Former boxing legend Muhammad Ali, one of the best-known and best-loved celebrities and an international goodwill ambassador, offers inspiration and hope as he describes the spiritual philosophy that sustains him.

“During my boxing career, you did not see the real Muhammad Ali. You just saw a little boxing. You saw only a part of me. After I retired from boxing my true work began. I have embarked on a journey of love.”

So Muhammad Ali begins this spiritual memoir, his description of the values that have shaped and sustained him and that continue to guide his life. In The Soul of a Butterfly the great champion takes readers on a spiritual journey through the seasons of life, from childhood to the present, and shares the beliefs that have served him well.

Ali reflects on his faith in God and the strength it gave him during his greatest challenges. He describes how his study of true Islam has helped him accept the changes in his life and has brought him to a greater awareness of life’s true purpose. As a United Nations Messenger of Peace, he has traveled widely, and he describes his 2002 mission to Afghanistan to heighten public awareness of that country’s desperate situation, as well as his more recent meeting with the Dalai Lama.

Ali’s reflections on topics ranging from moral courage to belief in God to respect for those who differ from us will inspire and enlighten all who read them. Written with the assistance of his daughter Hana, The Soul of a Butterfly is a compassionate and heartfelt book that will provide comfort for our troubled times.

From the Booker Prize finalist, author of The Island of Missing Trees, an enchanting new tale about three characters living along two great rivers, all connected by a single drop of water. • "Make place for Elif Shafak on your bookshelf [and] in your heart. You won't regret it."—Arundhati Roy, winner of the Booker Prize

In the ancient city of Nineveh, on the bank of the River Tigris, King Ashurbanipal of Mesopotamia, erudite but ruthless, built a great library that would crumble with the end of his reign. From its ruins, however, emerged a poem, the Epic of Gilgamesh, that would infuse the existence of two rivers and bind together three lives.

In 1840 London, Arthur is born beside the stinking, sewage-filled River Thames. With an abusive, alcoholic father and a mentally ill mother, Arthur’s only chance of escaping destitution is his brilliant memory. When his gift earns him a spot as an apprentice at a leading publisher, Arthur’s world opens up far beyond the slums, and one book in particular catches his interest: Nineveh and Its Remains.

In 2014 Turkey, Narin, a ten-year-old Yazidi girl, is diagnosed with a rare disorder that will soon cause her to go deaf. Before that happens, her grandmother is determined to baptize her in a sacred Iraqi temple. But with the rising presence of ISIS and the destruction of the family’s ancestral lands along the Tigris, Narin is running out of time.

In 2018 London, the newly divorced Zaleekah, a hydrologist, moves into a houseboat on the Thames to escape her husband. Orphaned and raised by her wealthy uncle, Zaleekah had made the decision to take her own life in one month, until a curious book about her homeland changes everything.

A dazzling feat of storytelling, There Are Rivers in the Sky entwines these outsiders with a single drop of water, which remanifests across the centuries. A source of life and harbinger of death, rivers—the Tigris and the Thames—transcend history, transcend fate: “Water remembers. It is humans who forget.”

A smart, sexy "perfect romance" about mistaken identities, a no-strings fling, and the way one night—and one person—can change your life forever from the bestselling author of Darius the Great Is Not Okay (Julie Murphy & Sierra Simone, bestselling co-authors of A Merry Little Meet Cute)

When it comes to love, substitute teacher Farzan Alavi is a disaster. Newly heartbroken—again—he’s drowning his sorrows at Kansas City’s newest wine bar. Only instead of being crowded between strangers, he’s escorted to a VIP table for one. There, the hot sommelier does more than treat him to the meal of his life. The way he flirts with Farzan ignites instant sparks. 
 
There’s just one problem: David Curtis thinks Farzan is Kansas City’s most influential food critic. The truth only comes out after the two spend an unforgettably hot night together. Good news—both think the mix-up is hilarious. Bad news—David is studying to become a master sommelier and has no interest in a relationship. 
 
Neither expects their paths to cross again . . . until Farzan inherits his family’s bistro. The two agree to a friends-sans-benefits exchange: David will share his industry knowledge, and Farzan will help David study. Only business turns to pleasure when neither can ignore the attraction still sizzling between them. But with David set on moving cross-country after his test, and Farzan committed to his family’s restaurant, how can their relationship last past the expiration date?

Celebrate the release BLK MKT Vintage with Jannah Handy & Kiyanna Stewart!

EVENT DEETS

When: Thursday, October 24 @ 7 PM 

Where: Eldorado Ballroom (2310 Elgin Street, HTX, 77004)

How:  RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming.

This event is in partnership with Project Row Houses!

ABOUT THE BOOK

This one-of-a-kind treasure trove of Black cultural ephemera, from the entrepreneurs behind the vintage shop BLK MKT Vintage, expands on their mission to curate vintage objects that tell Black stories and celebrate the contributions Black people have made to our American consciousness.
 
Jannah Handy and Kiyanna Stewart have spent years scouring piles, stacks, bookshelves, and dilapidated boxes in search of themselves and their history, Black history. Through their Brooklyn brick-and-mortar BLK MKT Vintage and online shop, they have uncovered tens of thousands of items including vintage literature, vinyl records, clothing, art, decor, furniture and more.
 
BLK MKT Vintage: Reclaiming Objects and Curiosities That Tell Black Stories invites readers into Handy and Stewart’s work and partnership as they pick, collect, curate, design, and reimagine futures for the objects of the past. Brimming with more than 300 photographs of vintage pieces of ephemera, the book is a beautiful, ephemeral object itself calling to mind a scrapbook or family album that has a surprise on every page whether that’s 1972 celluloid pins from Shirley Chisholm’s presidential campaign, early 1800’s hand-drawn maps of the African continent, or 1920’s bound yearbooks from various HBCUs. The book also explores the various concepts that ground Handy and Stewart’s work; interviews with Black archivists, artists, memory workers and collectors – including a foreword from Spike Lee; a look into their private collection of thousands of items they have discovered over the years; an explanation of the different players in the antiques and vintage world; and tips and tricks on how to begin your own collection and curate physical spaces that reflect your identity and experience. 

ABOUT THE AUTHOR

Jannah Handy and Kiyanna Stewart are the co-founders of BLK MKT Vintage, an online vintage/antique concept shop that specializes in collectibles and curiosities, representing the richness of black history and lived experience. Their passion for material culture and found objects has led them to interior design projects, personal sourcing, set design, prop rental, museum loans and other curatorial projects in media/entertainment, education, the arts & philanthropy. Jannah has a background in business and education, with a B.A. in Economics from Smith College, and a M.Ed. in Higher Education from UMASS, Amherst. Kiyanna has a background in fashion & education, with a B.A. in Journalism & Africana Studies and a M.A. in Women's Studies, all from Rutgers University

ABOUT THE CONVERSATION PARTNER

Amarie Gipson is a Houston-born writer, cultural worker and founder of The Reading Room HTX. She has held curatorial positions at various art institutions, including The Studio Museum in Harlem, the Art Institute of Chicago, and the Museum of Fine Arts, Houston. Independently, her writing has been published in ARTS.BLACK, Artforum, ArtNews, ESSENCE, Oxford American and many others. As a DJ, Gipson has made a significant impact on her hometown through PHYSICAL THERAPY, a dance party and 7,000+ person community founded to foreground safety and togetherness in Houston's underground music/nightlife scene. She is the former Arts & Culture editor of Houstonia Magazine and currently the Houston Editor-At-Large for Burnaway, an Atlanta-based arts criticism publication focusing on the American South and the Caribbean. Advancing a new model for librarianship and public institution building, The Reading Room is increasing access to cultural history through literature and programming. It is a community-centered tribute to Black genius in the South and beyond.

“Ahmad’s compassion, her deep care for the psychological and emotional nuances of her characters, never wavers.” – The New York Times Book Review

In a searing collection by the award-winning author of The Return of Faraz Ali, characters seek to make their futures their own in a Pakistan riven by class, gender and religion

In these seven powerful stories, Aamina Ahmad finds a world of pathos in the narrowest circumstances, from the fugitive intimacies of villages where nothing escapes notice to the crevices where city dwellers seek refuge from urban striving and indifference. Capturing the plight of ordinary people caught between love and duty, freedom and social constraint—a man who witnesses an illicit moment of tenderness, a police officer who must choose whether to follow the laws of God or of man, a woman who takes matters into her own hands in the face of an unexpected pregnancy—July Sun more than sustains the promise of Ahmad’s sure-footed debut.

A Puerto Rican trans epic that blends poetic play and speculative fiction, by a Lambda Literary Award winner

Algarabía follows Cenex, a trans being who narrates his life while navigating the stories told on his behalf. An inhabitant of a colony of Earth in a parallel universe, Cenex leads us through his years as an experimental subject, a stay in suburbia, and not-so-far-off lands as he struggles to find a name, a body, and a stable home. His song clashes variegated sources with work by cis writers on trans figures, referencing everything from Clueless to Taino cosmology within a single line.

Algarabía inscribes an origin narrative for trans people in the face of their erasure from colonial and anti-colonial literary canons, laughing at its own survival with sharp, unserious rage.

Una epopeya puertorriqueña trans que mezcla poesía y narrativa especulativa, por un ganador del Premio Lambda

Algarabía sigue a Cenex, un ser trans que narra su vida retrospectivamente mientras navega por las historias contadas en su nombre. Habitante de una colonia de la Tierra en un universo paralelo, Cenex nos conduce a través de sus años como sujeto experimental, una estancia suburbana, unas tierras no tan lejanas y su lucha por encontrar un cuerpo y un hogar estables. Su canto enfrenta textos de escritores cis sobre figuras trans con una variedad de fuentes, haciendo referencia a Clueless y a la cosmología taína dentro de un mismo verso.

Algarabía inscribe un mito fundacional para las personas trans frente a su exclusión de los cánones literarios coloniales y anticoloniales y se ríe de su propia supervivencia con una rabia pícara y aguda.

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Longlisted • National Book Award (Nonfiction)

Why does race seem to color almost every feature of our moral and political universe? Why does a perpetual cycle of slavery—in all its political, intellectual, and cultural forms—continue to define the Black experience? And why is anti-Black violence such a predominant feature not only in the United States but around the world? These are just some of the compelling questions that animate Afropessimism, Frank B. Wilderson III’s seminal work on the philosophy of Blackness.

Combining precise philosophy with a torrent of memories, Wilderson presents the tenets of an increasingly prominent intellectual movement that sees Blackness through the lens of perpetual slavery. Drawing on works of philosophy, literature, film, and critical theory, he shows that the social construct of slavery, as seen through pervasive anti-Black subjugation and violence, is hardly a relic of the past but the very engine that powers our civilization, and that without this master-slave dynamic, the calculus bolstering world civilization would collapse. Unlike any other disenfranchised group, Wilderson argues, Blacks alone will remain essentially slaves in the larger Human world, where they can never be truly regarded as Human beings, where, “at every scale of abstraction, violence saturates Black life.”

And while Afropessimism delivers a formidable philosophical account of being Black, it is also interwoven with dramatic set pieces, autobiographical stories that juxtapose Wilderson’s seemingly idyllic upbringing in mid-century Minneapolis with the abject racism he later encounters—whether in late 1960s Berkeley or in apartheid South Africa, where he joins forces with the African National Congress. Afropessimism provides no restorative solution to the hatred that abounds; rather, Wilderson believes that acknowledging these historical and social conditions will result in personal enlightenment about the reality of our inherently racialized existence.

Radical in conception, remarkably poignant, and with soaring flights of lyrical prose, Afropessimism reverberates with wisdom and painful clarity in the fractured world we inhabit. It positions Wilderson as a paradigmatic thinker and as a twenty-first-century inheritor of many of the African American literary traditions established in centuries past.

The cult drama of The Girls meets Yellowface’s searing exploration of lies, immigration, and identity in this propulsive literary thriller debut.

A grieving actor-turned-memoirist reimagines his mother’s encounter with Jim Jones, the deadliest cult leader of all time—the only problem is, it’s mostly all lies . . .

Actor Jal Persad is enjoying moderate success when the death of his mother, Rita, sends him into a tailspin—after all, how could he grieve a woman he barely knew? Rita had grown up in Guyana during the rise and fall of the Jonestown cult, but never spoke of her home to Jal, always keeping him at a distance.

After months of avoiding work, a misunderstanding at lunch with his manager leads Jal into a web of lies. He soon finds himself writing a memoir of his mother’s adolescence, one that places her in direct contact with Jim Jones himself. There’s just one issue–Rita never met the man. Suddenly, the book goes viral, and Jal must face the looming threat of exposure, and his own guilt.

Alternating between Jal’s rapid rise and Rita’s distorted story, False Prophet confronts the intergenerational legacy of colonialism, the allure of power, and the age-old question–how much of yourself are you willing to lose in order to succeed?

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From award-winning, bestselling author Ibi Zoboi and prison reform activist Yusef Salaam of the Exonerated Five comes a powerful YA novel in verse about a boy who is wrongfully incarcerated. One of the most acclaimed YA novels of the year—this Walter Award–winning, New York Times and Indie bestseller is now available in paperback—a must-read for fans of Jason Reynolds, Walter Dean Myers, and Elizabeth Acevedo. 

The story that I thought

was my life

didn’t start on the day

I was born

Amal Shahid has always been an artist and a poet. But even in a diverse art school, because of a biased system, he’s seen as disruptive and unmotivated. Then, one fateful night, an altercation in a gentrifying neighborhood escalates into tragedy. “Boys just being boys” turns out to be true only when those boys are white.

The story that I think

will be my life

starts today

Suddenly, at just sixteen years old, Amal is convicted of a crime he didn’t commit and sent to prison. Despair and rage almost sink him until he turns to the refuge of his words, his art. This never should have been his story. But can he change it?

With spellbinding lyricism, award-winning author Ibi Zoboi and prison reform activist Yusef Salaam tell a moving and deeply profound story about how one boy is able to maintain his humanity and fight for the truth in a system designed to strip him of both.