Within the Circle is the first anthology to present the entire spectrum of twentieth-century African American literary and cultural criticism. It begins with the Harlem Renaissance, continues through civil rights, the Black Arts Movement, and on into contemporary debates of poststructuralist and black feminist theory. Drawing on a quote from Frederick Douglass for the title of this book, Angelyn Mitchell explains in her introduction the importance for those "within the circle" of African American literature to examine their own works and to engage this critical canon.
The essays in this collection—many of which are not widely available today—either initiated or gave critical definition to specific periods or movements of African American literature. They address issues such as integration, separatism, political action, black nationalism, Afrocentricity, black feminism, as well as the role of art, the artist, the critic, and the audience. With selections from Langston Hughes, Sterling Brown, W. E. B. DuBois, Zora Neale Hurston, Richard Wright, James Baldwin, Toni Morrison, Barbara Smith, Alice Walker, Henry Louis Gates, Jr., and many others, this definitive collection provides a dynamic model of the cultural, ideological, historical, and aesthetic considerations in African American literature and literary criticism.
A major contribution to the study of African American literature, this volume will serve as a foundation for future work by students and scholars. Its importance will be recognized by all those interested in modern literary theory as well as general readers concerned with the African American experience.

Selections by (partial list): Houston A. Baker, Jr., James Baldwin, Sterling Brown, Barbara Christian, W. E. B. DuBois, Ralph Ellison, LeRoi Jones, Sarah Webster Fabio, Henry Louis Gates, Jr., W. Lawrence Hogue, Langston Hughes, Zora Neale Hurston, Alain Locke, Deborah E. McDowell, Toni Morrison, J. Saunders Redding, George Schuyler, Barbara Smith, Valerie Smith, Hortense J. Spillers, Robert B. Stepto, Alice Walker, Margaret Walker, Mary Helen Washington, Richard Wright

Anarcho-Blackness seeks to define the shape of a Black anarchism. Classical anarchism tended to avoid questions of race—specifically Blackness—as well as the intersections of race and gender. Bey addresses this lack, not by constructing a new cannon of Black anarchists but by outlining how anarchism and Blackness already share a certain subjective relationship to power, a way of understanding and inhabiting the world. Through the lens of Black feminist and transgender theory, he explores what we can learn by making this kinship explicit, including how anarchism itself is transformed by the encounter. If the state is predicated on a racialized and gendered capitalism, its undoing can only be imagined and undertaken by a political theory that takes race and gender seriously.

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In Just Us, Claudia Rankine invites us into a necessary conversation about Whiteness in America. What would it take for us to breach the silence, guilt, and violence that arise from addressing Whiteness for what it is? What are the consequences if we keep avoiding this conversation? What might it look like if we step into it? “I learned early that being right pales next to staying in the room,” she writes.


This brilliant assembly of essays, poems, documents, and images disrupts the false comfort of our culture’s liminal and private spaces―the airport, the theater, the dinner party, the voting booth―where neutrality and politeness deflect true engagement in our shared problems. Rankine makes unprecedented art out of the actual voices and rebuttals of others: White men responding to, and with, their White male privilege; a friend clarifying her unexpected behavior at a play; and women on the street expressing the political currency of dyeing their hair blond, all running alongside fact-checked notes and commentary that complement Rankine’s own text, complicating notions of authority and who gets the last word. Funny, vulnerable, and prescient, Just Us is Rankine’s most intimate and urgent book, a crucial call to challenge our vexed reality.

A passionate and illuminating account of soul, the hard-won wisdom shepherded by Black people throughout generations

How did enslaved Africans turn America’s infamous failure into the greatest moral occasion of modern Western life? In this book, Christopher Freeburg answers that question with one word: soul. It was soul, Freeburg believes, which drove Black individuals and communities, grappling with horrific strife, to reimagine American life and equality in earnest.

Black cultural life contains a central and significant theme―a soul, or form of life―expressed in a variety of musical, religious, and political forms. Through the work and words of figures ranging from the poet Phillis Wheatley to President Barack Obama and musician Nina Simone to disco owner Jewel Thais-Williams, Freeburg shows how Black communities leaned time and again on soul and its four pillars: resonance, revelation, resilience, and transcendence. It is soul, what Freeburg calls a beautiful transaction between individual and community across time and place, that has allowed Black people over generations to transform feelings of defeat and alienation into moral courage and shared belonging.

A new collection of the seminal writings and speeches of a legendary writer, orator, and civil rights leader
 
This compact volume offers a full course on the remarkable, diverse career of Frederick Douglass, letting us hear once more a necessary historical figure whose guiding voice is needed now as urgently as ever. Edited by renowned scholar Henry Louis Gates, Jr., and Pulitzer Prize–nominated historian John Stauffer, The Portable Frederick Douglass includes the full range of Douglass’s works: the complete Narrative of the Life of Frederick Douglass, as well as extracts from My Bondage and My Freedom and Life and Times of Frederick Douglass; The Heroic Slave, one of the first works of African American fiction; the brilliant speeches that launched his political career and that constitute the greatest oratory of the Civil War era; and his journalism, which ranges from cultural and political critique (including his early support for women’s equality) to law, history, philosophy, literature, art, and international affairs, including a never-before-published essay on Haitian revolutionary Toussaint L’Ouverture.
 
The Portable Frederick Douglass is the latest addition in a series of African American classics curated by Henry Louis Gates, Jr. First published in 2008, the series reflects a selection of great works of fiction, nonfiction, and poetry by African and African American authors introduced and annotated by leading scholars and acclaimed writers in new or updated editions for Penguin Classics. In his series essay, “What Is an African American Classic?” Gates provides a broader view of the canon of classics of African American literature available from Penguin Classics and beyond. Gates writes, “These texts reveal the human universal through the African American particular: all true art, all classics do this; this is what ‘art’ is, a revelation of that which makes each of us sublimely human, rendered in the minute details of the actions and thoughts and feelings of a compelling character embedded in a time and place.”
 
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The Racial Contract puts classic Western social contract theory, deadpan, to extraordinary radical use. With a sweeping look at the European expansionism and racism of the last five hundred years, Charles W. Mills demonstrates how this peculiar and unacknowledged "contract" has shaped a system of global European domination: how it brings into existence "whites" and "non-whites," full persons and sub-persons, how it influences white moral theory and moral psychology; and how this system is imposed on non-whites through ideological conditioning and violence. The Racial Contract argues that the society we live in is a continuing white supremacist state.

As this 25th anniversary edition—featuring a foreword by Tommy Shelbie and a new preface by the author—makes clear, the still-urgent The Racial Contract continues to inspire, provoke, and influence thinking about the intersection of the racist underpinnings of political philosophy.

Timely, relevant, and illuminating, this essential book by respected cultural historian, teacher, and author John G. Jackson sheds long overdue light on standard Eurocentric and distorting approaches to the history of Africa from early African civilizations to Africa’s significance in world history.
 
With brilliantly objective scholarship, respected historian and author John G. Jackson reexamines the outdated, racist, and Westernized history of Africa that is still taught in schools, and presents one infinitely more rich, colorful, varied—and truthful. Challenging the standard dehumanizing and exploitive approaches to African history, from the dawn of prehistory to the resurgent Africa of today--including the portrayal of Africans as “savages” who ultimately benefitted from European enslavement with its “blessings of Christian civilization”—Jackson confronts the parochial historian, devastates the theoretical pretensions of white supremacists, and expands intellectual horizons.
 
Accessible and informed, fascinating and candid, Introduction to African Civilizations is an important historical guide that will enhance antiracist teachings for the general reader and the scholar alike.
 
Introduction by John Henrik Clarke, pioneer of African Studies and author of Christopher Columbus and the African Holocaust
 
Foreword by Runoko Rashidi, historian, activist, and author of Introduction to the Study of African Classical Civilizations

Compiled by bestselling author susan abulhawa, an Arabic-English bilingual anthology of essays from eighteen young Palestinian writers trying to survive the genocide in Gaza.

In early 2024, writer and activist susan abulhawa managed to enter Gaza twice through the Rafah crossing. There, at the Culture and Free Thought Association, susan held a series of workshops for young people who had been displaced to tent encampments. The lives of all participants were marked by unrelenting Israeli violence and extraordinary loss—of home, family, safety, education, electricity, and all the structures of life. They’d fled from place to place as Israel’s colonial violence swirled around them, complete with food and water insecurity and constant threat. Still, despite the bitterness of life in tents and the dangers of travel, they came together to share in the refuge of writing and community.

Samya recounts a tender moment with an old man mending shoes in the street, while her cousin Saja hides books in her closet, hoping they and her home will still be there when she returns. Ghassan is haunted by the baby he rescued from the rubble, who for a time became his son. Fatima risks it all retrieve her clothes from a danger zone buzzing with drones and warplanes. Maram’s loving aunt is gone, and chaos inhabits Amr’s mind. Samah, Lubna, Rizq, and Nebal take us by the hand through raining death, trails of tears, classroom shelters, and shared clothes in crowded tents.

Every Moment Is a Life delivers rare, unfiltered portraits of life in the holocaust of our time, platforming the emerging voices struggling to survive in Gaza today. These essays are raw and real, capturing human moments—buying bread, going to the bathroom, sharing a meal, drinking coffee—all set against the backdrop of history’s first livestreamed genocide. With courage, anger, love, agony, and—impossibly—hope, these achingly tender voices from Gaza will stay with us, captured in these pages, forever.

*All proceeds go back to the contributors in Gaza and to Palestine Writes Literature Festival

An essential exploration of the overlooked impact of disordered eating among Black women—and a prescriptive road map to returning to peace and wholeness within our bodies, from the clinical therapist who founded Black and Embodied Counseling and Consulting PLLC

Food has always been a political tool for the oppressor. And the body, especially the Black body, has always been one of its many battlegrounds.

Licensed mental health therapist, somatic healer, and eating disorder specialist Alishia McCullough understands that for far too many Black women, the myriad effects of racial trauma have disrupted their most essential relationship: the one they have with their bodies—and by extension, with their food. African Americans are disproportionately impacted by disordered eating behaviors, yet their experiences are frequently overlooked by doctors and mental health experts. As a result, entire communities—our most vulnerable communities—are forced to navigate systems that are already primed to dismiss their needs, leaving them without proper care, or often even the language they need to identify what’s wrong.

McCullough’s groundbreaking work radically validates the lived experiences and generational traumas of BIPOC communities. As part of a steadily growing movement among clinicians to “decolonize therapy,” McCullough rejects the patriarchal, white supremacist mindset that has dominated the field, and instead embraces a more integrated approach that seeks to understand disordered eating patterns by examining the psychological wounds left by centuries of racism.

Weaving together crucial history, compelling client stories, guided practice, and McCullough’s own experiences with disordered eating behaviors, Reclaiming the Black Body is a revealing, potentially life-saving book that illuminates the way home, back to the safety and comfort found within our bodies.

“This Great Hospital Fight” – Dr. Drake

At the height of racial and political tensions in early twentieth-century Houston, two unlikely figures became allies. Dr. William M. Drake, a pioneering surgeon and Black community leader, and Joseph Cullinan, a White oil magnate and founder of the company that became Texaco, united in a desperate effort to save a hospital that symbolized hope. The Houston Negro Hospital was born from America’s Black Hospital Movement. Dedicated Juneteenth 1926, it embodied a bold experiment to bring dignity and healthcare access to a community systematically denied both in the Jim Crow south.

Journalist and storyteller Carlton Houston―whose ancestors played a role in this remarkable heritage―reveals the untold, human drama behind the institution that would become Riverside General. Recount the vision, conflict, and resilience that shaped a century of healthcare through the struggle of those determined to save lives.

A magnificent new novel from the bestselling, award-winning author of An American Marriage—Tayari Jones has written an unforgettable novel that sparkles with wit and intelligence and deep feeling about two lifelong friends whose worlds converge after many years apart in the face of a devastating tragedy.

Vernice and Annie, two motherless daughters raised in Honeysuckle, Louisiana, have been best friends and neighbors since earliest childhood but are fated to live starkly different lives. Raised by a fierce aunt determined to give her a stable home in the wake of her mother’s death, Vernice leaves Honeysuckle at eighteen for Spelman College, where she joins a sisterhood of powerfully connected Black women and discovers a world of affluence, manners, aspiration, and inequality. Annie, abandoned by her mother as a child and fixated on the idea of finding her and filling the bottomless hole left by her absence, sets off on a journey that will take her into a world of peril and adversity, as well as love and adventure, culminating in a battle for her life.

A novel about mothers and daughters, friendship and sisterhood, and the complexities of being a woman in the American South, Kin is an exuberant, emotionally rich, unforgettable work from one of the brightest and most irresistible voices in contemporary fiction.