A First Folktale from the creators of Magnolia Flower, Zora Neale Hurston and Ibram X. Kendi, about the power of sharing.

There was a cat. And there was a dog. And only one piece of pineapple…

Find out if the two animals can overcome this conundrum in Zora Neale Hurston's humorous and charming folktale retold by #1 New York Times bestselling and National Book Award–winning author Ibram X. Kendi and illustrated by New York Times honored artist, Diana Ejaita. This accessible and sizable board book is perfect for introducing the youngest of readers to the beauty of Hurston's storytelling and will lightly teach children that everything is better shared when with friends.

EVENT DEETS: 

When: December 5 at 630 PM

Where: Kindred Stories (2304 Stuart Street, HTX 77004)

How: RSVP for your time with Glory. Please purchase On Girlhood if you have not to support our programming. 

About The Book

Proudly introducing the Well-Read Black Girl Library Series, On Girlhood is a lovingly curated anthology celebrating short fiction from such luminaries as Rita Dove, Alice Walker, Toni Morrison, and more.

Featuring stories by: Jamaica Kincaid, Toni Morrison, Dorothy West, Rita Dove, Camille Acker, Toni Cade Bambara, Amina Gautier, Alexia Arthurs, Dana Johnson, Alice Walker, Gwendolyn Brooks, Edwidge Danticat, Shay Youngblood, Paule Marshall, and Zora Neale Hurston.

“When you look over your own library, who do you see?” asks Well-Read Black Girl founder Glory Edim in this lovingly curated anthology. Bringing together an array of “unforgettable, and resonant coming-of-age stories” (Nicole Dennis-Benn), Edim continues her life’s work to brighten and enrich American reading lives through the work of both canonical and contemporary Black authors—from Jamaica Kincaid and Toni Morrison to Dana Johnson and Alexia Arthurs. Divided into four themes—Innocence, Belonging, Love, and Self-Discovery—On Girlhood features fierce young protagonists who contend with trials that shape who they are and what they will become. At times heartbreaking and hilarious, the stories within push past flat stereotypes and powerfully convey the beauty of Black girlhood, resulting in an indispensable compendium for every home library.

About The Author

For bell hooks, the best cultural criticism sees no need to separate politics from the pleasure of reading. Yearning collects together some of hooks's classic and early pieces of cultural criticism from the '80s. Addressing topics like pedagogy, postmodernism, and politics, hooks examines a variety of cultural artifacts, from Spike Lee's film Do the Right Thing and Wim Wenders's film Wings of Desire to the writings of Zora Neale Hurston and Toni Morrison. The result is a poignant collection of essays which, like all of hooks's work, is above all else concerned with transforming oppressive structures of domination.

A rethinking of African American religious history that focuses on the development and evolution of Africana spiritual traditions in Jim Crow New Orleans.

When Zora Neale Hurston traveled to New Orleans, she encountered a religious underworld, a beautiful anarchy of spiritual life. In Underworld Work, Ahmad Greene-Hayes follows Hurston on a journey through the rich tapestry of Black religious expression from emancipation through Jim Crow. He looks within and beyond the church to recover the diverse leadership of migrants, healers, dissidents, and queer people who transformed their marginalized homes, bars, and street corners into sacred space.

Greene-Hayes shows how, while enclosed within an anti-black world, these outcasts embraced Africana esotericisms—ancestral veneration, faith healing, spiritualized sex work, and more—to conjure a connection to freer worlds past and yet to come. In recovering these spiritual innovations, Underworld Work celebrates the resilience and creativity of Africana religions.

With On Girlhood, Edim has beautifully curated a canonical work centering around the voices of young Black characters as they contend with innocence, belonging, love, and self-discovery. From the timeless lessons in Jamaica Kincaid’s “Girl” (“this is how you smile to someone you like completely”) to those in Dana Johnson’s “Melvin in the Sixth Grade” (“this is how kids start fights”), these short stories illuminate the power and the precariousness of Black girlhood. Highlighting both iconic and lesser-known authors—Edwidge Danticat, Amina Gautier, Dorothy West, Paule Marshall, Shay Youngblood, and more—this is an indispensable compendium that will instill readers with “the nerve to walk [their] own way” (Zora Neale Hurston).

Exuberant and heart-warming, J. California Cooper is the embodiment of the simple folk tradition in black writing associated most often with Zora Neale Hurston and Langston Hughes. The author of seventeen plays and two novels, it is her stories of black family life in rural and small town America that have achieved the most acclaim and the broadest audience. SOME SOUL TO KEEP is amongst the finest and most enduring of her work.

Cooper writes with a transparent clarity and such high-spirited energy that her characters leap off the page, bursting with the stories they've got to tell--stories of simple people, stories of families and fate, of love and marriage, of death and the triumph of the human spirit. Cooper is that most rare and wondrous thing: a true storyteller whose tales trace the energies of life itself.

A startling new dream-like vision of Jamaica―a work of surreal poetic fiction, lavishly studded with ecological prayers, drawings, and footnotes about healing herbs, disappearing flora-fauna, and buried herstories―by Whiting Award winner Marcia Douglas

Zooming into tight focus on present-day life and dashing deep into the past in turns, the pace is fast and fierce in The Jamaica Kollection of the Shante Dream Arkive, which continues Marcia Douglas’ “speculative ancestral project” (The Whiting Foundation) begun with The Marvellous Equations of the Dread. Her new poetic and eco-spiritual book carries further the cultural preservation so central to Douglas’ vision. TheShante Dream Arkive brings alive a mosaic of characters―all searching through history for something or someone lost to the island: a mother searches for her missing child through time and space; an undocumented migrant’s struggles with loss while living in the US; a youth wanders through dream-gates seeking liberation and the lost parts of himself. And one key to the whole is Zora Neale Hurston’s left-behind camera. Each chapter/poem opens like an aperture onto another aspect of the dream story. And, each and every potent dream story contains the spirit, beauty, and riddim of Jamaica:

For after three hundred years of slaughter, monk seals know better than to reveal themselves to humans. These days, they stay low, adapting to below surface conditions and establishing habitat with the underwater spirits of drowned horses and slaves disappeared overboard. For things happen below sea that have never been told. There is wheelin there and turnin; and far-far down past brochure azure, cerulean and indigo, there is a vast dark ink and vortices of voices caught up in such a trumpet of rah- &-glory bottomsea sound as to move earth’s axis. And after that, more ink blue, and cobalt and sapphire and a calm-calm wata― velvet and kin to the moon brand new. The monk seals dare not go this far. But the spirits do.

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For much of American history, Black people have been conceived and legally defined as nonpersons, a subgenre of the human. In Being Property Once Myself, prize-winning poet Joshua Bennett shows that Blackness has long acted as the caesura between human and nonhuman and delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal―the rat, the cock, the mule, the dog, the shark―in the works of Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the valuation and sale of animals and enslaved people―all place Black and animal life in fraught proximity.

Bennett suggests that animals are deployed to assert a theory of Black sociality and to combat dominant claims about the limits of personhood. And he turns to the Black radical tradition to challenge the pervasiveness of anti-Blackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a groundbreaking articulation of undertheorized notions of dehumanization and the Anthropocene.

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From the esteemed President of Hampton University, an insider account that reveals the secret to HBCU graduates’ remarkable success—a distinguished honor roll which includes Vice President Kamala Harris, Dr. Martin Luther King Jr., Oprah Winfrey, Zora Neale Hurston, Toni Morrison, Ruth Carter, Ta-Nehisi Coates, and many others.

In his more-than-four-decade tenure as the President of Hampton University—one of 107 Historically Black Colleges and Universities in America—Dr. William R. Harvey has been a champion of the cultural impact and value of HBCUs, demonstrated by the achievements of their numerous notable alumni. Their success is no coincidence. It is the result of a faultless formula that sets HBCUs apart and helps their students thrive—a formula built on core tenets, including displaying moral and wholesome values at all times, continuously pursuing character growth, and embracing communal responsibilities whenever possible.

The mission of Dr. Harvey is to represent Blackness to its highest degree at every opportunity. He is a passionate believer in the remarkability of the Black diaspora in all its complexity and beauty. That conviction drives the timeless lessons he’s adhered to and has instilled in his students: the power of dress to establish respect; the importance of integrity; financial accountability; reverence for elders. It is these tried-and-true lessons and others that have uniquely prepared and propelled HBCU students to success for generations. 

The Historically Black Colleges and Universities' Guide to Excellence is a thoughtful and knowledgeable account of what it truly takes to successfully navigate a white world as a Black person while retaining one’s core Blackness. Practical and proven, it lays the groundwork for individual and communal Black prosperity. 

Join us along with ACLU Texas and the Houston Public Library in celebrating Barracoon: Adapted for Young Readers: The Story of the Last "Black Cargo"!

EVENT DEETS

When: Saturday, February 3 at 1 PM CST

Where: 500 McKinney Street, HTX, 77002

How: To get your free ticket, please use the following link on the Houston Public Library website. If you would like to donate to support our programming, check out by adding this product to your cart!

ABOUT THE BOOK 

ABOUT THE AUTHOR(S)

Ibram X. Kendi is a National Book Award–winning and #1 New York Times bestselling author. His books include Antiracist Baby; Goodnight Racism; How to Be an Antiracist; and How to Raise an Antiracist. Kendi is the Andrew W. Mellon Professor in the Humanities at Boston University and the director of the BU Center for Antiracist Research. In 2020, Time magazine named Kendi one of the 100 most influential people in the world. He has also been awarded a 2021 MacArthur Fellowship.

Zora Neale Hurston was a novelist, folklorist, and anthropologist. She wrote four novels (Jonah’s Gourd Vine, 1934; Their Eyes Were Watching God, 1937; Moses, Man of the Mountains, 1939; and Seraph on the Suwanee, 1948); two books of folklore (Mules and Men, 1935, and Every Tongue Got to Confess, 2001); a work of anthropological research, (Tell My Horse, 1938); an autobiography (Dust Tracks on a Road, 1942); an international bestselling nonfiction work (Barracoon: The Story of the Last “Black Cargo,” 2018); and over fifty short stories, essays, and plays. She attended Howard University, Barnard College, and Columbia University and was a graduate of Barnard College in 1928. She was born on January 7, 1891, in Notasulga, Alabama, and grew up in Eatonville, Florida.

EVENT DEETS

When: October 20 at 7:00PM CST

Where: Project Row House Community Gallery (2521 Holman Street, HTX, 77004)

How: RSVP with book to support our programming and store or grab a free ticket. 

About the Book 

As a little boy grows into a bigger boy, ready to take on the world, he first must have that very difficult conversation far too familiar to so many Black Americans on how to live in a world where racism is ready to take on YOU....

Most Black and Brown children are given some form of The Talk, but it's not the easiest subject to broach. This book, gently and with unexpected humor, offers parents a way into this all too necessary conversation. The Talk isn't all gloom and worry. It shows Black children enjoying life, and that they are deserve to gather in big groups, laugh too loudly, run as fast as they can, and to live freely like the kids that they are.

It's just as vital that kids who aren't given The Talk, or aren't aware of it, BECOME aware of it, become aware of what others have to contend with, because you can't make a change without knowing what needs changing.

About the Author

Alicia D. Williams is the author of Genesis Begins Again, which received the Newbery and Kirkus Prize honors, was a William C. Morris prize finalist, and won the Coretta Scott King--John Steptoe Award for New Talent. Alicia D also debuted a picture book biography, Jump at the Sun: The True Life Tale of Unstoppable Storycatcher Zora Neale Hurston. And followed up with Shirley Chisholm Dared: The Story of the First Black Woman in Congress and The Talk.  

Alicia shares a passion for storytelling which stems from conducting school residencies as a Master Teaching Artist of arts-integration. Alicia D infuses her love for drama, movement, and storytelling to inspire students to write. She resides in Charlotte, NC.

About the Illustrator

Briana Mukodiri Uchendu is an illustrator, visual development artist, and a first-generation Nigerian-American. Her work is inspired by her interests in folklore, film, and animation and her passion to highlight voices that usually go unheard. Briana is a graduate of Ringling College of Art and Design where she majored in Illustration. In her illustration debut, her work for The Talk by Newbery Honor-winner Alicia D. Williams (Caitlyn Dlouhy Books, October 2022) was juried into The Original Art 2022 by the Society of Illustrators and was awarded the Silver Medal. Her forthcoming projects include We Could Fly by Rhiannon Giddens and Dirk Powell (Candlewick, Fall 2023), Soul Step by New York Times-bestseller Jewell Parker Rhodes and Kelly McWilliams (Little Brown, Summer 2024), and Night Market by Seina Wedlick (Random House Studio, Fall 2024). She currently lives in her hometown of Houston, Texas.