The Romare Bearden Reader brings together a collection of new essays and canonical writings by novelists, poets, historians, critics, and playwrights. The contributors, who include Toni Morrison, Ralph Ellison, August Wilson, Farah Jasmine Griffin, and Kobena Mercer, contextualize Bearden's life and career within the history of modern art, examine the influence of jazz and literature on his work, trace his impact on twentieth-century African American culture, and outline his art's political dimensions. Others focus on specific pieces, such as A Black Odyssey, or the ways in which Bearden used collage to understand African American identity. The Reader also includes Bearden's most important writings, which grant readers insight into his aesthetic values and practices and share his desire to tell what it means to be black in America. Put simply, The Romare Bearden Reader is an indispensable volume on one of the giants of twentieth-century American art.

Contributors. Elizabeth Alexander, Romare Bearden, Mary Lee Corlett, Rachel DeLue, David C. Driskell, Brent Hayes Edwards, Ralph Ellison, Henri Ghent, Farah Jasmine Griffin, Harry Henderson, Kobena Mercer, Toni Morrison, Albert Murray, Robert G. O’Meally, Richard Powell, Richard Price, Sally Price, Myron Schwartzman, Robert Burns Stepto, Calvin Tomkins, John Edgar Wideman, August Wilson

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The new edition of an American masterpiece, this is the harrowing story of Ursa Corregidora, a blues singer in the early 20th century forced to confront the inherited trauma of slavery.

A literary classic that remains vital to our understanding of the past, Corregidora is Gayl Jones’s powerful debut novel, examining womanhood, sexuality, and the psychological residue of slavery. Jones masterfully tells the story of Ursa, a Kentucky blues singer, who, in the wake of a tragic loss, confronts her maternal history and the legacy of Corregidora, the Brazilian slave master who fathered both her mother and grandmother. Consumed and haunted by her hatred of the man who irrevocably shaped her life and the lives of her family, Ursa Corregidora must come to terms with a past that is never too distant from the present.

Selected, edited, and first edited by Toni Morrison, it is “the most brutally honest and painful revelation of what has occurred, and is occurring, in the souls of Black men and women,” (James Baldwin) and “a tale as American as Mount Rushmore and as murky as the Florida swamps.” (Maya Angelou).

Available for the first time since 1978, The Harlem Book of the Dead showcases James Van Der Zee's unflinching creative vision

Originally published in 1978, The Harlem Book of the Dead is a haunting and beautiful document of Black funerary traditions in Harlem, capturing the community's mourning rituals through the lens of one of the Harlem Renaissance's most celebrated photographers. The publication is the most complete record of Van Der Zee's funerary photographs, featuring over three dozen portraits by the artist, who meticulously composed the setting and the subjects before using his renowned darkroom and retouching skills to superimpose celestial figures, poetry, biblical scenes or portraits onto the images to compensate for lack of adornments, such as flowers, or to fulfill the requests of his subjects or their families.
These portraits are complemented and captioned by poems from Owen Dodson and a wide-ranging interview with Van Der Zee by the sculptor and filmmaker Camille Billops, who conceptualized and edited the publication. This facsimile edition reproduces the printing and specifications of the 1978 publication. The original foreword by Toni Morrison is included, and accompanied by a newly commissioned afterword by Karla FC Holloway, author of the canonical Passed On (2001).
James Van Der Zee (1886–1983) began working as a photographer in 1915, and by the following year had opened his photography studio on West 135th Street in Harlem. His images of Black New Yorkers, together with celebrities such as Langston Hughes, Joe Louis and Marcus Garvey, form an indelible corpus of images of the Harlem Renaissance.

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For much of American history, Black people have been conceived and legally defined as nonpersons, a subgenre of the human. In Being Property Once Myself, prize-winning poet Joshua Bennett shows that Blackness has long acted as the caesura between human and nonhuman and delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal―the rat, the cock, the mule, the dog, the shark―in the works of Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the valuation and sale of animals and enslaved people―all place Black and animal life in fraught proximity.

Bennett suggests that animals are deployed to assert a theory of Black sociality and to combat dominant claims about the limits of personhood. And he turns to the Black radical tradition to challenge the pervasiveness of anti-Blackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a groundbreaking articulation of undertheorized notions of dehumanization and the Anthropocene.

EVENT DEETS: 

When: December 5 at 630 PM

Where: Kindred Stories (2304 Stuart Street, HTX 77004)

How: RSVP for your time with Glory. Please purchase On Girlhood if you have not to support our programming. 

About The Book

Proudly introducing the Well-Read Black Girl Library Series, On Girlhood is a lovingly curated anthology celebrating short fiction from such luminaries as Rita Dove, Alice Walker, Toni Morrison, and more.

Featuring stories by: Jamaica Kincaid, Toni Morrison, Dorothy West, Rita Dove, Camille Acker, Toni Cade Bambara, Amina Gautier, Alexia Arthurs, Dana Johnson, Alice Walker, Gwendolyn Brooks, Edwidge Danticat, Shay Youngblood, Paule Marshall, and Zora Neale Hurston.

“When you look over your own library, who do you see?” asks Well-Read Black Girl founder Glory Edim in this lovingly curated anthology. Bringing together an array of “unforgettable, and resonant coming-of-age stories” (Nicole Dennis-Benn), Edim continues her life’s work to brighten and enrich American reading lives through the work of both canonical and contemporary Black authors—from Jamaica Kincaid and Toni Morrison to Dana Johnson and Alexia Arthurs. Divided into four themes—Innocence, Belonging, Love, and Self-Discovery—On Girlhood features fierce young protagonists who contend with trials that shape who they are and what they will become. At times heartbreaking and hilarious, the stories within push past flat stereotypes and powerfully convey the beauty of Black girlhood, resulting in an indispensable compendium for every home library.

About The Author

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In this “outstanding volume” (Boston Herald) that “ought to be at the top of everyone’s must-read list” (Essence), Black women and men evocatively explore what could make a smart woman ignore doctor’s orders; what could get a hardworking employee fired from her job; what could get a black woman in hot water with her white boyfriend? In a word: hair.

In a society where beauty standards can be difficult if not downright unobtainable for many Black women, the issue of hair is a major one. Now, in this evocative and fascinating collection of essays, poems, excerpts, and more, Tenderheaded speaks to the personal, political, and cultural meaning of Black hair.

From A’​Leila Perry Bundles, the great-granddaughter of hair care pioneer Madam C.J. Walker celebrating her ancestor’s legacy, to an art historian exploring the moving ways in which Black hair has been used to express Yoruba spirituality, to renowned activist Angela Davis questioning how her message of revolution got reduced to a hairstyle, Tenderheaded is as rich and diverse as the children of the African diaspora.

With works from authors including Toni Morrison, Alice Walker, bell hooks, Henry Louis Gates Jr., and more, this “remarkable array of writings and images” (Publishers Weekly) will stay with you long after you turn the final page.

The most widely read book in modern African literature tells two overlapping, intertwining stories, both of which center around a fearless Igbo warrior in Nigeria in the late 1800s, before and after the European colonization of the continent.

“African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison

The first of these stories traces Okonkwo's fall from grace with the tribal world in which he lives, and in its classical purity of line and economical beauty it provides us with a powerful fable about the immemorial conflict between the individual and society. The second story, which is as modern as the first is ancient, and which elevates the book to a tragic plane, concerns the clash of cultures and the destruction of Okonkwo's world through the arrival of aggressive, proselytizing European missionaries. These twin dramas are perfectly harmonized, and they are modulated by an awareness capable of encompassing at once the life of nature, human history, and the mysterious compulsions of the soul. THINGS FALL APART is the most illuminating and permanent monument we have to the modern African experience as seen from within.

Nominated as one of America’s best-loved novels by PBS’s The Great American Read.

How to Carry Water: Selected Poems of Lucille Clifton celebrates both familiar and lesser-known works by one of America’s most beloved poets, including 10 newly discovered poems that have never been collected.

These poems celebrating black womanhood and resilience shimmer with intellect, insight, humor, and joy, all in Clifton’s characteristic style—a voice that the late Toni Morrison described as “seductive with the simplicity of an atom, which is to say highly complex, explosive underneath an apparent quietude.” Selected and introduced by award-winning poet Aracelis Girmay, this volume of Clifton’s poetry is simultaneously timeless and fitting for today’s tumultuous moment.

A bold and haunting debut story collection that follows various characters as they navigate the day-to-day perils of Jim Crow racism from Diane Oliver, a missing figure in the canon of twentieth-century African American literature, with an introduction by Tayari Jones

A remarkable talent far ahead of her time, Diane Oliver died in 1966 at the age of 22, leaving behind these crisply told and often chilling tales that explore race and racism in 1950s and 60s America. In this first and only collection by a masterful storyteller finally taking her rightful place in the canon, Oliver’s insightful stories reverberate into the present day.

There’s the nightmarish “The Closet on the Top Floor” in which Winifred, the first Black student at her newly integrated college, starts to physically disappear; “Mint Juleps not Served Here” where a couple living deep in a forest with their son go to bloody lengths to protect him; “Spiders Cry without Tears,” in which a couple, Meg and Walt, are confronted by prejudices and strains of interracial and extramarital love; and the high tension titular story that follows a nervous older sister the night before her little brother is set to desegregate his school.

These are incisive and intimate portraits of African American families in everyday moments of anxiety and crisis that look at how they use agency to navigate their predicaments. As much a social and historical document as it is a taut, engrossing collection, Neighbors is an exceptional literary feat from a crucial once-lost figure of letters.

Register at https://www.crowdcast.io/e/an-evening-with-zora

We're celebrating the release of the boxed set of Zora Neale Hurston's collection of works, all with reimagined covers illustrated by incredible Black artists, and her newest release of essays, You Don't Know Us Negroes and Other Essays.

NYT bestselling author, Morgan Jerkins, will moderate a conversation with Lucy Ann Hurston (scholar and niece of Zora Neale Hurston), Patrick Dougher (cover artist for Their Eyes Were Watching God), and Genevieve West (co-editor of You Don't Know Us Negroes and Other Essays).

About the Boxed Set:

Available for the first time, this amazing boxed set includes 10 repackaged Zora Neale Hurston classics--each with a newly imagined cover by a popular contemporary Black artist. It's a beautifully-imaged package at a very affordable price point.

Cover artists are: Charly Palmer, Toyin Ojih Odutola, Jerome Lagarrigue, Patrick Dougher, Diana Ejaita, Jeff Manning, Samira Addo, Terry Lynn, Jamilla Okubo, and Tizta Berhanu.

Books included in the set:

• Dust Tracks on a Road
• Jonah's Gourd Vine
• Mules and Men
• Tell My Horse
• The Complete Stories
• Every Tongue Got to Confess
• Moses, Man of the Mountain
• Seraph on the Suwanee
• Mule Bone
• Their Eyes Were Watching God

About You Don't Know Us Negroes and Other Essays:

Spanning more than 35 years of work, the first comprehensive collection of essays, criticism, and articles by the legendary author of the Harlem Renaissance, Zora Neale Hurston, showcasing the evolution of her distinctive style as an archivist and author.

“One of the greatest writers of our time.”—Toni Morrison

One of the most acclaimed artists of the Harlem Renaissance, Zora Neale Hurston was a gifted novelist, playwright, and essayist. Drawn from three decades of her work, this anthology showcases her development as a writer, from her early pieces expounding on the beauty and precision of African American art to some of her final published works, covering the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing a white doctor. Among the selections are Hurston’s well-known works such as “How It Feels to be Colored Me” and “My Most Humiliating Jim Crow Experience.” 

The essays in this essential collection are grouped thematically and cover a panoply of topics, including politics, race and gender, and folkloric study from the height of the Harlem Renaissance to the early years of the Civil Rights movement. Demonstrating the breadth of this revered and influential writer’s work, You Don't Know Us Negroes and Other Essays is an invaluable chronicle of a writer’s development and a window into her world and time.

For bell hooks, the best cultural criticism sees no need to separate politics from the pleasure of reading. Yearning collects together some of hooks's classic and early pieces of cultural criticism from the '80s. Addressing topics like pedagogy, postmodernism, and politics, hooks examines a variety of cultural artifacts, from Spike Lee's film Do the Right Thing and Wim Wenders's film Wings of Desire to the writings of Zora Neale Hurston and Toni Morrison. The result is a poignant collection of essays which, like all of hooks's work, is above all else concerned with transforming oppressive structures of domination.