""Negro Legislators Of Texas And Their Descendants"" is a historical account of the role of African Americans in Texas politics during the period of Reconstruction to Disfranchisement. The book is written by John Mason Brewer and provides an in-depth look at the lives of prominent black legislators and their descendants who played a significant role in shaping Texas politics during this tumultuous period.The book begins by exploring the political landscape of Texas after the Civil War, where African Americans were granted the right to vote and hold public office for the first time. It then delves into the lives of notable black legislators, including Richard Allen, Norris Wright Cuney, and Matthew Gaines, who fought for civil rights and equality in a state that was still deeply divided by racial tensions.The book also examines the challenges faced by black legislators and their descendants, including the rise of Jim Crow laws and the eventual disenfranchisement of African American voters. Despite these obstacles, the book highlights the resilience and determination of black Texans who continued to fight for their rights and make significant contributions to Texas politics.Overall, ""Negro Legislators Of Texas And Their Descendants"" is a comprehensive and insightful account of the role of African Americans in Texas politics during a pivotal moment in the state's history.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

From the buzzy, viral sensation Only For The Week, comes the next book in Natasha Bishop’s The Forever Falling series, featuring an intimate bucket list road trip, sexy banter, and a sweet and spicy second chance romance.

If you’re reading this, I’m dead.

Dani Jenkins is a boss. A model turned influencer, she doesn’t have time for taking a risk on romance. She prefers to keep things casual, but when her mentor Tanya dies, she is brought face-to-face with the man who broke her heart.

Dani and Micah had their chance at love...

Artist Micah Wright is a protector who loves fiercely. He’s known as the man everyone can count on, but he’s never forgiven himself for letting down the woman he loves. With Tanya’s dying wish forcing Dani and Micah back together to complete a scavenger hunt road trip, Micah sees a second chance for them to get things right.

Does time heal all wounds?

Tensions are high as their undeniable connection reignites, but Dani refuses to let her guard down. As they continue their journey, Micah is determined to prove to Dani that love is worth fighting for, but can she release her fears and relearn the art of loving?

Tropes: Friends to lovers / He falls first / Second chance romance / Black joy /Forced proximity / Right person, wrong time / Fling to forever

Two former high school sweethearts get a second chance in this marriage of convenience romance by Kristina Forest, author of The Neighbor Favor. To Violet Greene, fashion is everything. As a successful celebrity stylist, she travels all over the world, living out her dreams. Professionally, she’s thriving, but her personal life is in shambles. After surviving a very public breakup with her ex-fiancé six months ago, Violet is now determined to focus on her career. But life hands her something—or rather, someone—that might derail everything… Xavier Wright did not expect to run into his high school girlfriend Violet—the girl he once thought he’d marry—on a birthday trip to Vegas. As a high school teacher and basketball coach, he rarely leaves his New Jersey hometown, so what were the chances? But when the initial shock wears off, they decide to celebrate together. They feel young and reckless as they party the night away—and reckless they clearly were when the following morning, they wake up beside each other with rings on their fingers. Their impulsive nuptials might be a blessing in disguise, though, when they realize that both of their careers could benefit from the marriage. So they play the part of a blissfully wedded couple. Yet when their passion comes hurling back, they realize their feelings are just as real as they were back when they were teens. But are their lives too different to stick it through or will they finally get a happy ending?

"Marry or lose your inheritance." A commitment phobic heir in Detroit, Michigan faces the ultimate challenge from his powerful grandmother and family company CEO in this charming, irresistibly fun and flirty new contemporary romance from award-winning author Elle Wright.

Wesley Batchelor is desperate for an image reboot—stat. A mysterious social media influencer keeps revealing his many reckless romantic liaisons, putting everything Wesley has worked so hard for at stake. Worse, he’s in deep trouble with his grandmother and Batchelor Enterprises boss, Joyce, his one and only true cheerleader. So he’s stunned and relieved when his gorgeous ex, private detective Albany Keyes, is recruited to track down the leaker . . .

All Wes has to do is keep a cool-headed professional distance. Easy, right? Until the incendiary passion between him and Albany suddenly reignites. And he realizes he wants more from her—just like always . . .

For Joyce's sake, Albany reluctantly accepts the assignment to aid Wes. After all, she needs the money to regroup after a disastrous divorce. But this time, she's going to call the shots. She doesn’t need her heart re-broken by the only man she's ever loved. Yet she soon finds their differences are drawing them together again. And again. And again. Now, with both their careers and their hearts on the line, can they risk another chance on each other—this time, for keeps?

This edition of Native Son reprints the original edition in which Wright omitted several passages which book club editors feared would prove offensive to readers in 1940 and which were restored to the book in later editions.

Set in Chicago in the 1930s, Wright’s powerful novel is just as meaningful today as when it was written, both in its unsparing reflection of the poverty and feelings of hopelessness experienced by people in inner cities across the country and in what it means to be black in America. An undisputed classic since it was first published, Native Son has sold close to three million copies.

This abridged edition—the original 1940 text—includes an afterword by John Reilly and contains an introduction, “How ‘Bigger’ was Born” by Richard Wright.

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For much of American history, Black people have been conceived and legally defined as nonpersons, a subgenre of the human. In Being Property Once Myself, prize-winning poet Joshua Bennett shows that Blackness has long acted as the caesura between human and nonhuman and delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal―the rat, the cock, the mule, the dog, the shark―in the works of Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the valuation and sale of animals and enslaved people―all place Black and animal life in fraught proximity.

Bennett suggests that animals are deployed to assert a theory of Black sociality and to combat dominant claims about the limits of personhood. And he turns to the Black radical tradition to challenge the pervasiveness of anti-Blackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a groundbreaking articulation of undertheorized notions of dehumanization and the Anthropocene.

In over a dozen interviews, Conversations with Kiese Laymon provides an in-depth look at author Kiese Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon’s life and craft. Within these pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody’s Coming of Age in Mississippi, Welty’s One Writer’s Beginnings, Jesmyn Ward’s Men We Reaped, and Natasha Trethewey’s Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues.

As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon’s humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, this volume provides an unfiltered look at the prolific Southern writer in his own words.

In this ambitious work, first published in 1983, Cedric Robinson demonstrates that efforts to understand Black people's history of resistance solely through the prism of Marxist theory are incomplete and inaccurate. Marxist analyses tend to presuppose European models of history and experience that downplay the significance of Black people and Black communities as agents of change and resistance. Black radicalism, Robinson argues, must be linked to the traditions of Africa and the unique experiences of Blacks on Western continents, and any analyses of African American history need to acknowledge this.

To illustrate his argument, Robinson traces the emergence of Marxist ideology in Europe, the resistance by Blacks in historically oppressive environments, and the influence of both of these traditions on such important twentieth-century Black radical thinkers as W. E. B. Du Bois, C. L. R. James, and Richard Wright. This revised and updated third edition includes a new preface by Tiffany Willoughby-Herard, and a new foreword by Robin D. G. Kelley.

Join us for a poetry reading with Olatunde & friends, Ayokunle Falomo and Joshua Burton!

EVENT DEETS

When: Saturday, March 2 @ 6PM

Where: Kindred Stories Reading Garden (2304 Stuart Street, HTX, 77004)

How: RSVP Only to reserve seats or RSVP WITH BOOK to reserve your copy of the book and our programming. No refunds.

ABOUT THE BOOK

The irony of transformation often is that we mistake it to have occurred long before it does. Tender Headed takes its time in asserting the realization that growth remains ever ahead of you. Examining the themes of Black identity, accountability, and narration, we encounter a series of revealing snapshots into the role language plays in chiseling possibility and its rigid command of depiction. Olatunde Osinaike's startling debut sorts through the many-minded masks behind Black masculinity. At its center lies an inquiry about the puzzling nature of relationships, how ceaseless wonder can be in its challenge of a truth. In the name of music and self-identity, the speaker weaves their way through fault and how it amends Black life in America.

This is demonstrated best in how the demanding, yet vulnerable tone for the collection is set in "Men Like Me," its restless opening poem. Here, we find the speaker reciting a chronicle of generational neglect from men that became him also. Earnest and sharp, there is a beauty in seeing a poet not shy away from both the melancholy and resolve of rescripting their path while cherishing their steps and missteps along the way. This collection is a panel aching of fathers, sons, uncles, grandfathers, all of whom would do well to join in and confront shared privileges that are typically curtailed or altogether avoided in conversation. Tender Headed entrusts the heart to be a compass, insisting on a journey unto itself and a melodic detour toward tenderness precise with its own footing.

ABOUT THE AUTHOR