The Sande Society of the Mende people of Sierra Leone is a secret female regulatory society that both guards and transmits the ideals of feminine beauty so fundamental to the aesthetic criteria in Mende culture. In this eloquent and moving book, Sylvia Ardyn Boone describes the Society, its rituals and organization, and the mask worn by its members. Her book is an evocative account of Mende life and philosophy as well as a unique contribution to the study of African art, one based on African conceptions about the person and the human body.
"This is a beautiful and beautifully written book. … Boone writes in ways that reveal her evident devotion to Mende culture."―John Picton, African Affairs
"A major contribution to our ethnographic understanding of Mende culture, and to understanding the way concepts of women’s bodies encode cultural messages about gender relations."―E. Frances White, Women’s Review of Books
"A respectful approach to [the mysteries of the Sande], by an art historian who has tiptoed where anthropologists feared to tread. Radiance from the Waters deserves to be read. … It provides something more interesting than esoteric knowledge: an extended meditation on notions of beauty and decorum and the way in which these can be translated simultaneously into art and … advancement for women."―John Ryle, London Review of Books
"The first text to illuminate the power of the feminine aesthetic in West African art."―Ms.

A sparkling debut mystery set on the south side of Chicago, featuring the quick-witted, unforgettable Savvy Summers, proprietor of a soul food café.

When Savvy Summers first opened Essie's soul food café, she never expected her customer-favorite sweet potato pie to become the center of a murder investigation. But when Grandy Jaspers, the 75-year-old neighborhood womanizer, drops dead at table two, she suddenly has more to worry about than just maintaining Essie's reputation for the finest soul food in the Chicagoland area.

Even as the police deem Grandy’s death an accident, Savvy quickly finds herself―and her beloved café―in the middle of an entire city’s worth of bad press. Desperate to clear her name and keep her business afloat, Savvy and her snooping assistant manager, Penny Lopés, take it upon themselves to find who really killed Grandy.

But with a slimy investor harassing her to sell her name and business, customers avoiding her sweet potato pie like the plague, and her police sergeant ex-husband suddenly back in the picture, will Savvy be able to clear the café’s name and solve Grandy’s murder before it all falls apart?

After all, while Savvy always said her sweet potato pie was to die for, she never meant literally.

It's back to school for the Hillside Valley kids! Sol's trying out for the middle school soccer team but will a crush on the team captain distract her from her goals? Find out in this new Hillside Valley graphic novel—filled with friendship, first crushes, and some impressive soccer skills!

Welcome back to Hillside Valley-this time it's Game On for Sol!

Twelve-year-old Sol is a great friend, a model student, a beloved daughter and a star soccer player. At least that's what everyone always expects of her. But when the soccer team captain Lily walks by, Sol starts to lose focus. What's with this heart fluttering feeling she has around Lily?! And how can she stay the star player--the star everything--that people see her as if she can barely remember her name (much less how to play soccer) around Lily? Is Sol destined to let everyone down, including herself? Or can she figure out how to be the Sol she wants to be...on and off the field. Settle back into the cozy community of Hillside Valley in this second irresistible graphic novel! And don’t miss the first Hillside Valley Graphic Novel, Speak Up, Santiago!

This summer, beware of sharks...

Mega bestselling and award-winning author Tiffany D. Jackson (The Weight of Blood; White Smoke) makes her thrilling middle-grade debut with a can't-put-it-down murder mystery set on Martha's Vineyard.

Brooklyn girl Kaylani McKinnon feels like a fish out of water. She's spending the summer with family friends in their huge house on Martha's Vineyard, and the vibe is definitely snooty. Still, there are beautiful beaches, lots of ice cream, and a town full of fascinating Black history. Plus a few kids her age who seem friendly.

Until the shocking death of a popular teenage boy rocks the community to its core. Was it a drowning? A shark attack? Or the unthinkable--murder?

Kaylani is determined to solve the mystery. But her investigation leads her to uncover shocking secrets that could change her own life as she knows it... if she survives.

New York Times bestselling author Tiffany D. Jackson makes her thrilling middle-grade debut with this heart-pounding mystery packed with twists and turns that will keep readers guessing until the end.

A field-shaping account of how contemporary Black art revitalizes the Black radical tradition

In View of the Tradition argues that contemporary Black artists do not simply comment on politics. They help to generate it. Moving across sculpture, installation, photography, and film, Roderick A. Ferguson shows how Black art clarifies the stakes of capitalism, migration, war, settler colonialism, and ecological crisis while widening the tradition’s feminist, queer, and transnational horizons. The book asks what it means to relocate Black art in the annals of freedom rather than the balance sheets of the marketplace.

Reading work by John Akomfrah, Stephen Hayes, Hew Locke, Fabrice Monteiro, Wangechi Mutu, Noah Purifoy, Cauleen Smith, and Carrie Mae Weems, Ferguson restores the social character of art: how artworks imagine community, connect histories, and model ways of making and remaking the world. Street-level practices associated with Purifoy reframe official narratives of disorder into studies of collective making and civic imagination. Weems’s Hampton Project situates Black and Native lives within intertwined histories of racial governance and settler pedagogy, building an aesthetics of reckoning that links emancipation to captivity.

Across the Atlantic world, artists turn to the sea as both history and prophecy. In the flotillas and filmic ecologies of Locke, Akomfrah, and Monteiro, water becomes a sensor of racial capitalism and refugee flight, and it calls Black radicalism to account for migration’s precarity and the force of deregulated markets. Mutu’s hybrid anatomies trace militarism’s afterlives, from colonial counterinsurgency to Cold War entanglements, where bodies and ecologies register violence yet assemble unexpected kinships. The book closes with art as praxis through Cauleen Smith’s Human 3.0 Reading List, a hand-drawn syllabus that doubles as an engine room of creation. Ferguson names a method that is accessible and rigorous: look closely, connect widely, and link visual literacy to insurgent study and to áshe, the capacity to make things happen. Written with clarity for general readers and with depth for scholars and classrooms, In View of the Tradition shows how Black art and radical thought come together to represent the world and to sketch other possible ones.

A groundbreaking history of elite black New Yorkers in the nineteenth century, seen through the lens of the author's ancestors

Part detective tale, part social and cultural narrative, Black Gotham is Carla Peterson's riveting account of her quest to reconstruct the lives of her nineteenth-century ancestors. As she shares their stories and those of their friends, neighbors, and business associates, she illuminates the greater history of African-American elites in New York City.

Black Gotham challenges many of the accepted "truths" about African-American history, including the assumption that the phrase "nineteenth-century black Americans" means enslaved people, that "New York state before the Civil War" refers to a place of freedom, and that a black elite did not exist until the twentieth century. Beginning her story in the 1820s, Peterson focuses on the pupils of the Mulberry Street School, the graduates of which went on to become eminent African-American leaders. She traces their political activities as well as their many achievements in trade, business, and the professions against the backdrop of the expansion of scientific racism, the trauma of the Civil War draft riots, and the rise of Jim Crow.

Told in a vivid, fast-paced style, Black Gotham is an important account of the rarely acknowledged achievements of nineteenth-century African Americans and brings to the forefront a vital yet forgotten part of American history and culture.

Nothing like that baby hair, baby waby baby hair! A joyful celebration of newborns and toddlers, highlighting the beauty of their precious curls and coils.

An inclusive and rhythmic celebration of babies and their ever-evolving hair, perfect for 3 to 7 year olds still rocking their baby hair.

From no hair to 'fro hair and just-got-my-first-haircut-hair, delight in playful descriptions of diverse baby hair styles seen on newborns to toddlers. Love That Baby Hair! encourages young ones in the earliest stages of life to embrace the characteristics that make us special and unique.

A perfect read-aloud picture book for young readers to learn about positive self-image and self-confidence.

A chilling Lovecraftian horror story from the author of Midnight Rooms, in which a recently freed slave from America making a new life for herself in 1700 Venice finds the mysterious plague that killed her former master may have followed her to Italy . . . and now stalks the canals.

Venice, Italy, 1700. The only survivor on a ship, Mercy disembarks in Italy, carrying two precious possessions: the first-ever camera that makes daguerreotype plates and a letter regarding an appointment meant for the dead slave holder.

The letter takes her to Umberto, an Anatomist. In his basement workspace, she learns he hired the man who formally owned her to capture images of dissected corpses. But that man is dead. With no other recourse for her or Umberto, Mercy assumes the position. In return for the sample plate she took, Umberto takes her to the home of the Contessa, a British woman who married into her title. Charmed by Marcy, she invites the young woman to stay for the season to take pictures.

Formally enslaved, Marcy finds this new life of freedom heady, as she takes on the mantle of a photographer and guest in a decadent house of pleasure under the hospitality of an aristocrat. Under the Contessa’s roof, she meets a diverse cast of friendly and strange individuals with whom she forms new bonds and friendships.

But all is not well in her new life. Something dark and hungry stalks the canals that snake through the city, biting at her heels. The same death that rode the waves with her now surrounds her in this strange place. What is this malevolence that haunts her? As she tries to understand this macabre force, she must grapple with a greater fear: that the horror that endangers her friends is herself.

The Sunken, The Adored is dark, eerie, and wholly original—at once unsettling and irresistibly addictive.

The story of the Combahee River Raid, one of Harriet Tubman's most extraordinary accomplishments, based on original documents and written by a descendant of one of the participants.

Most Americans know of Harriet Tubman's legendary life: escaping enslavement in 1849, she led more than 60 others out of bondage via the Underground Railroad, gave instructions on getting to freedom to scores more, and went on to live a lifetime fighting for change. Yet the many biographies, children's books, and films about Tubman omit a crucial chapter: during the Civil War, hired by the Union Army, she ventured into the heart of slave territory--Beaufort, South Carolina--to live, work, and gather intelligence for a daring raid up the Combahee River to attack the major plantations of Rice Country, the breadbasket of the Confederacy.

Edda L. Fields-Black--herself a descendent of one of the participants in the raid--shows how Tubman commanded a ring of spies, scouts, and pilots and participated in military expeditions behind Confederate lines. On June 2, 1863, Tubman and her crew piloted two regiments of Black US Army soldiers, the Second South Carolina Volunteers, and their white commanders up coastal South Carolina's Combahee River in three gunboats. In a matter of hours, they torched eight rice plantations and liberated 730 people, people whose Lowcountry Creole language and culture Tubman could not even understand. Black men who had liberated themselves from bondage on South Carolina's Sea Island cotton plantations after the Battle of Port Royal in November 1861 enlisted in the Second South Carolina Volunteers and risked their lives in the effort.

Using previous unexamined documents, including Tubman's US Civil War Pension File, bills of sale, wills, marriage settlements, and estate papers from planters' families, Fields-Black brings to life intergenerational, extended enslaved families, neighbors, praise-house members, and sweethearts forced to work in South Carolina's deadly tidal rice swamps, sold, and separated during the antebellum period. When Tubman and the gunboats arrived and blew their steam whistles, many of those people clambered aboard, sailed to freedom, and were eventually reunited with their families. The able-bodied Black men freed in the Combahee River Raid enlisted in the Second South Carolina Volunteers and fought behind Confederate lines for the freedom of others still enslaved not just in South Carolina but Georgia and Florida.

After the war, many returned to the same rice plantations from which they had escaped, purchased land, married, and buried each other. These formerly enslaved peoples on the Sea Island indigo and cotton plantations, together with those in the semi-urban port cities of Charleston, Beaufort, and Savannah, and on rice plantations in the coastal plains, created the distinctly American Gullah Geechee dialect, culture, and identity--perhaps the most significant legacy of Harriet Tubman's Combahee River Raid.

From visionary Afrofuturist Maurice Broaddus comes the re-release of this seminal collection, with an all-new introduction and notes from the author. Fourteen stories meld history, folktales, horror, fantasy, and science fiction into electric moments scattered through ten centuries of Black experience.

An outcast West African warrior takes on evil spirits, and the brutal priest who creates them. A freedwoman reveals what a spirit stone truly commemorates. A museum of grief houses a widower’s memories—and a child’s. Visiting his mother’s Jamaican home, an American inherits a strange spirital inheritance. A 1970s quad skater flees time-traveling Afronauts convinced he can find the mothership groove. Steamfunk revolution foments in communities underneath robot-run Indianapolis. A lieutenant of the Evangelical States of America navigates first contact with an unexpected alien race.

Through war and enlightenment, alongside vampires, obeah men, and common injustice, Broaddus’s lyrical prose delivers epiphanies wrapped in page-turning excitement.

n Where Sleeping Girls Lie ― a YA contemporary mystery by Faridah Àbíké-Íyímídé, the New York Times-bestselling author of Ace of Spades ― a girl new to boarding school discovers dark secrets and coverups after her roommate disappears. It’s like I keep stumbling into a dark room, searching for the switch to make things bright again... Sade Hussein is starting her third year of high school, this time at the prestigious Alfred Nobel Academy boarding school after being home-schooled all her life. Misfortune has been a constant companion all her life, but even Sade doesn’t expect her new roommate, Elizabeth, to disappear after Sade’s first night. Or for people to think she had something to do with it. With rumors swirling around her, Sade catches the attention of the girls collectively known as the ‘Unholy Trinity’ and they bring her into their fold. Between learning more about them―especially Persephone, who Sade is inexplicably drawn to―and playing catchup in class, Sade already has so much on her plate. But when it seems people don't care enough about what happened to Elizabeth to really investigate, it's up to she and Elizabeth's best friend to solve it. And then a student is found dead. As they keep trying to figure out what’s going on, Sade realizes there’s more to Alfred Nobel Academy and its students than she thought. Secrets lurk around every corner and beneath every surface…secrets that rival even her own.

A young adult anthology featuring fictional stories of everyday resistance.

You might be the kind of person who stands up to online trolls.Or who marches to protest injustice.Perhaps you are #DisabledAndCute and dancing around your living room, alive and proud.Or perhaps you are the trans mentor that you wish you had when you were younger.Maybe you call out false allies, or stand up to loved ones. Maybe you speak your truth and drop the mic, or maybe you take it with you when you leave.This anthology features fictional stories--in poems, prose, and art--that reflect a slice of the varied and limitless ways that readers like you resist every day. Take the Mic's powerful collection of stories features work by literary luminaries and emerging talent alike, including Newbery-winner Jason Reynolds, New York Times bestseller Samira Ahmed, anthologist and contributor Bethany C. Morrow, Darcie Little Badger, Keah Brown, Laura Silverman, L.D. Lewis, Sofia Quintero, Ray Stoeve, Yamile Mendez, and Connie Sun, with cover and interior art by Richie Pope.