By a prize-winning, young Black trans writer of outsized talent, a fierce and disciplined memoir about queerness, masculinity, and race.

Even as it shines light on the beauty and toxicity of Black masculinity from a transgender perspective—the tropes, the presumptions—Pretty is as much a powerful and tender love letter as it is a call for change.

“I should be able to define myself, but I am not. Not by any governmental or cultural body,” Brookins writes. “Every day, I negotiate the space between who I am, how I’m perceived, and what I need to unlearn. People have assumed things about me, and I can’t change that. Every day, I am assumed to be a Black American man, though my ID says ‘female,’ and my heart says neither of the sort. What does it mean—to be a girl-turned-man when you’re something else entirely?”

Informed by KB Brookins’s personal experiences growing up in Texas, those of other Black transgender masculine people, Black queer studies, and cultural criticism, Pretty is concerned with the marginalization suffered by a unique American constituency—whose condition is a world apart from that of cisgender, non-Black, and non-masculine people. Here is a memoir (a bildungsroman of sorts) about coming to terms with instantly and always being perceived as “other”

Bear it or Perish. Those are the words Helen Jean hears that fateful night in her cousin’s outhouse that changes the trajectory of her life.  
 
Spanning decades, PERISH tracks the choices Helen Jean—the matriarch of the Turner family—makes and the way those choices have ripped across generations, from her children, to her grandchildren and beyond.
Told in in alternate chapters that follows four members of the Turner clan: Julie B., a woman who regrets her wasted youth and the time spent under Helen Jean's thumb; Alex, a police officer grappling with a dark and twisted past; Jan, mother of two, who yearns to go to school and leave Jerusalem and all of its trauma behind for good; and Lydia, a woman whose marriage is falling apart because her body can't seem to stay pregnant; as they're called home to say goodbye to their mother and grandmother.
 
  This family's "reunion" unearths long-kept secrets and forces each member to ask themselves important questions about who is deserving of forgiveness and who bears the cross of blame.
 
 With stirring, evocative prose and a sense of place that is wholly immersive, offering a nuanced look into Black communities in Texas, and tackling themes like family, trauma, legacy, home, class, race and more, this beautiful yet heart-wrenching debut novel, will appeal to anyone who is interested in the intricacies of family and the ways bonds can be made, maintained or irrevocably broken.

A powerful poetry collection in the vein of BLACK GIRL CALL HOME and IF THEY COME FOR US, about identity, culture, home and belonging.

PLANTAINS AND OUR BECOMING is an imaginative, blistering, beautifully written poetry collection about identity and history on the island of the Dominican Republic and Haiti to celebrate and center the Black Diasporic experience.

Through the exploration of the themes of self-love, nationalism, displacement, generational traumas, and ancestral knowledge, this collection uproots Black stereotypes while creating a new joyous vision for Black identity and personhood, one that is deeply grounded in the heirlooms and teachings of Black celebration as well as preservation.

The collection is structured in the following sections: Part I: Daughter of Diaspora, exploring immigration and identity within the U.S. Part II: A History of Plantains, exploring the aftermath of colonialism, displacement and gentrification for Afro-descendants.

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times.

Honorée Fanonne Jeffers is at a crossroads.

Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.

In Misbehaving at the Crossroads, Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks.

Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers.

Celebrate Tarriona's latest poetry collection, The Thing About Falling!

EVENT DEETS

When: Sunday, November 22 @ 6 PM

Where: Kindred Stories: (2310 Elgin St, Houston, TX 77004)

How: 

• RSVP WITH BOOK to reserve your seat and purchase a copy The Thing About Falling, supporting both the author and our store programming. The book will be available for pickup at the event.
• RSVP WITH POETRY BUNDLE to reserve your seat and purchase a copies of The Thing About Falling and Vulnerale AF, supporting both the author and our store programming. The book will be available for pickup at the event.

This event will include a live book signing and photo opportunity. There will be no author reading or conversation. 

Event begins at 6 PM. Line forms at 5:30 PM. Please do not line up before 5:30 PM. You will be asked to get back in your vehicle before 5:30 PM.

If you purchase a ticket and are unable to attend the signing, your ticket is non-refundable. An email will be sent to all attendees before and after the event with instructions on how to receive your book. Books must be claimed within 14 days following the event. If your book is not retrieved it will be returned to the publisher and will not be available for pick up in the future.

ABOUT THE BOOK

From Grammy award-winning spoken word artist and poet Tarriona ‘Tank’ Ball comes a powerful second collection of poetry about falling out of love and into a renewed sense of self.

After getting “vulnerable AF” on her 2021 book tour, Tank realized she was truly ready to move on from her first love. In The Thing About Falling, she writes about that experience as well as what followed—a period of shallow comfort, followed by a much deeper transformation.

Organized in sections that follow the author from heartbreak to rebound to new love, the poetry that flows is an honest, witty, and effortlessly charming account of one woman’s journey back to herself.

For the teenage reader facing their first heartbreak or the thirty-something looking for the strength to risk love again, The Thing About Falling is a heartfelt reminder that love is always worth the fall.

ABOUT THE AUTHOR

Tarriona “Tank” Ball is a powerhouse of creative energy—a Grammy-winning singer, songwriter, and celebrated poet whose artistry defies the boundaries of genre. As the magnetic frontwoman of the New Orleans-based ensemble Tank and The Bangas, she has become a global ambassador for the city’s vibrant, soul-drenched musical heritage.

Born and raised in the heart of New Orleans, Ball’s foundation in the spoken-word scene is the heartbeat of her work. Her ability to weave poignant, cinematic lyrics with a vocal range that shifts effortlessly from a whisper to a roar has earned her a reputation as one of the most compelling performers of her generation. Under her leadership, the band catapulted to national stardom after winning the 2017 NPR Tiny Desk Contest, a victory that showcased their eclectic fusion of jazz, funk, soul, hip-hop, and gospel to millions.

A true "artist’s artist," Ball has become a sought-after collaborator, working alongside icons and innovators such as Norah Jones, Robert Glasper, Jill Scott, Lalah Hathaway, Terence Blanchard, and Lucky Daye. Her influence extends far beyond the microphone; she is a 4-time Grammy nominee and a literary force, having released her debut poetry collection, Vulnerable AF, in 2021 to critical acclaim, with her highly anticipated follow-up, The Thing About Falling, which released in Fall 2025.

Expanding her reach into television, Ball earned an Emmy nomination for her role as the host of the PBS digital series Ritual, where she explores the intersections of culture and tradition. Whether through a microphone, a pen, or a camera lens, Tarriona “Tank” Ball remains a singular voice dedicated to the radical power of joy and the raw beauty of the human experience.

*Ships in 7-10 Business Days*

"The Best American Novelist Whose Name You May Not Know"—Calvin Baker, The Atlantic

"A literary giant, and one of my absolute favourite writers" -TAYARI JONES, author of AN AMERICAN MARRIAGE

"An American writer with a powerful sense of vital inheritance, of history in
the blood." -John Updike, The New Yorker

Eva's Man is a gripping psychological portrait of a woman unable to love for fear of pain. Imprisoned for the bizarre murder of her lover, Eva Median Canada weaves together memory and fantasy to reveal a life tormented by the brutality of sexual abuse and emotional silence. Brilliantly experimenting with language, Jones infuses her graphic and powerful narrative of the triple yoke of race, class, and gender with a rich musical and oral idiom.

In her searing collection of essays, Mikki Kendall takes aim at the legitimacy of the modern feminist movement arguing that it has chronically failed to address the needs of all but a few women. Drawing on her own experiences with hunger, violence, and hypersexualization, along with incisive commentary on politics, pop culture, the stigma of mental health, and more, Hood Feminism delivers an irrefutable indictment of a movement in flux. An unforgettable debut, Kendall has written a ferocious clarion call to all would-be feminists to live out the true mandate of the movement in thought and in deed.

*This book is not currently on our shelves and will ship in 5-10 business days.  Please see FAQs for more information.

African American Fraternities and Sororities: The Legacy and the Vision explores the rich past and bright future of the nine Black Greek-Letter organizations that make up the National Pan-Hellenic Council. In the long tradition of African American benevolent and secret societies, intercollegiate African American fraternities and sororities have strong traditions of fostering brotherhood and sisterhood among their members, exerting considerable influence in the African American community, and being on the forefront of civic action, community service, and philanthropy. Dr. Martin Luther King Jr., Toni Morrison, Arthur Ashe, Carol Moseley Braun, Bill Cosby, Sarah Vaughan, George Washington Carver, Hattie McDaniel , and Bobby Rush are among the many trailblazing members of these organizations. The rolls of African American fraternities and sororities serve as a veritable who's who among African American leadership in the United States and abroad. African American Fraternities and Sororities places the history of these organizations in context, linking them to other movements and organizations that predated them and tying their history to one of the most important eras of United States history―the Civil Rights struggle. African American Fraternities and Sororities explores various cultural aspects of these organizations such as auxilliary groups, branding, calls, stepping, and the unique role of African American sororities. It also explores such contemporary issues as sexual aggression and alcohol use, college adjustment, and pledging, and provides a critique of Spike Lee's film School Daze, the only major motion picture to portray African American fraternities and sororities as a central theme. The year 2006 will mark the centennial anniversary of the intercollegiate African American fraternity and sorority movement. Yet, to date, little scholarly attention has been paid to these organizations and the men and women who founded and perpetuated them. African American Fraternities and Sororities reveals the vital social and political functions of these organizations and places them within the history of not only the African American community but the nation as a whole.

A New York Times Notable Book

A revised collection with thirteen essays, including six new to this edition and seven from the original edition, by the “star in the American literary firmament, with a voice that is courageous, honest, loving, and singularly beautiful” (NPR).

Brilliant and uncompromising, piercing and funny, How to Slowly Kill Yourself and Others in America is essential reading. This new edition of award-winning author Kiese Laymon’s first work of nonfiction looks inward, drawing heavily on the author and his family’s experiences, while simultaneously examining the world—Mississippi, the South, the United States—that has shaped their lives. With subjects that range from an interview with his mother to reflections on Ole Miss football, Outkast, and the labor of Black women, these thirteen insightful essays highlight Laymon’s profound love of language and his artful rendering of experience, trumpeting why he is “simply one of the most talented writers in America” (New York magazine).

From the #1 New York Times bestselling author of How Stella Got Her Groove Back and Waiting to Exhale comes a remarkable, career-spanning collection of short fiction and essays about love, aging, culture and all the things in between.

For the first time, a single volume brings together renowned author Terry McMillan’s previously published short fiction and nonfiction pieces, as well as never-before-seen works.

Before McMillan found success as a novelist in the early 1990s, she published provocative, boundary-pushing short stories, capturing the struggles and triumphs of Black life in America with vitality and honesty, from the workaday factory man’s malaise in “The End” to the cast-aside lover’s resolve in “Touching” to the elderly woman’s wiles in “Ma’Dear.” McMillan’s inimitable voice bravely explores the dark corners of human relationships with compassion, humor, and nuance. This collection also features five unpublished stories that reveal how she wrestled with controversial topics rarely addressed in short fiction, from domestic abuse in “Mama, Take Another Step” to extreme poverty in “Can’t Close My Eyes to It.”

Whether she’s revealing life lessons, pontificating about aging, recalling her sources of inspiration, or laying bare the beginnings of her life as a writer, McMillan approaches every piece with enduring candor, wit, and fearlessness.

Devoted fans and new readers alike will be delighted to discover these treasures spanning McMillan’s long, groundbreaking career. Indeed, it wasn’t only what Terry McMillan has said that made her so beloved . . . it was the way she said it.

In childhood, bell hooks was taught that "talking back" meant speaking as an equal to an authority figure and daring to disagree and/or have an opinion. In this collection of personal and theoretical essays, hooks reflects on her signature issues of racism and feminism, politics and pedagogy. Among her discoveries is that moving from silence into speech is for the oppressed, the colonized, the exploited, and those who stand and struggle side by side, a gesture of defiance that heals, making new life and new growth possible.

A glorious chronicle of a life like none other—enlightening, entertaining, surprising, empowering—and a testament to the world-changing power of Black motherhood

“You are Celestine,” she said. She squatted to push the hair off my face and pull leaves off my pajama legs. “Like my sister and my grandmother.” And there under the pecan tree, as she did countless times, that day my mother told me stories of the mothers and daughters that went before me.

Tina Knowles, the mother of iconic singer-songwriters Beyoncé Knowles-Carter, Solange Knowles, and bonus daughter Kelly Rowland, is known the world over as a Matriarch with a capital M: a determined, self-possessed, self-aware, and wise woman who raised and inspired some of the great artists of our time. But this story is about so much more than that.

Matriarch begins with a precocious, if unruly, little girl growing up in 1950s Galveston, the youngest of seven. She is in love with her world, with extended family on every other porch and the sounds of Motown and the lapping beach always within earshot. But as the realities of race and the limitations of girlhood set in, she begins to dream of the world beyond. Her instincts and impulsive nature drive her far beyond the shores of Texas to discover the life awaiting her on the other side of childhood.

That life’s journey—through grief and tragedy, creative and romantic risks and turmoil, the nurturing of superstar offspring and of her own special gifts—is the remarkable story she shares with readers here. This is a page-turning chronicle of family love and heartbreak, of loss and perseverance, and of the kind of creativity, audacity, and will it takes for a girl from Galveston to change the world. It’s one brilliant woman’s intimate and revealing story, and a multigenerational family saga that carries within it the story of America—and the wisdom that women pass on to each other, mothers to daughters, across generations.