This heart-pounding Southern gothic horror debut from Beatrice Winifred Iker, takes readers to Bricksbury University, the oldest and most storied HBCU in the nation. But as one student is about to find out, a long history comes with a legacy of secrets.
 
Zora Robinson is an ambitious grad student in her dream program, Appalachian Studies, at Bricksbury University. When her thesis advisor hands her a strange diary and suggests she research the local folklore about a beast roaming the woods surrounding campus, Zora finds a community uneager to talk to an outsider.
 
As she delves into the history of the beast, she uncovers a rumored secret society called the Keepers that has tenuous ties to the beast…and Bricksbury itself. Zora soon finds herself plagued by visions of the past, and her grip on reality starts to slip as she struggles to uncover what is real and what is folklore. But when a student goes missing, Zora starts to wonder if the Keepers ever really disbanded.
 
There’s something in the woods and it has its eyes on Zora.

The first-ever Black history to center queer voices, this landmark study traces the lives of LGBTQ+ Black Americans from slavery to present day

Gender and sexual expression have always been part of the Black freedom struggle

In this latest book in Beacon’s award-winning ReVisioning History series, Professors C. Riley Snorton and Darius Bost unearth the often overlooked history of the Black queer community in the United States.

Arguing that both gender and sexual expression have been an intimate and intricate part of Black freedom struggle, Snorton and Bost present historical contributions of Black queer, trans, and gender non-conforming Americans from slavery to the present day to highlight how the fight against racial injustice has always been linked to that of sexual and gender justice.

Interweaving stories of queer and trans figures such as:

* Private William Cathay/Cathay Williams, born female but enlisted in the Army as a man in the mid-1860s
* Josephine Baker, internationally known dancer and entertainer of the early 20th century who was also openly bisexual
* Bayard Rustin, prominent Civil Rights activist whose well known homosexuality was viewed as a potential threat to the movement
* Amanda Milan, a black trans woman whose murder in 2000 unified the trans people of color community,

this book includes a deep dive into the marginalization, unjust criminalization, and government legislation of Black queer and trans existence. It also shows how Black Americans have played an integral role in the modern LGBTQ rights movement, countering narratives that have predominantly focused on white Americans.

Through storytelling and other narratives, Snorton and Bost show how the Black queer community has always existed, regardless of the attempts to stamp it out, and how those in it continue to fight for their rightful place in the world.

Published to coincide with the hundredth anniversary of his birth, the first major study of Malcolm X’s influence in the sixty years since his assassination, exploring his enduring impact on culture, politics, and civil rights.

Malcolm X has become as much of an American icon as Abraham Lincoln, John F. Kennedy, or Martin Luther King. But when he was murdered in 1965, he was still seen as a dangerous outsider. White America found him alienating, mainstream African Americans found him divisive, and even his admirers found him bravely radical. Although Ossie Davis famously eulogized Malcolm X as “our own Black shining prince,” he never received the mainstream acceptance toward which he seemed to be striving in his final year. It is more in death than his life that Malcolm’s influence has blossomed and come to leave a deep imprint on the cultural landscape of America.

With impeccable research and original reporting, Mark Whitaker tells the story of Malcolm X’s far-reaching posthumous legacy. It stretches from founders of the Black Power Movement such as Stokely Carmichael and Huey Newton to hip-hop pioneers such as Public Enemy and Tupac Shakur. Leaders of the Black Arts and Free Jazz movements from Amiri Baraka to Maya Angelou, August Wilson, and John Coltrane credited their political awakening to Malcolm, as did some of the most influential athletes of our time, from Muhammad Ali to Kareem Abdul-Jabbar and beyond. Spike’s movie biopic and the Black Lives Matter movement reintroduced Malcolm to subsequent generations. Across the political spectrum, he has been cited as a formative influence by both Barack Obama—who venerated Malcolm’s “unadorned insistence on respect”—and Clarence Thomas, who was drawn to Malcolm’s messages of self-improvement and economic self-help.

In compelling new detail, Whitaker also retraces the long road to exoneration for two men wrongfully convicted of Malcolm’s murder, making The Afterlife of Malcolm X essential reading for anyone interested in true crime, American politics, culture, and history.

rAs Prohibition era speakeasies and Jazz Age excitement reign supreme throughout a deeply divided country at the height of the Roaring 20s, a young psychic in small town Illinois helps the Black community fight crime and corruption in this thrilling historical mystery written by a real-life psychic medium and jazz pianist.

After the death of her brave Harlem Hellfighter husband during the First World War, young widow Nola Ann Jackson returned to her hometown of Agate, Illinois, to live with her Aunt Sarah, a known local psychic. Under her aunt’s care and tutelage, Nola has been learning how to tap into her own intuitive gifts and communicate with the spirits. And she will rely on their insightful guidance when she’s asked to help investigate a woman’s disappearance.

Lilly Davidson, the missing woman, was living at the Phyllis Wheatley Institute for Colored Girls where young ladies are educated and prepared to follow bright futures. But she vanished after a night at the Wham Bam Club where jazz music swings, prohibition is defied, and other vices are encouraged. Lilly was seen fraternizing with Eddie Smooth, trumpeter and leader of the St. Louis Stompers—and a notorious pimp. Nola finds Lilly at the club alive and well, supposedly engaged to Eddie. That same night, the Wham Bam is set afire and Eddie is killed by gunfire, leaving Lilly on the run, a suspected murderer.

Eddie Smooth had shady dealings with Agate’s wealthy elite, Black and white, making plenty of enemies with motives for wanting him dead. He was also a notorious womanizer who left several broken hearts in his wake. To prove Lilly’s innocence, Nola must listen to her spiritual instincts to unravel political schemes and personal vendettas to find a killer desperate to cover up a scandalous conspiracy . . .

“We turn to poetry in our greatest moments of joy and sorrow to help us tune in to our emotions and connect with others,” writes Johnston. In Praisesong for the People, poetry brings us together to celebrate the people across the state who make this land feel like home.

Edited by Amanda Johnston, the 61st Texas Poet Laureate and first Black woman to receive this honor, this vibrant anthology collects the work of 70 emerging and established poets across the state. Commissioned to write original poems celebrating everyday people, the poets in Praisesong for the People: Poems from the Heart and Soul of Texas are as diverse as the landscapes they inhabit, and reflect the intersecting identities of Texas’s population across age, gender, BIPOC, LGBTQIA+, disability, and immigrant communities. In these poems, their voices gather in a heartfelt chorus to praise the people in their communities who offer small kindnesses, asking nothing in return. 

Praise the bus driver who ferries us safely across town. Praise the abuela who dries our tears. Praise the librarian who protects young curiosity. Praise the therapist with an open door, the teacher fluent in the language of affirmation. With story, testimony, and song, these poets give our unsung community heroes their flowers.

With an introduction by Texas Poet Laureate Amanda Johnston. 

Featuring praise poems by Kendra Allen, C. Prudence Arceneaux, Sara Bawany, Gaby Benitez, Claire Bowman, Lauren Brazeal Garza, KB Brookins, drea brown, Marie Brown, Jenny Browne, Joe Brundidge, Cloud Delfina Cardona, Paola Carrasco, Camari Carter Hawkins, Avery C. Castillo, Julieta Corpus, Victor Leo Cruz, Logen Cure, Terry Dawson, Audrea Diaz, Tarfia Faizullah, Icess Fernandez Rojas, Carrie Fountain, Mag Gabbert, Jasmine Games, Daniel García Ordaz, Chera Hammons, Alicia Harmon, SG Huerta, Amanda Johnston, Katelin Kelly, Aris Kian, Ella Kim, Jennine “DOC” Krueger, Dr. Rosalee Martin, Kaitlyn Marzetta McClung, Jasminne Mendez, Lupe Mendez, Zell Miller III, Jonathan Moody, Bo Hee Moon, Lisa L. Moore, Deborah D.E.E.P. Mouton, mónica teresa ortiz, Sebastian Páramo, Bianca Alyssa Pérez, Emmy Pérez, Phillip Periman, Kenan Phillip, Julie Poole, Amanda Puryear El, Octavio Quintanilla, jo reyes-boitel, Gerard Robledo,  Andrea “Vocab” Sanderson, Jan Seale, ire’ne lara silva, Shasparay, Naomi Shihab Nye, Ebony Stewart, Nomi Stone, Robert Tinajero, Sam Treviño, Pat Tyrer, Alexandra van de Kamp, Eddie Vega, Annar Veröld-Miranda, Edward Vidaurre, April Sojourner Truth Walker, and Sasha West. 

More than 35 years after its release, Kindred continues to draw in new readers with its deep exploration of the violence and loss of humanity caused by slavery in the United States, and its complex and lasting impact on the present day. Adapted by celebrated academics and comics artists Damian Duffy and John Jennings, this graphic novel powerfully renders Butler’s mysterious and moving story, which spans racial and gender divides in the antebellum South through the 20th century.

Butler’s most celebrated, critically acclaimed work tells the story of Dana, a young black woman who is suddenly and inexplicably transported from her home in 1970s California to the pre–Civil War South. As she time-travels between worlds, one in which she is a free woman and one where she is part of her own complicated familial history on a southern plantation, she becomes frighteningly entangled in the lives of Rufus, a conflicted white slaveholder and one of Dana’s own ancestors, and the many people who are enslaved by him.

In How We Write Now Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.

ONE OF TIME’S TEN MOST IMPORTANT NONFICTION BOOKS OF THE TWENTIETH CENTURY

In the searing pages of this classic autobiography, originally published in 1965, Malcolm X, the Muslim leader, firebrand, and anti-integrationist, tells the extraordinary story of his life and the growth of the Black Muslim movement. His fascinating perspective on the lies and limitations of the American Dream, and the inherent racism in a society that denies its nonwhite citizens the opportunity to dream, gives extraordinary insight into the most urgent issues of our own time. The Autobiography of Malcolm X stands as the definitive statement of a movement and a man whose work was never completed but whose message is timeless. It is essential reading for anyone who wants to understand America.

Praise for The Autobiography of Malcolm X

“Extraordinary . . . a brilliant, painful, important book.”—The New York Times

“This book will have a permanent place in the literature of the Afro-American struggle.”—I. F. Stone

Perfect.Privileged.Strong.Spoiled.Uptight.Useless.If there’s any one thing Pierre and Logan have in common, it’s their ability to invite snap judgements based on shallow views of who they are.Logan is the privileged only daughter of a respected family whose legacy runs long and deep.Pierre is the moody, orphaned son of big screen royalty who couldn’t possibly live up to the prestige of his pedigree.Or maybe not.Perhaps they’re just two people trying to navigate the pressures of a world hellbent on telling them what they should be, and eschewing the limits of other people’s expectations. Maybe what they need most is somebody who can see beyond the shallow first impressions – just one person they can allow to see behind the scenes of who they are.Maybe they have more in common than it seems.