We Made the World: Five Centuries of Queens, Warriors, and Other Foremothers traces five centuries of history through twelve extraordinary women of African descent—from queens and warriors to artists and activists—weaving together collective memory, oral tradition, and personal grief into a landmark work that places Black women at the center of world history.

In 1949, a seamstress from a small coastal town in the Gold Coast colony stood up in a room full of men and voted to split from the most powerful political party in the country. Her name was Hannah Kudjoe. She spent the next decade organizing the women who would win Ghana's first democratic election and help make it the first sub-Saharan African nation to gain independence from European colonial rule. When Nkrumah published his autobiography, she wasn't in it.

We Made the World does for twelve women what it does for Hannah Kudjoe. It finds the woman who was in the room, who was essential to the room, and whose name was removed from the record the moment her usefulness to powerful men was exhausted.

We're talking about Queen Njinga of Angola, who fought the Portuguese to a standstill for forty years and died at eighty still a sovereign. Wangarĩ Maathai, the Nobel Peace Prize winner who saved a Nairobi forest by walking upstream through a river at dawn to plant trees while the police watched. Brenda Fassie, the queer Black pop icon who sang South Africa through the end of apartheid and whose music still stops a room on any continent.

The author traveled to eleven countries to write this book. She gathered oral histories from descendants and community keepers across four continents. And she wrote it while experiencing great loss and grief which means this book knows in its bones what it costs to carry someone's memory, and what it costs not to.

We Made the World is five hundred years of history rewritten from the inside. It is the book that asks what we have lost by not knowing these women's names, and begins the important work of giving that back to us all.

In this radiant and incisive debut novel in the tradition of works by ZZ Packer and Toni Cade Bambara, a Black woman fights to reclaim—and reinvent—her world after a little understood illness and a public health crisis threatens to upend everything she has.

Forty-seven-year-old Harmony Johnston is not suited for New York City life in 2019. From shampoos to synthetics to cell phones—the ubiquitous staples of modern daily life cause her physical pain, for reasons no one, including Harmony, understand. Doctors deny her illness is real, after seven years of enduring this private war, Harmony has her doubts too. Betrayed by her body and mind, as well as those closest to her—her obstinate physician sister, her sneaky best friend, and a spectral aunt who appears and disappears at whim—Harmony clings to the one doctor who offers hope.

In war, there are sacrifices: hair, boyfriend, sleep. Conditioned to place the comfort of others above her own needs, Harmony strives to be accommodating in an increasingly inhospitable world. But when the prestigious non-profit she works for relocates to an office with new wiring, painting, and carpeting (and the same old racial tensions) that exacerbate her pain, she quits her job and begins to set firm boundaries that upend her life, make her universe a little smaller, and magnify her loneliness.

As Harmony grows increasingly ill threatening her relationship with her one sympathetic doctor, she cuts herself off completely from the outside world and plunges into depression and literal darkness. When she eventually resurfaces, the world is irreversibly altered. With everyone now nearly as isolated as she is, Harmony resolves to re-connect with all she has lost. But can things ever really go back to normal?

At turns devastating, funny, and affirming, I Can Feel It All Over is an unforgettable debut novel about bodily autonomy, art, connection, and the pursuit of an authentic life amid the world's confines.

Hip, hip, hooray! Today is election day!

Hairiette's class is starting a book club, and she wants to win the vote to be the club's president. No one loves books more than Hairette! Plus, she knows reading can keep her brain healthy―Dr. Bob told her so at her last checkup.

But her classmates think reading is boring! Hairiette decides to show them that they're wrong―reading makes your brain healthy AND it can take you to magical places without ever leaving your room! She does it all the time with Charlie the Comb and Barbara the Barrett. All her friends need is a good book…and a little imagination!

A globe-spanning jigsaw puzzle of a novel about what it is to be human during this nervous, catastrophic moment in time.

Dionne Brand’s brief, powerful small life has the dazzling, hypnotic rhythm of a series of waves, tossing together multiple narrators and stories in time and space. The novel works through affective momentum, through gathering velocity, through multiplying and quickening voices and stories. None of these vividly alive characters know one another, but all exist inside this nervous moment in time.

Throughout the novel, characters’ voices recur in random ways, each around their own “small life.” Each person is in the middle of an action or a demand or a situation or a misunderstanding, and each is attempting to find a life, to know a life, to navigate the precarity of life. These lives are unfolding anywhere in the world: leaving the outskirts of Cartagena, working the streets of Madrid, caught in a toxic flood, hanging on to the edge of a boat in the Mediterranean, cleaning a stall in a North American airport, setting off to work on an oil platform, refusing eviction from an apartment. Their stories build and braid through inference, familiarity, and emotion―shock, realization, small joy―offering glimpses of the innermost workings of human beings in our contemporary, catastrophic zeitgeist.

Written by an engineer who has worked for the FBI and the White House, this STEMinist picture book biography tells the story of Bessie Blount, a groundbreaking Black inventor.

What do you do when people tell you no? This is a true story of what happens when you tell yourself yes!

When a teacher said she couldn’t write with her left hand, Bessie taught herself to be right-handed. At a time when many people were unfairly denied more education, Bessie studied hard and became a nurse and physical therapist. And when her patients—injured World War II soldiers—couldn’t feed themselves, Bessie invented a device to assist them. Bessie‘s determination allowed her to help others in so many ways.

From celebrated STEMinist (STEM-feminist) Afua Bruce and award-winning artist Laura Freeman comes the inspiring true story of the extraordinary Bessie Blount.

* A trailblazing inventor who overcame oppression to succeed
* Informational back matter, including a timeline, author’s note, and guide to inventing
* Inspiring true story for fans of Maya’s Song, Ketanji, and Because Claudette

For the first time in print! A definitive compilation of Nikki Giovanni’s best and most beloved poems from her extraordinary 60-year career.

Nikki Giovanni’s poems are some of the most quoted, most memorable, and most talked about gems in American literature, with a huge pop culture following that continues even after her death in 2024. But there has never been a single “best of” volume of her work—until now.

The Essential Poems compiles Nikki’s most beloved and thought-provoking work, drawn from her extraordinary 60+ year career. Included here are classics like “Nikki-Rosa,” “Ego Trippin’,” “Housecleaning,” “Cotton Candy for a Rainy Day,” “Bicycles,” and “The Sterling Silver Mirror.” Edited by Dr. Virginia Fowler, Nikki’s widow, it also includes an Introduction and an Afterword by literary superstars Kwame Alexander and Renée Watson.

It is a book to be savored, and shared.

A woman reexamines her past and reveals long-held secrets by annotating a former lover’s diary in this extraordinary novel by Yiyun Li, newly reissued.

Lilia Liska has shrewdly outlived three husbands, raised five children, and seen the arrival of seventeen grandchildren. Now she has turned her keen attention to the diary of a long-forgotten man named Roland Bouley, with whom she once had a fleeting affair.

Increasingly obsessed with Roland’s intimate history, Lilia begins to annotate the diary with her own rather different version of events, revealing the surprising, long-held secrets of her past. She returns inexorably to the memory of her daughter Lucy. Must I Go is a novel about life in all its messy glory, and of a life lived absolutely on its own terms. With her characteristic candor and insight, Yiyun Li navigates the twin poles of grief and resilience, loss and rebirth, that act as compass to our human hearts.

Acclaimed author Richard Ho and artist Xuân Lan take readers on a tour of Asian homes around the world—just please remember to leave your shoes at the door! A rich exploration of cultures, families, and traditions for fans of A Big Mooncake for Little Star and Eyes that Kiss in the Corners.

Welcome. You are about to step into an Asian home. But before you do. . . please remove your shoes.

Slippers are allowed. Socks and bare feet, too. You may have always taken off your shoes before stepping into a home, or it may be new to you. But have you ever stopped to wonder why it is a common practice to take off your shoes in Asian households?

Richard Ho explains the custom, which spans across cultures and generations, in his thoughtful, richly layered text that is excellent for reading aloud. Xuân Lan's playful artwork showcases a variety of Asian cultures and introduces a young cat to lead readers on a journey through time and place.

Along with the curious cat, readers will:

* Visit an ancient Chinese village, an historic Korean classroom, a modern Japanese dining room, and many more places.
* Honor the cultures and traditions of the Asian diaspora.
* Celebrate our feet, which work so hard every day.
* Learn more from the author's note and visual glossary providing further details about each culture's customs.

The Babadook meets A Headful of Ghosts in Texas Hill Country.

Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he's desperate for money--it's not easy to find steady, safe work when you can't provide references, you can't stay in one place for long, and you're paranoid that your past is creeping back up on you.

When he comes across the strange ad for the Masson House in Degener, Texas, Eric thinks they may have finally caught a lucky break. The Masson property, notorious for being one of the most haunted places in Texas, needs a caretaker of sorts. The owner is looking for proof of paranormal activity. All they need to do is stay in the house and keep a detailed record of everything that happens there. Provided the house’s horrors don’t drive them all mad, like the caretakers before them.

The job calls to Eric, not just because there's a huge payout if they can make it through, but because he wants to explore the secrets of the spite house. If it is indeed haunted, maybe it'll help him understand the uncanny power that clings to his family, driving them from town to town, making them afraid to stop running. A terrifying Gothic thriller about grief and death and the depths of a father's love, Johnny Compton's The Spite House is a stunning debut by a horror master in the making.

*ZOOM LINK*

The call to follow Christ was never a call to passive belief.

In Contend, Philip Anthony Mitchell, founder and lead pastor of 2819 Church in Atlanta, unpacks Jude's urgent letter—a warning written to a Church under siege from false teachers, compromise, and spiritual laziness—and proves it's still our reality today.

Countless Believers are still sitting on the sidelines, assuming they'll have another day to get serious about the Faith.

But the days of casual Christianity are running out.

Mitchell refuses to let the Church stay passive, and he reminds every Believer that the same Christ who saved you has also equipped you to fight. Through Contend, you will be inspired to:

* Rediscover the passion and purpose of your Faith.
* Trade spiritual complacency for a vibrant relationship with Jesus.
* Boldly proclaim the Gospel with love and grace.
* Find freedom from sin, disbelief, insecurities, and unforgiveness.
* Disciple and prepare the next generation to stand firm and press on.

Each chapter ends with a "Takeaway Truth" to anchor you in Scripture and a "Contender's Charge" to move you into action—because Faith isn't just believing but living out the Gospel.

The question isn't whether the Faith is worth fighting for.

The question is whether you will contend!

Through his work across many media, Houston and Los Angeles-based artist Vincent Valdez bears witness to the world around him, chronicling an America at the margins. Vincent Valdez: Just a Dream… features work from over twenty years and writings addressing Valdez's work through the lens of politics, history and humanity. Valdez's approach to imaging his country, its people, politics, pride, and foibles includes boxing, lynchings of Mexican Americans, border walls, politics, greed, the Ku Klux Klan, and the failings and triumphs of American society. Vincent Valdez: Just a Dream… accompanies survey exhibitions of his work by the same name at the Contemporary Art Museum of Houston (CAMH) in 2024-5 and MASS MoCA in 2025-6. The bilingual (English/Spanish) publication features both full-color works and a gatefold for The Strangest Fruit as well as a sewn-in booklet of behind-the-scenes studio images. Texts include a reprint of Joyce Carol Oates' On Boxing, essays by exhibition co-curators Denise Markonish and Patricia Restrepo; and a text by Evan Garza on the artist's relationship to Texas.