Take control of your menopause journey with #1 New York Times bestselling author Dr. Ian K. Smith’s empowering nutrition and lifestyle advice and 50+ energizing recipes from Rachael Ray

Your body no longer responds the way it used to. Energy is fleeting. Your favorite foods cause weight gain and bloating. And no matter what you do, you can’t kick the sleepless nights, hot flashes, joint pain, or mood changes making you miserable.

Luckily, while menopause is inevitable, suffering through its symptoms doesn’t have to be. With the right nutrition, you can stay vital, strong, and clear-headed, even as estrogen dips and the rules of health, metabolism and energy change.

Drawing on the latest research on perimenopause and beyond, Ian K. Smith, MD, shares science-backed nutritional guidance, along with a supportive exercise plan, to tame symptoms, preserve muscle mass and bone density, boost energy, and manage weight.

With The New Menopause Kitchen, you’ll be prepared to navigate menopause with:

* 55 power nutrient–packed recipes from Award-winning chef and TV host Rachael Ray—including Gumbo Z’herbes, Chicken in Salsa Verde, Lentil Bolognese, and Thai Red Curry with Shrimp—designed to be adaptable for busy schedules and all dietary preferences such as gluten-free, dairy-free, vegetarian, and vegan
* A 30-day exercise plan to keep your muscles, bones, and heart strong as you age, with QR codes to guided workout videos
* 100 simple snacks to support your changing nutritional needs
* A detailed 10-week meal plan, with a focus on alleviating symptoms like hot flashes, weight gain, and mood changes through anti-inflammatory and more nutrient-dense foods
* A deeper understanding of the physiological and psychological changes that come with menopause, plus treatments, therapies, and lifestyle interventions proven to make a difference

A comprehensive guide for menopause-smart living, The New Menopause Kitchen empowers you to work with your body—not against it—to cut through the chaos of midlife with confidence and reconnect with a stronger, more vibrant you.

From the author of the multi-award-winning, National Book Award–longlisted, “vivid, fast, funny, way-smart, and verbally inventive” (George Saunders) story collection Heads of the Colored People, comes a sly, spry, literary debut novel about the murder of an infamous moonshiner and the cacophony of true stories a small town can tell about itself.

Rich Milford is dead. At last.

We find ourselves in 1920’s Oklahoma, just far enough out of Tulsa, just long enough after the Race Massacre of 1921. For as long as anyone can remember, the Milfords have led plentiful lives on the backs of the townspeople of Newville. Now, on the ominous brink of the Great Depression and at the height of Prohibition, Richard Milford was an infamous moonshiner and womanizer who, it seems, finally crossed the wrong person at the wrong time. He’s dead and buried with only his women to mourn him, but a question remains: Who killed him, and why?

Top suspects are his four “wives,” Lally, Sophronia, Georgette, and Vivianne. But as their stories burst to light, the very idea of a true story comes apart before our eyes.

In an electric follow-up to her acclaimed debut collection, Nafissa Thompson-Spires once again serves up a brilliant distillation of front-of-mind happenings—think, cults of personality, capitalism run amok in politics, and rampant societal distrust—structured like a stupefying line dance. In her uniquely powerful, humorous manner, Thompson-Spires takes on the interdependent clash of the traditional and the newfangled in this gobsmackingly excellent novel.

Three girls with entangled pasts compete for glory in their elite all-girls private school’s annual tournament, putting their survival skills and their relationships to the test, in this young adult thriller that’s “Shakespearean…stunning…dark academia at its finest” (Publishers Weekly, starred review).

Gardner isn’t like other boarding schools. They take in those who’ve been rejected everywhere else, they offer a survival skills class that has students killing and gutting animals, and then there’s the Tournament.

A competition available only to seven elite seniors, the Tournament is revered by the entire student body. They’d do almost anything—including completing a series of grueling physical challenges—to win the champion’s cup.

And this year, three seniors make the Tournament more cutthroat than ever.

Max, the ruthless scholarship student who can’t afford any distractions, not even her ex best friend Nora’s stupid confession of love at the end of last year that ruined everything between them.

Nora, who always put herself on the sidelines so Max could have everything she wanted, but might just be ready for center stage now that Max has brutally excised herself from Nora’s life.

And Teddy, the transfer who’s on her last chance and will chase any high that can pull her back from the gaping, dark void inside herself that’s always threatening to pull her in.

If one of them wants to win, then they can’t let anything—or anybody—get in their way.

Between micro- and macro-aggressions at school, at work, and everywhere in between, it’s tough to prioritize physical and mental wellness as a Black woman, especially with a constant news cycle highlighting Black trauma. Now, with The Self-Care for Black Women you’ll find more than 150 exercises that will help you radically choose to put yourself first. Whether you need a quick pick-me-up in the middle of the day, you’re working through feelings of burnout, or you need to process a microaggression, this book has everything you need to feel more at peace.

You’ll find prompts like:
-Map out your feelings about a microaggression
-Make a list of your safe spaces
-Detail out an entire day dedicated to your self-care
-And more!

It’s time to put yourself first and prioritize your self-care once and for all—and this book is here to help you do just that.

Winner of the 2003 Lambda Literary Award for Fiction Anthology

Showcasing the work of literary giants like Langston Hughes, James Baldwin, Audre Lorde, Alice Walker, and writers whom readers may be surprised to learn were "in the life," Black Like Us is the most comprehensive collection of fiction by African American lesbian, gay, and bisexual writers ever published. From the Harlem Renaissance to the Great Migration of the Depression era, from the postwar civil rights, feminist, and gay liberation movements, to the unabashedly complex sexual explorations of the present day, Black Like Us accomplishes a sweeping survey of 20th century literature.

An unexplained tragedy. A handsome stranger. A house of ghosts and memories. In this fresh take on the Gothic tale, a young Nigerian woman returns to the family mansion where her brother died—only to find the past ready to consume her.

1967, Nigeria. Celia has been estranged from her family since they banished her to St. Agnes’s reform school after her brother’s death. When the school closes down, she has nowhere to go and no one to write for help.

She secures a job as a typist, marking the beginning of a new chapter; she hopes to leave behind the demons of her past and become a normal, happier person. And when a charismatic yet secretive aspiring politician hires her to be his fiancé, Celia begins to dream of a possible new future. But everything falls apart and Celia, in desperation, returns to her childhood home, the Water House.

There, Celia is confronted by her hostile mother, a past love, and the horrors that the house holds deep in its walls. As a civil war brews in the outside world, Celia begins to suspect that the truth behind her brother’s death might be more sinister than she imagined. In a twist on Jane Eyre and Rebecca, Nneoma Ife-Njoku weaves a mesmerizing story of a woman confronting a home where the past refuses to stay buried.

The first installment in the Healing Verses series from prolific writer and poet r.h. Sin comes New Moons, a profound collection of restorative poetry woven together to address the intricate journey of healing from trauma.

Through its beautiful narrative and empathetic voice, New Moons: Phases of Healing stands as a testament to the transformative power of words in healing the soul and rebuilding a life touched by trauma. In this collection of reflections and poetry, r.h. Sin takes readers along the journey of heartbreak that led him to a new a joyful place of resilience and self-renewal in hopes that they, too, might find themselves on the other side of hurt and renewed by the promise of new love in all its many forms.
 
Designed to be a beacon of light and hope, the carefully selected writings within these pages explore themes of loss, grief, recovery, and the rediscovery of strength within oneself, making it a compassionate companion for anyone navigating the challenging process of healing. Start your journey today, guided by the light of New Moons.

The author of Sky Full of Elephants returns with an evocative, harrowing novel about the bonds of community and the power of redemption, as the disillusioned son of a preacher returns home and uncovers a supernatural force taking hold.

When a sweet, unassuming fifteen-year-old walks into the local police station attempting to kill everyone inside, Carmichael Franklin, a social justice advocate and legal investigator whose hope for a better world is masked by a deep layer of cynicism, is called home to Loblolly Grove to find out what happened.

Carm returns and finds his community crumbling. While the underfunded “Lo” has always had its problems, its residents were once as close as family. A towering apartment block, Carm learns its caretaker Ma Esther has been murdered, and a rising tension, coupled with strange outbursts of violence, has seemingly infected everyone. Carm’s brother, Everett, who has followed in their father’s footsteps and is now the Bishop, brings Carm to see a young girl he believes is possessed, unleashing an action-packed series of events that transport Carm across time.

Wells Without Water is an incendiary, poetic, horrifying, and, above all, deeply felt adventure through the lives and loves of the Lo. Cebo Campbell has written a literary horror novel with the heat and rhythm of a Black sermon and the surreal, myth-soaked atmosphere of Southern gothic at its most hallucinatory. As the Lo teeters between rot or revolution, Carmichael is forced to confront a spiritual evil that has plagued humanity from its very beginnings. Wells Without Water brings to light the magical roots of Nat Turner’s rebellion, the power of religion when put in the wrong hands, and the cosmic horror of slavery itself.

Sunny tries to shine despite his troubled past in this third novel in the critically acclaimed Track series from National Book Award finalist Jason Reynolds.

Ghost. Patina. Sunny. Lu. Four kids from wildly different backgrounds, with personalities that are explosive when they clash. But they are also four kids chosen for an elite middle school track team—a team that could take them to the state championships. They all have a lot to lose, but they all have a lot to prove, not only to each other, but to themselves. Sunny is the main character in this novel, the third of four books in Jason Reynold’s electrifying middle grade series.

Sunny is just that—sunny. Always ready with a goofy smile and something nice to say, Sunny is the chillest dude on the Defenders team. But his life hasn’t always been sun beamy-bright. You see, Sunny is a murderer. Or at least he thinks of himself that way. His mother died giving birth to him, and based on how Sunny’s dad treats him—ignoring him, making Sunny call him Darryl, never “Dad”—it’s no wonder Sunny thinks he’s to blame. It seems the only thing Sunny can do right in his dad’s eyes is win first place ribbons running the mile, just like his mom did. But Sunny doesn’t like running, never has. So he stops. Right in the middle of a race.

With his relationship with his dad now worse than ever, the last thing Sunny wants to do is leave the other newbies—his only friends—behind. But you can’t be on a track team and not run. So Coach asks Sunny what he wants to do. Sunny’s answer? Dance. Yes, dance. But you also can’t be on a track team and dance. Then, in a stroke of genius only Jason Reynolds can conceive, Sunny discovers a track event that encompasses the hard beats of hip-hop, the precision of ballet, and the showmanship of dance as a whole: the discus throw. But as he practices for this new event, can he let go of everything that’s been eating him up inside?

From award-winning author Candice Iloh and New York Times illustrator Bea Jackson comes a warmhearted picture book celebration of traditional Nigerian home cooking and the surprising joys of trying new things, from the perspective of a boy on the autism spectrum.

Emeka's favorite food is jollof rice. He eats it every day. "Emeka, come and try this egusi!" Mama and Papa urge. But orange rice is what Emeka knows. He doesn't want anything different.

Then one day, Emeka comes home from school to find Mama in the kitchen waiting for him to help her cook egusi. One by one, new things go into the pot. There are so many colors and smells and sounds! And Emeka is a great helper. Could it be that trying something new might actually be...good?

From Dorothy Roberts, author of Killing the Black Body and a writer who “has brilliantly illuminated the Black experience in America for decades” (Bryan Stevenson), comes a spirited and riveting memoir of growing up in an interracial family in 1960s Chicago and a daughter’s journey to understand her parents’ marriage—and her own identity.

Dorothy Roberts grew up in a deeply segregated Chicago of the 1960s where relationships barely crossed the “colorline.” Yet inside her own home, where her father was white and her mother a Black Jamaican immigrant, interracial marriage wasn’t just a part of her upbringing, it was a shared mission. Her father, an anthropologist, spent her entire childhood working on a book about Black-white marriages—a project he never finished but shaped every aspect of their family life.

As a 21-year-old graduate student, Dorothy’s father dedicated himself to the study of interracial marriage and her mother soon became his full-time partner in that work. Together over the years they interviewed over 500 couples and assembled stunning stories about interracial marriages that took place as early as the 1880s—studying, but also living, championing, and believing in their power to advance social equality.

Decades later, while sorting through her father’s papers, Roberts uncovers a truth that upends everything she thought she knew about her family: her father’s research didn’t begin with her parents’ love story—it came long before it. This discovery forces her to wrestle with her father’s intentions, her own views about interracial relationships, and where she fits in that story. Rather than finish the book her father never published, Roberts immerses herself in their archive of interviews to trace the story of her parents and to better understand her own.

Though grounded in her parents’ research, it’s Roberts’ captivating storytelling that drives this memoir. In following the arc of her parents’ interviews and marriage, The Mixed Marriage Project invites us into the everyday lives of interracial couples in Chicago over four decades. Along the way, Roberts reflects on her own childhood as a Black girl with a white father, and how those experiences shaped her into one of today’s most prominent public thinkers and scholars on race. Blurring the boundaries between the political and the personal, between memoir and history, The Mixed Marriage Project is a deeply moving meditation on family, race, identity, and love.