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Her life. Her rules. Finally.

Anuri Chinasa has had enough. And really, who can blame her? She was the unwilling star of her stepmother’s social media empire before “momfluencers” were even a thing. For years, Ophelia documented every birthday, every skinned knee, every milestone and meltdown for millions of strangers to fawn over and pick apart.

Now, at twenty-five, Anuri is desperate to put her way-too-public past behind her and start living on her own terms. But it’s not going so great. She can barely walk down the street without someone recognizing her, and the fraught relationship with her father has fallen apart. Then there’s her PhD application (still unfinished) and her drinking problem (still going strong). When every detail of her childhood was so intensely scrutinized, how can she tell what she really wants?

Still, Ophelia is never far away and has made it clear she won’t go down without a fight. With Noelle, Anuri’s five-year-old half sister now being forced down the same path, Anuri discovers she has a new mission in life…

To take back control of the family narrative.

Through biting wit and heartfelt introspection, this darkly humorous story dives deep into the deceptive allure of a picture-perfect existence, the overexposure of children in social media and the excitement of self-discovery.

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From Ibi Zoboi, bestselling, award-winning author of American Street and co-author of Punching the Air, comes a bold new YA coming-of-age story, which explores race, feminism, and complicated family dynamics. The ideal next read for fans of Roxane Gay, Jacqueline Woodson, and Elizabeth Acevedo.

Warrior Princess. That’s what Nigeria Jones’s father calls her. He has raised her as part of the Movement, a Black separatist group based in Philadelphia. Nigeria is homeschooled and vegan and participates in traditional rituals to connect her and other kids from the group to their ancestors. But when her mother—the perfect matriarch of their Movement—disappears, Nigeria’s world is upended. She finds herself taking care of her baby brother and stepping into a role she doesn’t want.

Nigeria’s mother had secrets. She wished for a different life for her children, which includes sending her daughter to a private Quaker school outside of their strict group. Despite her father’s disapproval, Nigeria attends the school with her cousin, Kamau, and Sage, who used to be a friend. ­There, she begins to flourish and expand her universe.

As Nigeria searches for her mother, she starts to uncover a shocking truth. One that will lead her to question everything she thought she knew about her life and her family.

From award-winning author Ibi Zoboi comes a powerful story about discovering who you are in the world—and fighting for that person—by having the courage to be your own revolution.

We Made the World: Five Centuries of Queens, Warriors, and Other Foremothers traces five centuries of history through twelve extraordinary women of African descent—from queens and warriors to artists and activists—weaving together collective memory, oral tradition, and personal grief into a landmark work that places Black women at the center of world history.

In 1949, a seamstress from a small coastal town in the Gold Coast colony stood up in a room full of men and voted to split from the most powerful political party in the country. Her name was Hannah Kudjoe. She spent the next decade organizing the women who would win Ghana's first democratic election and help make it the first sub-Saharan African nation to gain independence from European colonial rule. When Nkrumah published his autobiography, she wasn't in it.

We Made the World does for twelve women what it does for Hannah Kudjoe. It finds the woman who was in the room, who was essential to the room, and whose name was removed from the record the moment her usefulness to powerful men was exhausted.

We're talking about Queen Njinga of Angola, who fought the Portuguese to a standstill for forty years and died at eighty still a sovereign. Wangarĩ Maathai, the Nobel Peace Prize winner who saved a Nairobi forest by walking upstream through a river at dawn to plant trees while the police watched. Brenda Fassie, the queer Black pop icon who sang South Africa through the end of apartheid and whose music still stops a room on any continent.

The author traveled to eleven countries to write this book. She gathered oral histories from descendants and community keepers across four continents. And she wrote it while experiencing great loss and grief which means this book knows in its bones what it costs to carry someone's memory, and what it costs not to.

We Made the World is five hundred years of history rewritten from the inside. It is the book that asks what we have lost by not knowing these women's names, and begins the important work of giving that back to us all.

The daughter of one of the South’s most famous Baptist preachers discovers a shocking secret about her father that puts her at odds with both her faith and her family in this debut novel.

“Spellbinding…Revival Season should be read alongside Alice Walker’s The Color Purple and Chimamanda Ngozi Adichie’s Purple Hibiscus.” —The Washington Post
A New York Times Book Review Editors’ Choice

Every summer, fifteen-year-old Miriam Horton and her family pack themselves tight in their old minivan and travel through small southern towns for revival season: the time when Miriam’s father—one of the South’s most famous preachers—holds massive healing services for people desperate to be cured of ailments and disease. But, this summer, the revival season doesn’t go as planned, and after one service in which Reverend Horton’s healing powers are tested like never before, Miriam witnesses a shocking act of violence that shakes her belief in her father—and her faith.

When the Hortons return home, Miriam’s confusion only grows as she discovers she might have the power to heal—even though her father and the church have always made it clear that such power is denied to women. Over the course of the following year, Miriam must decide between her faith, her family, and her newfound power that might be able to save others, but if discovered by her father, could destroy Miriam.

Celebrating both feminism and faith, Revival Season is a “tender and wise” (Ann Patchett) story of spiritual awakening and disillusionment in a Southern, Black, Evangelical community.

Black Internationalist Feminism examines how African American women writers affiliated themselves with the post-World War II Black Communist Left and developed a distinct strand of feminism. This vital yet largely overlooked feminist tradition built upon and critically retheorized the postwar Left's "nationalist internationalism," which connected the liberation of Blacks in the United States to the liberation of Third World nations and the worldwide proletariat. Black internationalist feminism critiques racist, heteronormative, and masculinist articulations of nationalism while maintaining the importance of national liberation movements for achieving Black women's social, political, and economic rights.

Cheryl Higashida shows how Claudia Jones, Lorraine Hansberry, Alice Childress, Rosa Guy, Audre Lorde, and Maya Angelou worked within and against established literary forms to demonstrate that nationalist internationalism was linked to struggles against heterosexism and patriarchy. Exploring a diverse range of plays, novels, essays, poetry, and reportage, Higashida illustrates how literature is a crucial lens for studying Black internationalist feminism because these authors were at the forefront of bringing the perspectives and problems of black women to light against their marginalization and silencing.

In examining writing by Black Left women from 1945–1995, Black Internationalist Feminism contributes to recent efforts to rehistoricize the Old Left, Civil Rights, Black Power, and second-wave Black women's movements.

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When he was just a boy, Ilyas was stolen from his parents on the coast of east Africa by German colonial troops. After years away, fighting against his own people, he returns home to find his parents gone and his sister, Afiya, abandoned into de facto slavery. Hamza too, is back from the war. He was not stolen but sold into service, where he became the protégé of an officer whose special interest has left him literally scarred for life. With nothing but the clothes on his back, he seeks only steady work and safety – until he meets the beautiful, undaunted Afiya. As these young people live and work and fall in love, their fates knotted ever more tightly together, the shadow of a new war on another continent falls over them, ready to snatch them up and once again carry them away.
Spanning from the end of the nineteenth century, when the Europeans carved up Africa, on through the tumultuous decades of revolt and suppression that followed, AFTERLIVES is an astonishingly moving portrait of survivors refusing to sacrifice their humanity to the violent forces that assail them.

A comprehensive survey of Ghanaian sculptor El Anatsui’s experimental prints and paper works

Acclaimed contemporary artist El Anatsui (b. 1944) is renowned for his intricate large-scale sculptures across a range of media―from clay and wood to discarded materials such as bottle caps and cassava graters. Less well known are his inventive prints and paper works, which share an important relationship to his sculptural practice. Examining the connection between the experimental quality of his prints and the radical compositions of his metal sculptures, this book uncovers the invaluable role of printmaking in the development of his artistic imagination and studio practice.

Beginning with Anatsui’s first encounter with printmaking at the University of Nigeria, Nsukka, author Chika Okeke-Agulu traces the artist’s engagement with the techniques and modalities of the medium, investigating how this allowed him to explore line, color, texture, and form. Offering an overview of Anatsui’s six decades of work on paper and aluminum, the book also includes a comprehensive catalogue of his prints. An essay placing Anatsui’s print work within the context of contemporary collaborative studio practices enriches our understanding of the global field of printmaking, and the book is further enlivened by a conversation with the artist himself. 

Distributed for the Philadelphia Museum of Art

Exhibition schedule:

Philadelphia Museum of Art

(December 19, 2026–May 2, 2027)

Weaving ancestral wisdom with contemporary insight, Black Women Rising speaks directly to Black women’s lived realities of racial trauma, chronic stress, care fatigue, and resilience through a wholistic lens.

Filling a long-standing gap in the self-help and wellness market, Black Women Rising is a culturally grounded, deeply resonant guide created specifically for Black women seeking balance, purpose, and grounding in perilous times. This bold, African-centered book arrives at a moment of profound urgency. Informed by the authors’ expertise in African-centered social work and trauma-informed psychotherapy, each chapter brings to life one of the 18 Principles—rooted in Ma’at and the Nguzo Saba (Kwanzaa)—and closes with an action-oriented exercise readers can immediately apply.

Moving beyond reflection to action, this book offers clear pathways to healing and sustained liberation. Positioned at the intersection of race, gender, and mental health, the book meets a growing demand for self-care that is culturally intentional and affirming. With far-reaching impact in wellness, mental health, and social justice spaces, giving Black women a self-help book that sees and supports their capacity to rise and thrive individually and in community.

Black Women Rising positions healing as sacred and care as a powerful force for renewal and transformation, making it a timely, standout title in wellness, mental health, and cultural nonfiction.

What does “feminism” mean today? That is the question at the heart of We Should All Be Feminists, a personal, eloquently-argued essay—adapted from her much-viewed TEDx talk of the same name—by Chimamanda Ngozi Adichie, the award-winning author of Americanah and Half of a Yellow Sun. With humor and levity, here Adichie offers readers a unique definition of feminism for the twenty-first century—one rooted in inclusion and awareness. She shines a light not only on blatant discrimination, but also the more insidious, institutional behaviors that marginalize women around the world, in order to help readers of all walks of life better understand the often masked realities of sexual politics. Throughout, she draws extensively on her own experiences—in the U.S., in her native Nigeria, and abroad—offering an artfully nuanced explanation of why the gender divide is harmful for women and men, alike. Argued in the same observant, witty and clever prose that has made Adichie a bestselling novelist, here is one remarkable author’s exploration of what it means to be a woman today—and an of-the-moment rallying cry for why we should all be feminists.

Fifteen-year-old Kambili and her older brother Jaja lead a privileged life in Enugu, Nigeria. They live in a beautiful house, with a caring family, and attend an exclusive missionary school. They're completely shielded from the troubles of the world. Yet, as Kambili reveals in her tender-voiced account, things are less perfect than they appear. Although her Papa is generous and well respected, he is fanatically religious and tyrannical at home—a home that is silent and suffocating.

As the country begins to fall apart under a military coup, Kambili and Jaja are sent to their aunt, a university professor outside the city, where they discover a life beyond the confines of their father’s authority. Books cram the shelves, curry and nutmeg permeate the air, and their cousins’ laughter rings throughout the house. When they return home, tensions within the family escalate, and Kambili must find the strength to keep her loved ones together.

Purple Hibiscus is an exquisite novel about the emotional turmoil of adolescence, the powerful bonds of family, and the bright promise of freedom.

Celebrate the release of Chichi and Didi Love Their Names with Peace and Ndidi Amadi!

EVENT DEETS

When: Saturday, September 20 @ 12PM

Where: 2310 ELGIN ST, HOUSTON, TX 77004

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming.

*Note that books not purchased from Kindred Stories are not allowed in the venue.*

ABOUT THE BOOK

Nigerian American sisters Chichi and Didi are ready for the first day of school! But after Chichi is teased for her “different” name, she comes home feeling discouraged.

Daddy and Mama tell the sisters the stories behind their names, helping Chichi return to school with her head held high.

Inspired by the childhood experiences of real-life sisters Peace Amadi and Ndidi Amadi, Chichi and Didi Love Their Names will teach readers:

• to be curious about the origin and meanings of their own names
• the importance of identity and saying names correctly
• the beauty in celebrating difference and taking pride in uniqueness 

ABOUT THE AUTHOR

Although most people now know Peace Amadi by her middle name, her first name is Chinyere and she is the real-life Chichi. Peace is a psychology professor, author, and speaker, and her work lies at the intersection of mental health, faith, and culture. 

“The life and teachings of Swamini Turiyasangitananda are precious spiritual jewels waiting to be discovered. This book reveals many inspiring and unknown parts of Swamini’s life. Numerous personal accounts of divine healings enhance her quiet yet determined focus to be of service locally and globally. Perhaps most moving is this servitor’s willingness to take on herself, the effects of others’ negative karma. Portrait of Devotion is a doorway that leads to the life of a modern saint. If we pass through this door, there is a good chance that our own life will change for the better.” — Purushottama Hickson, H.Y.T.

“A.C. Swami Turiyasangitananda is a bhakti yogi who practiced karma yoga, a spiritual guru who, with dedication, followed the footsteps of her Satguru. She was a living example of true mental detachment ...while still physically being in the midst of society. She is spiritually evolved in the truest sense.” — Sai Ram Iyer of Mumbai

“Many of us are aware of the musical talents of Alice Coltrane, a gifted pianist, harpist and composer. In this beautiful book, the author takes us on a journey of the spiritual transformation of the artist, Alice Coltrane Turiyasangitananda, who became a teacher of life with feminine strength and conviction. The author brings out what a pure relationship is like between a Guru and student, and most important how a spiritual journey may be straight and narrow at any moment, but that moment will pass on to the next moment of joy. Lastly, the story and lessons of Clarity, Compassion, and Courage, which Alice taught day in and day out to her students will call us to embrace our own spiritual journey.”
— Stephen Rosen, Ph.D