A path-breaking work of biography of two American giants, Jackie Robinson and Paul Robeson, whose lives would forever be altered by the Cold War, and would explosively intersect before its most notorious weapon, the House Un-American Activities Committee — from one of the best sports and culture writers working today. 

Kings and Pawns is the untold story of sports and fame, Black America and the promise of integration through the Cold War lens of two transformative events. The first occurred July 18, 1949 in Washington, D.C., when a reluctant Jackie Robinson, the Brooklyn Dodgers baseball star who integrated the game and at the time was the most famous Black man in America, appeared before the House Un-American Activities Committee to discredit Paul Robeson, the legendary athlete, baritone, and actor — himself once the most famous Black man in America. The testimony would be a defining moment in Robinson’s life and contribute heavily to the destruction of Robeson’s iconic reputation in the eyes of America.

The second occurred June 12, 1956, in the midst of the last, demagogic roar of McCarthyism, when a battered, defiant Robeson – prohibited from leaving the United States – faced off in a final showdown with HUAC in the same setting Robinson appeared in seven years earlier. These two moments would epitomize the ongoing Black American conflict between patriotism and protest. On the cusp of a nascent civil rights movement, Robinson and Robeson would represent two poles of a people pitted against itself by forces that demanded loyalty without equality in return – one man testifying in conflicted service to and the other in ferocious critique of a country that would ultimately and decisively wound both.

In a time of great division, with America in the midst of a new era of retrenchment and Black athletes again chilled into silence advocating for civil rights, the story of these two titans reverberates today within and beyond Black America. From the revival of government overreach to curb civil liberties to the Cold War-era rhetoric of “the enemy within” levied against fellow citizens, Kings and Pawns is a story of a moment that remains hauntingly present.

From Dorothy Roberts, author of Killing the Black Body and a writer who “has brilliantly illuminated the Black experience in America for decades” (Bryan Stevenson), comes a spirited and riveting memoir of growing up in an interracial family in 1960s Chicago and a daughter’s journey to understand her parents’ marriage—and her own identity.

Dorothy Roberts grew up in a deeply segregated Chicago of the 1960s where relationships barely crossed the “colorline.” Yet inside her own home, where her father was white and her mother a Black Jamaican immigrant, interracial marriage wasn’t just a part of her upbringing, it was a shared mission. Her father, an anthropologist, spent her entire childhood working on a book about Black-white marriages—a project he never finished but shaped every aspect of their family life.

As a 21-year-old graduate student, Dorothy’s father dedicated himself to the study of interracial marriage and her mother soon became his full-time partner in that work. Together over the years they interviewed over 500 couples and assembled stunning stories about interracial marriages that took place as early as the 1880s—studying, but also living, championing, and believing in their power to advance social equality.

Decades later, while sorting through her father’s papers, Roberts uncovers a truth that upends everything she thought she knew about her family: her father’s research didn’t begin with her parents’ love story—it came long before it. This discovery forces her to wrestle with her father’s intentions, her own views about interracial relationships, and where she fits in that story. Rather than finish the book her father never published, Roberts immerses herself in their archive of interviews to trace the story of her parents and to better understand her own.

Though grounded in her parents’ research, it’s Roberts’ captivating storytelling that drives this memoir. In following the arc of her parents’ interviews and marriage, The Mixed Marriage Project invites us into the everyday lives of interracial couples in Chicago over four decades. Along the way, Roberts reflects on her own childhood as a Black girl with a white father, and how those experiences shaped her into one of today’s most prominent public thinkers and scholars on race. Blurring the boundaries between the political and the personal, between memoir and history, The Mixed Marriage Project is a deeply moving meditation on family, race, identity, and love.

Bridging women’s history, the history of the South, and African American history, this book makes a bold argument about the role of white women in American slavery. Historian Stephanie E. Jones-Rogers draws on a variety of sources to show that slave‑owning women were sophisticated economic actors who directly engaged in and benefited from the South’s slave market. Because women typically inherited more slaves than land, enslaved people were often their primary source of wealth. Not only did white women often refuse to cede ownership of their slaves to their husbands, they employed management techniques that were as effective and brutal as those used by slave‑owning men. White women actively participated in the slave market, profited from it, and used it for economic and social empowerment. By examining the economically entangled lives of enslaved people and slave‑owning women, Jones-Rogers presents a narrative that forces us to rethink the economics and social conventions of slaveholding America.

An illustrated edition of The 1619 Project, with newly commissioned artwork and archival images, The New York Times Magazine's award-winning reframing of the American founding and its contemporary echoes, placing slavery and resistance at the center of the American story.

Here, in these pages, Black art provides refuge. The marriage of beautiful, haunting and profound words and imagery creates an experience for the reader, a wanting to reflect, to sit in both the discomfort and the joy, to contemplate what a nation owes a people who have contributed so much and yet received so little, and maybe even, to act. --Nikole Hannah-Jones, from the Preface

Curated by the editors of The New York Times Magazine, led by Pulitzer Prize-winning journalist Nikole Hannah-Jones, this illustrated edition of The 1619 Project features seven chapters from the original book that lend themselves to beautiful, engaging visuals, deepening the experience of the content. The 1619 Project: A Visual Experience offers the same revolutionary idea as the original book, an argument for a new national origin story that begins in late August of 1619, when a cargo ship of enslaved people from Africa arrived on the shores of Jamestown, Virginia. Only by reckoning with this difficult history and understanding its powerful influence on our present can we prepare ourselves for a more just future.

Filled with original art by thirteen Black artists like Carrie Mae Weems, Calida Rawles, Vitus Shell, Xaviera Simmons, on the themes of resistance and freedom, a brand-new photo essay about slave auction sites, vivid photos of Black Americans celebrating their own forms of patriotism, and a collection of archival images of Black families by Black photographers, this gorgeous volume offers readers a dynamic new way of experiencing the impact of The 1619 Project.

Complete with many of the powerful essays and vignettes from the original edition, written by some of the most brilliant journalists, scholars, and thinkers of our time, The 1619 Project: A Visual Experience brings to life a fuller, more comprehensive understanding of American history and culture.

An exquisite combination of beautiful photography and compelling stories, this book from Outdoor Afro founder, Rue Mapp, celebrates Black joy in nature.

Filled with breathtaking photography, inspiring stories, profiles, and spotlights from Outdoor Afro group members, prominent Black leaders in outdoor spaces, and other organizations, this book inspires Black communities to reclaim their place in the natural world. Interspersed throughout are essays from Mapp on the rich history of Black involvement in the outdoors, activism, and conservation, as well as resources for readers who want to deepen their own connection with the elements. A perfect blend of gorgeous photographs, awe-inspiring stories, and Black history, this collection is the perfect gift for anyone looking to heal in these sacred natural spaces.

INCREDIBLE ORGANIZATION: Outdoor Afro is a leading organization in the promotion of Black involvement and interaction with the outdoors. Their powerful work is leaving positive, lasting effects on the Black community and broader conservation community.

ACCOMPLISHED AUTHOR: Rue Mapp's rich involvement in the outdoors and her connections with like-minded individuals and organizations offer a unique approach to educating, motivating, and encouraging Black connection with nature.

INSPIRATIONAL AND UNIQUE: This book showcases Black joy and strength in spaces from which they have either historically been excluded, or less represented, and makes for an inventive and uplifting celebration of Black joy in nature.

A GREAT GIFT: Perfect for the outdoorsy person in your life, this book will make for an excellent boost of inspiration and encouragement all year round.

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"The Best American Novelist Whose Name You May Not Know"—Calvin Baker, The Atlantic

"A literary giant, and one of my absolute favourite writers" -TAYARI JONES, author of AN AMERICAN MARRIAGE

"An American writer with a powerful sense of vital inheritance, of history in
the blood." -John Updike, The New Yorker

Eva's Man is a gripping psychological portrait of a woman unable to love for fear of pain. Imprisoned for the bizarre murder of her lover, Eva Median Canada weaves together memory and fantasy to reveal a life tormented by the brutality of sexual abuse and emotional silence. Brilliantly experimenting with language, Jones infuses her graphic and powerful narrative of the triple yoke of race, class, and gender with a rich musical and oral idiom.

The unique social, cultural, and political life of the incomparable LeBron James
 
LeBron James is the hero in two very American tales: one, a success story the nation loves; the other, the latest installment in an ongoing chronicle of American antiblackness. He’s the poor boy from a “broken” home who makes good. He’s also the poor Black boy from a “broken” home who makes good, then at the apex of his career finds “n*****” spray-painted across the gate to his home.
 
James has lived in the public eye ever since high school when his extraordinary athletic skills subjected his every action, every statement, every fashion choice to intense public scrutiny that tells us less about James himself and more about a nation still wrestling with many social inequities. He uses his celebrity not to transcend Blackness, but to give it a place of cultural prominence, and the backlash he receives exposes the frictions between Blackness and a country not fully comfortable with its presence. As a result, James’s story is a revelatory narrative of how much Blackness is loved, hated, misunderstood, and just plain cool in an America that has changed and yet not changed at all.

Commemorating its 20th anniversary with a new Introduction and updated content, Shifting explores the many identities Black women must adopt in various spaces to succeed in America.

Based on the African American Women’s Voices Project, Shifting reveals that a large number of Black women feel pressure to compromise their true selves as they navigate America's racial and gender discrimination. Black women "shift" by altering the expectations they have for themselves or their outer appearance, a set of coping mechanisms explored in detail within these pages. They modify their speech. They shift "white" as they head to work in the morning and "Black" as they come back home each night. They shift inward, internalizing the searing pain of the negative stereotypes they encounter daily. And sometimes they shift by fighting back. In commemoration of its twentieth year in print with a new Introduction and updated content throughout, Shifting is a much-needed, clear, and comprehensive portrait of the reality of Black women's experiences with bias today.

This foundational text on the emotional well-being of Black women breaks down key concepts, including:

* The Sisterella Complex: A groundbreaking look at the unique manifestation of depression common among Black women, fueled by the pressure to overachieve while denying their own needs.
* The Lily Complex: An analysis of the pressure Black women feel to conform to Eurocentric beauty standards, from altering hair texture to navigating body image.
* Black Women in the Workplace: An exploration of how women "shift" to survive, dealing with everything from microaggressions to being overlooked for promotions in professional settings.
* Mothering Black Children: A look into the specific challenges of raising children to cope with a society still struggling with prejudice, and how mothers teach the ABCs of shifting for survival.

★ Publishers Weekly, starred review
★ Booklist, starred review

This riveting found poem for kids based on Martin Luther King Jr.'s "Street Sweeper" speech is creatively interpreted in this nonfiction picture book written by acclaimed author Alice Faye Duncan, accompanied by gorgeous artwork by award-winning illustrator E. B. Lewis.

In a speech delivered in 1967, Dr. Martin Luther King Jr. provided his young audience with life lessons:
* You count.
* Black is beautiful.
* Achieve excellence.
* Make a better world.
* Believe in nonviolence.
* Keep going!

Today, award-winning author Alice Faye Duncan reinterprets King's speech as a motivational erasure poem in The Dream Builder's Blueprint, accompanied by spirited and inspired art by Philadelphia-born illustrator E. B. Lewis. Highlighting principles of excellence, activism, and compassion that remain relevant and necessary today, this book has a universal message that's ideal for parents, librarians, and teachers looking for a book that distills Dr. King's principles to a level that kids can understand.

Included in the book is an author's note that explains found poetry forms like the erasure poem and provides background information on the Civil Rights movement and Dr. King's inspiring speech at Philadelphia's Barratt Junior High School.

*Ships/ready for pick-up in 7-10 business days*

Trinidad. Sixteen-year-old Audre is despondent, having just found out she's going to be sent to live in America with her father because her strictly religious mother caught her with her secret girlfriend, the pastor's daughter. Audre's grandmother Queenie (a former dancer who drives a white convertible Cadillac and who has a few secrets of her own) tries to reassure her granddaughter that she won't lose her roots, not even in some place called Minneapolis. "America have dey spirits too, believe me," she tells Audre. Minneapolis. Sixteen-year-old Mabel is lying on her bed, staring at the ceiling and trying to figure out why she feels the way she feels--about her ex Terrell, about her girl Jada and that moment they had in the woods, and about the vague feeling of illness that's plagued her all summer. Mabel's reverie is cut short when her father announces that his best friend and his just-arrived-from-Trinidad daughter are coming for dinner. Mabel quickly falls hard for Audre and is determined to take care of her as she tries to navigate an American high school. But their romance takes a turn when test results reveal exactly why Mabel has been feeling low-key sick all summer and suddenly it's Audre who is caring for Mabel as she faces a deeply uncertain future. Junauda Petrus's debut brilliantly captures the distinctly lush and lyrical voices of Mabel and Audre as they conjure a love that is stronger than hatred, prison, and death and as vast as the blackness between the stars.

Galveston was the birthplace of Juneteenth.

Issued in Galveston on June 19, 1865, General Orders, No. 3 announced to the people of Texas that all slaves were free. It is one of the Island's most important historical moments. Although Juneteenth has now become the basis for a national holiday, many Americans wonder how and why this date emerged as the basis for the oldest continually celebrated commemoration of the end of slavery. To even begin to answer these questions, it is necessary to return to the historic roots of the event itself. The Galveston Historical Foundation's African American Heritage Committee tracks Emancipation Day observances through previously unknown images and untold stories which are also part of an interactive exhibit experience at Ashton Villa, the site of Galveston's city-wide Juneteenth celebration.