*Paperback Release Date - 4/27/2027*

A fast-paced, juicy debut novel that peeks behind the curtain at the cutthroat world of hip-hop music and the glamorous magazine scene in the late 1990s, written by the ultimate insider

It's 1999, and Nikki Rose is the only Black editor on the staff of a prestigious fashion magazine she once thought would be her ticket to becoming a respected editor in chief. But after being told one too many times by her boss that “Black girls don’t sell magazines,” she quits to take over Sugar, a struggling hip hop music and lifestyle magazine with untapped potential.

Thrown into an entirely new world of wealth, decadence, and debauchery, Nikki has just six months to save Sugar―and her own dreams. As she pulls all-nighters at the office and parties with New York City’s most influential bad boys, Nikki must prove she has what it takes to lead. But her most dangerous challenge is evading Alonzo Griffin, her very married, very powerful ex-lover and former boss, who is determined to destroy both her and Sugar. Along the way, Nikki leans on a circle of loyal friends and navigates unexpected romances that force her to reckon with what―and who―she truly wants.

If I Ruled the World is a smart, utterly immersive journey through one of the most dynamic eras in pop culture history―a story of ambition, friendship, love, and finding your own voice.

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In A Black Gaze, Tina Campt examines Black contemporary artists who are shifting the very nature of our interactions with the visual through their creation and curation of a distinctively Black gaze. Their work—from Deana Lawson’s disarmingly intimate portraits to Arthur Jafa’s videos of the everyday beauty and grit of the Black experience, from Khalil Joseph’s films and Dawoud Bey’s photographs to the embodied and multimedia artistic practice of Okwui Okpakwasili, Simone Leigh, and Luke Willis Thompson—requires viewers to do more than simply look; it solicits visceral responses to the visualization of Black precarity.

A Committee of One: How Faith + Action = A PurposeFULL Life is an inspirational memoir/self-help book from the Grandmother of Juneteenth that will be a testament to the transformative power of resilience, faith, and love.

In 2016, then-90-year-old Opal Lee began her Opal Walks 2 DC campaign where she endeavored to walk 1,400 miles from Fort Worth, Texas to Washington, DC to bring awareness to the cause of making Juneteenth a federally recognized holiday. She was convinced that the country needed and wanted the unity that celebrating the abolition of slavery can bring. That it was bigger than Texas. Thankfully, on June 17, 2021, President Joseph Biden passed the bill making Juneteenth a National holiday and Ms. Opal stood alongside the president during this historic occasion, receiving the pen he used to sign off on the law.

A Committee of One takes readers on a profound journey through Ms. Opal Lee's life by sharing stories that will reveal a life marked by resilience, faith, and unwavering determination. Drawing parallels to the beloved narrative style of Tuesdays with Morrie, A Committee of One will weave together personal anecdotes with timely wisdom and offer every reader inspiring nuggets for reflection.

From the opening chapters, her narrative unfolds with the kind of raw honesty Ms. Opal is known for. She shares the challenges she's experienced (including the destruction of her childhood home by a white mob when she was twelve and the failure of her first marriage) as well as how those devastations allowed her the room to grow and become the woman she is today. All these stories are a testament to the indomitable human spirit, the fearlessness of our fortitude. The bottom-line goal in every chapter is to impart one significant and invaluable lesson: Adversity, though inevitable, need not define one's destiny.

The heart of the story is Ms. Opal's steadfast commitment to hard work and perseverance. From balancing the demands of motherhood and education to securing career advancements to the activism that led her to be named “The Grandmother of Juneteenth,” she's always tried to embody the transformative power of being steadfast. Because of this, A Committee of One is a powerful reminder that success is not measured by the absence of trials but by the willingness to confront and overcome them.

Toward Border Abolition is an interdisciplinary exploration of border abolition that brings together scholars of international migration, border studies, and law who historicize the current border regime, critique the violence of border policing, and consider alternatives. The contributors explore the ways that migrants practice objective border abolitionism by circumventing the sociopolitical order imposed by nation-states. They illustrate how various methods of migrating, from seeking asylum to “unauthorized” border crossing, all enact a fundamentally human freedom of movement that precedes state border control as it exists today. Ultimately, Toward Border Abolition questions the assumed legitimacy of borders, nation-states, and immigration law while simultaneously showing how migrants’ transgression of borders opens new vistas for remaking the world.

“Mahalia Jackson was the greatest gospel singer of her time and an overlooked leader in the Civil Rights Movement. Her voice seemed born of heaven.” ?Henry Louis Gates Jr.

If Americans today still recognize the name Mahalia Jackson, they might recall that she was perhaps the greatest gospel singer who ever lived. But for many people, there is no awareness at all, not even for an entertainer whose “Move On Up a Little Higher” sold eight million copies, who headlined two Newport Jazz Festivals and performed before four United States presidents.

While this rich musical legacy is admired by those in the know, virtually no one recognizes Jackson’s astonishing role in American civil rights history. In this startling new depiction of the renowned gospel singer, New York Times best-selling author Timothy B. Tyson and Mary D. Williams, an acclaimed gospel singer herself, bring Jackson back to soaring life by positioning her as the major civil rights figure she, in fact, was.

Mahlia Jackson, Moving On Up a Little Higher then traces Jackson’s career from abject poverty in New Orleans to global superstardom, revealing how even after meteoric success, Jackson maintained an unwavering devotion to Black freedom. In the 1930s in Chicago, even before the Civil Rights Movement took its modern shape, she used her rapturous voice to support independent Black political power. Her work only intensified in the 1940s and beyond when she campaigned first for Franklin D. Roosevelt, and later for Harry Truman, John F. Kennedy, and Lyndon B. Johnson; headlined in Montgomery for the 1955–56 bus boycott; sang for the Birmingham campaign and on the Selma March; and performed at the iconic 1963 March on Washington, where she urged Martin Luther King Jr. to “Tell ’em about the dream.” In retrospect what becomes historically significant is that Mahalia Jackson was present at so many civil rights events, even singing a divine rendition of “Precious Lord, Take My Hand,” at Dr. King’s funeral in 1968. Weakened and worn, she succumbed to heart failure four years later at the age of sixty.

Weaving together Mahalia Jackson’s inspiring life journey with her soulful music into a transcendent text, this biography ultimately casts Mahalia Jackson as we’ve never seen her before, as a guiding light for the Civil Rights Movement, whose message still speaks to our struggles today.

5 illustrations

Futuring Black Lives is a historical ethnography examining Black institution builders in the late 1960s and early 1970s and their work to leverage the power of publications and the literary imagination to engage “concerned men and women” in conversations about the educational journeys and futures of Black children. While many began as reactions to anti-Blackness and American public schooling failing Black children, Independent Black Institutions (IBIs) came to be viable ecosystems anchored in a shared Black value system preparing Black children in three areas: identity, purpose, and direction.

The rationale for establishing and valuing IBIs remains highly relevant, given the sociopolitical landscape of education today. In addition to persistent racial disparities in academic achievement and Black students’ highly disproportionate experiences of punishment and “discipline,” friction and legislation against critical examination of race, racism, and racist ideas in school settings are front and center, and children’s and young adult literature are under attack through censorship and outright book bans. Yet Black institution builders left useful maps of and for the educational future/s of Black children that remain available in journals, newspapers, pamphlets, and other ephemera. Author Maisha T. Winn demonstrates how and why the historiography-grounded futuring of Black education can and should inform current pursuits of equity, justice, and liberation through education.

In this inspiring, intimate memoir, the first Black woman to ever be appointed to the U.S. Supreme Court chronicles her extraordinary life story.
 
With this unflinching account, Justice Ketanji BrownJackson invites readers into her life and world, tracing her family’s ascent from segregation to her confirmation on America’s highest court within the span of one generation.
 
Named “Ketanji Onyika,” meaning “Lovely One,” based on a suggestion from her aunt, a Peace Corps worker stationed in West Africa, Justice Jackson learned from her educator parents to take pride in her heritage since birth. She describes her resolve as a young girl to honor this legacy and realize her dreams: from hearing stories of her grandparents and parents breaking barriers in the segregated South, to honing her voice in high school as an oratory champion and student body president, to graduating magna cum laude from Harvard, where she performed in musical theater and improv and participated in pivotal student organizations.
 
Here, Justice Jackson pulls back the curtain, marrying the public record of her life with what is less known. She reveals what it takes to advance in the legal profession when most people in power don’t look like you, and to reconcile a demanding career with the joys and sacrifices of marriage and motherhood.
 
Through trials and triumphs, Justice Jackson’s journey will resonate with dreamers everywhere, especially those who nourish outsized ambitions and refuse to be turned aside. This moving, open-hearted tale will spread hope for a more just world, for generations to come.

New York Times-bestselling author adrienne maree brown knows we need each other more than ever, and offers “loving corrections”: a roadmap towards collective power, righting wrongs, and true belonging 

This selection of prescient, compassionate essays explores patterns we engage in that are rooted in limited thinking. Through a lens of “loving correction” rather than mere critique, author adrienne maree brown helps us reimagine how to hold ourselves, our loved ones, and our communities accountable by setting clear boundaries, engaging in reflection, and nurturing honest relationships.

Loving Corrections is divided into two sections, with the first portion featuring new essays including “A Word for White People” and “Relinquishing the Patriarchy” and writing on topics like moving from fragility to fortitude, disability, and navigating critique within activist communities. The second section expands and updates pieces from brown's popular monthly column “Murmurations” in YES! Magazine that explore accountability—within oneself and community—with depth, inventiveness, and empathy.

Along with allowing us more authentic access to ourselves and to each other, the “corrections” in the book’s title are intended to explore and break identity-based patterns including white supremacy, fragility, patriarchy, and ableism. brown also offers practical guidance on how to apologize and be accountable from our nuanced positions of power, history, and resources.

Building on her previous work—especially Holding Change and We Will Not Cancel Us—brown reminds us how much we need each other: "It is only through relationship that we learn how to be, understand our impact on others and explore small shifts that may yield remarkable collective change."

Traditional accounts of the making of the modern world afford a place of primacy to European history. Some credit the fifteenth-century Age of Discovery and the maritime connection it established between West and East; others the accidental unearthing of the “New World.” Still others point to the development of the scientific method, or the spread of Judeo-Christian beliefs; and so on, ad infinitum. The history of Africa, by contrast, has long been relegated to the remote outskirts of our global story. What if, instead, we put Africa and Africans at the very center of our thinking about the origins of modernity?

In a sweeping narrative spanning more than six centuries, Howard W. French does just that, for Born in Blackness vitally reframes the story of medieval and emerging Africa, demonstrating how the economic ascendancy of Europe, the anchoring of democracy in the West, and the fulfillment of so-called Enlightenment ideals all grew out of Europe’s dehumanizing engagement with the “dark” continent. In fact, French reveals, the first impetus for the Age of Discovery was not—as we are so often told, even today—Europe’s yearning for ties with Asia, but rather its centuries-old desire to forge a trade in gold with legendarily rich Black societies sequestered away in the heart of West Africa.

Creating a historical narrative that begins with the commencement of commercial relations between Portugal and Africa in the fifteenth century and ends with the onset of World War II, Born in Blackness interweaves precise historical detail with poignant, personal reportage. In so doing, it dramatically retrieves the lives of major African historical figures, from the unimaginably rich medieval emperors who traded with the Near East and beyond, to the Kongo sovereigns who heroically battled seventeenth-century European powers, to the ex-slaves who liberated Haitians from bondage and profoundly altered the course of American history.

While French cogently demonstrates the centrality of Africa to the rise of the modern world, Born in Blackness becomes, at the same time, a far more significant narrative, one that reveals a long-concealed history of trivialization and, more often, elision in depictions of African history throughout the last five hundred years. As French shows, the achievements of sovereign African nations and their now-far-flung peoples have time and again been etiolated and deliberately erased from modern history. As the West ascended, their stories—siloed and piecemeal—were swept into secluded corners, thus setting the stage for the hagiographic “rise of the West” theories that have endured to this day.

“Capacious and compelling” (Laurent Dubois), Born in Blackness is epic history on the grand scale. In the lofty tradition of bold, revisionist narratives, it reframes the story of gold and tobacco, sugar and cotton—and of the greatest “commodity” of them all, the twelve million people who were brought in chains from Africa to the “New World,” whose reclaimed lives shed a harsh light on our present world.

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times.

Honorée Fanonne Jeffers is at a crossroads.

Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.

In Misbehaving at the Crossroads, Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks.

Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers.

Nobel Laureate and Pulitzer Prize-winning author of Beloved, Toni Morrison, investigates Black characters in the American literary canon and the way they shaped the nation’s collective unconscious

In a dazzling series of lectures from her tenure as a professor at Princeton University, Toni Morrison interrogates America’s most famous works and authors, drawing a direct line from the Black bodies that built the nation to the Black characters that many of the country’s canonical white writers imagined in their work. Morrison sees these fictions as a form of creation and projection, arguing that they helped manufacture American racial identity – these “Africanist” presences are “the shadow that makes light possible,” as Morrison writes, and the reflections of the authors’ own deepest fears, insecurities, and longings.

With profound erudition and wit, Morrison breaks wide open the American conception of race with energetic, enlivening readings of the nation’s canon, revealing that our liberation from these diminishing notions comes through language. “How,” Morrison wonders, “could one speak of profit, of economy, of labor, or progress, of suffragism, or Christianity, of the frontier, of the formation of new states, the acquisition of new lands … of practically anything a new nation concerns itself with – without having as a referent, at the heart of the discourse or defining its edges, the presence of Africans and/or their descendants?”

To read these lectures, collected here for the first time, is to encounter Morrison, not just the writer but also the teacher, in the most profound and subversive way yet. With a foreword from her son, Ford Morrison, and an introduction from her Princeton comparative literature colleague, Claudia Brodsky, Language as Liberation is a revelatory collection that promises to redefine the American canon.

A blistering exposé of how anti-Black racism has influenced the most essential cornerstones of American life — from where we live and where we go to school to our opportunities to vote and our relationship with law enforcement— from the founder of the Who We Are Project and former director of the ACLU and the Trone Center for Justice and Equality

Featuring a foreword by Tom Hanks

One of America’s darkest myths is that the abolition of slavery and the 1960s’ dismantling of legalized racial segregation created a racially equitable and just society. But in this illuminating work, Jeffery Robinson uncovers just how deeply anti-Black racism is still woven into the fabric of our nation. White supremacy fueled the country for over a century after the Civil War and is still deeply ingrained in our culture, and racist laws that were banned and deemed unconstitutional have been replaced by more covert ones. Robinson argues that if our country is to change for the better, we must confront this truth.

Robinson takes us on a dramatic journey through America’s past, from the first group of people captured in Africa and enslaved on American soil to the racist policies and practices still impacting our country today. He argues that anti-Black racism is not just a series of isolated acts but a highly sophisticated system, in which centuries of racial segregation have resulted in flagrant disparities in public school funding, voter turnout, policing, and criminal sentencing.

Clear-eyed, explosive, and stirring, Who We Are is a powerful correction of American history that shines a light on our country’s darkest stain, revealing who we are in an effort to heal our country and improve who we become.