When a class-action lawsuit against the US government results in a billion dollar settlement for the aggrieved parties, you’d expect the story to be headline news . . .to be posted on social media everywhere . . . to be adapted to film or even to a popular legal procedural series on TV . . .

So why then have so many people never heard of Pigford vs. Glickman?

Or the follow-up lawsuit, Pigford II?

Or the Black Farmers Case, as the pair of these legal actions is often called?

Could it be that the heart-wrenching story of Black farmers in America, and the monumental legal case that brought long-sought justice to them, is rarely told because it reflects so poorly on the US and its treatment of those whose ancestors helped make the nation an agricultural giant in the first place?

Whatever the reason, the time to tell the full story has come and the person to share the gripping details is Greg Francis, one of the lead counsels in the historic case that finally helped Black farmers achieve equity. In Just Harvest, Francis narrates the dramatic twists and turns of the legal battle fought and won, and evidences the many years of ingrained discrimination and racism that preceded it. Awareness of this story makes us all witnesses to the history still unfolding— and while parts of what is recounted herein will enrage you, the hope is that this book will also inspire, inform, and motivate you to join the continuing fight for the rights of all Black farmers now and in the future.

A powerful and innovative debut collection—the first in the new Polaris Poetry Series—that captures the rhythms of Black girlhood as it navigates the spaces between city and southern roots.

Through poems rooted in Hoodoo spirituality and the author’s Gullah Geechee heritage, Shakeema Smalls’s Sweetwater Mass uncovers ways of knowing that transcend physical and temporal barriers, boldly addressing the lived realities of racism, classism, and economic struggle while simultaneously journeying toward joy and transcendence. Drawing on her identity as a Black, queer woman and her family lineage, the “red birds / of the ancestral arcana,” Smalls writes from a place of resistance—against capitalism and systems of oppression—and in search of higher spiritual truths. Smalls’s work finds lineage in the voices of Sonia Sanchez, Lucille Clifton, Joy KMT, and Nikky Finney, while offering something wholly unique that broadens conversations about systemic violence, poverty, and the complexities of Black girlhood. As she grapples with the intersections of gender, race, class, and resilience, Smalls weaves breath, brevity, and stream of consciousness into poems that hold space for both grief and growth.

The Polaris Poetry Series is edited by Cynthia Manick and features collections of Afrofuturistic and Afrofuturism-adjacent poetry. The series is a dedicated home for this innovative poetic style and for amplifying the voices of Black poets. Sweetwater Mass is the first in the series.

These are prayers for your moments of gratitude and celebration. For your seasons of loss and waiting. For your days when prayers come, not in words but in groans. When We Talk to God, from poet-theologian Sharifa Stevens, captures the arc and the ache of our lives.

A beautiful interweaving of artwork, prayers, and poems for Black women, this unique book encourages you to lift up your whole heart and loudest voice to God. And to tell Him about everything; nothing is off-limits. Sharifa's honest and powerful words express prayer and longing through personal experiences, biblical examples, and stunning imagery. When We Talk to God offers:

* An invitation to journey through honest lamentation and heartfelt joy to find greater peace in a turbulent world
* Poems and prayers exploring topics from job interviews to grief, from braiding hair to feeling invisible, from parenting to dancing
* Validation and inspiration for Black women of faith, by a Black woman speaking from her life to yours
* A relatable and authentic voice that frees you to present your own prayers and praises to the God who hears you, sees you, and loves you
* A beautiful gift idea for Mother's Day, Grandparents' Day, International Women's Day, spiritual anniversaries, and birthdays

Ideal for Black women of any age and background, When We Talk to God is a balm to your spirit and soul as it urges you to go to God with all of who you are and with everything you can or cannot say.

This unique volume provides each writers reflection on her work, an evaluation of that writer by two perceptive critics, and detailed biographical and bibliographical data.  Included are Maya Angelou, Toni Cade Bambara, Nikki Giovanni, Toni Morrison, Alice Walker, and ten other outstanding writers.

NATIONAL BESTSELLER

“Angela Garbes has given us the definitive explanation for something we all share: the sense that something is not right about our society’s treatment of parenting. Essential Labor is a beautifully written, painstakingly researched, and courageously personal book. Garbes reveals the way systems exploit caregiving and shows us how the essential work of mothering can fix not just family life, but society. A timely and unforgettable book.”—Heather McGhee, New York Times bestselling author of The Sum of Us

From the acclaimed author of Like a Mother comes a reflection on the state of caregiving in America, and an exploration of mothering as a means of social change.

The Covid-19 pandemic shed fresh light on a long-overlooked truth: mothering is among the only essential work humans do. In response to the increasing weight placed on mothers and caregivers—and the lack of a social safety net to support them—writer Angela Garbes found herself pondering a vital question: How, under our current circumstances that leave us lonely, exhausted, and financially strained, might we demand more from American family life? 

In Essential Labor, Garbes explores assumptions about care, work, and deservedness, offering a deeply personal and rigorously reported look at what mothering is, and can be. A first-generation Filipino-American, Garbes shares the perspective of her family's complicated relationship to care work, placing mothering in a global context—the invisible economic engine that has been historically demanded of women of color. 

Garbes contends that while the labor of raising children is devalued in America, the act of mothering offers the radical potential to create a more equitable society. In Essential Labor, Garbes reframes the physically and mentally draining work of meeting a child's bodily and emotional needs as opportunities to find meaning, to nurture a deeper sense of self, pleasure, and belonging. This is highly skilled labor, work that impacts society at its most foundational level.

Part galvanizing manifesto, part poignant narrative, Essential Labor is a beautifully rendered reflection on care that reminds us of the irrefutable power and beauty of mothering.

The first monograph on Vietnam veteran, Black Panther Party member and griot Akinsanya Kambon, whose paintings and sculptures sing with revolutionary history

Published with Hammer Museum.

Born Mark Teemer in Sacramento in 1946, Akinsaya Kambon has led a radical, revolutionary and artistic life. Drafted into the Marine Corps as a combat illustrator, he served in Vietnam, and upon his return joined the Sacramento chapter of the Black Panther Party. Enrolled at Sacramento City College, he learned the raku ceramic firing process and thus formally began his artistic practice. After nine years of travel and study in Africa, he was given the Yoruba name Akinsaya Kambon, meaning "the hero avenges." This first book on the artist surveys his painting and sculptural practice that centers narratives of the Black diaspora, including African histories and mythologies, as well as stories of violence and revolution from Africa and the Americas. With his art and community work, Kambon seeks not only to provide in-depth history lessons on Black and Brown communities in the United States, but also to chart new visions for the future.

An inspiring memoir of family, community, and resilience, and an ode to the power of books to help us understand ourselves, from the renowned founder of Well-Read Black Girl.
 
“She is a friend of my mind. She gather me, man. The pieces I am, she gather them and give them back to me in all the right order.”—Toni Morrison, Beloved
 
For Glory Edim, that “friend of my mind” is books. Edim, who grew up in Virginia to Nigerian immigrant parents, started the popular Well-Read Black Girl book club at age thirty, eventually reaching a community of half a million readers. But her own love of books stretches far back.
 
Edim’s father moved back to Nigeria while she was still a child, marking the beginning of a series of traumatic changes and losses for her family. What became an escape, a safe space, and a second home for her and her brother was their local library. Books were where Edim found community, and as she grew older she discovered authors and ideas that she wasn’t being taught about in class. Reading wherever and whenever she could, be it in her dorm room or when traveling by subway or plane, she found the Black writers whose words would forever change her life: Nikki Giovanni, through children’s poetry cassettes; Maya Angelou, through a critical high school English teacher; Toni Morrison, while attending Morrison’s alma mater, Howard University; Audre Lorde, on a flight to Nigeria. In prose full of both joy and heartbreak, Edim recounts how these writers and so many others taught her how to value herself by helping her to find her own voice when her mother lost hers, to trust her feelings when her father remarried, and to create bonds with other Black women and uplift their stories.
 
Gather Me is a glowing testament to how the power of representation in literature can gather the disparate parts that make us who we are and assemble them into a portrait of discovery.

In an awesome meeting of minds, cultural theorists Stuart Hall and bell hooks met for a series of wide-ranging conversations on what Hall sums up as "life, love, death, sex." From the trivial to the profound, across boundaries of age, sexualities and genders, hooks and Hall dissect topics and themes of continual contemporary relevance, including feminism, home and homecoming, class, black masculinity, family, politics, relationships, and teaching. In their fluid and honest dialogue they push and pull each other as well as the reader, and the result is a book that speaks to the power of conversation as a place of critical pedagogy.

Ten years ago, bell hooks astonished readers with Teaching to Transgress: Education as the Practice of Freedom. Now comes Teaching Community: A Pedagogy of Hope - a powerful, visionary work that will enrich our teaching and our lives. Combining critical thinking about education with autobiographical narratives, hooks invites readers to extend the discourse of race, gender, class and nationality beyond the classroom into everyday situations of learning. bell hooks writes candidly about her own experiences. Teaching, she explains, can happen anywhere, any time - not just in college classrooms but in churches, in bookstores, in homes where people get together to share ideas that affect their daily lives.

In Teaching Community bell hooks seeks to theorize from the place of the positive, looking at what works. Writing about struggles to end racism and white supremacy, she makes the useful point that "No one is born a racist. Everyone makes a choice." Teaching Community tells us how we can choose to end racism and create a beloved community. hooks looks at many issues-among them, spirituality in the classroom, white people looking to end racism, and erotic relationships between professors and students. Spirit, struggle, service, love, the ideals of shared knowledge and shared learning - these values motivate progressive social change.

Teachers of vision know that democratic education can never be confined to a classroom. Teaching - so often undervalued in our society -- can be a joyous and inclusive activity. bell hooks shows the way. "When teachers teach with love, combining care, commitment, knowledge, responsibility, respect, and trust, we are often able to enter the classroom and go straight to the heart of the matter, which is knowing what to do on any given day to create the best climate for learning."

PRE-ORDER:ON SALE DATE: Oct 6, 2025

A gripping tale of education, violence, and hope, in which one man's dream for a better future collides with a community on the edge of transformation.

Set in 1842, this novel foregrounds a Haiti that is grappling with the weight of an onerous debt imposed by France, forcing its citizens to pay reparations to French colonists in exchange for diplomatic recognition of the first Black republic of the Americas. In the town of Boën, a prosperous notary, Ludovic Possible, decides to take a bold step to secure the future of his community. He opens a schoolhouse where local children can learn both artisanal skills and the essential ability to read and write. For Ludovic, education represents the best chance for the people of Boën to rise above their hardships and build a prosperous future—especially for Aïda, a quiet and enigmatic girl whose mother’s marvelous stories captivate him.

The tranquility of Boën is soon shattered, however, by a series of duels that pit families, neighbors, and even animals against each other. As tensions rise, Ludovic’s vision for a better future is threatened by the escalating violence. In Duels, Néhémy Pierre-Dahomey introduces readers to a rich and unforgettable cast of characters—Aïda, Ludovic, Balthazar Possible, Pépé the Tempest, and many others—who find themselves at the crossroads of a nation on the brink of transformative change.