Camille has worked her way up from the Guadeluopean lakou where she was born and raised to the heights of Orlando, where she is a successful motivational speaker. Her assistant, Evelyn, is struggling as a single mother, especially since she has been keeping the existence of her son a secret from her family in Jamaica. As Camille relates the story of her life to Evelyn, she urges Evelyn to see her difficult life as one of great fortune—“My girl, a woman falls, but she never despairs”—and to fully share her joys and successes with her loved ones.

Camille’s Lakou tells the story of Camille, a young Caribbean girl living with her single‑parent mother in a 1960s urbanized zone at the edge of Pointe‑à‑Pitre, Guadeloupe, following her through her adult life as a Caribbean migrant in Florida. Author Marie Léticée explores neocolonial culture clash and identity conflict themes that will be familiar to readers of the Francophone Caribbean coming‑of‑age novel and its revisions by women writers such as Capécia, Lacrosil, Manicom, Schwarz‑Bart, Condé, Pineau, and others. Léticée makes it her own by fleshing out a time and place not well‑represented in Guadeloupean literature. While previous bildungsromane from the writers mentioned here typically focus on rural peasant or urban bourgeois settings, Camille’s Lakou shifts location to an impoverished urban environment. “Lakou” is translated as “courtyard” or, more colloquially, “yard.” The author explores the culture and politics of lakou society while raising the issue of how this social dynamic is transformed through the impact of globalization and dispersal into a diasporic experience outside the island milieu of Camille’s childhood.

In a collaborative translation effort between the author and Kevin Meehan, Camille’s Lakou will bring the realities and joys of Léticée’s Guadeloupe to an English audience for the first time.

Centering Black culture and community for liberating, anti-racist therapeutic practice.

This innovative book lays out the journey of family therapist Makungu Akinyela in developing testimony therapy―a healing practice rooted in Black cultural traditions of testifying and storytelling. This book argues that traditional Eurocentric approaches to therapy often perpetuate colonial oppression in the lives of Black clients, and that decolonizing mental health requires centering African American cultural knowledge, history, and community.

Drawing from thinkers from the Black radical critical tradition like Frantz Fanon and W. E. B. Du Bois, Dr. Akinyela frames testimony therapy as a narrative practice grounded in Ubuntu (the African communal self) and the oral traditions of African diasporic peoples. Testimony Therapy maps out theory, practices, and supervision approaches that help therapists support clients in resisting internalized racism, reclaiming self-definition, and nurturing liberated Black identities. Ultimately, this work is a call for Black therapists and clients to engage therapy as cultural resistance―a pathway to repair our souls and build collective freedom beyond Eurocentric limitations.

2015 Reprint of 1931 Printing. Not reproduced with Optical Recognition Software. This celebrated Picaresque novel is a 1931 Harlem Renaissance era satire on American race relations. Schuyler targets both the KKK and NAACP in condemning the ways in which race functions as both an obsession and a commodity in early twentieth-century America. The central premise of the novel is that an African American scientist invents a process that can transform blacks into whites. Those who have internalized white racism, those who are tired of inferior opportunities socially and economically, and those who simply want to expand their sexual horizons, line up to be transformed. As the country "whitens", the economic importance of racial segregation in the South as a means of maintaining elite white economic and social status becomes increasingly apparent. The novel is known not only for its satiric bite and inventive plot machinations, but also for the caricatures of prominent figures of the American 1920s including W. E. B. Du Bois, Marcus Garvey, James Weldon Johnson, C. J. Walker and others.

Elmwood Ranch is Octavia Daniel's dream. A safe place to land after years on the road. But once she signs the paperwork and receives the keys, the nightmare begins.

Shadows move on their own, strange accidents become the norm, and injured ranch hands refuse to work a second longer. Octavia doesn't believe in ghosts, but she can't deny something's wrong with the land she's sunk her entire savings into.

Rae Jones is in the business of ending nightmares. She comes from a family of successful paranormal investigators. But she's set herself apart from the Jones sisters by making their legacy into a commercial success.

After years of enjoying said success, she's hit a wall. Whether it's burnout or a full-blown existential crisis, she doesn't know. One way to try to avoid a downward spiral? Take every interesting job she can get. And that includes one from a very stand-offish, nonbelieving horse rancher who thinks she's a scam artist and the things she hunts don't exist.

Octavia and Rae must figure out how to work together if they have any hope of solving what's truly going on at Elmwood. As they build trust, they begin to build something more. Something that could either help or harm their chances of making it out of this haunting alive.

From the landmark writer and activist of the Harlem Renaissance, Alice Dunbar Nelson, A Carnival Jangle is a powerful and unflinching collection of stories inspired by her early life in New Orleans.

These are stories of love, betrayal and fortitude, peopled by an array of vivid characters whose dramas bring alive Creole life in the late nineteenth century.

Women must walk a tightrope between respectability and desire in stories such as 'A Carnival Jangle'. Poverty is tackled head-on in the moving stories 'M'sieu Fortier’s Violin' and 'Little Miss Sophie', whilst Catholic faith mixed with Creole spirituality looms large in 'The Goodness of St. Rocque and Odalie'.

This series of pocket-sized paperbacks celebrates the art of the short story and marks Macmillan Collector's Library's 10th anniversary. Each contains a curated selection of short stories from a literary giant: Katherine Mansfield, Arthur Conan Doyle, Edgar Allen Poe, Oscar Wilde, Jane Austen, James, Joyce, Virginia Woolf, Alice Dunbar Nelson, F. Scott Fitzgerald and Rabindranath Tagore.

In this radiant and incisive debut novel in the tradition of works by ZZ Packer and Toni Cade Bambara, a Black woman fights to reclaim—and reinvent—her world after a little understood illness and a public health crisis threatens to upend everything she has.

Forty-seven-year-old Harmony Johnston is not suited for New York City life in 2019. From shampoos to synthetics to cell phones—the ubiquitous staples of modern daily life cause her physical pain, for reasons no one, including Harmony, understand. Doctors deny her illness is real, after seven years of enduring this private war, Harmony has her doubts too. Betrayed by her body and mind, as well as those closest to her—her obstinate physician sister, her sneaky best friend, and a spectral aunt who appears and disappears at whim—Harmony clings to the one doctor who offers hope.

In war, there are sacrifices: hair, boyfriend, sleep. Conditioned to place the comfort of others above her own needs, Harmony strives to be accommodating in an increasingly inhospitable world. But when the prestigious non-profit she works for relocates to an office with new wiring, painting, and carpeting (and the same old racial tensions) that exacerbate her pain, she quits her job and begins to set firm boundaries that upend her life, make her universe a little smaller, and magnify her loneliness.

As Harmony grows increasingly ill threatening her relationship with her one sympathetic doctor, she cuts herself off completely from the outside world and plunges into depression and literal darkness. When she eventually resurfaces, the world is irreversibly altered. With everyone now nearly as isolated as she is, Harmony resolves to re-connect with all she has lost. But can things ever really go back to normal?

At turns devastating, funny, and affirming, I Can Feel It All Over is an unforgettable debut novel about bodily autonomy, art, connection, and the pursuit of an authentic life amid the world's confines.

“One of the best books of 2020” (Goop), the propulsive, unforgettable novel that asks: What does it mean for a family to lose a child they never really knew?

One afternoon, in a town in southeastern Nigeria, a mother opens her front door to discover her son’s body, wrapped in colorful fabric, at her feet. What follows is the tumultuous, heart-wrenching story of one family’s struggle to understand a child whose spirit is both gentle and mysterious. Raised by a distant father and an understanding but overprotective mother, Vivek suffers disorienting blackouts, moments of disconnection between self and surroundings. As adolescence gives way to adulthood, Vivek finds solace in friendships with the warm, boisterous daughters of the Nigerwives, foreign-born women married to Nigerian men. But Vivek’s closest bond is with Osita, the worldly, high-spirited cousin whose teasing confidence masks a guarded private life. As their relationship deepens—and Osita struggles to understand Vivek’s escalating crisis—the mystery gives way to a heart-stopping act of violence in a moment of exhilarating freedom. 

Propulsively readable, teeming with unforgettable characters, The Death of Vivek Oji is a novel of family and friendship that challenges expectations—a dramatic story of loss and transcendence that will move every reader.

From high fashion to everyday clothes, this book looks at the personal and political importance of Black style from the 1880s to the present.

Both during and after slavery in North America, “Sunday best” referred to clothes reserved for church or special occasions. Dressing in one’s Sunday best conveyed a sense of dignity and self-worth. Sunday best styling evolved after emancipation into the twentieth century, reflecting subsequent periods of Black cultural liberation, empowerment, and upward mobility. It is emblematic of the ways that self-fashioning in African-diasporic communities affirms humanity and communicates identity.

With examples from Canada, the Caribbean, the United States, and the United Kingdom, Sunday Best features archival and contemporary fashion alongside photography, painting, sculpture, and time-based media, looking at the significance of Black style. Essays by an interdisciplinary group of curators, designers, and scholars consider how communities throughout the African diaspora have used style as a reminder of one’s value, visibility, and agency, and the enduring influence of Sunday best dressing on artistic expression.

This richly illustrated volume is organized around the following themes:

• Origins, featuring fashion design by Christopher John Rogers and photography by James Van Der Zee
• Black church, with art by Coreen Simpson, Gordon Parks, and Laura Wheeler Waring
• Migration, through designers such as Foday Dumbuya
• Liberation, with fashion design by Spencer Badu and photography by Chantal Regnault
• Call and response, including fashion design by Patrick Kelly and photography by Melodie McDaniel

Published in association with the Art Gallery of Ontario and the Philadelphia Museum of Art

Exhibition Schedule

Art Gallery of Ontario
(October 6, 2026–February 28, 2027)

Philadelphia Museum of Art
(May 1, 2027–August 8, 2027)

With a New Introduction and Notes by Henry Louis Gates, Jr. and Richard J. Ellis

A fascinating fusion of two literary models of the nineteenth century, the sentimental novel and the slave narrative, Our Nig, apart from its historical significance, is a deeply ironic and highly readable work, tracing the trials and tribulations of Frado, a mulatto girl abandoned by her white mother after the death of the child's black father, who grows up as an indentured servant to a white family in nineteenth-century Massachusetts.

This definitive edition of Our Nig includes a new Introduction by Henry Louis Gates, Jr. and Richard J. Ellis and a set of appendices:  "Harriet Wilson's Career as a Spiritualist";  "Hattie E. Wilson in the Banner of Light and Spiritual Scientist" a collection of her extant contributions to these newspapers;  "Documents from Harriet Wilson's Life in Boston," and a compilation of primary source material relating to Wilson's identity.  There is also a new chronology of the life of Harriet Wilson by Richard J. Ellis, as well as an up-to-date Select Bibliography of current scholarship regarding Harriet Wilson. This edition gives the fullest account to date of the life of Harriet Wilson, filling out many critical points regarding her life after writing Our Nig, in particular when she became a "medium" who communicated with the dead and as an educator in the "Spiritualist" movement after the Civil War.

Three children become involved in a world-altering game in the first book of an epic middle grade duology following in the tradition of The Giver and Ender’s Game—by celebrated Newbery Honor Author and National Book Award finalist Rita Williams-Garcia.

In the idyllic childhood place of Kumbla, Lows grow up with no wants, no danger, no parents, only endless games. But there comes a time in every Low's life when they yearn to test their skill and leave Kumbla for the Place of All Games—where there lies a challenge most are doomed to fail.

Kili is one among these many failed Lows. But unlike those before him, he’s returning to Kumbla, and with something remarkable: a second chance.

Kuwan is unlike the other Lows, content to never leave Kumbla. But Kili’s fate, and the fate of their world, rests in his ability to play his best game ever.

In an epic tale of innocence lost and family gained, and a gripping meditation on the futility of war, Newbery Honor author Rita Williams-Garcia reminds us that while children may become pawns in the great games of adults, they should never be underestimated.

A spellbinding story of two young people whose fates intersect and diverge across continents and years—an epic of love and family, India and America, tradition and modernity, by the Booker Prize-winning author of The Inheritance of Loss

“A novel so wonderful, when I got to the last page, I turned to the first and began again.”—Sandra Cisneros
"A grand and stirring love story, written in exquisite prose . . . [a] sheer delight!"—Namwali Serpell

When Sonia and Sunny first glimpse each other on an overnight train, they are immediately captivated, yet also embarrassed by the fact that their grandparents had once tried to matchmake them, a clumsy meddling that only served to drive Sonia and Sunny apart.

Sonia, an aspiring novelist who recently completed her studies in the snowy mountains of Vermont, has returned to her family in India, fearing she is haunted by a dark spell cast by an artist to whom she had once turned for intimacy and inspiration. Sunny, a struggling journalist resettled in New York City, is attempting to flee his imperious mother and the violence of his warring clan. Uncertain of their future, Sonia and Sunny embark on a search for happiness together as they confront the many alienations of our modern world.

The Loneliness of Sonia and Sunny is the sweeping tale of two young people navigating the many forces that shape their lives: country, class, race, history, and the complicated bonds that link one generation to the next. A love story, a family saga, and a rich novel of ideas, it is the most ambitious and accomplished work yet by one of our greatest novelists.

*Use discount code: SALE at check out for 30% off*

“Twitty makes the case that Blackness and Judaism coexist in beautiful harmony, and this is manifested in the foods and traditions from both cultures that Black Jews incorporate into their daily lives…Twitty wishes to start a conversation where people celebrate their differences and embrace commonalities. By drawing on personal narratives, his own and others’, and exploring different cultures, Twitty’s book offers important insight into the journeys of Black Jews.”—Library Journal

“A fascinating, cross-cultural smorgasbord grounded in the deep emotional role food plays in two influential American communities.”—Booklist

The James Beard award-winning author of the acclaimed The Cooking Gene explores the cultural crossroads of Jewish and African diaspora cuisine and issues of memory, identity, and food.

In Koshersoul, Michael W. Twitty considers the marriage of two of the most distinctive culinary cultures in the world today: the foods and traditions of the African Atlantic and the global Jewish diaspora. To Twitty, the creation of African-Jewish cooking is a conversation of migrations and a dialogue of diasporas offering a rich background for inventive recipes and the people who create them. 

The question that most intrigues him is not just who makes the food, but how the food makes the people. Jews of Color are not outliers, Twitty contends, but significant and meaningful cultural creators in both Black and Jewish civilizations. Koshersoul also explores how food has shaped the journeys of numerous cooks, including Twitty’s own passage to and within Judaism.

As intimate, thought-provoking, and profound as The Cooking Gene, this remarkable book teases the senses as it offers sustenance for the soul.

Koshersoul includes 48-50 recipes.