Timely, relevant, and illuminating, this essential book by respected cultural historian, teacher, and author John G. Jackson sheds long overdue light on standard Eurocentric and distorting approaches to the history of Africa from early African civilizations to Africa’s significance in world history.
 
With brilliantly objective scholarship, respected historian and author John G. Jackson reexamines the outdated, racist, and Westernized history of Africa that is still taught in schools, and presents one infinitely more rich, colorful, varied—and truthful. Challenging the standard dehumanizing and exploitive approaches to African history, from the dawn of prehistory to the resurgent Africa of today--including the portrayal of Africans as “savages” who ultimately benefitted from European enslavement with its “blessings of Christian civilization”—Jackson confronts the parochial historian, devastates the theoretical pretensions of white supremacists, and expands intellectual horizons.
 
Accessible and informed, fascinating and candid, Introduction to African Civilizations is an important historical guide that will enhance antiracist teachings for the general reader and the scholar alike.
 
Introduction by John Henrik Clarke, pioneer of African Studies and author of Christopher Columbus and the African Holocaust
 
Foreword by Runoko Rashidi, historian, activist, and author of Introduction to the Study of African Classical Civilizations

NEXT BIG IDEA CLUB's November 2023 Must Read Books • LIBRARY JOURNAL EDITOR PICK •

“A groundbreaking book, both bold in its premise and precise in its exploration of systemic racism in the workplace. This could not be a more urgent and necessary blueprint for progress.”—Bakari Sellers, New York Times bestselling author of My Vanishing Country

“Provides a trailblazing antiracist framework for us all.”—Ibram X. Kendi, #1 New York Times bestselling author of How to Be an Antiracist

"This vital and accessible study is a must-read for anyone concerned with workplace equality."—Publishers Weekly (Starred Review)

A leading sociologist reveals why racial inequality persists in the workplace despite today’s multi-billion-dollar diversity industry—and provides actionable solutions for creating a truly equitable, multiracial future.

Labor and race have shared a complex, interconnected history in America. For decades, key aspects of work—from getting a job to workplace norms to advancement and mobility—ignored and failed Black people. While explicit discrimination no longer occurs, and organizations make internal and public pledges to honor and achieve “diversity,” inequities persist through what Adia Harvey Wingfield calls the “gray areas:” the relationships, networks, and cultural dynamics integral to companies that are now more important than ever. The reality is that Black employees are less likely to be hired, stall out at middle levels, and rarely progress to senior leadership positions.

Wingfield has spent a decade examining inequality in the workplace, interviewing over two hundred Black subjects across professions about their work lives. In Gray Areas, she introduces seven of them: Alex, a worker in the gig economy Max, an emergency medicine doctor; Constance, a chemical engineer; Brian, a filmmaker; Amalia, a journalist; Darren, a corporate vice president; and Kevin, who works for a nonprofit.

In this accessible and important antiracist work, Wingfield chronicles their experiences and blends them with history and surprising data that starkly show how old models of work are outdated and detrimental. She demonstrates the scope and breadth of gray areas and offers key insights and suggestions for how they can be fixed, including shifting hiring practices to include Black workers; rethinking organizational cultures to centralize Black employees’ experience; and establishing pathways that move capable Black candidates into leadership roles. These reforms would create workplaces that reflect America’s increasingly diverse population—professionals whose needs organizations today are ill-prepared to meet.

It’s time to prepare for a truly equitable, multiracial future and move our culture forward. To do so, we must address the gray areas in our workspaces today. This definitive work shows us how.

Gray Areas includes 15 black-and-white images and a photo insert.

In Black Life Matter, Biko Mandela Gray offers a philosophical eulogy for Aiyana Stanley-Jones, Tamir Rice, Alton Sterling, and Sandra Bland that attests to their irreducible significance in the face of unremitting police brutality. Gray employs a theoretical method he calls “sitting with”—a philosophical practice of care that seeks to defend the dead and the living. He shows that the police that killed Stanley-Jones and Rice reduced them to their bodies in ways that turn black lives into tools that the state uses to justify its violence and existence. He outlines how Bland’s arrest and death reveal the affective resonances of blackness, and he contends that Sterling’s physical movement and speech before he was killed point to black flesh as unruly living matter that exceeds the constraints of the black body. These four black lives, Gray demonstrates, were more than the brutal violence enacted against them; they speak to a mode of life that cannot be fully captured by the brutal logics of antiblackness.

Review

About the Author

Hoodoo is a bold spiritual tradition that helps enhance your wellbeing and solve everyday problems. This practical, do-it-yourself guide shows you how to use spells, rites, recipes, mojos, and curios to enrich your life and be ready for whatever comes your way.

365 Days of Hoodoo starts by providing the basics of Hoodoo, and then gradually builds your knowledge day after day. You'll discover the essential components for your practice, how to master the parts of your life that seem out of control, and the various ways Hoodoo can improve love, prosperity, protection, and much more. This impressive book also features lore, prayers, potions, altars, baths, and meditations.

The acclaimed New York Times bestselling author of A Woman Is No Man returns with a striking exploration of the expectations of Palestinian-American women, the meaning of a fulfilling life, and the ways our unresolved pasts affect our presents.

“After Yara is placed on probation at work for fighting with a racist coworker, her Palestinian mother claims the provocation and all that’s come after were the result of a family curse. While Yara doesn’t believe in old superstitions, she finds herself unpacking her strict, often volatile childhood growing up in Brooklyn, looking for clues as to why she feels so unfulfilled in a life her mother could only dream of. Etaf Rum’s follow-up to her debut, A Woman Is No Man, is a complicated mother-daughter drama that looks at the lasting effects of intergenerational trauma and what it takes to break the cycle of abuse” (Time magazine).

The Dead Cat Tail Assassins are not cats. Nor do they have tails. But they are most assuredly dead. Nebula and Alex Award winner P. Djèlí Clark introduces a brand-new world and a fantastical city full of gods and assassins. Eveen the Eviscerator is skilled, discreet, professional, and here for your most pressing needs in the ancient city of Tal Abisi. Her guild is strong, her blades are sharp, and her rules are simple. Those sworn to the Matron of Assassins―resurrected, deadly, wiped of their memories―have only three unbreakable vows. First, the contract must be just. That’s above Eveen’s pay grade. Second, even the most powerful assassin may only kill the contracted. Eveen’s a professional. She’s never missed her mark. The third and the simplest: once you accept a job, you must carry it out. And if you stray? A final death would be a mercy. When the Festival of the Clockwork King turns the city upside down, Eveen’s newest mission brings her face-to-face with a past she isn’t supposed to remember and a vow she can’t forget.

A mythic love story set in Trinidad, Ayanna Lloyd Banwo’s radiant debut introduces two unforgettable outsiders brought together by their connection with the dead.

“Heartwarming and heartbreaking, fantastical and familiar, with characters that burrow their way into your heart and mind…  [When We Were Birds] is glorious.”—ROBERT JONES JR., New York Times bestselling author of THE PROPHETS

In the old house on a hill, where the city meets the rainforest, Yejide’s mother is dying. She is leaving behind a legacy that now passes to Yejide: one St Bernard woman in every generation has the power to shepherd the city’s souls into the afterlife. But after years of suffering her mother’s neglect and bitterness, Yejide is looking for a way out.

Raised in the countryside by a devout Rastafarian mother, Darwin has always abided by the religious commandment not to interact with death. He has never been to a funeral, much less seen a dead body. But when the only job he can find is grave digging, he must betray the life his mother built for him in order to provide for them both. Newly shorn of his dreadlocks and his past, and determined to prove himself, Darwin finds himself adrift in a city electric with possibility and danger.

Yejide and Darwin will meet inside the gates of Fidelis, an ancient and sprawling cemetery, where the dead lie uneasy in their graves and a reckoning with fate beckons them both. A masterwork of lush imagination and exuberant storytelling, When We Were Birds is a spellbinding and hopeful novel about inheritance, loss, and love’s seismic power to heal.

The next book in the New Haven series, interconnected standalones featuring second chances, fiery passion, and Black heroines who get their happily ever afters.

Nadia

I expect nothing.

From life, from God, from men.

I don't hope or want or pray. Those are luxuries I can't afford when I'm doing the desperate math of survival while walking the tight rope of life on the run in a strange city.

New Haven wasn't supposed to be a fresh start. That would be asking too much from a life that took my parents from me and left me vulnerable to monsters. To be used but not loved. To be kept but not cherished.

I'd accepted my fate, settled in it like sore feet in a pair of ill fitted heels, but then he walked into my life and released me from the prison of my past, leaving me free to hope, to want, to love.

Sebastian

I didn't know I was looking for anything until I was looking at her.

And since the moment she came into my view, I haven't been able to look away. There's something sad behind her eyes. Something desperate in the way she moves through the world. Like the devil is on her heels and she doesn't know whether to run or stay and fight.

Other people's problems aren't usually something I have time for, but for her I'll make time. For her, I'll stand and fight. I'll make her battles my battles, her dreams my dreams, and her safety my top priority.

*ships in 7-10 business days*

On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard.

With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

“Iceberg Slim breaks down some of the coldest, capitalist concepts I’ve ever heard in my life.” —Dave Chappelle, from his Netflix special The Bird Revelation

The most gritty and real illustration of the black ghetto ever told, from the only man capable of telling it, Iceberg Slim, bestselling author of Pimp. Iceberg Slim’s story is now depicted in a major motion picture distributed worldwide.

Mama Black Widow tells the tragic story of Otis Tilson, a stunning black drag queen trapped in a cruel queer ghetto underworld. In hopes of escaping the racial bigotry and economic injustice of the South, Otis’ family journeys north from their plantation to an urban promised land. Once in Chicago Otis and his brother and sisters become prisoners to a wasteland of violence, crime, prostitution and rape. This is the gut-wrenching tale of the destruction of a family and the truest portrayal of homosexuality in the ghetto ever told.