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World Fantasy Award-winning author Nnedi Okorafor weaves together a story of magic, mystery, and finding one’s place in the world—for fans of Ursula Le Guin and Diana Wynne Jones.

Twelve-year-old Sunny lives in Nigeria, but she was born American. Her features are African, but she’s albino. She’s a terrific athlete, but can’t go out into the sun to play soccer. There seems to be no place where she fits. And then she discovers something amazing-she is a “free agent,” with latent magical power. Soon she’s part of a quartet of magic students, studying the visible and invisible, learning to change reality. But will it be enough to help them when they are asked to catch a career criminal who knows magic too?

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A searing debut YA poetry and essay collection about a Black cancer patient who faces medical racism after being diagnosed with leukemia in their early twenties, for fans of Audre Lorde's The Cancer Journals and Laurie Halse Anderson's Shout. When Walela is diagnosed at twenty-three with advanced stage blood cancer, they're suddenly thrust into the unsympathetic world of tubes and pills, doctors who don’t use their correct pronouns, and hordes of "well-meaning" but patronizing people offering unsolicited advice as they navigate rocky personal relationships and share their story online. But this experience also deepens their relationship to their ancestors, providing added support from another realm. Walela's diagnosis becomes a catalyst for their self-realization. As they fill out forms in the insurance office in downtown Los Angeles or travel to therapy in wealthier neighborhoods, they begin to understand that cancer is where all forms of their oppression intersect: Disabled. Fat. Black. Queer. Nonbinary. In Bless the Blood: A Cancer Memoir, the author details a galvanizing account of their survival despite the U.S. medical system, and of the struggle to face death unafraid.

Meditation is an effective way to manage anxiety and depression, insomnia, stress, and even some acute illnesses. If you want to become more aware and purposeful about your actions, mindfulness coach and Metta teacher, Oneika Mays can help you heal, develop communication skills, process forgiveness, and discover self-worth.

Sit with Me invites readers to learn how to:

* Incorporate metta, meditation and lovingkindness into your life and discover how to deepen love for others
* Expand your circles and mind
* Authentically contribute to personal and societal healing
* Build bridges to unite people, and learn how to be a better human

After spending over a decade volunteering and working at Rikers Island Correctional Facility, Oneika saw what happens to people who feel like they've been tossed aside. And before Rikers, Oneika spent two decades as a bookseller offering new worlds to seekers and language for exploration. She has a gifted ability to take big ideas and distill them down into understandable and relatable learnings allowing her to show up as a conduit for transformation. Oneika is your teacher, your auntie, your friend, and an intuitive soul here for the work of personal collective liberation.

Sit with Me is a gift to those who feel disconnected or lost, but know they want something to change. If you've ever felt left out, forgotten, judged, misunderstood or mistreated, this book is for you.

A multidisciplinary illustrated reader unpacking imperialist representations of Africa by promoting dialogue, memory and everyday practice, and reimagining cultural institutions and the arts—from museums to academia, from architecture to art.

In 2017, curator and art historian Anita N. Bateman and architect and professor Emanuel Admassu initiated research on the traditional positioning and mispositioning of the arts across the African continent. Where Is Africa has been an extended set of exchanges with contemporary artists, curators, designers and academics who are actively engaged in representing the continent—both within and outside its geographic boundaries. By examining artist collectives, new currents in art history and the rise of contemporary art festivals in and about Africa from the past 10 years, the project unpacks the imperialist foundations of cultural institutions and their anthropological fascination with African objects, people and places.

The interviews in Where Is Africa examine African and African-diasporic identities and spaces through questions of positionality in relation to specific disciplinary, cultural and political contexts. The texts address Afro-diasporic aesthetic practices and the curatorial, museological and artistic matrices that confront epistemologies of dominance and exclusion. The commissioned essays and images offer concise methodologies that expand or complicate issues addressed by the interviewees.

Where Is Africa is a conceptual project that accompanies a conceptual place, driven by the desire to dislodge Africa from categorical fixity and the representational logics of nation-states. Africa can never be fully enclosed by the residue of colonial violence or the totalitarian gaze of neoliberalism; instead, it creates infinite malleability, where place and concept are untethered from each other.

Contributors include: Mikael Awake, Salome Asega, Tau Tavengwa, Anthony Bogues, Jay Simple, Eric Gottesman, Rebecca Corey, Aida Mulkozi, Rakeb Sile, Mesai Haileleul, Mpho Matsipa, Naiama Safia Sandy, Adama Delphine Fawundu, Rehema Chachage, Robel Temesgen, Valerie Amani, Meskerem Assegued, Elias Sime, Olalekan Jeyifous, Amanda Williams, Germane Barnes and Mario Gooden.

Following the hugely successful Black Sci-Fri Short Stories and Asian Ghost Short Stories, comes this deluxe edition of new African writing and tales rooted in ancient culture. This collection explores the deep-seated supernatural element in African storytelling – whether reaching back to the spirits, ancestors and ogres of folklore or the vibrantly modern ghosts of today's African horror. New and contemporary stories complement poignant folktales such as ‘The Story of Takane’ from Lesotho and ‘The Disobedient Daughter Who Married a Skull’ from Nigeria.

With a foreword by award-winning Nigerian-British writer Nuzo Onoh, an introduction by Prof. Divine Che Neba, and invaluable editorial support from writer and editor Chinelo Onwualu, this latest offering in the Flame Tree Gothic fantasy series delves into the fascinating heritage of African ghostly lore and literature, while allowing it to be reclaimed and retold by contemporary African voices.

The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

The next book in the New Haven series, interconnected standalones featuring second chances, fiery passion, and Black heroines who get their happily ever afters. This is part one of a trilogy.

Mallory

The first time I kissed Christopher Johnson, I knew he would be my biggest mistake. It didn't stop me from wanting him though, and when the ghosts from my past came barging into the present, it didn't stop me from agreeing to let him help.

It was supposed to be a simple business arrangement, a few months of playing a role that came far too easily to the both of us, but it wasn't long before it became more.

Love. Devotion. Heartbreak in its truest form.

Some people say life is for the living, but I say life is for the prepared. For the planners who know that controlling every piece on the board is the only way to get the result you want.

To avoid unfortunate complications like having your heart broken by a man past experiences taught you, you never should have trusted in the first place.

Christopher

There's nothing in this world I wouldn't do for Mallory Kent.

I think I knew it the first time I laid eyes on her, and it's remained one of my unspoken truths for the two years that I've known her. But I never thought I'd get the opportunity to do anything about it because Mallory is one of those people who doesn't need anyone.

She's strong, serious, and always in control of every situation around her, which is why the second I see her looking panicked and uncertain in the arms of a figure from her past, I don't think. I just act.

I had no idea that one small decision would lead to this. A fake relationship―designed to solve her problems and mine―turned real. An earth shattering love torn apart by the very forces that led to its conception. Forces that turned me into the source of our destruction.

There's nothing in this world I wouldn't do for Mallory Kent, including break her heart to save her soul.

Part science fiction, part fantasy, and entirely infused with West African culture and spirituality, this novella offers an intimate glimpse into the life of a teenager whose coming of age will herald a new age for her world. Set in the universe Africanfuturist luminary Nnedi Okorafor first introduced in the World Fantasy Award-winning Who Fears Death, this is the first in the She Who Knows trilogy

When there is a call, there is often a response.

Najeeba knows.

She has had The Call. But how can a 13-year-old girl have the Call? Only men and boys experience the annual call to the Salt Roads. What’s just happened to Najeeba has never happened in the history of her village. But it’s not a terrible thing, just strange. So when she leaves with her father and brothers to mine salt at the Dead Lake, there’s neither fanfare nor protest. For Najeeba, it’s a dream come true: travel by camel, open skies, and a chance to see a spectacular place she’s only heard about. However, there must have been something to the rule, because Najeeba’s presence on the road changes everything and her family will never be the same.

Small, intimate, up close, and deceptively quiet, this is the beginning of the Kponyungo Sorceress.

One of the most highly praised novels of the year, the debut from an astonishing young writer, Freshwater tells the story of Ada, an unusual child who is a source of deep concern to her southern Nigerian family.

Young Ada is troubled, prone to violent fits. Born “with one foot on the other side,” she begins to develop separate selves within her as she grows into adulthood. And when she travels to America for college, a traumatic event on campus crystallizes the selves into something powerful and potentially dangerous, making Ada fade into the background of her own mind as these alters—now protective, now hedonistic—move into control. Written with stylistic brilliance and based in the author’s realities, Freshwater dazzles with ferocious energy and serpentine grace.

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The first book of poems from an acclaimed young author, whose meteoric rise has already landed them on the cover of Time Magazine.

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When Ikemefuna is put on a plane from Lagos, Nigeria to Sugar Land, Texas, she anticipates her newly arranged All-American life: a handsome husband, a beautiful red-brick mansion, pizza parlors, and dance classes.

Desperate to please, she'll happily cater to her family's needs. But Ikemefuna soon discovers what it actually means to live with her in-laws. Demands for a grandson grow urgent as her every move comes under scrutiny. As Ikemefuna finds there’s no way out, her new husband grapples with the influence of his parents against his own increasing affection for her.

As family secrets boil to the surface, Ikemefuna must decide how to scrape herself out of an impossibly sticky situation: a marriage succumbing to generational cycles of pain and silence. In the end, she may be carrying the greatest secret of all. 

An unforgettably delicious thriller, House Woman is about a woman trapped in a dangerous web of conflicting desires, melting in the Texas heat. 

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In this twisty and electrifying debut novel, a young woman goes missing in Lagos, Nigeria, and her estranged auntie will stop at nothing to find the truth behind her disappearance. Perfect for fans of My Sister, the Serial Killer and The Last Thing He Told Me.

Nicole Oruwari has the perfect life: a hand­some husband; a palatial house in the heart of glittering Lagos, Nigeria; and a glamorous group of friends. She left gloomy London and a troubled family past behind for sunny, moneyed Lagos, becoming part of the Nigerwives—a com­munity of foreign women married to Nigerian men.

But when Nicole disappears without a trace after a boat trip, the cracks in her so-called perfect life start to show. As the investigation turns up nothing but dead ends, her auntie Claudine decides to take matters into her own hands. Armed with only a cell phone and a plane ticket to Nigeria, she digs into her niece’s life and uncov­ers a hidden side filled with dark secrets, isolation, and even violence. But the more she discovers about Nicole, the more Claudine’s own buried history threatens to come to light.

An inventively told and keenly observant thriller where nothing is as it seems, The Nigerwife offers a razor-sharp look at the bonds of family, the echoing consequences of secrets, and whether we can ever truly outrun our past.

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Twenty-six-year-old editorial assistant Nella Rogers is tired of being the only Black employee at Wagner Books. Fed up with the isolation and microaggressions, she’s thrilled when Harlem-born and bred Hazel starts working in the cubicle beside hers. They’ve only just started comparing natural hair care regimens, though, when a string of uncomfortable events elevates Hazel to Office Darling, and Nella is left in the dust.

Then the notes begin to appear on Nella’s desk: LEAVE WAGNER. NOW.

It’s hard to believe Hazel is behind these hostile messages. But as Nella starts to spiral and obsess over the sinister forces at play, she soon realizes that there’s a lot more at stake than just her career.