GANADOR DEL PREMIO PULITZER

El libro que inspiró la película adaptada nominada al Oscar, ¡ahora en cines!

Después de El ferrocarril subterráneo, Colson Whitehead gana el Pulitzer por segunda vez con esta estremecedora historia sobre dos amigos que luchan por su supervivencia.

Próximamente una película dirigida por el nominado al Premio de la Academia®, RaMell Ross. Llegará a los cines este otoño.

De poco sirve ser un buen estudiante en la Academia Nickel para chicos. Elwood -pobre, huérfano y de raza negra- no tarda en descubrirlo cuando, por un malentendido, le encierran en este reformatorio. Con la ayuda de un buen amigo, este adolescente descubrirá cómo sobrevivir en este lugar que esconde un brutal secreto y una realidad corrupta, respaldada por muchos y obviada por todos.

Basada en el estremecedor caso real de un reformatorio de Florida que estuvo en funcionamiento durante más de un siglo y destrozó la vida de miles de niños, Los chicos de la Nickel es una novela devastadora que, a caballo entre el presente y el final de la segregación racial estadounidense en los años sesenta, muestra la genialidad de un escritor en la cima de su carrera.

ENGLISH DESCRIPTION

WINNER OF THE PULITZER PRIZE

The book that inspired the Oscar-nomitaed adapted film—now in theaters!

ONE OF THE BEST BOOKS OF THE YEAR
Time, Esquire, The Washington Post, The Guardian, Slate, NPR, Entertainment Weekly, Vox, Variety, Christian Science Monitor, The Minneapolis Star Tribune, The Dallas Morning News, Literary Hub, BuzzFeed, The New York Public Library

NEW YORK TIMES BESTSELLER • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF TIME MAGAZINE'S 10 BEST FICTION BOOKS OF THE DECADE • WINNER OF THE KIRKUS PRIZE • LONGLISTED FOR THE NATIONAL BOOK AWARD • LONGLISTED FOR THE ORWELL PRIZE FOR POLITICAL FICTION 2020 • SHORLISTED FOR THE DUBLIN LITERARY AWARD

The book that inspired the upcoming adapted film, directed by RaMell Ross

In this bravura follow-up to the Pulitzer Prize and National Book Award-winning #1 New York Times bestseller The Underground Railroad, Colson Whitehead brilliantly dramatizes another strand of American history through the story of two boys sentenced to a hellish reform school in Jim Crow-era Florida.

When Elwood Curtis, a black boy growing up in 1960s Tallahassee, is unfairly sentenced to a juvenile reformatory called the Nickel Academy, he finds himself trapped in a grotesque chamber of horrors. Elwood’s only salvation is his friendship with fellow “delinquent” Turner, which deepens despite Turner’s conviction that Elwood is hopelessly naive, that the world is crooked, and that the only way to survive is to scheme and avoid trouble. As life at the Academy becomes ever more perilous, the tension between Elwood’s ideals and Turner’s skepticism leads to a decision whose repercussions will echo down the decades.

Based on the real story of a reform school that operated for 111 years and warped the lives of thousands of children, The Nickel Boys is a devastating, driven narrative that showcases a great American novelist writing at the height of his powers.

Internationally acclaimed Egyptian feminist writer Nawal El Saadawi's landmark novel Woman at Point Zero, published here with a new foreword.

Firdaus is on death row. Her crime, the murder of a man. Born into poverty in a rural Egyptian village, her childhood dreams and ambitions had been met with neglect and abuse by the world and the men who rule it. Driven to sex work to support herself, she is faced with the moral outrage of society and the bitter knowledge that for a woman, true freedom comes only when all hope is abandoned. In Woman at Point Zero, Firdaus tells her unforgettable story.

Woman at Point Zero is also available in audiobook format from audiobook retailers.

Immer mehr Künstler·innen aus der Mehrheitswelt jenseits des klassischen „Westens“ verhandeln Fragen nach der eigenen Geschichte und Herkunft anhand von Fotografien aus der Kolonialzeit. In ihren Werken verbinden sie persönliche Erlebnisse mit kollektiven Erfahrungen, verknüpfen Gedächtnisspuren mit künstlerischer Imagination. Durch textile, fotografische, filmische und skulpturale Collagen entstehen neue Erinnerungen, die nicht bei einer historischen Reflexion kolonialistischer Unterdrückung haltmachen, sondern in Bewegung bleiben, sich widersetzen und als lebendiges Fundament für die Zukunft dienen. Der Band Fast ein Paradies, der anlässlich der gleichnamigen Ausstellung im Museum Rietberg erscheint, ist die erste Gesamtschau dieses internationalen Phänomens. Texte zu den beteiligten Künstler·innen werden ergänzt durch kritische Beiträge zur Geschichte der kolonialzeitlichen ­ Fotografie. Kimberly Juanita Brown ist Direktorin des Institute for Black Intellectual and Cultural Life am Dartmouth College. Nanina Guyer ist Kuratorin für Fotografie am Museum Rietberg. Patricia Hayes ist Inhaberin des Lehrstuhls für Visual History & Theory an der University of the Western Cape. Deborah Willis leitet den Fachbereich Photography & Imaging an der New York University. Bindi Vora ist interdisziplinäre Künstlerin und leitende Kuratorin der Galerie Autograph, London.

From the Thurber Prize-winning author of What Doesn’t Kill You Makes You Blacker comes a pioneering collection of Black humor from some of the most acclaimed writers and performers at work today

A critic explores the paradox of finding community in “the dozens” while grieving. A violent town ritual causes an all-too-familiar moral panic. An email thread between friends on why we need an updated Green Book but for public toilets. All across the nation, “Karens” become illegal overnight. These are just a few of the hilarious worlds contained in Damon Young’s groundbreaking anthology featuring the best, funniest, and Blackest essays, short stories, letters, and rants.

With words that roast, ignite, and burn while connecting to and coalescing around a singular thesis, That's How They Get You emphasizes how and why Black American humor is uniquely transfixing. This is a mixture of not just observational anxieties and stream-of-consciousness lucidities but also acute political clarity about America. Edited and with an introduction by Damon Young, the critically acclaimed author of What Doesn’t Kill You Makes You Blacker, the collection features new material from an all-star roster of contributors, including Hanif Abdurraqib, Mahogany L. Browne, Wyatt Cenac, Kiese Laymon, Deesha Philyaw, Roy Wood Jr., and Nicola Yoon.

Common Prayer Pocket Edition helps individuals and today's diverse church pray together across traditions and denominations. With an ear to the particulars of various liturgical prayer traditions, and using an advisory team of liturgy experts, the authors have created a tapestry of prayer that celebrates the best of each tradition. This convenient and portable book also includes tools for prayer scattered throughout to aid those unfamiliar with liturgy and deepen the prayer life of those already familiar with liturgical prayer. Common Prayer Pocket Edition adds new prayers for compline (late evening) and for individual use, such as prayers for travel, protection, and various blessings. It includes a table of days and readings for the morning prayers as well as an annotated list of saints and days to remember. Churches and individuals who desire a deeper prayer life--and those familiar with Shane Claiborne and New Monasticism--will enjoy the tools offered in this book as a fresh take on liturgy.

From the moment she first sang at church in McComb, Mississippi, Brandy knew her voice was special. At fourteen she landed her first record deal. At fifteen her album went platinum. At sixteen she was starring in the hit sitcom Moesha and became the first Black actress to play Cinderella on screen alongside fairy godmother, Whitney Houston.

Yet as the accolades piled up, so too did the pressure the maintain a flawless image. To onlookers, she had crafted the blueprint for the teenage “it” girl. But behind closed doors “The Vocal Bible” as she was known, was struggling.

Now, for the first time, Brandy reveals the real story behind her life in the spotlight, the stratospheric highs and the unimaginable lows, the groundbreaking moments and the relatable journey she had to take to discover her authentic self—as a woman, a mother, an artist—as Brandy.

Brandy's debut memoir is a fearless and remarkable story of hope, resilience and the strength it takes to make peace with the past.

Winner of the 2004 Pulitzer Prize Award and recognized as the best book of fiction in the 21st century by the New York Times, Edward P. Jones's The Known World is a debut novel of stunning emotional depth and unequaled literary power and continues to show its importance to the American literary canon.

Henry Townsend, a farmer, boot maker, and former slave, through the surprising twists and unforeseen turns of life in antebellum Virginia, becomes proprietor of his own plantation—as well his own slaves. When he dies, his widow Caldonia succumbs to profound grief, and things begin to fall apart at their plantation: slaves take to escaping under the cover of night, and families who had once found love under the weight of slavery begin to betray one another. Beyond the Townsend household, the known world also unravels: low-paid white patrollers stand watch as slave “speculators” sell free black people into slavery, and rumors of slave rebellions set white families against slaves who have served them for years.

An ambitious, courageous, luminously written masterwork, The Known World seamlessly weaves the lives of the freed and the enslaved—and allows all of us a deeper understanding of the enduring multidimensional world created by the institution of slavery. The Known World not only marks the return of an extraordinarily gifted writer, it heralds the publication of a remarkable contribution to the canon of American classic literature.

A teenager on the run from his past finds the family he never knew existed and the community he never knew he needed at an HBCU for the young, Black, and magical. Enroll in this fresh fantasy debut unlike anything you've seen before.

Ten years ago, Malik's life changed forever the night his mother mysteriously vanished and he discovered he had uncontrollable powers. Since then, he has kept his abilities hidden, looking out for himself and his younger foster brother, Taye. Now, at 17, Malik is finally ready to start a new life for both of them, far from the trauma of his past. However, a daring act to rescue Taye reveals an unexpected connection with his long-lost grandmother: a legendary conjurer with ties to a hidden magical university that Malik’s mother attended.

At Caiman University, Malik’s eyes are opened to a future he never could have envisioned for himself— one that includes the reappearance of his first love, Alexis. His search for answers about his heritage, his powers, and what really happened to his mother exposes the cracks in their magical community as it faces a reawakened evil dating back to the Haitian Revolution. Together with Alexis, Malik discovers a lot beneath the surface at Caiman: feuding covens and magical politics, forbidden knowledge and buried mysteries.

In a wholly unique saga of family, history and community, Malik must embrace his legacy to save what's left of his old family as well as his new one. Exploring the roots and secrets that connect us in an unforgettable contemporary setting, this heart-pounding fantasy series opener is a rich tapestry of atmosphere, intrigue, and emotion.

“[Pusey] was a builder and a breaker, a composer of surfaces that vibrate. Her abstractions are alive with feeling, frequency, and vision.” ―Chenoa Baker, the Brooklyn Rail

Published with The Studio Museum in Harlem.

Jamaican-born artist Mavis Pusey (1928–2019) developed her clean, graphic style of hard-edge abstraction from her education in fashion design and her time spent working in the fashion industry. Her paintings and prints abound with architectural shapes and patterns. Mobile Images is the first major catalog dedicated to Pusey’s long-overlooked practice. It brings together newly commissioned scholarship by Hallie Ringle, Valerie Cassel Oliver, Cecilia González Godino and Kiki Teshome, each addressing a different aspect of Pusey’s practice―from her transnational biography and commitment to abstraction, to her engagement with architecture, sound and Black feminist artistic lineages. Illustrated with paintings, prints, works on paper, archival materials and installation photography, Mobile Images serves as both an authoritative reference and a visual record of Pusey’s work.

NEW YORK TIMES NOTABLE BOOK OF 2025・BEST BOOK OF THE YEAR - Washington Independent Review of Books

“A gorgeous novel.”—New York Times

“A revealing, history-infused novel that spills its tale with the eager breathlessness, wry commentary, and frank truths of a close friend...Bélem…transforms little-known history into an exquisite ode.”—The Christian Science Monitor

Set in the 19th-century on Réunion Island, this new novel by International Booker Prize-longlisted author, Gaëlle Bélem, tells the true story of Edmond Albius, a young Creole boy whose extraordinary talent for botany leads him to revolutionize the highly competitive vanilla industry. Here is the incredible hidden story of a beloved flavor wrapped in a tale about resilience, science, exploration, defiance, and desert! Told with great verve and perfect pitch, The Rarest Fruit is both a poignant tribute to the unsung heroes of history and a vivid portrayal of the many destinies that may be shaped by a single discovery.

★ “Belem’s piercing bildungsroman memorializes Edmond while filling in the gaps with a masterful balance of humor, tragedy, and emotional insight. It’s an impressive feat.”—Publishers Weekly (starred review)