heal forward—without abandoning yourself.

Inside, you’ll learn how to:

* Understand your grief through healing archetypes—so you can name what you’re feeling and why
* Release the pressure to be strong and begin telling the truth about your loss
* Build a circle of support through sisterhood, mentorship, and community care
* Reconnect with your body through holistic healing practices like meditation, acupuncture, and creative expression
* Advocate for your needs in healthcare, relationships, and the workplace with clarity and confidence

At a time when maternal health disparities continue to rise, Never Healing Alone is both a lifeline and a call to community. Because your grief is not a weakness. It is proof of your love. And you deserve to be held through it.

An intimate look into the studios of twenty prominent Black artists working today, enlivening their art practice and creative lives through stunning photographs and exclusive interviews

‘Both a vital record of the present and a powerful testament to the legacies still being created.’ – Angela Bassett, actress, director, and producer

Another View: The Vibrant World of Contemporary Black Artists is a groundbreaking, intimate exploration of the studios, living spaces, and creative processes of twenty of today’s most notable Black artists. The book includes 150 never-before-published photographs taken by acclaimed artist Awol Erizku, presenting the ultimate behind-the-scenes tour of striking studios across the United States, works in progress by some of the world’s most creative people, and the objects and settings that inspire them. Exclusive profiles inspired by interviews with celebrated curator Isolde Brielmaier offer compelling personal advice and unique insights into the art world, giving readers an inside look at the role of art in society, perspectives on legacy, and what it means to be a Black artist today. An illuminating introduction by lauded scholar and critic Henry Louis Gates, Jr. explores the historical precedents and critical context that led to the exciting current moment of Black contemporary art in America.

Showcasing work across media – including painting, sculpture, textile, collage, photography, and more – the featured artists have won prestigious awards such as the Guggenheim Fellowship, MacArthur Fellowship, and National Endowment for the Arts grant, and are in the collections of leading institutions, including the Museum of Modern Art in New York, the Whitney Museum of American Art, the National Portrait Gallery, and the Guggenheim. These artists represent a pivotal moment in American art history, where Black artists are gaining unprecedented institutional recognition and also fundamentally changing conversations about identity, history, and representation in contemporary art. This book captures a crucial juncture – not only showcasing the ways these artists think about their work, but also highlighting important, personal conversations about how their influence will shape the next generation of artists and the broader cultural landscape for decades to come.

Featured artists: Nina Chanel Abney; Derrick Adams; Sanford Biggers; Jordan Casteel; Nick Cave; Renee Cox; Leonardo Drew; Theaster Gates; Rashid Johnson; Titus Kaphar; Glenn Ligon; Kerry James Marshall; Xaviera Simmons; Lorna Simpson; Shinique Smith; Hank Willis Thomas; Mickalene Thomas; Nari Ward; Carrie Mae Weems; and Fred Wilson.

From the author of the acclaimed Invisible Generals comes the unsung history of the first Black US senators—two men who overcame fierce resistance to help America forge a multiracial democracy.

In 1870—a mere five years after the Civil War ended—Hiram Revels became the first Black US senator sworn into office. Abolitionist Wendell Phillips proclaimed him “the Fifteenth Amendment in flesh and blood.” During his tenure, Revels would fight for civil rights, public education, and birthright citizenship. Blanche K. Bruce followed in Revels’s footsteps, introducing pivotal legislation to secure back pay for Black veterans and promoting infrastructure projects to help reunite the North and South. Bruce would go on to become the register of the treasury, the first Black American to have his signature appear on US currency.

Revels and Bruce faced fierce opposition from within both major political parties, and the emergence of the Ku Klux Klan and Jim Crow laws further eroded Blacks’ momentum. When Bruce’s term ended, there wouldn’t be another Black US senator for eighty-six years. A systematic campaign of diminishment reduced the accomplishments of Revels, Bruce, and their Reconstruction-era peers to the point of obscurity.

Invisible Senators is a surprising, clear-eyed, and inspiring tribute that restores Revels and Bruce to their rightful place in US history. Their powerful story compels us to reflect on the progress they made and to recognize the ongoing struggles for justice in America—moving us to continue building the inclusive democracy that they began.

Now in a gorgeous new package designed for the modern reader.

*Selected as One of the Best Books of the 21st Century by The New York Times*
*Winner of the Andrew Carnegie Medal and Finalist for the Kirkus Prize*
*Named a Best Book of the Year by The New York Times, Publishers Weekly, NPR, Broadly, BuzzFeed, and more*

The powerful, provocative, award-winning, and universally lauded memoir by genre-bending essayist and novelist Kiese Laymon.

Defiant and vulnerable, Kiese Laymon’s Heavy is a deeply insightful memoir about what the weight of secrets, lies, and deception does to a Black body, a Black family, and a nation teetering on the brink of moral collapse.

From his earliest experiences to middle age, Laymon traces his complex relationships with his family, his weight, sex, gambling, and writing, naming the secrets he spent a lifetime avoiding. In the process, he challenges us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and that even fewer want to live under the weight of actually becoming free.

Award-winning and universally lauded, this fearless, often comical, and provocative memoir has pushed the boundaries of its genre.