From one of North America’s most influential public space experts comes a powerful treatise celebrating Black people’s audacious, complex, and universally embraced public joy expressions.

How much safety, belonging and delight do you feel when you walk through a park? Hang out in a coffee shop? Ride the subway to work? Explore a new neighbourhood? Now, how much do you know about how history, urban planning, culture and even your personal upbringing impact those feelings, and overall access, to public joy? For well over a decade, Jay Pitter has been thinking about public space and the ways it can be designed to not only contribute to social equity but also inspire joy for everyone. Her award-winning work helping cities navigate complex issues such as reimagining Confederate monument sites, the creation of cultural districts and the adoption of gender-responsive street design compels her to ask: “How can I ignite public joy?”

Pitter acknowledges egregious place-based violations faced by her community—historical and contemporary—while unapologetically bending the book’s narrative arc toward public joy. Declaring that Black public joy is so powerful that even the auction block could not extinguish it, Pitter guides the reader through an under-explored placemaking journey. In addition to unearthing historical rituals, the book builds on the current groundswell of Black-led initiatives highlighting hiking, dining, cycling, and frolicking punctuated by hashtags such as #BlackJoy and #BlackOutdoors. Pitter draws upon her practice expertise and research, delving more deeply to situate these moments and online conversations within the phenomenon that is Black public joy.

Along the way, she introduces us to beloved colleagues creating public joy in their communities, and also reveals vulnerable personal stories as ground for the book’s narrative. Black Public Joy’s themes—our collective desire for safely taking up space, feeling belonging, and freeing ourselves from fears of judgement—are universal. Pitter’s work calls on all of us to become better stewards of each other’s public joy, as well as to claim our own.

“[In Pimp], Iceberg Slim breaks down some of the coldest, capitalist concepts I’ve ever heard in my life.” —Dave Chappelle, from his Netflix special The Bird Revelation

An immersive experience unlike anything before it, Pimp is the classic hustler’s tale that never seems to go out of style.

Iceberg Slim’s autobiographical novel sent shockwaves throughout the literary world when it published in 1969. Groundbreaking for its authentic and oft-brutal account of the sex trade, the book offers readers an unforgettable look at the mores of Chicago’s street life during the 1940s, 50s, and 60s. In the preface, Slim says it best, “In this book, I will take you, the reader, with me into the secret inner world of the pimp.” With millions of copies sold, Pimp has become vital reading across generations of writers, entertainers and filmmakers alike, making it a timeless piece of American literature.

In an effort to deny the ongoing effect of colonialism and imperialism on contemporary political life, the death knell for a multicultural society has been sounded from all sides. That's the provocative argument Paul Gilroy makes in this unorthodox defense of the multiculture. Gilroy's searing analyses of race, politics, and culture have always remained attentive to the material conditions of black people and the ways in which blacks have defaced the "clean edifice of white supremacy." In Postcolonial Melancholia, he continues the conversation he began in the landmark study of race and nation 'There Ain't No Black in the Union Jack' by once again departing from conventional wisdom to examine―and defend―multiculturalism within the context of the post-9/11 "politics of security."

This book adapts the concept of melancholia from its Freudian origins and applies it not to individual grief but to the social pathology of neoimperialist politics. The melancholic reactions that have obstructed the process of working through the legacy of colonialism are implicated not only in hostility and violence directed at blacks, immigrants, and aliens but in an inability to value the ordinary, unruly multiculture that has evolved organically and unnoticed in urban centers. Drawing on the seminal discussions of race begun by Frantz Fanon, W. E. B. DuBois, and George Orwell, Gilroy crafts a nuanced argument with far-reaching implications. Ultimately, Postcolonial Melancholia goes beyond the idea of mere tolerance to propose that it is possible to celebrate the multiculture and live with otherness without becoming anxious, fearful, or violent.

NATIONAL BESTSELLER

“Angela Garbes has given us the definitive explanation for something we all share: the sense that something is not right about our society’s treatment of parenting. Essential Labor is a beautifully written, painstakingly researched, and courageously personal book. Garbes reveals the way systems exploit caregiving and shows us how the essential work of mothering can fix not just family life, but society. A timely and unforgettable book.”—Heather McGhee, New York Times bestselling author of The Sum of Us

From the acclaimed author of Like a Mother comes a reflection on the state of caregiving in America, and an exploration of mothering as a means of social change.

The Covid-19 pandemic shed fresh light on a long-overlooked truth: mothering is among the only essential work humans do. In response to the increasing weight placed on mothers and caregivers—and the lack of a social safety net to support them—writer Angela Garbes found herself pondering a vital question: How, under our current circumstances that leave us lonely, exhausted, and financially strained, might we demand more from American family life? 

In Essential Labor, Garbes explores assumptions about care, work, and deservedness, offering a deeply personal and rigorously reported look at what mothering is, and can be. A first-generation Filipino-American, Garbes shares the perspective of her family's complicated relationship to care work, placing mothering in a global context—the invisible economic engine that has been historically demanded of women of color. 

Garbes contends that while the labor of raising children is devalued in America, the act of mothering offers the radical potential to create a more equitable society. In Essential Labor, Garbes reframes the physically and mentally draining work of meeting a child's bodily and emotional needs as opportunities to find meaning, to nurture a deeper sense of self, pleasure, and belonging. This is highly skilled labor, work that impacts society at its most foundational level.

Part galvanizing manifesto, part poignant narrative, Essential Labor is a beautifully rendered reflection on care that reminds us of the irrefutable power and beauty of mothering.

Texas Southern University is often said to have been “conceived in sin.” Located in Houston, the school was established in 1947 as an “emergency” state-supported university for African Americans, to prevent the integration of the University of Texas. Born to Serve is the first book to tell the full history of TSU, from its founding, through the many varied and defining challenges it faced, to its emergence as a first-rate university that counts Barbara Jordon, Mickey Leland, and Michael Strahan among its graduates.

Merline Pitre frames TSU’s history within that of higher education for African Americans in Texas, from Reconstruction to the lawsuit that gave the school its start. The case, Sweatt v. Painter, involved student Heman Marion Sweatt, who was denied entry to the University of Texas Law School because he was black. Pitre traces the tortuous measures by which Texas legislators tried to meet a provision of the state’s constitution that called for the establishment and maintenance of a “branch university for the instruction of colored youths of the State.” When the U.S. Supreme Court ruled in 1950 that the UT Law School’s efforts to remain segregated violated the U.S. Constitution, the future of the institution that would become Texas Southern University in 1951 looked doubtful.

In its early years the university persevered in the face of state neglect and underfunding and the threat of merger. Born to Serve describes the efforts, both humble and heroic, that faculty and staff undertook to educate students and turn TSU into the thriving institution it is today: a major metropolitan university serving students of all races and ethnicities from across the country and throughout the world.

Launched during the early civil rights movement, TSU has a history unique among historically black colleges and universities, most of which were established immediately after the Civil War. Born to Serve adds a critical chapter to the history of education and integration in the United States.

A Forgotten Migration tells the little-known story of ""segregation scholarships"" awarded by states in the US South to Black students seeking graduate education in the pre-Brown v. Board of Education era. Under the Plessy v. Ferguson decision, decades earlier, southern states could provide graduate opportunities for African Americans by creating separate but equal graduate programs at tax-supported Black colleges or by admitting Black students to historically white institutions. Most did neither and instead paid to send Black students out of state for graduate education. Crystal R. Sanders examines Black graduate students who relocated to the North, Midwest, and West to continue their education with segregation scholarships, revealing the many challenges they faced along the way. Students that entered out-of-state programs endured long and tedious travel, financial hardship, racial discrimination, isolation, and homesickness. With the passage of Brown in 1954, segregation scholarships began to wane, but the integration of graduate programs at southern public universities was slow. In telling this story, Sanders demonstrates how white efforts to preserve segregation led to the underfunding of public Black colleges, furthering racial inequality in American higher education.

In the spirit of American cultural prophecy―from Ta-Nehisi Coates to Rebecca Solnit―acclaimed writer Casey Gerald offers a groundbreaking work of joyous dissent and stunning vision, a survival guide to a society in crisis.

“Somehow Casey Gerald has pulled off the most urgently political, most deeply personal, and most engagingly spiritual statement of our time by just looking outside his window and inside himself. Extraordinary.” ―Marlon James on There Will Be No Miracles Here

Most afternoons for the past three years, Casey Gerald took a walk. He would pass the compound that Elon Musk was building in his neighborhood; the burned-down Freedman's church; the little house where he and his lover Jack had seen a shooting star. He knew the world was crumbling, but he didn't fret. He had been promised: When it breaks, you'll be ready.

"There is a great unfolding going on," Gerald writes, "and all the clues for what's to come are planted in the people." In this quietly redemptive and lyrical book, Gerald shares his map for finding those clues, finding each other, and finding our way out of this dark and wearied time. On the other side of No, Gerald insists, there is a Yes―an embrace of what we really want, what we might finally claim once we refuse.

Calling forth a kaleidoscopic cast, from Odysseus to D'Angelo, Sun Tzu to Simone Biles, Black literati and desert mystics, Gerald implores us to take our power back and to remake the world together, on our terms. Written with Didion's cold eye and Baldwin's unflinching urgency, and with the dark humor of a man who’s seen too much but still wants to see what’s next, The Great Refusal is a lifeline from the other side of ruin.

Walter Rodney was a scholar, working class militant, and revolutionary from Guyana. Strongly influenced by Marxist ideas, he remains central to radical Pan-Africanist thought for large numbers of activists’ today. Rodney lived through the failed –though immensely hopeful -socialist experiments in the 1960s and 1970s, in Tanzania and elsewhere.

The book critically considers Rodney's contribution to Marxist theory and history, his relationship to dependency theory and the contemporary significance of his work in the context of movements and politics today. The first full-length study of Rodney’s life, this book is an essential introduction to Rodney's work.

Finally, the secret sauce of Noma is revealed—the long-anticipated follow-up to the bestselling The Noma Guide to Fermentation offers more than 150 recipes for infused oils, vinaigrettes, fudges, spice mixes, rubs, sauces, and other flavor-boosting condiments that professional and home cooks can now make and use to elevate every part of their cooking.

Nothing tastes like the food at Noma. Nothing is as delicious, as surprising, as unique. A big part of the reason why is found in the Noma pantry, the seasonings, condiments, sauces, and other flavor compounds developed over two decades by René Redzepi and the Noma test kitchen. And now 150 of these components that define the inimitable taste of Noma—including roasted kelp salt, smoked egg yolk sauce, Nordic pesto, and lacto-koji beurre blanc—are shared in The Noma Guide to Building Flavour. Most of the recipes are illustrated with step-by-step photo sequences detailing the techniques needed to transform surprisingly familiar ingredients into elements of Noma’s distinctive cuisine. Noma uses these recipes to create elevated preparations for the restaurant (a selection of gorgeous plated-dish photos are included), but readers—whether professionals or avid home cooks—will find plenty of inspiration for their own kitchens, aided by do-able suggestions from Noma chefs.
 
In conversational essays and anecdotes woven throughout the book, Redzepi shares how staff members from around the globe have influenced Noma’s flavor palette, and how Noma chefs take pristine seasonal ingredients and blend, grind, dry, smoke, macerate, reduce and otherwise elicit the most potent and desirable flavors that make up the sensory language of Noma. Between the narrative portions and the meticulous recipes, chefs and home cooks alike will discover new dimensions of flavor and expand their ideas of what food can be.

We Need to Talk about Kevin as if written by Jason Reynolds and Tananarive Due meets Model Home by Rivers Solomon in an innovative twist on the haunted house novel: about a mother desperate to protect her sons from the twin specters of gun violence and otherworldly menace in their public housing project.

Nona McKinley raised three boys in the Hester Gardens section of Medford, Michigan, an impoverished community divided by those who follow their faith in God and those who turn to crime to survive. With her drug dealer husband behind bars and her eldest son shot to death at eighteen, Nona has devoted herself to ensuring her other children escape their brother’s fate.

Her second son Marcus is on the right path. He's a valedictorian heading to an Ivy League school. He can get out.

But then, strange things start happening to Nona and other residents: mysterious footsteps are heard when she’s alone, people have phantom encounters in the streets, unattended appliances go off at all hours. Even more concerning is the state of Nona’s living sons. Her youngest, Lance, is hanging around with a bad crowd, and Marcus becomes moody and secretive. Sometimes he even seems to act like a different person entirely.

Nona has her secrets too. Her affair with the married church pastor has been weighing on her conscience, but that’s not the only guilt haunting her. She fears that someone—or something— is seeking revenge for an act she made in a moment of weakness to protect her family. And now everyone in Hester Gardens must pay the price . . .

"A debut of enormous ambition” spanning eight generations of a Black family in West Tennessee as they are repeatedly visited by the Devil (Nathan Harris, New York Times bestselling author of The Sweetness of Water)

Yetunde awakens aboard a slave ship en route to the United States with the spirit of her dead sister as her only companion. Desperate to survive the hell that awaits her at their destination, Yetunde finds help in an unexpected form—the Devil himself. The Devil, seeking a way to reenter the pearly gates of heaven, decides to prove himself to an indifferent God by protecting Yetunde and granting her a piece of his supernatural power. In return, Yetunde makes an incredible sacrifice.
 
Their bargain extends far beyond Yetunde's mortal lifespan. Over the next 175 years, the Devil visits Yetunde's descendants in their darkest hour of need: Lucille, a conjure woman; Asa, who passes for white; Louis and Virgil, who risk becoming a twentieth-century Cain and Abel; Cassandra, who speaks to the dead; James, who struggles to make sense of the past while fighting to keep his family together; and many others. The Devil offers each of them his own version of salvation, all the while wondering: can he save himself, too?
 
Steeped in the spiritual traditions and oral history of the Black diaspora, The Devil Three Times is a baptism by fire and water, heralding a new voice in American fiction.

In this thrilling mystery from "master of craft and narrative" Walter Mosley (National Book Foundation), Detective Easy Rawlins has settled into the happy rhythm of his new life when a dark siren from his past returns and threatens to destroy the peace he's fought for.

The name Easy Rawlins stirs excitement in the hearts of readers and fear in the hearts of his foes. His success has bought him a thriving detective agency, with its first female detective; a remote home, shared with children and pets and lovers, high atop the hills overlooking gritty Los Angeles; and more trouble, more problems, and more threat to those whom he loves. In other words, he’s still beset on all sides.
 
A number of below-the-law powerbrokers plead with Easy to locate a mysterious, dangerous woman—Lutisha James, though she’s gone by another name that Easy will immediately recognize. 1970s Los Angeles is a transient city of delicate, violent balances, and Lutisha has disturbed that. She also has a secret that will upend Easy’s own life, painfully closer to home.