*Use discount code: SALE at check out for 30% off*

A new edition of the first book of poems from the Pulitzer Prize winner Carl Phillips, with a new afterword.

I am no mystic. I know
nothing rises that doesn’t
know how to already.
In my ears, only the clubbed
foot of routine, no voices, no

clatter of dreams: but I saw
what I saw

Even in his first book of poems, the deep contradictions in Carl Phillips’s work are already pronounced. Here is a subtle poet, attuned to the simple honesty of everyday speech, and yet steeped in classical allusion. Life here is quiet, yet burning with anger and unavoidable desire. Offering intimate statements of passion and yet retaining a private withholding, these poems take as their primary subject the body―growing, aging, loving―and spirit that fills the flesh.

When In the Blood was selected for the 1992 Morse Poetry Prize, Carl Phillips was a high-school Latin teacher. Thirty years later, he has written seventeen books of poetry, has received the Pulitzer Prize, and is one of the most prominent voices in contemporary poetry.

In “Back to Basics,” we will look at how knowing who, what, where, when, and why can be the catalyst for an epic talk. Through writing prompts that explore character, setting, plot, and motivation, you will build a formidable toolkit that can be applied to any story you want to tell.

EVENT DEETS

When: Sunday, November 1st and 8th @ 10 AM - 12 PM

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP to reserve your place in this two-part workshop series. We encourage participants to register only if they are able to attend both sessions. Feel free to bring your laptop or your favorite writing supplies. Coffee and refreshments will be provided. 

A long-overdue corrective to the history of rock ‘n’ roll and alternative music, repopulating it with the extraordinary Black artists and influential figures who steered its course, from an author, journalist, and front woman of the British post punk band Big Joanie.

The history of rock and roll and alternative music is often told in bold, sweeping, isolated moments that are removed from the context of their time. Upon closer inspection, however, it becomes clear that the stories we tell center primarily on the achievements of white men like Elvis Presley, The Ramones, Nirvana, and David Bowie. White men who were the stars, white men who supposedly changed the game, white men who seemingly were at the forefront of every musical innovation in the 20th and 21st centuries. These rock and roll retellings perpetuate the belief that white men were the most important people to wield a guitar, strut on stage, or pound out a pummeling drumbeat. What is missing in these stories is everything in between—the people, the places, and the scenes that connect the dots—and you can’t tell the history of any music scene, let alone alternative music, without the Black community.

From the genre's earliest moments, Black musicians—like gospel entertainer Sister Rosetta Tharpe in the 1930s-40s and rock and roll legend Chuck Berry in the 1950s—have consistently pushed musical boundaries that forever impacted the music that followed. Throughout the decades, numerous Black entertainers continued to add their take on rock and alternative genres, expanding and building on what was already there to create what we know as alternative music today: look no further than the electric fire of Jimi Hendrix’s guitar licks in the '60s, the kaleidoscopic melee of hardcore and reggae that was Bad Brains in the late '70s, and the funkadelic swagger of Living Colour in the '80s.

Despite their groundbreaking contributions, why have Black musicians been so neglected from the historical canon? Is alternative music still seen as a white genre, and how are Black musicians and fans making space for themselves in the music scenes they love? We Were Here tells the story of Black artists performing in alternative genres from punk to rock and roll, indie to new wave, alongside their Black fans. Through brand new interviews and meticulous research, Phillips documents the history of Black people’s influence on these genres, highlighting the key players, assessing the legacy of their work, and drawing attention to those who have been obscured from history.

Where rock magazines and music books previously omitted or misunderstood the stories of Black artists and fans, this book centers their voices and attempts to right the wrongs of the past. Along the way, Phillips infuses her own coming-of-age story as a Black female musician in the punk scene, alongside a cultural analysis of rock and alternative music history.

A new book of poems from the Pulitzer Prize-winning poet Carl Phillips.

Is this who I must be,
or maybe just
what I am?

“Sir” is an honorific, a title that indicates the superiority of its recipient, the subordination of its speaker. Carl Phillips’s SIR examines power and submission, abandon and restraint, whether in our personal, intimate relationships with others and ourselves, or in our relationships with such abstract masters as grief, memory, desire, regret, and the traumas of history. These are all things we’re told to try to overcome, to gain mastery of. Do we have a choice, though? And if so, how to choose ‘correctly,’ in a time when appearance and reality are constantly in flux, when hierarchy is revealed to be a matter of perspective, when even language itself is suspect, with its ability both to structure emotion and to estrange us from it?

In poems filled with tenderness, moral inquiry, and self-reckoning, stretched across natural landscapes both familiar and uncertain, SIR confirms–once again–that Carl Phillips is one of our finest and most enduring poets writing today.

*Ships in 7-10 business days*

From one of the world’s foremost experts on the subject, a powerful argument that the greatest damage from drugs flows from their being illegal, and a hopeful reckoning with the possibility of their use as part of a responsible and happy life

Dr. Carl L. Hart, Ziff Professor at Columbia University and former chair of the Department of Psychology, is one of the world’s preeminent experts on the effects of so-called recreational drugs on the human mind and body. Dr. Hart is open about the fact that he uses drugs himself, in a happy balance with the rest of his full and productive life as a colleague, husband, father, and friend. In Drug Use for Grown-Ups, he draws on decades of research and his own personal experience to argue definitively that the criminalization and demonization of drug use—not drugs themselves—have been a tremendous scourge on America, not least in reinforcing this country’s enduring structural racism.

Dr. Hart did not always have this view. He came of age in one of Miami’s most troubled neighborhoods at a time when many ills were being laid at the door of crack cocaine. His initial work as a researcher was aimed at proving that drug use caused bad outcomes. But one problem kept cropping up: the evidence from his research did not support his hypothesis. From inside the massively well-funded research arm of the American war on drugs, he saw how the facts did not support the ideology. The truth was dismissed and distorted in order to keep fear and outrage stoked, the funds rolling in, and black and brown bodies behind bars.

Drug Use for Grown-Ups will be controversial, to be sure: the propaganda war, Dr. Hart argues, has been tremendously effective. Imagine if the only subject of any discussion about driving automobiles was fatal car crashes. Drug Use for Grown-Ups offers a radically different vision: when used responsibly, drugs can enrich and enhance our lives. We have a long way to go, but the vital conversation this book will generate is an extraordinarily important step.

*Ships in 7-10 business days*

More than 30 acclaimed writers—including diverse voices such as Nikki Giovanni, David Omotosho Black, Natasha Trethewey, Barry Jenkins, Jacqueline Woodson, Tayari Jones, and Angela Flournoy—reflect on their experience and expertise in this unique book on the craft of writing that focuses on the Black creative spirit.

How We Do It is an anthology curated by Black writers for the creation and proliferation of Black thought. While a creator’s ethnicity does not solely define them, it is inherently part of who they are and how they interpret the world.

For centuries, Black creators have utilized oral and written storytelling traditions in crafting their art. But how does one begin the process of constructing a poem or story or character? How do Black writers, when faced with questions of “authenticity,” dive deep into the essence of their lives and work to find the inherent truth? How We Do It addresses these profound questions. Not a traditional “how to” writing handbook, it seeks to guide rather than dictate and to validate the complexity and range of styles—and even how one thinks about craft itself.

An outstanding list of contributors offer their insights on a range of important topics. Pulitzer Prize winner Jericho Brown explores the lives personified in poetry, while Pulitzer Prize winner Natasha Trethewey explores decolonizing enduring metaphors. National Book Award finalist Angela Flournoy illuminates the pain of grief in all forms and how it can be revealed in the act of creation, and iconoclast Nikki Giovanni offers an elegiac declaration on language.

New and previously published essays and interviews provide encouragement, examples, and templates, and offer lessons on everything from poetic form and plotting a story to the lessons inherent in the act of writing, trial & error, and finding inspiration in the works of others, including those of Toni Morrison, Shakespeare, and Edward P. Jones. A handbook and a reference tool, How We Do It is a thoughtful and welcome tool that offers direction to help Black artists establish their own creative practice while celebrating and widening the scope of the Black writer’s role in art, history, and culture.

Contributors include David Omotosho Black, Jericho Brown, Breena Clark, Rita Dove, Camille T. Dungy, W. Ralph Eubanks, Curdella Forbes, Angela Flournoy, Ernest Gaines, Nikki Giovanni, Marita Golden, Ravi Howard, Terrance Hayes, Mitchell S. Jackson, Barry Jenkins, Charles S. Johnson, Tayari Jones, Jamaica Kincaid, Tony Medina, E. Ethelbert Miller, Elizabeth Nunez, Carl Phillips, Jewell Parker Rhodes, Rion Amilcar Scott, Evie Shockley, Natasha Trethewey, Frank X Walker, Afaa M. Weaver, Crystal Wilkinson, Jacqueline Woodson, Tiphanie Yanique.

Winner of the 2022 American Book Award
Finalist for the PEN/Voelcker Award for Poetry 
Longlisted for the PEN/Jean Stein Book Award
Finalist for Publishing Triangle’s Thom Gunn Award for Gay Poetry
Named one of the Best Books of 2021 by The Boston Globe and Lit Hub

From the critically acclaimed author of Thief in the Interior who writes with "a lucid, unmitigated humanity" (Boston Review), a startling new collection about revolt and renewal

Mutiny: a rebellion, a subversion, an onslaught. In poems that rebuke classical mythos and western canonical figures, and embrace Afro-Diasporanfolk and spiritual imagery, Phillip B. Williams conjures the hell of being erased, exploited, and ill-imagined and then, through a force and generosity of vision, propels himself into life, selfhood, and a path forward. Intimate, bold, and sonically mesmerizing, Mutiny addresses loneliness, desire, doubt, memory, and the borderline between beauty and tragedy. With a ferocity that belies the tenderness and vulnerability at the heart of this remarkable collection, Williams honors the transformative power of anger, and the clarity that comes from allowing that anger to burn clean.

"A much-needed resource for women's health"--Uché Blackstock, MD, author of New York Times bestseller Legacy: A Black Physician Reckons with Racism in Medicine

Are you dealing with uterine pain, heavy bleeding, fibroids, or endometriosis? Take your power and your health back with this comprehensive, inclusive and accessible guide to uterine health, and should you need it, hysterectomy.

After years of dealing with pelvic pain--whether from fibroids, endometriosis, or another issue--your doctor has recommended a hysterectomy. Perhaps those are words you'd never thought you'd hear. Perhaps the suggestion is a relief; perhaps it brings up all sorts of concerns--questions about the surgical process, the recovery period, and even about your own mental health as you weigh your options. In this offering from board certified obstetrician and gynecologist Dr. Kameelah Phillips, you'll find a comprehensive, evidenced-based, and empowering guide that you need to read before making a life-changing, irreversible decision about about your future health and well-being. 

The Empowered Hysterectomy is the antidote to the lack of medically sound resources and the overwhelming amount of misinformation surrounding this procedure. In it, you'll find: 
* A primer/refresher on the female anatomy--something many women are out of touch with
* Insights into the origins of the hysterectomy procedure, and the ripple effect it continues to have
* The various conditions (fibroids, endometriosis, ectopic pregnancy, cancer, and other ailments) that may lead to hysterectomy 
* Finding balance between holistic & non-surgical options alongside medical management 
* Advice for gender-affirming hysterectomy
* A complete guide to the surgical and recovery process 

You don't have to make this decision alone! With The Empowered Hysterectomy, you can come to the table prepared and informed about your body and your choices and avoid potential pitfalls in the doctor-patient conversation around treatment options.

Phillip B. Williams investigates the dangers of desire, balancing narratives of addiction, murders, and hate crimes with passionate, uncompromising depth. Formal poems entrenched in urban landscapes crack open dialogues of racism and homophobia rampant in our culture. Multitudinous voices explore one's ability to harm and be harmed, which uniquely juxtaposes the capacity to revel in both experiences.

Now you can support your favorite independent bookstore everywhere you go!

Wear our little bookshop with Love and Pride.

Join us as we celebrate the release of Black Roses by Harold Green III at the Houston Museum of African American Culture.  

Event Deets:

When: Tuesday, March 22 at 7:00 pm CST

Where: Houston Museum of African American Culture (HMAAC)-4807 Caroline Street, Houston, Texas, 77004

How:   Limited in-person tickets are available.  Book purchase required with entry.

About the Book

Black Roses is a love letter to the underrepresented women that inspire and uplift author and poet, Harold Green III. After going viral on Instagram for these beautiful poems, Green assembled BLACK ROSES, a stunning collection of his odes and artist Melissa Koby’s stunning, full-color illustrations.

With poems on figures such as Ava DuVernay, Janelle Monae, Issa Rae, Kamala Harris, Lizzo, Misty Copeland, Robin Roberts, Roxane Gay, and Simone Biles, BLACK ROSES reflects the diversity of Black female excellence. Divided into five sections—dedicated to advocates, curators, innovators, luminaries, and trailblazers—Green’s odes and Koby’s portraits highlight a range of women.

About the Author

Harold Green III is an ever-evolving and internationally admired artist. Using poetry as his central art form, he is a highly sought-after talent, bandleader, and event producer. He earned the prestigious Carl Sandburg Literary Award for his self-published debut poetry collection From Englewood, with Love. He has created commissioned work in partnership with major brands and organizations, including Nike, Lululemon, Jordan, and Go

About the Moderator

Sherhara Downing the CoFounder and Chief Visionary Officer of SpeakHaus, a training and professional development company dedicated to transforming business and thought leaders into confident and bold speakers. SpeakHaus is the first in the public speaking industry to provide mobile in-person group coaching that goes directly to the homes of leaders, jumpstarting speaking transformation in one workshop.

With over 16 years of coaching and corporate training experience, Sherhara has elevated the speaking skills of leaders from companies like Under Armour, Capital One, Toyota, AT&T and more.

She has a deep passion for facilitating human connection and cultivating community! She loves tacos and remains the world-leading subject matter expert of the cult classic, Coming to America!