Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore.

His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing.

Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

Percival Everett's blistering satire about race and publishing, now adapted for the screen as AMERICAN FICTION, directed by Cord Jefferson and starring Jeffrey Wright and Tracee Ellis Ross

Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies―his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before.

In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins's bestseller. He doesn't intend for My Pafology to be published, let alone taken seriously, but it is―under the pseudonym Stagg R. Leigh―and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel.

The powerful sequel to the instant New York Times bestselling and award-winning Legendborn—perfect for fans of Cassandra Clare and Margaret Rogerson!

The shadows have risen, and the line is law.

All Bree wanted was to uncover the truth behind her mother’s death. So she infiltrated the Legendborn Order, a secret society descended from King Arthur’s knights—only to discover her own ancestral power. Now, Bree has become someone new:

A Medium. A Bloodcrafter. A Scion.

But the ancient war between demons and the Order is rising to a deadly peak. And Nick, the Legendborn boy Bree fell in love with, has been kidnapped.

Bree wants to fight, but the Regents who rule the Order won’t let her. To them, she is an unknown girl with unheard-of power, and as the living anchor for the spell that preserves the Legendborn cycle, she must be protected.

When the Regents reveal they will do whatever it takes to hide the war, Bree and her friends must go on the run to rescue Nick themselves. But enemies are everywhere, Bree’s powers are unpredictable and dangerous, and she can’t escape her growing attraction to Selwyn, the mage sworn to protect Nick until death.

If Bree has any hope of saving herself and the people she loves, she must learn to control her powers from the ancestors who wielded them first—without losing herself in the process.

*The limited deluxe edition comes with gorgeous sprayed edges*

The next book in the New Haven series, interconnected standalones featuring second chances, fiery passion, and Black heroines who get their happily ever afters.

Nadia

I expect nothing.

From life, from God, from men.

I don't hope or want or pray. Those are luxuries I can't afford when I'm doing the desperate math of survival while walking the tight rope of life on the run in a strange city.

New Haven wasn't supposed to be a fresh start. That would be asking too much from a life that took my parents from me and left me vulnerable to monsters. To be used but not loved. To be kept but not cherished.

I'd accepted my fate, settled in it like sore feet in a pair of ill fitted heels, but then he walked into my life and released me from the prison of my past, leaving me free to hope, to want, to love.

Sebastian

I didn't know I was looking for anything until I was looking at her.

And since the moment she came into my view, I haven't been able to look away. There's something sad behind her eyes. Something desperate in the way she moves through the world. Like the devil is on her heels and she doesn't know whether to run or stay and fight.

Other people's problems aren't usually something I have time for, but for her I'll make time. For her, I'll stand and fight. I'll make her battles my battles, her dreams my dreams, and her safety my top priority.

You Are Not Alone: A Gentle Companion for Enduring, Grieving, and Healing from Pregnancy and Infant Loss

“We, too, are postpartum after pregnancy and infant loss,” says Eileen Santos Rosete. “And we deserve the same care all who give birth need, with an added sensitivity to our grief and our trauma.”

Pregnancy loss. Infant loss. Womb loss. Such losses are as valid as any other, yet these experiences and the individuals who endure them remain largely unrecognized and unsupported. To Tend and To Hold honors survivors and the depth of what they’ve gone through with a reverence that has, until now, been missing.

Within this carefully crafted resource, Rosete emerges as a warm confidante, helping us articulate our experiences, understand our options, and tend to our unique needs as both postpartum and bereaved, helping you:

• Center Your Needs: Listen to what your body is calling for and honor what feels supportive in the moment
• Use Your Voice: Articulate your experiences with words that resonate and comfort
• Understand Your Journey: Gain insights that put your feelings and experiences into context
• Access Healing Tools: Utilize simple grief and trauma-informed practices tailored to meet your needs

Woven with threads of wisdom from a trusted collective of health and healing arts practitioners, comforting stories, nourishing postpartum recipes, and grounding embodiment practices, To Tend and To Hold is a heartfelt, holistic source of solace for all who bear loss.

An extraordinary new novel about family, legacy, and an inherited curse, from National Book Award–nominated author LaToya Watkins

Set across Texas and spanning four generations, The Book of Chuck is a gimlet-eyed investigation into birthright and belonging through the story of one family in which certain members have clairvoyant powers.

“Pa, no go. Him burn.” When baby Nannie utters these prophetic words in 1936, she marks herself as cursed. The ability to see death before it happens forever changes the course of her life, and the lives of her descendants.

Forty years later, Chuck is about to become a father. He intends to make a home filled with love, unlike the one he was born into. But when he begins paying visits to his estranged mother, Nannie, in search of answers, she starts pushing him away from the life he’s always wanted.

It’s the cusp of a new millennium, and Baby is on the precipice of major change. Her mother is packing up their home and moving them into a religious community that believes the world is ending. But when Baby begins to have surprising visions of death, she investigates her lineage, piecing together what she can about her father, Chuck, and her family’s deeply shrouded past. These visions, once seen as a curse, become an indelible link to her history—recasting what she thought she understood of love, parentage, and prophecy.

From the New York Times bestselling author of What’s Mine and Yours, a rich, panoramic exploration of female friendship, class, new motherhood, and independence

Val and Milly fell in love with France at the same time they fell in love with each other and became immediate best friends. Then, they bonded as the only Black students on a study-abroad trip. Now, they are in their thirties, each married and with a baby girl on the way. When Milly suggests Val move to New York to raise their daughters together after a decade apart, it’s a resounding yes.

Despite their excitement, the pair secretly wonder if their friendship has always worked best as a trio. From that first trip to France, these two motherless daughters were taken under the wing of an older woman named Helene. She showered them with money, love and attention, and showed them the possibilities of a meaningful future. But without Helene, who are Milly and Val?

Milly, a successful influencer married to restaurant royalty, is occupied with her desire for independence. Val, a brilliant journalist, is struggling to write her first book and fit into her old friend’s new world. The realities of class and social capital, of strained marriages and the demands of motherhood, serve as constant reminders of how far apart they’ve grown. And no matter how much they try to avoid it, everything comes back to the rift that began all those years ago in France. What they’ve long tried to bury may finally destroy their sisterhood.

Weaving between Brooklyn brownstones and the glittering beaches of southern France, Take What You Can is a dazzling novel exploring what it means to be a mother when you have none, a sister without blood ties, and a woman in pursuit of the life she wants. With her signature sharply-observed prose, Coster illustrates what it means to be—and to stay—someone’s person through all phases of life.

A girl with a mission. A god with a deal. A story that could change everything.

When 17-year-old Akoma Addo stumbles into a world of ancient gods and modern magic, she’ll have to choose between saving her father… or staying true to everything she’s ever believed.

Akoma Addo has one rule: don’t get too close to the supernatural.

Ever since a blazing orb of light left her father in a coma, she’s buried herself in her secret job investigating magical crimes in San Francisco’s AfricaTown -- just enough to keep her grief at bay. But when a body turns up in a pool of molten gold and ash, Akoma’s pulled into something much bigger -- and far more dangerous. At the center of it all is Anansi, the trickster god of stories, who makes her an impossible offer: help him catch a killer and awaken the ancestral magic buried deep in her blood... and in return, he’ll give her a chance to bring her father back. To take the deal, Akoma will have to lie to everyone she loves and embrace the very power she’s spent years trying to deny. And as her connection grows with Xander, the new guy in town with secrets of his own, Akoma must decide who she can trust -- especially when she’s no longer sure she can even trust herself. Rooted in Ghanaian mythology and packed with mystery, danger, and slow-burning romance, Goldenborn is a gripping fantasy about legacy, lies, and what it really means to rewrite your story.

Jonathan knows right from wrong. Raised in a loving Christian home, he's been taught to follow God's ways and treat others with kindness. But when the school bully, Hunter, starts pressuring him to do things he knows are wrong, Jonathan finds himself caught between wanting to fit in and staying true to who he really is.

When a new kid becomes the target of Hunter's bullying, Jonathan is faced with a life-changing decision-will he follow the crowd or stand up for what's right?

This powerful and relatable story explores the challenges kids face with peer pressure, identity, and standing firm in faith. With themes of forgiveness, redemption, and courage, readers will be inspired to choose God's way, even when it's hard.

Perfect for families, classrooms, and church groups to help children grow deeper in their walk with Christ.

The first monograph for Leilah Babirye, foregrounding her artistic development, engagement with African sculpture and expansion of queer histories

Published with Institute of Contemporary Art, Boston.

The evocative, adorned sculptures―made from wood and ceramics―of Ugandan artist Leilah Babirye (born 1985) foreground the inventive reuse of debris. She repurposes the metal gears and chains of bicycles to create elaborate headdresses, jewelry and braids, and the rubber inner tubes of bicycle tires to form long tresses.
In this volume, Babirye discusses the origins of her practice and artistic development in conversation with Margaret Nagawa, the artist’s former professor. Curator Natasha Becker analyzes Babirye’s work in the context of African sculptural practices and contemporary art, representing the most significant scholarly engagement with the artist’s work to date. For Babirye, who fled Uganda after being outed as gay, this exhibition and catalog continue her commitment to uplifting LGBTQ+ identities through her unique and striking sculptures.

Discover the 20th Anniversary edition of Edwidge Danticat’s unforgettable National Book Award Finalist story collection—complete with a new story.

Arriving one year after the Haitian-American's first novel (Breath, Eyes, Memory) alerted critics to her compelling voice, these 10 stories, some of which have appeared in small literary journals, confirm Danticat's reputation as a remarkably gifted writer.

Examining the lives of ordinary Haitians, particularly those struggling to survive under the brutal Duvalier regime, Danticat illuminates the distance between people's desires and the stifling reality of their lives. A profound mix of Catholicism and voodoo spirituality informs the tales, bestowing a mythic importance on people described in the opening story, "Children of the Sea," as those "in this world whose names don't matter to anyone but themselves." The ceaseless grip of dictatorship often leads men to emotionally abandon their families, like the husband in "A Wall of Fire Rising," who dreams of escaping in a neighbor's hot-air balloon. The women exhibit more resilience, largely because of their insistence on finding meaning and solidarity through storytelling; but Danticat portrays these bonds with an honesty that shows that sisterhood, too, has its power plays. In the book's final piece, "Epilogue: Women Like Us," she writes: "Are there women who both cook and write? Kitchen poets, they call them. They slip phrases into their stew and wrap meaning around their pork before frying it. They make narrative dumplings and stuff their daughter's mouths so they say nothing more."

These stories inform and enrich one another, as the female characters reveal a common ancestry and ties to the fictional Ville Rose. In addition to the power of Danticat's themes, the book is enhanced by an element of suspense—we're never certain, for example, if a rickety boat packed with refugees introduced in the first tale will reach the Florida coast. Spare, elegant and moving, these stories cohere into a superb collection.

"A debut of enormous ambition” spanning eight generations of a Black family in West Tennessee as they are repeatedly visited by the Devil (Nathan Harris, New York Times bestselling author of The Sweetness of Water)

Yetunde awakens aboard a slave ship en route to the United States with the spirit of her dead sister as her only companion. Desperate to survive the hell that awaits her at their destination, Yetunde finds help in an unexpected form—the Devil himself. The Devil, seeking a way to reenter the pearly gates of heaven, decides to prove himself to an indifferent God by protecting Yetunde and granting her a piece of his supernatural power. In return, Yetunde makes an incredible sacrifice.
 
Their bargain extends far beyond Yetunde's mortal lifespan. Over the next 175 years, the Devil visits Yetunde's descendants in their darkest hour of need: Lucille, a conjure woman; Asa, who passes for white; Louis and Virgil, who risk becoming a twentieth-century Cain and Abel; Cassandra, who speaks to the dead; James, who struggles to make sense of the past while fighting to keep his family together; and many others. The Devil offers each of them his own version of salvation, all the while wondering: can he save himself, too?
 
Steeped in the spiritual traditions and oral history of the Black diaspora, The Devil Three Times is a baptism by fire and water, heralding a new voice in American fiction.