*ships in 7 - 10 business days*

When a Mariachi star transfers schools, he expects to be handed his new group's lead vocalist spot―what he gets instead is a tenacious current lead with a very familiar, very kissable face. In a twenty-four-hour span, Rafael Alvarez led North Amistad High School’s Mariachi Alma de la Frontera to their eleventh consecutive first-place win in the Mariachi Extravaganza de Nacional; and met, made out with, and almost hooked up with one of the cutest guys he’s ever met. Now eight months later, Rafie’s ready for one final win. What he didn’t plan for is his family moving to San Antonio before his senior year, forcing him to leave behind his group while dealing with the loss of the most important person in his life―his beloved abuelo. Another hitch in his plan: The Selena Quintanilla-Perez Academy’s Mariachi Todos Colores already has a lead vocalist, Rey Chavez―the boy Rafie made out with―who now stands between him winning and being the great Mariachi Rafie's abuelo always believed him to be. Despite their newfound rivalry for center stage, Rafie can’t squash his feelings for Rey. Now he must decide between the people he’s known his entire life or the one just starting to get to know the real him. Canto Contigo is a love letter to Mexican culture, family and legacy, the people who shape us, and allowing ourselves to forge our own path. At its heart, this is one of the most glorious rivals-to-lovers romance about finding the one who challenges you in the most extraordinary ways.

Self-described "black, lesbian, mother, warrior, poet" Audre Lorde is an unforgettable voice in twentieth-century literature, and one of the first to center the experiences of black, queer women. This essential reader showcases her indelible contributions to intersectional feminism, queer theory, and critical race studies in twelve landmark essays and more than sixty poems—selected and introduced by one of our most powerful contemporary voices on race and gender, Roxane Gay.

Among the essays included here are:

• "The Transformation of Silence into Language and Action"
• "The Master’s Tools Will Never Dismantle the Master’s House"
• "I Am Your Sister"
• Excerpts from the American Book Award–winning A Burst of Light

The poems are drawn from Lorde’s nine volumes, including The Black Unicorn and National Book Award finalist From a Land Where Other People Live. Among them are:

• "Martha"
• "A Litany for Survival"
• "Sister Outsider"
• "Making Love to Concrete"

Hardcover

Presenting the essential writings of black lesbian poet and feminist writer Audre Lorde, Sister Outsider celebrates an influential voice in twentieth-century literature, with a foreword by Mahogany L. Browne.

In this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope.

*ships in 7 - 10 days*

Bringing together fourteen African-American women, Marita Golden has compiled saucy and spicy essays that serve as an exploration into the contemporary black female psyche. Ranging in style from Audre Lorde's classic polemic on eroticism to Miriam DeCosta Willis's deeply moving essay on her husband's last years, "every single one of these essays is terrific." -- The Washington Post

IN AMERICA, DEMONS WEAR WHITE HOODS.

In 1915, The Birth of a Nation cast a spell across America, swelling the Klan's ranks and drinking deep from the darkest thoughts of white folk. All across the nation they ride, spreading fear and violence among the vulnerable. They plan to bring Hell to Earth. But even Ku Kluxes can die.

Standing in their way is Maryse Boudreaux and her fellow resistance fighters, a foul-mouthed sharpshooter and a Harlem Hellfighter. Armed with blade, bullet, and bomb, they hunt their hunters and send the Klan's demons straight to Hell. But something awful's brewing in Macon, and the war on Hell is about to heat up.

Can Maryse stop the Klan before it ends the world?

Featuring a new original introduction by Opal Palmer Adisa

Avey Johnson--a Black, middle-aged, middle-class widow given to hats, gloves, and pearls--has long since put behind her the Harlem of her childhood. Then on a cruise to the Caribbean with two friends, inspired by a troubling dream, she senses her life beginning to unravel--and in a panic packs her bag in the middle of the night and abandons her friends at the next port of call. The unexpected and beautiful adventure that follows provides Avey with the links to the culture and history she has so long disavowed. Originally published in 1983, Praisesong for the Widow was a recipient of the Before Columbus Foundation American Book Award, and is presented here in a beautiful new hardcover edition as the second title in McSweeney's Of the Diaspora series.

"Astonishingly moving."
-Anne Tyler, The New York Times Book Review

About Of the Diaspora
McSweeney's Of the Diaspora is a series of previously published works in Black literature whose themes, settings, characterizations, and conflicts evoke an experience, language, imagery and power born of the Middle Passage and the particular aesthetic which connects African-derived peoples to a shared artistic and ancestral past. Wesley Brown's Tragic Magic, the first novel in the series, was originally published in 1978 and championed by Toni Morrison during her tenure as an editor at Random House. This Of the Diaspora edition features a new introduction written by Brown for the series. Tragic Magic will be followed by Paule Marshall's novel of a Harlem widow claiming new life. Praisesong for the Widow was originally published in 1983 and was a recipient of the Before Columbus Foundation American Book Award. The series is edited by writer Erica Vital-Lazare, a professor of creative writing and Marginalized Voices in literature at the College of Southern Nevada. Published in collectible hardcover editions with original cover art by Sunra Thompson, the first three works hail from Black American voices defined by what Amiri Baraka described as strong feeling "getting into new blues, from the old ones." Of the Diaspora-North America will be followed by series from the diasporic communities of Europe, the Caribbean and Brazil.

A vibrant, deeply researched biography of A’Lelia Walker—daughter of Madam C.J. Walker and herself a central figure of the Harlem Renaissance—written by her great-granddaughter.

Dubbed the “joy goddess of Harlem’s 1920s” by poet Langston Hughes, A’Lelia Walker, daughter of millionaire entrepreneur Madam C.J. Walker and the author’s great-grandmother and namesake, is a fascinating figure whose legendary parties and Dark Tower salon helped define the Harlem Renaissance.

After inheriting her mother’s hair care enterprise, A’Lelia would become America’s first high profile black heiress and a prominent patron of the arts. Joy Goddess takes readers inside her three New York homes—a mansion, a townhouse, and a pied-a-terre—where she entertained Langston Hughes, Zora Neale Hurston, Paul Robeson, Florence Mills, James Weldon Johnson, Carl Van Vechten, W.E.B. DuBois, and other cultural, social and intellectual luminaries of the Roaring Twenties.

Now, based on extensive research and Walker’s personal correspondence, her great-granddaughter creates a meticulous, nuanced portrait of a charismatic woman struggling to define herself as a wife, mother, and businesswoman outside her famous mother’s sphere. In Joy Goddess, A’Lelia’s radiant personality and impresario instincts—at the center of a vast, artistic social world where she flourished as a fashion trendsetter and international traveler—are brought to vivid and unforgettable life.

*Ships in 7-10 business days*

In her twenties, Belle da Costa Greene is hired by J. P. Morgan to curate a collection of rare manuscripts, books, and artwork for his newly built Pierpont Morgan Library. Belle becomes a fixture in New York City society and one of the most powerful people in the art and book world, known for her impeccable taste and shrewd negotiating for critical works as she helps create a world-class collection.

But Belle has a secret, one she must protect at all costs. She was born not Belle da Costa Greene but Belle Marion Greener. She is the daughter of Richard Greener, the first Black graduate of Harvard and a well-known advocate for equality. Belle’s complexion isn’t dark because of her alleged Portuguese heritage that lets her pass as white—her complexion is dark because she is African American.

The Personal Librarian tells the story of an extraordinary woman, famous for her intellect, style, and wit, and shares the lengths she must go to—for the protection of her family and her legacy—to preserve her carefully crafted white identity in the racist world in which she lives. The remarkable story of J. P. Morgan’s personal librarian, Belle da Costa Greene, the Black American woman who was forced to hide her true identity and pass as white to leave a lasting legacy that enriched our nation, from New York Times bestselling author Marie Benedict, and acclaimed author Victoria Christopher Murray. In her twenties, Belle da Costa Greene is hired by J. P. Morgan to curate a collection of rare manuscripts, books, and artwork for his newly built Pierpont Morgan Library. Belle becomes a fixture in New York City society and one of the most powerful people in the art and book world, known for her impeccable taste and shrewd negotiating for critical works as she helps create a world-class collection. But Belle has a secret, one she must protect at all costs. She was born not Belle da Costa Greene but Belle Marion Greener. She is the daughter of Richard Greener, the first Black graduate of Harvard and a well-known advocate for equality. Belle’s complexion isn’t dark because of her alleged Portuguese heritage that lets her pass as white—her complexion is dark because she is African American. . The Personal Librarian tells the story of an extraordinary woman, famous for her intellect, style, and wit, and shares the lengths she must go to—for the protection of her family and her legacy—to preserve her carefully crafted white identity in the racist world in which she lives.

*Ships in 7-10 Business Days*

The Queen of Exiles is Marie-Louise Christophe, wife and then widow of Henry I, who ruled over the newly liberated Kingdom of Hayti in the wake of the brutal Haitian Revolution.

In 1810 Louise is crowned queen as her husband begins his reign over the first and only free Black nation in the Western Hemisphere. But despite their newfound freedom, Haitians still struggle under mountains of debt to France and indifference from former allies in Britain and the new United States. Louise desperately tries to steer the country’s political course as King Henry descends into a mire of mental illness.

In 1820, King Henry is overthrown and dies by his own hand. Louise and her daughters manage to flee to Europe with their smuggled jewels. In exile, the resilient Louise redefines her role, recovering the fortune that Henry had lost and establishing herself as an equal to the kings of European nations. With newspapers and gossip tracking their every movement, Louise and her daughters tour Europe like other royals, complete with glittering balls and princes with marriage proposals. As they find their footing—and acceptance—they discover more about themselves, their Blackness, and the opportunities they can grasp in a European and male-dominated world.  

Queen of Exiles is the tale of a remarkable Black woman of history—a canny and bold survivor who chooses the fire and ideals of political struggle, and then is forced to rebuild her life on her own terms, forever a queen.

Pleasure refers to the freedom to pursue a desire, deliberately sought in order to satisfy the self. Putting pleasure first is liberating. During their extraordinary lives, Lena Horne, Moms Mabley, Yolande DuBois, and Memphis Minnie enjoyed pleasure as they gave pleasure to both those in their lives and to the public at large. They were Black women who, despite their public profiles, whether through Black society or through the world of entertainment, discovered ways to enjoy pleasure.They left home, undertook careers they loved, and did what they wanted, despite perhaps not meeting the standards for respectability in the interwar era. See Me Naked looks at these women as representative of other Black women of the time, who were watched, criticized, and judged by their families, peers, and, in some cases, the government, yet still managed to enjoy themselves. Among the voyeurs of Black women was Langston Hughes, whose novel Not Without Laughter was clearly a work of fiction inspired by women he observed in public and knew personally, including Black clubwomen, blues performers, and his mother. How did these complicated women wrest loose from the voyeurs to define their own sense of themselves? At very young ages, they found and celebrated aspects of themselves. Using examples from these women’s lives, Green explores their challenges and achievements.

Winner of the 2025 CAAPP Book Prize, selected by Cameron Awkward-Rich, Les Portes traces how harm against women and femmes takes root, recurs, and reshapes itself across generations. 

Unfolding in three movements—Le Début, Le Passé, and Le Présent—all of which rupture conventional domestic abuse narratives, and drawing heavily from zuihitsu, ekphrasis, erasure, and found forms to mirror the fractured experience of living through and after harm, these poems serve as radical meditations on the power to reflect as resistance. A queer woman caught in an abusive marriage begins to reimagine justice not as punishment but as something restorative, collective, and deeply non-carceral. 

In her debut book, Nnoka poses the question that propels the collection: “Where is the path forward / that ensures no recurrence?” Rather than gesture toward resolution, Les Portes dwells inside this question, and what emerges is not consolation but an immense reckoning.

“You may not know Marie-Louise Christophe but once you have met her, you won’t forget her. Vanessa Riley’s historical novel feels timely and relevant, commemorating a time when Black women were queens.” —Jodi Picoult, #1 New York Times bestselling author

Acclaimed historical novelist Vanessa Riley is back with another novel based on the life of an extraordinary Black woman from history: Haiti’s Queen Marie-Louise Christophe, who escaped a coup in Haiti to set up her own royal court in Italy during the Regency era, where she became a popular member of royal European society. 

The Queen of Exiles is Marie-Louise Christophe, wife and then widow of Henry I, who ruled over the newly liberated Kingdom of Hayti in the wake of the brutal Haitian Revolution.

In 1810 Louise is crowned queen as her husband begins his reign over the first and only free Black nation in the Western Hemisphere. But despite their newfound freedom, Haitians still struggle under mountains of debt to France and indifference from former allies in Britain and the new United States. Louise desperately tries to steer the country’s political course as King Henry descends into a mire of mental illness.

In 1820, King Henry is overthrown and dies by his own hand. Louise and her daughters manage to flee to Europe with their smuggled jewels. In exile, the resilient Louise redefines her role, recovering the fortune that Henry had lost and establishing herself as an equal to the kings of European nations. With newspapers and gossip tracking their every movement, Louise and her daughters tour Europe like other royals, complete with glittering balls and princes with marriage proposals. As they find their footing—and acceptance—they discover more about themselves, their Blackness, and the opportunities they can grasp in a European and male-dominated world.  

Queen of Exiles is the tale of a remarkable Black woman of history—a canny and bold survivor who chooses the fire and ideals of political struggle, and then is forced to rebuild her life on her own terms, forever a queen.

"A sweeping look at the political, social, and romantic intrigue surrounding Haiti’s first and only queen. Riley’s depiction is richly imagined and wholly original." — Fiona Davis, New York Times bestselling author of The Magnolia Palace

"Queen of Exiles is the riveting account of Marie-Louise Christophe, Haiti's first and only Queen. Bold, ambitious, historically sound and beautifully told."--Sadeqa Johnson, New York Times bestselling author of The House of Eve