A delightful romp exploring African traditions around sexual pleasure, with the personal goal of self-discovery and liberation, by one of Africa's preeminent feminists.

While working on her first book, The Sex Lives of African Women, acclaimed feminist and activist Nana Darkoa Sekyiamah had access to the wildest dreams and spiciest realities of Black women from around the world. But so often, she noticed that something was holding them back from achieving full liberation and unfettered joy. So, she set out to apply sankofa--which means learning from the past to inform the future--to sexuality and pleasure, reclaiming African traditions in a quest to achieve true freedom.

In Seeking Sexual Freedom, Sekyiamah takes readers across the African continent, from Senegal to Tanzania and beyond, where she meets and trains with gurus, "witches", and aunties whose job it is to guide girls through puberty rites and later through "marital training." She discusses practices like beading and pulling, while highlighting the spiritual and gender-fluid nature of African traditional religions. With the "interruption" of colonialism, Sekyiamah explores why we have lost our way, how western patriarchal norms led to our warped ideals of beauty and shame, internalized racism, as well as to state and interpersonal violence. Sankofa, she explains, can help rid us of these obstacles that stand in the way of our sexual liberation. Using practical advice and prompts, Sekyiamah concludes this adventure by giving us the tools we need to establish a more joyful and free sexual practice of our own.

Part travelogue, part manifesto, Seeking Sexual Freedom is the powerful and bold call to pleasure women of all backgrounds need today.

A twenty-fifth anniversary edition of Charles Johnson’s National Book Award-winning masterpiece—"a novel in the tradition of Billy Budd and Moby-Dick…heroic in proportion…fiction that hooks the mind" (The New York Times Book Review)—now with a new introduction from Stanley Crouch.

Rutherford Calhoun, a newly freed slave and irrepressible rogue, is lost in the underworld of 1830s New Orleans. Desperate to escape the city’s unscrupulous bill collectors and the pawing hands of a schoolteacher hellbent on marrying him, he jumps aboard the Republic, a slave ship en route to collect members of a legendary African tribe, the Allmuseri. Thus begins a voyage of metaphysical horror and human atrocity, a journey which challenges our notions of freedom, fate and how we live together. Peopled with vivid and unforgettable characters, nimble in its interplay of comedy and serious ideas, this dazzling modern classic is a perfect blend of the picaresque tale, historical romance, sea yarn, slave narrative and philosophical allegory.

Now with a new introduction from renowned writer and critic Stanley Crouch, this twenty-fifth anniversary edition of Middle Passage celebrates a cornerstone of the American canon and the masterwork of one of its most important writers. "Long after we’d stopped believe in the great American novel, along comes a spellbinding adventure story that may be just that" (Chicago Tribune).

A sweet and thoughtful picture book about how we all need forgiveness--even parents--from the bestselling author of Andy Johnson and the March for Justice and Josey Johnson's Hair and the Holy Spirit.

Isaiah Johnson's baseball team has made it to the championships, and he's up to bat! Most of the Johnson family is in the stands cheering him on . . . but someone is missing: Isaiah's dad.

When Dad finally shows up, he apologizes for his absence and asks for Isaiah's forgiveness. But Isaiah is still hurt and isn't sure if he can forgive.

As a dad who's made plenty of mistakes himself, Esau McCaulley has crafted a biblically informed story that offers plenty of avenues for discussion on the power of forgiveness.

A 1960s teen pop group determined to conquer the music world must contend with the cost of fame—and a ghost with a grisly past—in this riveting family story from the New York Times bestselling author of The Black Kids.

“My favorite kind of read: epic and immersive, riding the line between darkness and light, with a cast of characters who kept me alternately laughing and stressed through the rhythms of their lives.”—Dawnie Walton, author of The Final Revival of Opal & Nev

Odysseus Johnson dreams of musical stardom for his three sons: Roman, the rebel, more interested in being a teenager than a performer; Rocco, arguably the most talented of the bunch but different in a way the world doesn’t understand; and dutiful River, the youngest, who dreams of fame just like his dad.

Driving back from another failed audition in Detroit, the Johnson boys encounter the ghost of Christmas Jones the Third, an effervescent, if lonely, little Black boy who carries the scars of his horrific past as an orphan and minstrel sensation. Desperate for family, Christmas begs the Johnsons to bring him home with them. When Odysseus refuses, Christmas stows away in the family Cadillac.

Despite their initial horror, Christmas becomes a part of the Johnson family. With the promise of opportunities in California, Odysseus moves the family out west, and the boys’ talent starts getting noticed. But just as the brothers are finally on the cusp of fame, Christmas commits a violent act that wreaks havoc on the Johnsons’ lives, and the family is torn asunder in the aftermath. Roman flees the country. Rocco is institutionalized. River’s solo star rises. Christmas disappears.

Spanning decades, roving from the rapacious music industry and the ravages of Vietnam to the dark corridors of a mental institution and the very planes of the afterlife, The Johnson Four is epic in scope. And at its beating heart is the unforgettable story of a family trying to find their way back to one another.

A late bloomer thought a visit to a sex club might jump start her love life, but instead makes an instant connection that turns her whole world upside down, in this adult debut from author Zakiya N. Jamal.

When Stella Renee Johnson's roommate invites her to a sex club party but bails at the last minute, Stella decides to use the opportunity to finally cash in her V-card. But just when things are heating up between Stella and a sexy stranger, they realize they don’t have protection and Stella, taking it as a sign this wasn't meant to be, flees.

Frustrated in more ways than one, Stella is shocked to learn that the digital media website where she works is partnering with an AI company. She's even more shocked when the alluring man from the previous night walks in. Max Williams is the CEO's brother and the creator of the AI program now threatening her job.

Despite the conflict of interest, Stella and Max can't resist their magnetic attraction toward each other, and agree to keep their personal lives separate from what’s happening at work. But the more similarities they discover at home—both Black, book smart, and bisexual—the more they butt heads at work. Stella and Max must decide whether to think with their heads and walk away from their budding relationship, or follow their hearts and take a chance on love, no matter the cost.

The politics and music of the sixties and early seventies have been the subject of scholarship for many years, but it is only very recently that attention has turned to the cultural production of African American poets. 

In "After Mecca," Cheryl Clarke explores the relationship between the Black Arts Movement and black women writers of the period. Poems by Gwendolyn Brooks, Ntozake Shange, Audre Lorde, Nikki Giovanni, Sonia Sanchez, Jayne Cortez, Alice Walker, and others chart the emergence of a new and distinct black poetry and its relationship to the black community's struggle for rights and liberation. Clarke also traces the contributions of these poets to the development of feminism and lesbian-feminism, and the legacy they left for others to build on. 

She argues that whether black women poets of the time were writing from within the movement or writing against it, virtually all were responding to it. Using the trope of "Mecca," she explores the ways in which these writers were turning away from white, western society to create a new literacy of blackness.
 

Provocatively written, this book is an important contribution to the fields of African American literary studies and feminist theory.

A richly illustrated account tracing the full arc of contemporary painter Suzanne Jackson’s life and multifaceted artistic vision

First and foremost a painter, Suzanne Jackson has worked for six decades in a dizzying array of genres, including drawing, printmaking, poetry, dance, and theater design. Suzanne Jackson: What Is Love reveals Jackson’s achievements as a leading and influential artist who has been in dialogue with her contemporaries, from Betye Saar and Emory Douglas to Senga Nengudi and Mary Lovelace O’Neal.

This wide-ranging book illuminates Jackson’s work and its connections to nature, environmentalism, performance, feminism, and Black and Native traditions. It explores the way her innovative hanging acrylic works break the canvas; the role of dance and set design in Jackson’s practice; and her trailblazing Los Angeles art space Gallery 32, which she ran from 1968 to 1970, and which became a focus for a circle of fellow emerging artists. The book also features artist dialogues between Jackson and Nengudi, Saar, Fred Eversley, and Richard Mayhew, as well as a conversation between Jackson and SFMOMA painting conservator Jennifer Hickey.

Exhibition Schedule
SFMOMA, San Francisco
September 27, 2025–March 1, 2026

Walker Art Center, Minneapolis
May 14, 2026–August 23, 2026

Museum of Fine Arts, Boston
September 26, 2026–February 7, 2027

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A gripping, at times painfully honest, and irresistibly inspirational memoir from global superstar Jada Pinkett Smith. Pulling no punches, Smith chronicles lessons of her storied life—from her rebellious youth running the Baltimore streets in the heyday of drug trafficking, to in-demand actress, outspoken activist, to wife and mother in a seeming dream-come-true of Hollywood success. A rollercoaster ride into the shadow of feeling incurably unlovable, Smith’s account takes us from the depths of suicidal depression to the heights of self-love, spiritual healing, and a collective celebration of authentic feminine power. 

In a media landscape full of false narratives imposed on celebrities, and in a culture primed to deny women their own heroic journeys, Jada Pinkett Smith has chosen to tell her story in her way—by having a conversation with readers, sharing her journey from lost girl to woman warrior to queen of her own heart, to the knowledge that we are all indeed Worthy.  

I open my story at age forty, desperate for help and on the brink of taking my own life. For years I thought I’d checked all the right boxes needed for happiness—career, family, marriage, fame and fortune. All the while I had been running from the wounds within that prevented me from feeling the love and well-being I so wanted. Having come to a point where there was nowhere else to run, I set out on a journey towards curing my urges of self-destruction which required me to confront the truths of the past—from my birth to two teenaged parents, both struggling with addiction, to the haven created by my grandmother who taught me the power of familial love; from my deep friendship with Tupac Shakur that began in high school to my early career breaks and refusal to play the Hollywood game; from my joyful embrace of motherhood to the complicated journey I’ve shared with my husband Will Smith, to lessons learned in the best and worst of times—including “the Slap”; from a deepened spiritual quest for answers to life’s most confounding mysteries to my search to truly understand what it means to love and be loved. Writing Worthy has reinforced my belief that for all our differences, far too many of us suffer from the lies of being unlovable, so much so that we lose sight of who we are and of the richly rewarding lives that are our due. My hope is that my story, as unconventional as it may seem, may give you back your story and the parts that remind you how you came to this life to know—love. Let that love begin with you through the understanding that no matter what—you are Worthy.

Worthy is told in loose chronological order, with segues between the main passages that offer prescriptive, straight to the reader messages and suggestions for applying lessons universally. Meant to be conversation starters, these sections will be in red ink, bringing readers to the “table” and asking them to examine their own lives. An impactful, authentic, and rare memoir that engages and educates, Worthy is a love song to self, to family, to life, and to the world. 

Timely, relevant, and illuminating, this essential book by respected cultural historian, teacher, and author John G. Jackson sheds long overdue light on standard Eurocentric and distorting approaches to the history of Africa from early African civilizations to Africa’s significance in world history.
 
With brilliantly objective scholarship, respected historian and author John G. Jackson reexamines the outdated, racist, and Westernized history of Africa that is still taught in schools, and presents one infinitely more rich, colorful, varied—and truthful. Challenging the standard dehumanizing and exploitive approaches to African history, from the dawn of prehistory to the resurgent Africa of today--including the portrayal of Africans as “savages” who ultimately benefitted from European enslavement with its “blessings of Christian civilization”—Jackson confronts the parochial historian, devastates the theoretical pretensions of white supremacists, and expands intellectual horizons.
 
Accessible and informed, fascinating and candid, Introduction to African Civilizations is an important historical guide that will enhance antiracist teachings for the general reader and the scholar alike.
 
Introduction by John Henrik Clarke, pioneer of African Studies and author of Christopher Columbus and the African Holocaust
 
Foreword by Runoko Rashidi, historian, activist, and author of Introduction to the Study of African Classical Civilizations

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This brand-new sequel to Nnedi Okorafor’s Shadow Speaker contains the powerful prose and compelling stories that have made Nnedi Okorafor a star of the literary science fiction and fantasy space and put her at the forefront of Africanfuturist fiction

Niger, West Africa, 2077

Welcome back. This second volume is a breathtaking story that sweeps across the sands of the Sahara, flies up to the peaks of the Aïr Mountains, cartwheels into a wild megacity—you get the idea.

I am the Desert Magician; I bring water where there is none.

This book begins with Dikéogu Obidimkpa slowly losing his mind. Yes, that boy who can bring rain just by thinking about it is having some...issues. Years ago, Dikéogu went on an epic journey to save Earth with the shadow speaker girl, Ejii Ubaid, who became his best friend. When it was all over, they went their separate ways, but now he’s learned their quest never really ended at all.

So Dikéogu, more powerful than ever, reunites with Ejii. I can tell you this: it won’t be like before. Our rainmaker and shadow speaker have changed. And after this, nothing will ever be the same again.

From the New York Times–bestselling author of All Boys Aren’t Blue comes an empowering set of essays about Black and Queer icons from the Harlem Renaissance.

In Flamboyants, George M. Johnson celebrates writers, performers, and activists from 1920s Black America whose sexualities have been obscured throughout history. Through 14 essays, Johnson reveals how American culture has been shaped by icons who are both Black and Queer – and whose stories deserve to be celebrated in their entirety.

Interspersed with personal narrative, powerful poetry, and illustrations by award-winning illustrator Charly Palmer, Flamboyants looks to the past for understanding as to how Black and Queer culture has defined the present and will continue to impact the future. With candid prose and an unflinching lens towards truth and hope, George M. Johnson brings young adult readers an inspiring collection of biographies that will encourage teens today to be unabashed in their layered identities.