From one of America's most cherished and celebrated poets, a landmark collection of Nikki Giovanni's early work from the transformational years of 1968-1998!

“Nikki Giovanni is one of our national treasures.”—Gloria Naylor

In celebration of the 250th anniversary of the United States, HarperCollins is proud to present this library of American classics drawn from our storied catalog. This timeless classic brings readers Nikki Giovanni's poems from her books Black Feeling Black Talk; Black Judgement; Re: Creation; My House; The Women and the Men; Cotton Candy on a Rainy Day; and Those Who Ride the Night Winds.

When Nikki Giovanni’s poems first emerged during the Black Arts Movement of the 1960s, she immediately took a place among the most celebrated and controversial artists of our time. More than 50 years later, Giovanni still stands as one of the most commanding, luminous voices to grace America’s political and poetic landscape.

Stirring, provocative, and resonant, these poems heralded the arrival of an indelible literary voice that resounds to this day.

This comprehensive history of African American fraternities and sororities celebrates the spirit of Black Excellence in higher education that has produced American leaders in politics, sports, arts, and culture such as Kamala Harris, Colin Kaepernick, Michael Jordan, Thurgood Marshall, and Toni Morrison, and is sure to be a treasured resource for generations to come.

America’s Black fraternities and sororities are a unique and vital part of 20th century African American history, providing young black achievers with opportunities to support each other while they serve their communities and the nation. 
 
From pioneering work in the suffragette movement to extraordinary strides during the Civil Rights era to life-changing inner-city mentoring programs, members of these organizations share a proud tradition of brotherhood, sisterhood, and service.
 
Today, America’s nine black fraternities and sororities are millions of members strong with chapters at HBCUs, Ivy League Schools, and colleges across the nation including Stanford University, Howard University, and the University of Chicago.

PRE-ORDER: On Sale: May 26, 2026

A gorgeous illustrated meditation on the homes of iconic Southern women, from Nina Simone to Carson McCullers

In These Long Shadows, writer Monica Nelson excavates the domestic narratives and mythologies contained within the publicly preserved homes of some of the American South's leading cultural figures.
In Virginia, readers are drawn into the garden and home of Harlem Renaissance poet Anne Spencer and encounter modernist architect Amaza Lee Meredith's International Style residence, Azurest South. Journeying south, they encounter the North Carolinian childhood homes of both influential civil rights activist Anna "Pauli" Murray, and revolutionary singer-songwriter Nina Simone. In Atlanta, readers wander into the apartment of incendiary Southern author Margaret Mitchell. In Louisiana, they gaze upon the quietly profound folk art paintings of Clementine Hunter at Melrose Plantation, and take a pilgrimage to writers' homes from the Southern Renaissance, including Flannery O'Connor, William Faulkner, Zora Neale Hurston and Carson McCullers.
These Long Shadows assembles a constellation of new visions, narratives and readings with which to examine the nation's ever-metamorphosing historical landscape. Nelson's book constitutes the third volume of The Illustrated America, Atelier Editions' ongoing anthropological survey of eclectic chapters drawn from 20th-century America's cultural past.
Monica Nelson is a writer and graphic designer based in New York and Savannah. She has developed strategic visual narratives for publications, cultural institutions and brands, working with over 100 photographers. She was the founding creative and photo director of Wilder Quarterly, which fostered a floral-drenched view of the natural world, and the author of Edible Flowers (Monacelli Press, 2021).

A Ms. magazine, Refinery29, and Lambda Literary Most Anticipated Read of 2021

A groundbreaking collection tracing the history of intellectual thought by Black Lesbian writers, in the tradition of The New Press's perennial seller Words of Fire

African American lesbian writers and theorists have made extraordinary contributions to feminist theory, activism, and writing. Mouths of Rain, the companion anthology to Beverly Guy-Sheftall's classic Words of Fire, traces the long history of intellectual thought produced by Black Lesbian writers, spanning the nineteenth century through the twenty-first century.

Using “Black Lesbian” as a capacious signifier, Mouths of Rain includes writing by Black women who have shared intimate and loving relationships with other women, as well as Black women who see bonding as mutual, Black women who have self-identified as lesbian, Black women who have written about Black Lesbians, and Black women who theorize about and see the word lesbian as a political descriptor that disrupts and critiques capitalism, heterosexism, and heteropatriarchy. Taking its title from a poem by Audre Lorde, Mouths of Rain addresses pervasive issues such as misogynoir and anti-blackness while also attending to love, romance, “coming out,” and the erotic.

A powerful poetry collection in the vein of BLACK GIRL CALL HOME and IF THEY COME FOR US, about identity, culture, home and belonging.

PLANTAINS AND OUR BECOMING is an imaginative, blistering, beautifully written poetry collection about identity and history on the island of the Dominican Republic and Haiti to celebrate and center the Black Diasporic experience.

Through the exploration of the themes of self-love, nationalism, displacement, generational traumas, and ancestral knowledge, this collection uproots Black stereotypes while creating a new joyous vision for Black identity and personhood, one that is deeply grounded in the heirlooms and teachings of Black celebration as well as preservation.

The collection is structured in the following sections: Part I: Daughter of Diaspora, exploring immigration and identity within the U.S. Part II: A History of Plantains, exploring the aftermath of colonialism, displacement and gentrification for Afro-descendants.

"Téa Mutonji writes sharply about the subtle ruptures endemic to formative friendships." —Raven Leilani, bestselling author of Luster

"Searing . . . an essential new voice in contemporary fiction." —#1 New York Times bestselling author Carley Fortune

"Sexy, infuriating, and unbelievably fun to read . . . This is a writer who can read someone to filth in just one line." —Katie Yee, author of Maggie; or, A Man and a Woman Walk Into a Bar

A bold debut from an exhilarating, multi-award-winning young writer, following two lifelong friends who suddenly find themselves in an emotional deadlock when one abruptly proposes to break up after years of subtle betrayals.

Best friends of over twenty years, Tania and Margot are preparing to host their monthly Sunday Loaf dinner party, when Tania tells Margot this isn’t working for her anymore—they’ve been entangled for too long, she wants to "unknow" her. But how do you extricate yourself from someone whose family owns the apartment you live in, who has taken you in as their own, even claims you as their "person”?

As Tania attempts to live her life loudly on the outskirts of Margot’s bubble, Margot’s past betrayals become increasingly clear. But she means well, doesn’t she? They had felt like sisters from the start. Or had Tania just been blind to Margot’s antics? Set in the framework of a tense will-they-won’t-they break-up, Tania and Margot get entangled in a rigorous revision of history, their once delicate dance intensifying toward a frantic finale that neither person sees coming.

A taut, piercing exploration of race and privilege, codependency, and the ways in which world-defining friendships can be both beautifully and excruciatingly life altering, My Person is an addicting, astutely observed novel from an astonishing new talent.

By a prize-winning, young Black trans writer of outsized talent, a fierce and disciplined memoir about queerness, masculinity, and race.

Even as it shines light on the beauty and toxicity of Black masculinity from a transgender perspective—the tropes, the presumptions—Pretty is as much a powerful and tender love letter as it is a call for change.

“I should be able to define myself, but I am not. Not by any governmental or cultural body,” Brookins writes. “Every day, I negotiate the space between who I am, how I’m perceived, and what I need to unlearn. People have assumed things about me, and I can’t change that. Every day, I am assumed to be a Black American man, though my ID says ‘female,’ and my heart says neither of the sort. What does it mean—to be a girl-turned-man when you’re something else entirely?”

Informed by KB Brookins’s personal experiences growing up in Texas, those of other Black transgender masculine people, Black queer studies, and cultural criticism, Pretty is concerned with the marginalization suffered by a unique American constituency—whose condition is a world apart from that of cisgender, non-Black, and non-masculine people. Here is a memoir (a bildungsroman of sorts) about coming to terms with instantly and always being perceived as “other”

Bear it or Perish. Those are the words Helen Jean hears that fateful night in her cousin’s outhouse that changes the trajectory of her life.  
 
Spanning decades, PERISH tracks the choices Helen Jean—the matriarch of the Turner family—makes and the way those choices have ripped across generations, from her children, to her grandchildren and beyond.
Told in in alternate chapters that follows four members of the Turner clan: Julie B., a woman who regrets her wasted youth and the time spent under Helen Jean's thumb; Alex, a police officer grappling with a dark and twisted past; Jan, mother of two, who yearns to go to school and leave Jerusalem and all of its trauma behind for good; and Lydia, a woman whose marriage is falling apart because her body can't seem to stay pregnant; as they're called home to say goodbye to their mother and grandmother.
 
  This family's "reunion" unearths long-kept secrets and forces each member to ask themselves important questions about who is deserving of forgiveness and who bears the cross of blame.
 
 With stirring, evocative prose and a sense of place that is wholly immersive, offering a nuanced look into Black communities in Texas, and tackling themes like family, trauma, legacy, home, class, race and more, this beautiful yet heart-wrenching debut novel, will appeal to anyone who is interested in the intricacies of family and the ways bonds can be made, maintained or irrevocably broken.

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times.

Honorée Fanonne Jeffers is at a crossroads.

Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.

In Misbehaving at the Crossroads, Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks.

Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers.

Celebrate Tarriona's latest poetry collection, The Thing About Falling!

EVENT DEETS

When: Sunday, November 22 @ 6 PM

Where: Kindred Stories: (2310 Elgin St, Houston, TX 77004)

How: 

• RSVP WITH BOOK to reserve your seat and purchase a copy The Thing About Falling, supporting both the author and our store programming. The book will be available for pickup at the event.
• RSVP WITH POETRY BUNDLE to reserve your seat and purchase a copies of The Thing About Falling and Vulnerale AF, supporting both the author and our store programming. The book will be available for pickup at the event.

This event will include a live book signing and photo opportunity. There will be no author reading or conversation. 

Event begins at 6 PM. Line forms at 5:30 PM. Please do not line up before 5:30 PM. You will be asked to get back in your vehicle before 5:30 PM.

If you purchase a ticket and are unable to attend the signing, your ticket is non-refundable. An email will be sent to all attendees before and after the event with instructions on how to receive your book. Books must be claimed within 14 days following the event. If your book is not retrieved it will be returned to the publisher and will not be available for pick up in the future.

ABOUT THE BOOK

From Grammy award-winning spoken word artist and poet Tarriona ‘Tank’ Ball comes a powerful second collection of poetry about falling out of love and into a renewed sense of self.

After getting “vulnerable AF” on her 2021 book tour, Tank realized she was truly ready to move on from her first love. In The Thing About Falling, she writes about that experience as well as what followed—a period of shallow comfort, followed by a much deeper transformation.

Organized in sections that follow the author from heartbreak to rebound to new love, the poetry that flows is an honest, witty, and effortlessly charming account of one woman’s journey back to herself.

For the teenage reader facing their first heartbreak or the thirty-something looking for the strength to risk love again, The Thing About Falling is a heartfelt reminder that love is always worth the fall.

ABOUT THE AUTHOR

Tarriona “Tank” Ball is a powerhouse of creative energy—a Grammy-winning singer, songwriter, and celebrated poet whose artistry defies the boundaries of genre. As the magnetic frontwoman of the New Orleans-based ensemble Tank and The Bangas, she has become a global ambassador for the city’s vibrant, soul-drenched musical heritage.

Born and raised in the heart of New Orleans, Ball’s foundation in the spoken-word scene is the heartbeat of her work. Her ability to weave poignant, cinematic lyrics with a vocal range that shifts effortlessly from a whisper to a roar has earned her a reputation as one of the most compelling performers of her generation. Under her leadership, the band catapulted to national stardom after winning the 2017 NPR Tiny Desk Contest, a victory that showcased their eclectic fusion of jazz, funk, soul, hip-hop, and gospel to millions.

A true "artist’s artist," Ball has become a sought-after collaborator, working alongside icons and innovators such as Norah Jones, Robert Glasper, Jill Scott, Lalah Hathaway, Terence Blanchard, and Lucky Daye. Her influence extends far beyond the microphone; she is a 4-time Grammy nominee and a literary force, having released her debut poetry collection, Vulnerable AF, in 2021 to critical acclaim, with her highly anticipated follow-up, The Thing About Falling, which released in Fall 2025.

Expanding her reach into television, Ball earned an Emmy nomination for her role as the host of the PBS digital series Ritual, where she explores the intersections of culture and tradition. Whether through a microphone, a pen, or a camera lens, Tarriona “Tank” Ball remains a singular voice dedicated to the radical power of joy and the raw beauty of the human experience.

*Ships in 7-10 Business Days*

"The Best American Novelist Whose Name You May Not Know"—Calvin Baker, The Atlantic

"A literary giant, and one of my absolute favourite writers" -TAYARI JONES, author of AN AMERICAN MARRIAGE

"An American writer with a powerful sense of vital inheritance, of history in
the blood." -John Updike, The New Yorker

Eva's Man is a gripping psychological portrait of a woman unable to love for fear of pain. Imprisoned for the bizarre murder of her lover, Eva Median Canada weaves together memory and fantasy to reveal a life tormented by the brutality of sexual abuse and emotional silence. Brilliantly experimenting with language, Jones infuses her graphic and powerful narrative of the triple yoke of race, class, and gender with a rich musical and oral idiom.