Immer mehr Künstler·innen aus der Mehrheitswelt jenseits des klassischen „Westens“ verhandeln Fragen nach der eigenen Geschichte und Herkunft anhand von Fotografien aus der Kolonialzeit. In ihren Werken verbinden sie persönliche Erlebnisse mit kollektiven Erfahrungen, verknüpfen Gedächtnisspuren mit künstlerischer Imagination. Durch textile, fotografische, filmische und skulpturale Collagen entstehen neue Erinnerungen, die nicht bei einer historischen Reflexion kolonialistischer Unterdrückung haltmachen, sondern in Bewegung bleiben, sich widersetzen und als lebendiges Fundament für die Zukunft dienen. Der Band Fast ein Paradies, der anlässlich der gleichnamigen Ausstellung im Museum Rietberg erscheint, ist die erste Gesamtschau dieses internationalen Phänomens. Texte zu den beteiligten Künstler·innen werden ergänzt durch kritische Beiträge zur Geschichte der kolonialzeitlichen ­ Fotografie. Kimberly Juanita Brown ist Direktorin des Institute for Black Intellectual and Cultural Life am Dartmouth College. Nanina Guyer ist Kuratorin für Fotografie am Museum Rietberg. Patricia Hayes ist Inhaberin des Lehrstuhls für Visual History & Theory an der University of the Western Cape. Deborah Willis leitet den Fachbereich Photography & Imaging an der New York University. Bindi Vora ist interdisziplinäre Künstlerin und leitende Kuratorin der Galerie Autograph, London.

When a wife becomes the prime suspect in her husband’s murder, this criminal psychologist must forget everything she thought she knew in order to clear her name in this debut psychological thriller, perfect for fans of Shanora Williams’ The Wife Before.

Cassidy Evans is the blueprint. As a Criminal Psychologist, Cassidy is a savant. She spent years solving groundbreaking cases by shifting through the minds and behaviors of those driven by the darkness that controls them. After years of dedicated field work, Cassidy decides to retire and share her expertise of killers’ mentalities as a novelist.

As a published author, she’s now happily married and spends most of her time traveling the world and sharing with others how to understand the twisted minds that drive bad behaviors. Unfortunately, with all of the knowledge that Cassidy is armed with, she somehow overlooks the lies of the person closest to her. When she tags along to a crime scene with and old colleague, Cassidy is shocked to discover that the victim is her husband. If that’s not enough to send her world spiraling, she also finds out that the identity of the murdered victim, doesn’t match the name on their marriage license.

Things quickly escalate when Cassidy becomes the main suspect. Not knowing the man she is married to is the least of Cassidy’s problems. Everyone believes she is a murderer, and none more than the lead detective on the case¾Nathanial Davis. He is determined to find the truth while proving to the world that Cassidy isn’t who she claims to be. In doing so, he decides to keep Cassidy close while digging through her past to uncover all of her untold truths.

While she’s hiding secrets that could totally destroy the world she spent years building, Cassidy learns that things are never what they seem. With such an intricate familiarity of seeing through lies, how is it that Cassidy is happily married to a man who she loves and adores, but doesn’t truly know? Suddenly, losing her career is far less important than maintaining her freedom. In the end, she may lose both.

This subscription will help to support one of the most important reading periods in a child's life.  We want to ensure your newly independent reader has access to stories that will help them grow into engaged lifelong readers.  Expect a wide range of themes with this subscription as your reader explores all that the literary world has to offer.

What you get: Hardcover frontlist books from traditional publishers.

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The most comprehensive publication to date on widely celebrated artist Rashid Johnson

‘Johnson is a leading voice of his generation.’ – New York Times

The most comprehensive publication to date on widely celebrated artist Rashid Johnson

Working with a variety of media that includes painting, sculpture, photography, video, and performance, Rashid Johnson has created a nuanced and iconographic body of work that connects literature, music, and art. Personal references and pervasive cultural narratives are interweaved with the legacy of modernist abstraction, producing what critics have labelled ‘conceptual post-black art’. A precocious talent (his work was included in the seminal ‘Freestyle’ exhibition in New York in 2001), Johnson received the High Museum of Art’s David C. Driskell Prize, which honours contributions in the field of African-American art.

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A renowned historian traces the life of a single object handed down through three generations of Black women to craft an extraordinary testament to people who are left out of the archives.

A science-based, data-driven, and global exploration of racial disparities in health care access by virologist, immunologist, and science journalist Layal Liverpool; In the spirit of ambitious bestselling books like Medical Apartheid and Killing the Black Body. The COVID-19 pandemic taught us that viruses disproportionately affect people of color. Here, Layal Liverpool goes a step further to show that this disparity exists for all types of illness and that it is caused by racism. Liverpool will show how racism is woven, invisibly, not just into the structure of medicine and science but into our very bodies. Refuting the false belief that there are biological differences between races, Liverpool goes on to show that racial stereotyping and trauma can however lead to biological changes that make people of color more vulnerable to illness. Systemic tackles: * The problem of racial bias and data gaps in medicine where the default human subject is white * The dangerous health consequences of systemic racism, from the physical and psychological effects of daily micro- and macro-aggressions to intergenerational trauma * The fatal stereotypes that keep people of color undiagnosed, untreated, and unsafe * How we can fix these problems by confronting bias and closing the data gap Using data-driven science, Layal Liverpool shows that racism itself can have biological consequences on the body.

A groundbreaking new direction for Claudia Rankine, the best-selling author of Citizen and Just Us

Claudia Rankine has widened contemporary literature with her consciousness-raising, genre-defying works. In her first book after her celebrated American trilogy, presented with full-color visuals, Rankine shifts into sustained narrative, memory, criticism, and essay to offer her most personal and emotionally resonant writing yet.

Triage follows the turbulent friendship between two composite characters, the narrator and the theorist, self-identified sisters struggling to define their wounded histories and their shared but separate lives. During college, they invent a game of collapse: Every time they see each other, they have to stop and fall to the ground. As their kinship continues off and on for decades, “collapse” takes on new meanings that are seen and felt in the violence of their pasts, artworks depicting couches where someone might ease their exhaustion, the ongoing devastation in Gaza, and the antagonism of their conversation and their love for each other.

Triage is an argument for the necessity of grieving and the demand for action in our time of relentless loss. “No matter our posture,” Rankine writes, “we are all among the rubble.” This is a book for those complicated but beautiful friendships that we come to rely on to unsettle us, to make us better.

Brooklynite Eva Mercy is a single mom and bestselling erotica writer, who is feeling pressed from all sides. Shane Hall is a reclusive, enigmatic, award-winning literary author who, to everyone's surprise, shows up in New York.

When Shane and Eva meet unexpectedly at a literary event, sparks fly, raising not only their past buried traumas, but the eyebrows of New York's Black literati. What no one knows is that twenty years earlier, teenage Eva and Shane spent one crazy, torrid week madly in love. They may be pretending that everything is fine now, but they can't deny their chemistry-or the fact that they've been secretly writing to each other in their books ever since.

Over the next seven days in the middle of a steamy Brooklyn summer, Eva and Shane reconnect, but Eva's not sure how she can trust the man who broke her heart, and she needs to get him out of New York so that her life can return to normal. But before Shane disappears again, there are a few questions she needs answered. . .

With its keen observations of Black life and the condition of modern motherhood, as well as the consequences of motherless-ness, Seven Days in June is by turns humorous, warm and deeply sensual.

adj.
1. A girl or guy who is quick to engage in sexual activities.
--Oftentimes used to shame. Oftentimes used to blame victims for their own abuse.

After the untimely death of her mother, Caprice Latimore has to move in with her grandmother. At eight years old, life as she knows it is turned upside down. The trauma of losing her mother is made worse with the introduction of Marcel, her grandmother's adult son who still lives in the home.

Her uncle Marcel takes an inappropriate interest in her that ultimately results in a tragic breaking point for the child. The only silver lining is that shortly after what Caprice calls "that night", Marcel is booked by local police with a drug possession charge. He's sentenced to prison for twelve years.

Seven years later, however, Marcel is released on good behavior.

Caprice is now sixteen, still dealing with the emotional scars of the past. But things aren't like they were before.

Because now she has Shaun Taylor, the boy across the street who will do whatever it takes to make sure no one ever hurts Caprice again.

fast is a standalone that spans twenty years. Separated into three acts, we watch Caprice grow from eight years old to sixteen years old to twenty-eight years old. She gets hurt, she falls in love, she grows, and she just might overcome.

fast is a story written about victims who were made to feel like their abuse was their own fau

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New visions and possibilities for Black masculinity through the lenses of 28 international photographers

In Black Masculinities, clichés of Black identity and masculinity are deconstructed and remade with exhilarating flexibility and imagination through the lenses of 22 Black photographers from around the world. Deeply embedded in histories of slavery, racism and oppression, Black masculinity is often mediated as aggressive, hypersexual and violent. Here, Swiss author, artist and editor Joshua Amissah compiles work that contributes to a wider spectrum of Black masculinities. By doing so, he writes, "[the photographers] are also questioning the narratological function of race and gender in visual culture as a whole … the stereotyped entanglement of ‘Black identity’ and ‘masculinity’ is visually deconstructed, partly reproduced and, more importantly, charged with a new set of values."
Photographers include: Kemka Ajoku, Kwaku Alston, Namafu Amutse, Eric Asamoah, Nuits Balnéaires, Arielle Bobb-Willis, Braylen Dion, Kofi Duah, Yannis Davy Guibinga, Jabari Jacobs, Kelvin Konadu, Jude Lartey, Naomi Mukadi, Maganga Mwagogo, Lakin Ogunbanwo, Ruby Okoro, RogersOuma, Micha Serraf, Ngadi Smart, Isaac West, Jozef Wright, and Ussi’n Yala.

A deeply transformative memoir that reframes how we think about death and how it can help us lead better, more fulfilling and authentic lives, from America’s most visible death doula.

"A truly unique, inspiring perspective on the time we have, what we do with it, and how we let go of this world.... There is no one I'd trust more to guide me through an understanding of death, and how it informs life." — Jodi Picoult, New York Times bestselling author of Mad Honey and The Book of Two Ways

"Briefly Perfectly Human is a beautiful, raw, light-bringing experience. Alua's voice is shimmering, singular, and pulses with humor, vulnerability, insight, and refreshing candor.... Be prepared for it to grab you, hold you tight, and raise the roof on the power of human connection." — Tembi Locke, author of From Scratch: A Memoir of Love, Sicily, and Finding Home

For her clients and everyone who has been inspired by her humanity, Alua Arthur is a friend at the end of the world. As our country’s leading death doula, she’s spreading a transformative message: thinking about your death—whether imminent or not—will breathe wild, new potential into your life.

Warm, generous, and funny AF, Alua supports and helps manage end-of-life care on many levels. The business matters, medical directives, memorial planning; but also honoring the quiet moments, when monitors are beeping and loved ones have stepped out to get some air—or maybe not shown up at all—and her clients become deeply contemplative and want to talk. Aching, unfinished business often emerges. Alua has been present for thousands of these sacred moments—when regrets, fears, secret joys, hidden affairs, and dim realities are finally said aloud. When this happens, Alua focuses her attention at the pulsing center of her clients’ anguish and creates space for them, and sometimes their loved ones, to find peace.

This has had a profound effect on Alua, who was already no stranger to death’s periphery. Her family fled a murderous coup d’état in Ghana in the 1980s. She has suffered major, debilitating depressions. And her dear friend and brother-in-law died of lymphoma. Advocating for him in his final months is what led Alua to her life’s calling. She knows firsthand the power of bearing witness and telling the truth about life’s painful complexities, because they do not disappear when you look the other way. They wait for you.

Briefly Perfectly Human is a life-changing, soul-gathering debut, by a writer whose empathy, tenderness, and wisdom shimmers on the page. Alua Arthur combines intimate storytelling with a passionate appeal for loving, courageous end-of-life care—what she calls “death embrace.” Hers is a powerful testament to getting in touch with something deeper in our lives, by embracing the fact of our own mortality. “Hold that truth in your mind,” Alua says, “and wondrous things will begin to grow around it.”