An insightful exploration that unveils the lesser-known dimensions of this legendary writer and her legacy, revealing the cultural icon’s profound impact as a visionary editor who helped define an important period in American publishing and literature.

A multifaceted genius, Toni Morrison transcended her role as an author, helping to shape an important period in American publishing and literature as an editor at one of the nation’s most prestigious publishing houses. While Toni Morrison's literary achievements are widely celebrated, her editorial work is little known. Drawing on extensive research and firsthand accounts, this comprehensive study discusses Morrison's remarkable journey from her early days at Random House to her emergence as one of its most important editors. During her tenure in editorial, Morrison refashioned the literary landscape, working with important authors, including Toni Cade Bambara, Leon Forrest, and Lucille Clifton, and empowering cultural icons such as Angela Davis and Muhammad Ali to tell their stories on their own terms.

Toni Morrison herself had great enthusiasm about Dana Williams's work on this story, generously sharing memories and thoughts with the author over the years, even giving her the book's title. From the manuscripts she molded, the authors she nurtured, and the readers she inspired, Toni at Random demonstrates how Toni Morrison has influenced American culture beyond the individual titles or authors she published. Morrison’s contribution as an editor transformed the broader literary landscape and deepened the cultural conversation. With unparalleled insight and sensitivity, Toni at Random charts this editorial odyssey.

How black gospel music crossed over, reshaped American popular music, and transformed the culture at large.

Gospel music is the soundtrack of black Christian history, a soulful expression of faith, endurance, and hope. From the mid-twentieth-century Golden Age of gospel―when artists like Mahalia Jackson and Clara Ward helped make church music a national force―to today, gospel has evolved from images of energetic choirs belting and clapping in rhythm into a sound as innovative and pervasive as chart-topping pop.

Ethnomusicologist, minister, and gospel singer Charrise Barron calls 1993 to 2013 the Platinum Age of Gospel, when new artists and industry executives pushed gospel beyond the church and into a commercial, show-driven, crossover era. While traditional and early contemporary gospel arose from church life, Platinum Age gospel often emerged from outside it, stretching the boundaries of worship and religiosity and helping to reshape black churches―especially megachurches―and what it means to be a black Christian.

Crossover music and Christian entertainment transformed gospel and amplified shifts in black Pentecostalism. Gospel came to encompass far more sounds than most people imagine―from the diverse and collaborative worship of Israel Houghton to the “sexy for Jesus” flare of Mary Mary; from Fred Hammond and CeCe Winans’s soaring praise to Kirk Franklin’s hip hop and R&B fusions and Kim Burrell’s velvety rasp and runs. Bridging Christian and secular audiences, these pioneers and their producers redrew the boundaries of the genre. The Platinum Age of Gospel calls readers to reckon with what changed―and to examine and preserve gospel's soul.

A love letter to Puerto Rican cooking through 100 recipes interwoven with stories, histories, and traditions that shine with joy and a celebratory spirit, from TikTok star and Next Level Chef runner-up Omi Hopper

“Omi is truly an incredible cook—trust me, I saw it firsthand. It’s so exciting to see her passion put into every page of Cooking con Omi. You’re in for quite the treat!”—Gordon Ramsay

Growing up in Puerto Rico, food had as much of an impact on Omi Hopper’s life as the culture. When her family moved to the mainland, Omi began to lose her connection with the island. So, she started cookingconomi to tie her life as a wife and mother to her desire to keep her culture alive and thriving.

Cooking con Omi is a celebration of Puerto Rican cooking with 100 classic and US-influenced Latino dishes that capture the vibrant, warm, and lively essence of Puerto Rican culture, including:

· Tostadas Francesas de Pasta de Guayaba y Queso / Guava and Cheese French Toast
· Guanimes en Coco con Bacalao Guisado / Coconut Dumplings with Stewed Codfish
· Mofongo / Mashed Plantain with Garlic and Pork Crackling
· Sanocho / Hearty Meat and Vegetable Stew
· Pernil / Roasted Pork
· Flancocho de Chocolate y Dulce de Leche / Chocolate and Dulce de Leche Flancocho
· Bizcocho Nube de Parcha / Passionfruit Cloud Cake

For Omi, cooking is not a task or a chore, but a memory-making experience. It’s the crush of garlic in a pilón, the scent of sizzling sofrito, the bubbling of the caldero alongside the music and laughter of a full house of loved ones settling down to eat. Each section includes an introduction from Omi, sidebars about the origin of ingredients, headnotes with the stories behind each recipe, vibrant full-color photography, and an overall message of love and unity Omi communicates through her food.

Ultimately, Cooking con Omi is a culinary record about the power of food to keep tradition alive. For some, it will be a chance to visit Puerto Rico through these mouthwatering dishes; for others, it will be a way back home.

Returning to print after nearly 50 years, Survivor completes Octavia E. Butler’s thrilling Patternist series, including a short story from the Patternist saga and new historical essays from a major Butler scholar.

This deluxe edition includes: 
* An incredible new cover and package
* Premium French flaps and newly designed, full color interior covers
*  High-quality paper with elegant deckled-edges  

The Patternist books (Wild Seed, Mind of My Mind, Clay's Ark, and Patternmaster) comprise Butler's longest, most complex series, stretching from late 17th century Africa to outer space in the far future, as rival factions of humanity develop incredible powers—only to use them to subjugate others. For nearly half a century, the fourth volume, Survivor, has been out of print at Octavia E. Butler's request.

It tells the story of Alanna, a colonist fleeing a plague-scarred Earth. But the planet she lands on is inhabited by the alien Kohn, whose battling tribes soon trap Alanna in their war. She must make alliances—while plotting betrayals. She must protect her heart—while putting it at risk. And she must decide if the best way to retain her humanity . . . is to leave it behind.

Now returning to print, Survivor is put into its proper historical context thanks to contributions from scholar and Octavia E. Butler Fellow Alyssa Collins.
This long-awaited volume also contains "A Necessary Being," the only short fiction set in the Patternist universe, to finally, fully bring together and complete the Patternist series for readers everywhere.

With On Girlhood, Edim has beautifully curated a canonical work centering around the voices of young Black characters as they contend with innocence, belonging, love, and self-discovery. From the timeless lessons in Jamaica Kincaid’s “Girl” (“this is how you smile to someone you like completely”) to those in Dana Johnson’s “Melvin in the Sixth Grade” (“this is how kids start fights”), these short stories illuminate the power and the precariousness of Black girlhood. Highlighting both iconic and lesser-known authors—Edwidge Danticat, Amina Gautier, Dorothy West, Paule Marshall, Shay Youngblood, and more—this is an indispensable compendium that will instill readers with “the nerve to walk [their] own way” (Zora Neale Hurston).

Winner of the American Book Award
A classic of the Black Arts Movement brought back to life in a refreshed edition

"A lion in literature's forest. When she writes she roars, and when she sleeps other creatures walk gingerly."— Maya Angelou

Originally published in 1984, this collection of prose, prose poems and lyric verses is as fresh and radical today as it was then. Sonia Sanchez, the premiere poet of the Black Arts Movement, shows the “razor blades” in clenched in her teeth in these powerful pieces.

In the tradition of Claudia Tate’s classic book, reenvisioned for the twenty-first century, Khadijah Queen showcases fifteen leading Black women writers who are influencing our cultural and literary future.

Like the luminaries Tate interviewed forty years ago, the writers in this collection demonstrate how their identities are integral to their creative processes in craft, thought, and imagination. Queen highlights the impacts and influence of social media, artificial intelligence, disability, the business of writing, and other subjects crucial to the imaginative and intellectual production of Black women writers at work today.

These poets, scientists, comic book artists, nonfiction writers, novelists, researchers, and playwrights provide a window into the connections between their lives and their art, offering an account of why and for whom they write.

Featuring conversations with: Elizabeth Alexander, Mahogany L. Browne, Rita Dove, Camille T. Dungy, Eve L. Ewing, Vievee Francis, Kaitlyn Greenidge, alexis pauline gumbs, Jzl Jmz, Morgan Parker, Imani Perry, Deesha Philyaw, Chanda Prescod-Weinstein, Treasure Shields Redmond, and Jesmyn Ward.

Set in a wonderfully reimagined 15th century West Africa, Masquerade is a dazzling, lyrical tale exploring the true cost of one woman’s fight for freedom and self-discovery, and the lengths she’ll go to secure her future.

“Sangoyomi delivers an incisive examination of gender, temptation, and the lengths people will go to hold power―a magnificent debut!” ―Vaishnavi Patel, New York Times bestselling author of Kaikeyi

Òdòdó’s hometown of Timbuktu has been conquered by the warrior king of Yorùbáland. Already shunned as social pariahs, living conditions for Òdòdó and the other women in her blacksmith guild grow even worse under Yorùbá rule.

Then Òdòdó is abducted. She is whisked across the Sahara to the capital city of Ṣàngótẹ̀, where she is shocked to discover that her kidnapper is none other than the vagrant who had visited her guild just days prior. But now that he is swathed in riches rather than rags, Òdòdó realizes he is not a vagrant at all; he is the warrior king, and he has chosen her to be his wife.

In a sudden change of fortune, Òdòdó soars to the very heights of society. But after a lifetime of subjugation, the power that saturates this world of battle and political savvy becomes too enticing to resist. As tensions with rival states grow, revealing elaborate schemes and enemies hidden in plain sight, Òdòdó must defy the cruel king she has been forced to wed by re-forging the shaky loyalties of the court in her favor, or risk losing everything―including her life.

Loosely based on the myth of Persephone, O.O. Sangoyomi’s Masquerade takes you on a journey of epic power struggles and political intrigue which turn an entire region on its head.

NATIONAL BOOK AWARD FINALIST • One of the first undocumented immigrants to graduate from Harvard reveals the hidden lives of her fellow undocumented Americans in this deeply personal and groundbreaking portrait of a nation.

“Karla’s book sheds light on people’s personal experiences and allows their stories to be told and their voices to be heard.”—Selena Gomez

FINALIST FOR THE NBCC JOHN LEONARD AWARD • NAMED A BEST BOOK OF THE YEAR BY THE LOS ANGELES TIMES, THE NEW YORK TIMES BOOK REVIEW, NPR, THE NEW YORK PUBLIC LIBRARY, BOOK RIOT, LIBRARY JOURNAL, AND TIME

Writer Karla Cornejo Villavicencio was on DACA when she decided to write about being undocumented for the first time using her own name. It was right after the election of 2016, the day she realized the story she’d tried to steer clear of was the only one she wanted to tell. So she wrote her immigration lawyer’s phone number on her hand in Sharpie and embarked on a trip across the country to tell the stories of her fellow undocumented immigrants—and to find the hidden key to her own. 
 
Looking beyond the flashpoints of the border or the activism of the DREAMers, Cornejo Villavicencio explores the lives of the undocumented—and the mysteries of her own life. She finds the singular, effervescent characters across the nation often reduced in the media to political pawns or nameless laborers. The stories she tells are not deferential or naively inspirational but show the love, magic, heartbreak, insanity, and vulgarity that infuse the day-to-day lives of her subjects. 
 
In New York, we meet the undocumented workers who were recruited into the federally funded Ground Zero cleanup after 9/11. In Miami, we enter the ubiquitous botanicas, which offer medicinal herbs and potions to those whose status blocks them from any other healthcare options. In Flint, Michigan, we learn of demands for state ID in order to receive life-saving clean water. In Connecticut, Cornejo Villavicencio, childless by choice, finds family in two teenage girls whose father is in sanctuary. And through it all we see the author grappling with the biggest questions of love, duty, family, and survival. 
 
In her incandescent, relentlessly probing voice, Karla Cornejo Villavicencio combines sensitive reporting and powerful personal narratives to bring to light remarkable stories of resilience, madness, and death. Through these stories we come to understand what it truly means to be a stray. An expendable. A hero. An American.

For readers of Vanessa Miller, Sheila Williams, Victoria Christopher Murray and Tracy Chevalier, the story of an unconventional woman who overcame adversity to create enduring tributes in stone to her race and times. The life of pioneering Black Neoclassical sculptor Edmonia Lewis – from the Civil War-era Midwest to Boston’s abolitionist circles, to Rome’s expatriate community – is resurrected in this stunning debut biographical novel.

“I plan to be a sculptor, to memorialize forever the great men and women of my race, and those who have fought for our cause.”

At the age of 8, orphaned, precocious Wildfire seems fated to a life of toil selling her handmade crafts to Niagara Falls tourists alongside her Ojibwe aunts. But Wildfire’s older half-brother, Samuel, has been making other plans for his gifted sibling. Soon, she is set on a new trajectory—and with it comes her birth name, Edmonia, and a revelation about her true origins.

Ensconced at the home of a trusted benefactor while Samuel makes his fortune in California, Edmonia flourishes—despite her abhorrence for etiquette lessons. Privately nurturing artistic ambitions, she advances through the abolitionist’s prep school and lands at Oberlin College. But at Oberlin lies a devastating trap: Edmonia is accused of poisoning, nearly fatally, two friends, with tainted wine.

What ensues is a headline-making trial, a vicious attack by a white mob—and a bold journey that will lead Edmonia from a crucial introduction in Boston to a vibrant community of celebrated expatriate women artists in Rome, and encounters with such distinguished figures as President Ulysses S. Grant, Pope Pius IX, and Frederick Douglass.

Still, Edmonia’s success is plagued by stinging critiques, potent racism, and haunting self-doubt. She must decide, too, whether to abandon her romantic entanglements, or devote herself to bringing to life her visions of beauty and justice—and hopefully, forge her place in a rapidly changing world.

A long-overdue corrective to the history of rock ‘n’ roll and alternative music, repopulating it with the extraordinary Black artists and influential figures who steered its course, from an author, journalist, and front woman of the British post punk band Big Joanie.

The history of rock and roll and alternative music is often told in bold, sweeping, isolated moments that are removed from the context of their time. Upon closer inspection, however, it becomes clear that the stories we tell center primarily on the achievements of white men like Elvis Presley, The Ramones, Nirvana, and David Bowie. White men who were the stars, white men who supposedly changed the game, white men who seemingly were at the forefront of every musical innovation in the 20th and 21st centuries. These rock and roll retellings perpetuate the belief that white men were the most important people to wield a guitar, strut on stage, or pound out a pummeling drumbeat. What is missing in these stories is everything in between—the people, the places, and the scenes that connect the dots—and you can’t tell the history of any music scene, let alone alternative music, without the Black community.

From the genre's earliest moments, Black musicians—like gospel entertainer Sister Rosetta Tharpe in the 1930s-40s and rock and roll legend Chuck Berry in the 1950s—have consistently pushed musical boundaries that forever impacted the music that followed. Throughout the decades, numerous Black entertainers continued to add their take on rock and alternative genres, expanding and building on what was already there to create what we know as alternative music today: look no further than the electric fire of Jimi Hendrix’s guitar licks in the '60s, the kaleidoscopic melee of hardcore and reggae that was Bad Brains in the late '70s, and the funkadelic swagger of Living Colour in the '80s.

Despite their groundbreaking contributions, why have Black musicians been so neglected from the historical canon? Is alternative music still seen as a white genre, and how are Black musicians and fans making space for themselves in the music scenes they love? We Were Here tells the story of Black artists performing in alternative genres from punk to rock and roll, indie to new wave, alongside their Black fans. Through brand new interviews and meticulous research, Phillips documents the history of Black people’s influence on these genres, highlighting the key players, assessing the legacy of their work, and drawing attention to those who have been obscured from history.

Where rock magazines and music books previously omitted or misunderstood the stories of Black artists and fans, this book centers their voices and attempts to right the wrongs of the past. Along the way, Phillips infuses her own coming-of-age story as a Black female musician in the punk scene, alongside a cultural analysis of rock and alternative music history.

Dialect poems by one of the nineteenth century's most talented African American lyricists

Paul Laurence Dunbar was “the most promising young colored man” in nineteenth-century America, according to Frederick Douglass, and subsequently one of the most controversial. His plantation lyrics, written while he was an elevator boy in Ohio, established Dunbar as the premier writer of dialect poetry and garnered him international recognition. More than a vernacular lyricist, Dunbar was also a master of classical poetic forms, who helped demonstrate to post–Civil War America that literary genius did not reside solely in artists of European descent. William Dean Howells called Dunbar’s dialect poems “evidence of the essential unity of the human race, which does not think or feel black in one and white in another, but humanly in all.”

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.