A young Black girl overcomes self-doubt and embraces her unique superhero princess identity in this energetic and empowering book from the author of I Will Swim Next Time.

Halima can't decide who to dress up as for her friend's birthday party. Should she be a princess like Elsa, or a sort-of superhero like Pippi Longstocking? "You can't be either," her friends tell her, "because you don't look like them."

Mama assures Halima can be whoever she wants to be, and together they discover more strong, brave women to look up to. Can Halima find the confidence to become her own unique superhero princess?

Heartfelt and uplifting, Halima's story encourages pride and self-expression in young readers, and introduces them to inspiring women of colour from around the world. African-diaspora mother Emily Joof is the author of I Will Swim Next Time. Åsa Gilland's vibrant and lively illustrations are full of fun.

The bookclub meeting will take place on March 26, 2024 at 7 PM in the Kindred Stories' Reading Garden. Be sure to show up with the book read (or partially read). You are always welcome to just come and take up space. 

ABOUT THE BOOK

We're meeting to discuss I Don't Wish You Well by Jumata Emil!

BOOK CLUB MEETING DEETS

When: Tuesday, May 26 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to let us know you plan to attend! Support the Mystery/Thriller Book Club by purchasing a copy of the book from Kindred Stories here!

ABOUT I DON'T WISH YOU WELL

Celebrate the release of Black. Single. Mother. with Jamilah Lemieux!

EVENT DEETS

When: Friday, April 24 @ 7PM

Where: Kindred Stories (2310 Elgin St., Houston, TX 77004)

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming.

*Please note outside copies of the book will not be allowed in the bookstore and you will not be eligible for the signing/photo line. You must buy a book from Kindred Stories.

ABOUT THE BOOK

A personal meditation on, examination of, and tribute to Black single motherhood, unapologetically told through poignant essays and candid interviews by a celebrated cultural critic

“Jamilah Lemieux is one of the most important feminist writers of the twenty-first century.”—Brittney Cooper

With her signature candid, humorous, and sometimes biting takes, Jamilah Lemieux suffers no fools while also courageously revealing the scars of her own parenting journey and search for self-acceptance in a world that hates “baby mamas.” With a particular verve and relatability—honed in her many years among Black Twitter’s most prominent voices—Lemieux centers the complex reality of Black single motherhood: uncertainty and fierceness alike.

Black. Single. Mother. combines riveting personal essays, infused with whip-smart cultural and historical analysis, with twenty-one intimate first-person testimonies from a spectrum of Black single mothers. A long-overdue offering in celebration of the American matriarch most often maligned, Black. Single. Mother. sets out to inspire a new cultural and community dialogue about this powerful figure as one profoundly deserving of love, support, and respect.

ABOUT THE AUTHOR

Jamilah Lemieux is a cultural critic and writer with a focus on issues of race, gender, and sexuality. A leading feminist thinker, social influencer, and millennial media darling, Lemieux has written for a host of platforms, including the Los Angeles Times, The Nation, Essence, Playboy, The Cut, The Guardian, Colorlines, The Washington Post, Wired, Self, Refinery29, and Vanity Fair. She was prominently featured in Lifetime’s docuseries Surviving R. Kelly and Surviving R. Kelly 2: The Reckoning. She also appeared in A&E’s Secrets of Playboy. Lemieux penned the foreword for the anniversary editions of Michele Wallace’s Black Macho and the Myth of the Superwoman and Ann Petry’s Miss Muriel and Other Stories. Currently, she writes a weekly advice column for Slate‘s “Care and Feeding” parenting section. She resides in Los Angeles with her daughter Naima.

ABOUT THE CONVERSATION PARTNER

Josie Pickens is a veteran writer, journalist, filmmaker, and storyteller whose work examines culture, politics, race, gender, and sexuality with clarity and depth. She has written for national outlets including The Washington Post, The Guardian, EBONY, Essence, The Root, Mic, Bitch, NewsOne, and MadameNoire, blending reporting, cultural critique, and narrative insight. As a filmmaker and producer, Pickens has shaped documentary and nonfiction projects that center Black, queer, and marginalized communities, with a focus on systems of power and community resilience. Her writing and visual work are grounded in rigorous research and a commitment to amplifying voices and stories often overlooked in mainstream discourse.

The first major Gullah Geechee cookbook from “the matriarch of Edisto Island,” who provides delicious recipes and the history of an overlooked American community.

The history of the Gullah and Geechee people stretches back centuries, when enslaved members of this community were historically isolated from the rest of the South because of their location on the Sea Islands of coastal South Carolina and Georgia. Today, this Lowcountry community represents the most direct living link to the traditional culture, language, and foodways of their West African ancestors.

Gullah Geechee Home Cooking, written by Emily Meggett, the matriarch of Edisto Island, is the preeminent Gullah cookbook. At 89 years old, and with more than 50 grandchildren and great-grandchildren, Meggett is a respected elder in the Gullah community of South Carolina. She has lived on the island all her life, and even at her age, still cooks for hundreds of people out of her hallowed home kitchen. Her house is a place of pilgrimage for anyone with an interest in Gullah Geechee food. Meggett’s Gullah food is rich and flavorful, though it is also often lighter and more seasonal than other types of Southern cooking. Heirloom rice, fresh-caught seafood, local game, and vegetables are key to her recipes for regional delicacies like fried oysters, collard greens, and stone-ground grits. This cookbook includes not only delicious and accessible recipes, but also snippets of the Meggett family history on Edisto Island, which stretches back into the 19th century. Rich in both flavor and history, Meggett’s Gullah Geechee Home Cooking is a testament to the syncretism of West African and American cultures that makes her home of Edisto Island so unique.

Richly illustrated catalogue of the works of one of the most significant contemporary artists practicing today. In his both powerful and lyrical works, Jafa consistently reflects on the ontology of race and of blackness. Over several decades, Arthur Jafa has constructed a compelling body of work that defies categorization. Both powerful and lyrical, his practice combines a profoundly unsettling blend of images and histories. Bringing together affective memories that touch on the history of the United States of America, violence, repression, modalities of survival, and how these exist in the production and dissemination of images, music, sound, and time-based media, Jafa reflects on the ontology of race and of blackness. The catalogue explores the philosophical, historical, and artistic implications of Jafa’s work, featuring essays and a series of conversations between Jafa and key practitioners working in the fields of cinema, arts, and theory. Text: Norman Ajari, Tina M. Campt, Liam Gillick, Ernest Hardy, Saidiya Hartman, R.A. Judy, Nathaniel Mackey, Fred Moten, Julian Myers, Vassilis Oikonomopoulos, Peter Saville, James A. Snead, Greg Tate, and Peter Watts.

This Library of America volume, with its companion, brings together for the first time all of the best writing of Zora Neale Hurston, one of the most significant twentieth-century American writers, in one authoritative set.

“Folklore is the arts of the people,” Hurston wrote, “before they find out that there is any such thing as art.” A pioneer of African-American ethnography who did graduate study in anthropology with the renowned Franz Boas, Hurston devoted herself to preserving the black folk heritage. In Mules and Men (1935), the first book of African-American folklore written by an African American, she returned to her native Florida and to New Orleans to record stories and sermons, blues and work songs, children’s games, courtship rituals, and formulas of voodoo doctors. This classic work is presented here with the original illustrations by the great Mexican artist Miguel Covarrubias.

Tell My Horse (1938), part ethnography, part travel book, vividly recounts the survival of African religion in Jamaican obeah and Haitian voodoo in the 1930s. Keenly alert to political and intellectual currents, Hurston went beyond superficial exoticism to explore the role of these religious systems in their societies. The text is illustrated by twenty-six photographs, many of them taken by Hurston. Her extensive transcriptions of Creole songs are here accompanied by new translations.

A special feature of this volume is Hurston’s controversial 1942 autobiography, Dust Tracks on a Road. With consultation by Henry Louis Gates, Jr., it is presented here for the first time as she intended, restoring passages omitted by the original because of political controversy, sexual candor, or fear of libel. Included in an appendix are four additional chapters, one never published, which represent earlier stages of Hurston’s conception of the book.

Twenty-two essays, from “The Eatonville Anthology” (1926) to “Court Order Can’t Make Races Mix” (1955), demonstrate the range of Hurston’s concerns as they cover subjects from religion, music, and Harlem slang to Jim Crow and American democracy.

The chronology of Hurston’s life prepared for this edition sheds fresh light on many aspects of her career. In addition, this volume contains detailed notes and a brief essay on the texts.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.