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With a poet's precision and an intellectually adventurous spirit, Elizabeth Alexander explores a wide spectrum of contemporary African American artistic life through literature, paintings, popular media, and films, and discusses its place in current culture. In The Black Interior, she examines the vital roles of such heavyweight literary figures as Gwendolyn Brooks, Langston Hughes, and Rita Dove, as well as lesser known, yet vibrant, new creative voices. She offers a reconsideration of "afro-outré" painter Jean-Michel Basquiat, the concept of "race-pride" in Jet magazine, and her take on Denzel Washington's career as a complex black male icon in a post-affirmative action era. Also available is Alexander's much heralded essay on Rodney King, Emmett Till, and the collective memory of racial violence.

Alexander, who has been a professor at the University of Chicago and Smith College, and recently at Yale University, has taught and lectured on African American art and culture across the country and abroad for nearly two decades. In The Black Interior, she directs her scrupulous poet's eye to the urgent cultural issues of the day. This lively collection is a crucial volume for understanding current thinking on race, art, and culture in America.

The compelling memoir that explores race, cultural representation, Black media’s legacy, privilege, and identity from VIBE’s founding fashion editor and CNN correspondent Michaela Angela Davis.

As VIBE’s founding fashion editor and a CNN correspondent, Michaela Angela Davis has been at the forefront of cultural shifts, working alongside iconic figures like Diana Ross, Prince, and Beyoncé. Her memoir is a celebration of Black media’s vibrant history and a critical examination of its challenges and erasure in mainstream narratives.

In Tenderheaded, Davis journeys back through her career as both a celebration and an interrogation of Black media, exploring the difficult truth of how historically Black media titles and brands have had such mighty, culture-shifting starts, then disappeared or limped along in mainstream obscurity. Her story is one of self-discovery and liberation, as she navigates the complexities of identity politics, sexism, and racism within the media industry. Her career has been a tapestry of glamorous adventures from the bustling streets of 1980s New York City to the exotic markets of Morocco, all while styling some of the most influential figures in music and culture. Yet, beneath the surface of this dazzling world lies a poignant narrative of struggle and resilience.

Tenderheaded is not just a memoir; it is a cultural manifesto that questions the legacy of Black media and the stories of Black women that remain untold. Davis’s narrative is both a romance and a tragedy, reflecting her American life and the broader story of American media.

Celebrate the paperwork release of Death Doula, Alua Arthur's book, Briefly Perfectly Human! 

EVENT DEETS

When: Tuesday, April 29 @ 7PM

Where: Kindred Stories (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to reserve your copy of Briefly Perfectly Human. If you already have a hardcover copy of Briefly Perfectly Human and you would like to get your book signed, please use the RSVP WITH SIGNING option. 

Note: There are limited RSVP ONLY tickets. Please be sure that you can attend before checking out. Additionally, paperback copies of Briefly Perfectly Human will not be allowed in the venue. 

ABOUT THE BOOK

 For her clients and everyone who has been inspired by her humanity, Alua Arthur is a friend at the end of the world. As our country’s leading death doula, she’s spreading a transformative message: thinking about your death—whether imminent or not—will breathe wild, new potential into your life.

ABOUT THE AUTHOR 

New York Times bestselling author Alua Arthur is the most visible and active death doula working in America today. She is a recovering attorney and the founder of Going with Grace, a death doula training and end-of-life planning organization. Her TED Talk titled, “Why Thinking About Death Helps You Live a Better Life,” went online in July 2023 and has already received 1.5 million views. A frequent guest on TV and radio, Arthur has been featured on CBS’s The Doctors and in Disney's Limitless docu-series with Chris Hemsworth, as well as in national print media outlets, such as Vogue, InStyle, the Los Angeles Times, The Cut, The New Yorker, and the New York Times. International newspaper features on Arthur include Brazil’s Estadão and Norway’s Årets Avis. She has appeared on dozens of podcasts, and a Refinery29 video feature on Arthur and her work received ten million views across social platforms. She travels the country and world as a keynote speaker, addressing audiences of several hundred to several thousand people at medical and end-of-life conferences, universities, seminaries, senior citizens’ communities, and more.

After a chance courtside encounter, a fake relationship between a rising influencer and a WNBA star gets a little too real in this swoony sapphic romance.

Chelsea has never cared about sports. But when she’s invited to sit courtside at a New York WNBA game, she welcomes the break from her usual routine. What she doesn’t expect is a basketball nearly colliding with her face—or the six-foot-four hottie who jogs over, flashing a heart-stopping grin, to retrieve it.

Adrienne “AD” Daniels is a player on and off the court, notorious for their inability to stay in a relationship. Still, something about Chelsea sticks with them—even though their instant connection can’t bring AD to offer more than one night.

But AD’s agent makes a pitch: Chelsea should pretend to be AD’s girlfriend. It’s a strategic move. AD, hoping to retire after this season, needs to lock down some brand deals—but their identity as a Black, nonbinary lesbian with a messy dating history makes sponsors wary. Chelsea, a sex-positive influencer, is ready to pivot her platform, and this feels like the perfect next step. With Chelsea’s network and AD’s star power, they could both strengthen their public images. Once the season ends, they’ll go their separate ways.

As the ruse starts to work and their connection deepens, Chelsea finds herself on unsteady ground. Falling for AD wasn’t part of the plan, and if she lets herself get too close, she might lose the future she’s finally starting to build.

In 2016, sportswear manufacturer Nike and fashion designer Virgil Abloh joined forces to create a sneaker collection celebrating 10 of the Oregon-based company’s most iconic shoes. With their project The Ten—which reimagined icons like Air Jordan 1, Air Max 90, Air Force 1, and Air Presto, among others—they reinvigorated sneaker culture.

Virgil Abloh’s designs offer deep insights into engineering ingenuity and burst with cultural cachet. Drawing on the genius of the original shoe using lettering, ironic labels, collage, and sculpting techniques, Abloh played with language and sculptural elements to construct new meaning. Inspired by the wit of Dadaism, architectural theory, and avant-garde happenings, he analyzed what makes each shoe iconic and deconstructed it into an artistic assemblage, making each shoe into a piece of industrial design, a readymade sculpture, and a wearable all at once.

ICONS traces Abloh’s investigative, creative process through documentation of the prototypes, original text messages from Abloh to Nike designers, and treasures from the Nike archives. We find Swooshes sliced away from Air Jordans and reapplied with tape or thread, Abloh’s typical text fragments in quotation marks on Air Force 1, and All Stars cut into pieces. We take a look behind the scenes and witness Abloh’s DIY approach, which gave each model in the Off-WhiteTM c/o Nike collection its own unique touch. His deconstructive vocabulary is reflected in the Swiss binding, which showcases an open spine and discloses the production of the book.

The book documents Abloh’s cooperative way of working and reaffirms the power of print. For its design Nike and Abloh partnered with the acclaimed London-based design studio Zak Group. Together they conceived a two-part compendium, equal parts catalog and conceptual toolbox. The first part of the book presents a visual culture of sneakers while a lexicon in the second part defines the key people, places, objects, ideas, materials, and scenes from which the project grew. Texts by Nike’s Nicholas Schonberger, writer Troy Patterson, curator and historian Glenn Adamson, and Virgil Abloh himself frame the collaborative work within fashion and design history. A foreword by Hiroshi Fujiwara places the project within the historical continuum of Nike collaborators.

A brilliant and unsparing examination of America in the early twenty-first century, Claudia Rankine’s Don’t Let Me Be Lonely invents a new genre to confront the particular loneliness and rapacious assault on selfhood that our media have inflicted upon our lives. Fusing the lyric, the essay, and the visual, Rankine negotiates the enduring anxieties of medicated depression, race riots, divisive elections, terrorist attacks, and ongoing wars―doom scrolling through the daily news feeds that keep us glued to our screens and that have come to define our age.

First published in 2004, Don’t Let Me Be Lonely is a hauntingly prescient work, one that has secured a permanent place in American literature. This new edition is presented in full color with updated visuals and text, including a new preface by the author, and matches the composition of Rankine’s best-selling and award-winning Citizen and Just Us as the first book in her acclaimed American trilogy.

Don’t Let Me Be Lonely is a crucial guide to surviving a fractured and fracturing American consciousness―a book of rare and vital honesty, complexity, and presence.

Winner of the MLA's 2016 Alan Bray Prize for Best Book in GLBTQ Studies
How BDSM can be used as a metaphor for black female sexuality. The Color of Kink explores black women's representations and performances within American pornography and BDSM (bondage and discipline, domination and submission, and sadism and masochism) from the 1930s to the present, revealing the ways in which they illustrate a complex and contradictory negotiation of pain, pleasure, and power for black women.

Based on personal interviews conducted with pornography performers, producers, and professional dominatrices, visual and textual analysis, and extensive archival research, Ariane Cruz reveals BDSM and pornography as critical sites from which to rethink the formative links between Black female sexuality and violence. She explores how violence becomes not just a vehicle of pleasure but also a mode of accessing and contesting power. Drawing on feminist and queer theory, critical race theory, and media studies, Cruz argues that BDSM is a productive space from which to consider the complexity and diverseness of black women's sexual practice and the mutability of black female sexuality. Illuminating the cross-pollination of black sexuality and BDSM, The Color of Kink makes a unique contribution to the growing scholarship on racialized sexuality.

Nara Aziza Smith (@naraaziza), the best-dressed culinary creator in digital media, brings her signature style to 80 delicious, homemade family-friendly recipes in her debut cookbook.

You may think you know Nara Smith—the glamorous outfits, the soothing ASMR voice, the beautiful family, the seemingly effortless approach to making food from scratch—but behind it all is a working mom with a relatable goal: preparing nourishing whole foods for herself and her family.

Nara grew up in Germany inspired by her grandmother’s cooking and the intention behind it—everything from freshly baked bread to her mother’s home remedies for mild ailments, like garlic soaked in honey. While working as a model, she soon met and married supermodel Lucky Blue Smith and started a family. When she was diagnosed with an autoimmune disease and eczema, she found that she could manage her symptoms by cutting out most processed foods. She turned her scratch-cooking expertise in a new curated direction while sharing her cooking online with compelling and elevated content. A self-taught home cook, Nara found joy in the ethos of slowing down and cooking with intention at home.

Now, millions of followers later, Nara has made home cooking look incredibly chic while preparing delicious and thoughtful meals her family loves. In her eagerly awaited and beautifully photographed first cookbook, Nara shares recipes from simple to complex, such as:

* Softest White Potato Sandwich Bread, English Muffins, and Handmade Cheese Crackers, a few of the doughs that keep Nara’s hands busy
* Cinnamon Toast Squares, a quick breakfast beloved by Nara’s toddlers and better than anything you can find in stores
* Baked Fall Vegetable Salad with Miso-Sherry Dressing, a gorgeous salad that fuels Nara for long workdays
* Soy-Glazed Flank Steak with Plum Herb Salad, a beautiful, nourishing meal made from whole ingredients
* One Pasta Dough for all shapes and sizes, with sauces, including stunning edible floral lasagna sheets.
* Pork Schnitzel, a comfort food that brings Nara back to her childhood in Germany
* Lucky’s Oat Chocolate Chip Cookies, Nara’s husband’s recipe for the best American classic
* A chapter on Bits & Bobs, including everything from homemade mozzarella to flavored butters to chocolate-hazelnut spread, showing the simplicity and magic of cooking from whole ingredients

In Homemade, Nara brings ease and elegance to the creation of homemade food—inspiring readers to elevate their own reality, in the kitchen and beyond in their daily life.

Use discount code: SALE to receive 30% off. 

Combining representation and abstraction, Abney's vibrant works reference gender, sexuality and pop culture

Committed to sharing social realities through fantastic, expansive forms, Nina Chanel Abney is an artist possessed of an iconic style and wit. Through stylized, cubistic and highly charged painterly symbols, she references radical traditions of graphic design and street art to communicate urgent political and cultural realities with immediacy to the largest possible audience. Abney’s paintings and collages use dynamic color and form to draw viewers into complex narratives.
Big Butch Energy/Synergy features Abney’s recent exhibitions at ICA Miami and moCa Cleveland. In these works, Abney mines cinematic and media representations of student Greek life to explore how gender perception and performance is inspired by the legacies of social ritual and visual culture. The complex compositions reference scenes from popular slapstick comedy films such as National Lampoon’s Animal House (1978) and Porky’s (1981), while citing traditions of Baroque portraiture and fraternity composites. Inspired by her experience as a masculine-of-center woman, with this body of work Abney asks how viewers gender a figure in a work of art.
Nina Chanel Abney was born in 1982 in Harvey, Illinois, and is based in New York, where she attended Parsons School of Design. Abney’s work is held in the collections of the Whitney Museum of American Art, New York; the Museum of Modern Art, New York; the Brooklyn Museum, New York; the Bronx Museum, New York; the Nasher Museum of Art, North Carolina; and the Pennsylvania Academy of the Fine Arts, among others.

This book was published in conjunction with Institute of Contemporary Art, Miami/Museum of Contemporary Art Cleveland

In this groundbreaking work, the Nobel Peace Prize-winner and founder of the Green Belt Movement offers a new perspective on the troubles facing Africa today. Too often these challenges are portrayed by the media in extreme terms connoting poverty, dependence, and desperation. Wangari Maathai, the author of Unbowed, sees things differently, and here she argues for a moral revolution among Africans themselves. Illuminating the complex and dynamic nature of the continent, Maathai offers “hardheaded hope” and “realistic options” for change and improvement. She deftly describes what Africans can and need to do for themselves, stressing all the while responsibility and accountability. Impassioned and empathetic, The Challenge for Africa is a book of immense importance.

"I have been waiting for a book like this, and I’m so glad it's here." — Clint Smith, author of How the Word is Passed

Since the nation’s founding, Black Americans have had a unique perspective on the U.S. experience—a “second sight”—that reveals the truth about the nation to itself. As renowned media scholar Sarah J. Jackson charts in this bold and daring masterwork, at the center of this effort has been an extraordinary cast of Black journalists, photographers, filmmakers, radio hosts, podcasters and other mediamakers who have drawn on the visionary tradition of second sight to advance democracy and broaden our most fundamental American values.

When Black mediamakers raise their voices and speak uncomfortable truths about America, they shape memories of the nation and push us toward a future more closely aligned with our espoused values. For two centuries, this “second sight” has been an overlooked engine of American democracy.

Drawing from W.E.B. Du Bois’s philosophical work, along with deep historical analysis and dozens of interviews with today’s most active Black mediamakers, A Second Sight shows these visionaries positioned at the margins of their industries and navigating fraught relationships to power. They’ve warned of the greatest dangers to democracy—from slavery to Nazism, and mass incarceration to misinformation. Their work is central to our culture and politics. Yet it is devalued, met with violent censure, or achieved only via ingenious work-arounds. This tension has sharpened their commitments to truth.

Now one of our nation’s foremost scholars of American media, Sarah J. Jackson, presents an appraisal that situates Black mediamakers at the vanguard of telling the American story. Brilliant, urgent and illuminating, A Second Sight is an authentic and candid grappling with a discordant thread in the American fabric and, in tracing a bolder vision for the nation, presents a way forward.

A career retrospective of a singular voice in contemporary American art, featuring six decades of artwork that chronicles his vision of the Black American experience
 
New Orleans–based artist, community organizer, and cultural provocateur Willie Birch (b. 1942) has dedicated his career to storytelling. His incisive work across a wide variety of media―including paintings, large-scale drawings, wood and papier-mâché sculpture, and public works―explores his unique vision of Black America and draws on sources as diverse as Egyptian numerology, American folk art, and jazz music.
 
This book showcases more than one hundred of Birch’s artworks alongside essays by eminent scholars and curators. Russell Lord provides an introduction to the artist’s life and work; Lowery Stokes Sims writes about Birch’s use of papier-mâché, for which he garnered acclaim during his time in New York City, and situates Birch within the New York art scene of the 1980s and ’90s; Grace Deveney considers the ways Birch gives visual form to the complex relationship between Black Americans and mass media; and Leslie King Hammond discusses how the city of New Orleans―its history and its communities―has shaped Birch’s work.
 
Published in association with the American Federation of Arts
 
Exhibition Schedule:
 
California African American Museum, Los Angeles
May 5–October 4, 2026
 
New Orleans Museum of Art
March 20–September 5, 2027
 
Museum of Contemporary Art Jacksonville, University of North Florida
October 28, 2027–May 14, 2028
 
Hudson River Museum
September 22, 2028–January 14, 2029