Cat St. Clair is ready for her messy love triangle era now that she’s in an open relationship. But she didn’t foresee a forbidden love triangle with the only two people who are off-limits: her boyfriend’s best friend and his girlfriend. Being a twenty-something writer who lives for plot, she falls for them anyway, with deliciously disastrous consequences, in this electric literary debut for fans of Xochitl Gonzalez, Coco Mellors, Lily King, and Raven Leilani.

It’s the fall of 2024, and twenty-four-year-old Cat isn’t asking for too much: all she wants is three boyfriends, to write her little novels, and to survive another chaotic presidential election. She’s in an open relationship with her college sweetheart Jay, but nonmonogamy isn’t just a hot trend she’s trying. It’s her sliver of freedom in a world eager to wrestle it from her for being a Black woman going after what she wants with reckless abandon.

While political tensions roil the campus where Cat is slowly earning her creative writing degree, she finds herself drawn to Jay’s best friend, Tristan, who’s smart, super hot, and…in a monogamous relationship. And then she meets Tristan’s girlfriend, Nia, a captivating art student with her own gravitational pull.

Friends and family urge her to just be happy with Jay, but Cat is determined to have it all—or blow up her life trying. As she falls for all the wrong people, racking up lies, betrayals, and terrible drafts of her novel, she tries to write her way to a happy ending. But in art, politics, and love, true liberation may take more than rewriting the old scripts. It may mean inventing something entirely new.

From the two-time Emmy Award–winning producer and host of the Black and Published podcast comes a sweeping multi-generational epic following seven generations of Dupree women as they navigate love, loss, and the unyielding ties of family in the tradition of Homegoing and The Love Songs of W.E.B. DuBois.

It’s 1995, and fourteen-year-old Tati is determined to uncover the identity of her father. But her mother, Nadia, keeps her secrets close, while her grandmother Gladys remains silent about the family’s past, including why she left Land’s End, Alabama, in 1953. As Tati digs deeper, she uncovers a legacy of family secrets, where every generation of Dupree women has posed more questions than answers.

From Jubi in 1917, whose attempt to pass for white ends when she gives birth to Ruby; to Ruby’s fiery lust for Sampson in 1934 that leads to a baby of her own; to the night in 1980 that changed Nadia’s future forever, the Dupree women carry the weight of their heritage. Bound by a mysterious malediction that means they will only give birth to daughters, the Dupree women confront a legacy of pain, resilience, and survival that began with an enslaved ancestor who risked everything for freedom.

The Seven Daughters of Dupree masterfully weaves together themes of generational trauma, Black women’s resilience, and unbreakable familial bonds. Echoing the literary power of The Twelve Tribes of Hattie by Ayana Mathis, Nikesha Elise Williams delivers a feminist literary fiction that explores the ripple effects of actions, secrets, and love through seven generations of Black women.

“Among the most profound and dazzling debuts I've ever read.” —Kiese Laymon, award-winning author of Heavy: An American Memoir

An essay collection from culture critic Lawrence Burney that is a personal and analytical look at his home city of Baltimore, music from throughout the global Black diaspora, and the traditions that raised him.

There are moments throughout our lives when we discover an artist, an album, a film, or a cultural artifact that leaves a lasting impression, helping inform how we understand the world, and ourselves, moving forward. In No Sense in Wishing, Lawrence Burney explores these profound interactions with incisive and energizing prose, offering us a personal and critical perspective on the people, places, music, and art that transformed him.

In a time when music is spearheading Black Americans’ connection with Africans on The Continent, Burney takes trips to cover the bubbling creative scenes in Lagos and Johannesburg that inspire teary-eyed reflections of self and belonging. Seeing his mother perform as the opening act at a Gil Scott-Heron show as a child inspires an essay about parent-child relationships and how personal taste is often inherited. And a Maryland crab feast with family facilitates an assessment of how the Black people in his home state have historically improvised paths for their liberation.

Taking us on a journey from the streets of Baltimore to the concert halls of Lagos, No Sense in Wishing is a kaleidoscopic exploration of Burney’s search for self. With its gutsy and uncompromising criticism alongside intimate personal storytelling, it’s like an album that hits all the right notes, from a promising writer on the rise.

A self-care guidebook full of activities for Black men everywhere pursuing joy, creating connections, confronting racism, and working through intergenerational trauma.

Black men desperately need care and restoration. But what does that restoration look like when you’re a Black man in today’s world? How do you take care of your mental health when men who look like you die at the hands of police? How do you find peace and refuge when you’re not sure how to keep up with your partner? Or navigate a challenging workplace? While scrolling through social media feeds, you may feel like you don’t have access to wellness like women do. But Black men need a space for self-care too.

In Self-Care for Black Men, you will find practical answers to your questions. This book contains self-care strategies that address some of the most common issues Black men face, such as dealing with racism, navigating prejudice in the workplace, managing romantic relationships, and working through intergenerational trauma.

This is your guide to wellness and self-discovery written specifically for Black men. There will opportunities to learn new skills to manage your mental health, as well as do more deep reflection on your own terms. It’s time to take your health firmly within your own hands and Self-Care for Black Men will help you do that.

An impassioned defence of Black excellence in the arts.

What does it mean – and how does it feel – to grow up as a Black artist today?

‘This exceptional book, written with a mother’s love for her seven creative children, sensitively offers profound and original insights and perspectives that enrich our culture. I feel so much wiser for reading it.’ Bernardine Evaristo

When Kadiatu Kanneh-Mason’s eldest daughter, Isata, made her solo debut at the BBC Proms in 2023, she could not have been prouder. Watching years of hard work transform into a transcendent performance was profoundly moving, both as music-lover and parent.

All fractured when her younger daughter turned to her in tears a few days later, having read online abuse about her sister. Isata, it was declared, did not deserve to be there. How do you prepare your child for the fact that no matter their talent, technique or dedication, they will be told they do not belong?

Through conversations with her extraordinarily gifted family, Kanneh-Mason explores what it’s like to come of age in these turbulent times, when Black artistic self-expression is so often met with disparagement and abuse online – and offers a hopeful, powerful way through.

“Who would black women get to be if we did not have to create from a place of resistance?”

Hip Hop Womanist writer and theologian EbonyJanice’s book of essays center a fourth wave of Womanism, dreaming, the pursuit of softness, ancestral reverence, and radical wholeness as tools of liberation. 

All The Black Girls Are Activists is a love letter to Black girls and Black women, asking and attempting to offer some answers to “Who would black women get to be if we did not have to create from a place of resistance?” by naming Black women’s wellness, wholeness, and survival as the radical revolution we have been waiting for.

About the Author: EbonyJanice is a dynamic lecturer, transformational speaker, passionate multi-faith preacher, and creative focused on Decolonizing Authority, Hip Hop Scholarship, Womanism as a Political and Spiritual/Religious tool for Liberation, Blackness as Religion, Dialogue as central to professional development and personal growth, and Women and Gender Studies focused on black girlhood.

EbonyJanice holds a B.A. in Cultural Anthropology and Political Science and a Master of Arts in Social Change with a concentration in Spiritual Leadership, Womanist Theology, and Racial Justice. She is the founder of Black Girl Mixtape, a multi-platform safe think-space centering the intellectual and creative authority of black women in the form of a lecture series, an online learning institute, and a creative collaborative.

EbonyJanice is also the founder of Dream Yourself Free, a Spiritual Mentoring project focused on black women's healing, dreaming, ease, play, and wholeness as their activism and resistance work.

Ishmael Reed has created a sharp, wildly funny slave’s-eye view of the Civil War.

Three slaves infected with Dysaethesia Aethipica (a term coined in the nineteenth century for the disease that makes Negroes run away) escape from Virginia. Not satisfied with leaving slavery halfway, one of the trio has vowed to go the whole distance to Canada; his master, Arthur Swille, determined to recover his property, pursues, hot on Raven Quickskill’s trail.

With myth-bending ingenuity, Reed merges history, fantasy, political reality, and high comedy as he parodies the fugitive slave narrative: the slave-poet Quickskill flees to Canada on a nonstop jumbo jet; Abe Lincoln waltzes through slave quarters to the tune of “Hello Dolly”; the plantation mistress lies in bed watching the Beecher Hour on TV. Flight to Canada’s preposterous episodes leap out from the pages of history to reveal a keen sense of America past and present.

WINNER OF THE 2025 JAMES LAUGHLIN AWARD FROM THE ACADEMY OF AMERICAN POETS

A stunning new collection exploring lineage and the legacy of survival as seen through the life of the poet’s grandmother Alice—a Black woman born in the Jim Crow South—using the King James Bible as a narrative framework.

“Alice / a god-song, swings still in the high / branch of our throats. I miss her, wonder / what she plants in heaven’s mulch.”

When her grandmother died, poet Diamond Forde inherited a well-worn family Bible to remember her by. In The Book of Alice, she retells the story of her grandmother’s life through the framework of the only poetry Alice knew: the King James Bible. A Black woman born in the Jim Crow South, Alice joined the tide of the Great Migration when she made her exodus to New York City. She married, divorced, and raised eight children, all while struggling to define herself in an America that looks frighteningly like our own. Using found forms like recipes, a family tree, and a US Census Report alongside imagined psalms and scriptures, Diamond draws bold parallels between biblical narratives and the lived experiences of those often relegated to the margins of history. The result is both a heartfelt elegy and a new sacred text.

In this companion to Jason Reynolds’s award-winning and New York Times bestselling Track series, meet Coach as a boy striving to come into his own as a track star while facing upheaval at home.

Before Coach was the man who gave caring yet firm-handed guidance to Ghost, Lu, Patina, and Sunny on the Defenders track team, he was little Otie Brody, who was obsessed with Mr. 9.99 (a.k.a. Carl Lewis) and Marty McFly from Back to the Future. Like Mr. 9.99—and his own dad—Otie is a sprinter. Sprint free or die is practically his motto.

Then his dad, who is always away on business trips, comes home with a pair of Jordans. JORDANS. Fine as fine can be. Otie puts them on and feels like he can leap to the moon…maybe even leap like Mr. 9.99 when he won the Olympic gold medal in the long jump. But one morning he wakes up to find his brand-new secret weapon kicks are missing—right off his feet! And Otie just might have a fuzzy memory of his dad easing them off as Otie was sleeping, but that can’t be right, can it?

Unless all the reasons for his dad’s “gone’s” are very different from what he’s been told… Because now, not only are the Jordans missing, but so is his father.

Candice Carty-Williams, internationally bestselling author of Queenie (now a television series on Hulu), reunites us with the iconic character nearly ten years on, facing new chaotic choices in life and love with cherished old friends and family in this highly anticipated sequel.

Queenie Jenkins is moving on up.

She’s thirty-three, the editorial director for The Good Sis, a thriving media network amplifying the voices of Black women, a far cry from her former toxic workplace. With a great platform and a renewed sense of purpose, she’s fighting the good fight.

So when an appointment for research goes haywire and reveals startling truths about her own fertility, Queenie is confronted with a racing biological clock when she’s not even sure she wants kids in the first place. She’s sort of seeing someone, but it’s not that serious (according to him), and her mom, grandma, and aunt Maggie all mean well, but they keep asking when she’s going to settle down.

Surrounded by loyal friends who seem to fall in love with their person and get pregnant at the drop of a hat, Queenie feels they just don’t get her. After a series of confusing “situationships” that prove more trouble than they’re worth, an old flame that she’s now second-guessing why she ended it with, and her beloved grandfather’s failing health, Queenie feels as though time is running out in all the parts in her life. And she’s going to do what she thinks is best to get back on track, no matter how inadvisable.

Bigger. Not better. Older. Not wiser. The beloved and flawed Queenie Jenkins is scared, she is frustrated, she is confused…but…she is working on it.