A nuanced profile, in image and text, of the great Black Power leader at the exhilarating moment of the movement’s ascendancy

Gordon Parks’ 1967 Life magazine essay “Whip of Black Power” is a nuanced profile of the young, controversial civil rights leader Stokely Carmichael. As chairman of the Student Nonviolent Coordinating Committee, Carmichael gained national attention and inspired media backlash when he issued the call for Black Power in Greenwood, Mississippi, in June 1966. Parks shadowed him from the fall of 1966 to the spring of 1967, as Carmichael gave speeches, headed meetings and promoted the growing Black Power movement. Parks’ photos and writing addressed Carmichael’s intelligence and humor, presenting the whole man behind the headline-making speeches and revealing his own advocacy of Black Power and its message of self-determination and love.
Stokely Carmichael and Black Power delves into Parks’ groundbreaking presentation of Carmichael, with analysis of his images and accompanying text about the charismatic leader. Lisa Volpe explores Parks’ complex understanding of the movement and its leader, and Cedric Johnson frames Black Power within the heightened political moment of the late 1960s. Carmichael’s own voice is represented through a reprint of his important 1966 essay “What We Want.”
Gordon Parks (1912–2006) was a photographer, filmmaker, musician and author whose 50-year career focused on American culture, social justice, the civil rights movement and the Black American experience. Born into poverty and segregation in Fort Scott, Kansas, Parks was awarded the Julius Rosenwald Fellowship in 1942, which led to a position with the Farm Security Administration. In 1969 he became the first Black American to write and direct a major feature film, The Learning Tree, and his next directorial endeavor, Shaft (1971), helped define a film genre.

Celebrate the final installment of Attica Locke's Highway 59 Series, Guide Me Home! 

EVENT DEETS

When: Wednesday, September 11, 2024 @ 7 PM

Where: Holy Family HTX (3719 Navigation Blvd, HTX, 77004) 

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support Attica Locke and the bookstore! 

ABOUT THE BOOK

ABOUT THE AUTHOR

Attica Locke is a NY Times best-selling author of six novels, including Guide Me Home.  She is also a winner of an Edgar Award and the Harper Lee Prize for Legal Fiction, the Ernest Gaines Award for Literary Excellence, and she has been short listed for the Women’s Prize for Fiction and nominated for an LA Times Book Prize and an NAACP Image award for her work as a novelist. Locke is also a screenwriter and TV producer, with credits that include Empire, When They See Us and the Emmy-nominated Little Fires Everywhere, for which she won an NAACP Image award for television writing. She co-created and executive produced an adaptation of her sister Tembi Locke’s memoir From Scratch: A Memoir of Love, Sicily, and Finding Home for Netflix. A native of Houston, Texas, Attica lives in Los Angeles, California

ABOUT THE CONVERSATION PARTNER

Celebrate the release of Nasty Work with Ericka Hart!

EVENT DEETS

When: Thursday, April 16 @ 7PM CST

Where: Kindred Stories (2310 Elgin St. Houston, TX 77004)

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming.

Please note outside copies of the book will not be allowed in the bookstore and you will not be eligible for the signing/photo line. You must buy a book from Kindred Stories.

ABOUT THE BOOK

When you think about sex ed, your mind likely goes back to those uncomfortable school desks and the stifled laughs of your teenage years. But what we’ve been socialized to believe about sexuality actually hinders our own pleasure well into adulthood. Whether we know it or not, even the most progressive among us are often using 400-year-old inherited thoughts and belief systems in the twenty-first century. Why are we still carrying forth these ancient values that have never served the vast majority? 

As a Black, queer, non-binary, disabled femme, Ericka Hart believes that sex ed done right can actually be a tool for liberation. In Nasty Work, she breaks down the ways that social implications keep us from experiencing pleasure, particularly for marginalized communities across race, gender, sexuality, and ability, and how we can dismantle these oppressive myths. From examining what guides our attraction to others to the history of consent, Ericka Hart takes the blinders off and reveals a more empowering view of sex and sexuality.

Nasty Work blends eye-opening research with powerful, poignant personal narrative that disrupts everything you thought you knew about sex and society; offering a liberatory framework that makes pleasure accessible for all.

ABOUT THE AUTHOR

Ericka Hart, M.Ed. (she/they) has been teaching comprehensive, trauma informed, consent- and pleasure-based sex ed at the elementary, high school, undergraduate and graduate levels for the past 15 years and is now the founder of her own sexuality education training program, Sex Ed as Resistance. She is the co-host of the critically acclaimed podcast, Hoodrat to Headwrap with her partner Ebony and is mom to East Francis Coltrane (and cockapoo Baguette).

ABOUT THE MODERATOR

Kiese Laymon is a Black southern writer from Jackson, Mississippi. Laymon is the Libbie Shearn Moody Professor of English and Creative Writing at Rice University. Laymon is the author of Long Division, which won the 2022 NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America, named a notable book of 2021 by the New York Times critics. Laymon’s bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Barnes and Noble Discovery Award, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times. The audiobook, read by the author, was named the Audible 2018 Audiobook of the Year. Laymon is the recipient of 2020-2021 Radcliffe Fellowship at Harvard. Laymon is at work on the books, Good God, and City Summer, Country Summer, and a number of other film and television projects. He is the founder of The Catherine Coleman Literary Arts and Justice Initiative, a program based out of the Margaret Walker Center at Jackson State University, aimed at aiding young people in Jackson get more comfortable reading, writing, revising and sharing on their on their own terms, in their own communities. He is the co-host of Reckon True Stories with Deesha Philyaw. Kiese Laymon was awarded a MacArthur Fellowship in 2022.

*ZOOM LINK*

Come out and welcome author, Joseph Earl Thomas to Houston as he celebrates the release of his book, Sink: A Memoir.

EVENT DEETS

When: March 22 at 7 PM CST

Where: Kindred Stories' Reading Garden (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to grab a free ticket or RSVP WITH BOOK to reserve your copy of Sink and support this Black owned bookstore and its programming. 

About the Book

Join us to celebrate the release of TWO books, Storm: Goddess of Dawn by Tiffany D. Jackson and Barda by Ngozi Ukazu! 

EVENT DEETS

When: Tuesday, June 4 @ 7PM

Where: 2304 Stuart Street, HTX, 77004

How: Purchase your TICKET ONLY or RSVP WITH STORM or RSVP WITH BARDA or RSVP WITH BUNDLE (with both books)

Please reach out if you, your kids or students would like to attend but are not in the financial place to do so. 

ABOUT THE STORM

Few can weather the storm.

As a thief on the streets of Cairo, Ororo Munroe is an expert at blending in—keeping her blue eyes low and her white hair beneath a scarf. Stealth is her specialty . . . especially since strange things happen when she loses control.

Lately, Ororo has been losing control more often, setting off sudden rainstorms and mysterious winds . . . and attracting dangerous attention. When she is forced to run from the Shadow King, a villain who steals people's souls, she has nowhere to turn to but herself. There is something inside her, calling her across Africa, and the hidden truth of her heritage is close enough to taste.

But as Ororo nears the secrets of her past, her powers grow stronger and the Shadow King veers closer and closer. Can she outrun the shadows that chase her? Or can she step into the spotlight and embrace the coming storm?

ABOUT BARDU

Darkseid is…and life on Apokolips is tough—but then, it is hell after all. And no one knows this better than Barda, Granny Goodness’s right hand warrior.

But Barda has a secret…she is in love. Or she is drawn to the idea of it anyway, whether it be the beauty of a flower, her affection for her closest friend, Aurelie, or the mysterious and fierce enemy warrior, Orion, who is the only match for Barda’s strength.

But when Granny decides Barda is becoming too soft, she assigns Barda a task that might be more than she can handle—to break the seemingly unbreakable Scott Free. And as Barda questions why Scott has such hope and what he might have done to promote such hatred from Granny, she finds herself drawn to him in a way she never expected.

The only thing is, we do not speak of love on Apokolips…

ABOUT THE AUTHORS

The Souls of Black Folk is Du Bois’s outstanding contribution to modern political theory. It is his still influential answer to the question, “What kind of politics should African Americans conduct to counter white supremacy?” Here, in a major addition to American studies and the first book-length philosophical treatment of Du Bois’s thought, Robert Gooding-Williams examines the conceptual foundations of Du Bois’s interpretation of black politics.

For Du Bois, writing in a segregated America, a politics capable of countering Jim Crow had to uplift the black masses while heeding the ethos of the black folk: it had to be a politics of modernizing “self-realization” that expressed a collective spiritual identity. Highlighting Du Bois’s adaptations of Gustav Schmoller’s social thought, the German debate over the Geisteswissenschaften, and William Wordsworth’s poetry, Gooding-Williams reconstructs Souls’ defense of this “politics of expressive self-realization,” and then examines it critically, bringing it into dialogue with the picture of African American politics that Frederick Douglass sketches in My Bondage and My Freedom. Through a novel reading of Douglass, Gooding-Williams characterizes the limitations of Du Bois’s thought and questions the authority it still exerts in ongoing debates about black leadership, black identity, and the black underclass. Coming to Bondage and then to these debates by looking backward and then forward from Souls, Gooding-Williams lets Souls serve him as a productive hermeneutical lens for exploring Afro-Modern political thought in America.

A moving combination of memoir, psychology, and practical tools, this book offers Black men guidance and support for reclaiming mental well-being and finding whole, full-hearted living.

Early in his career, actor Courtney B. Vance lost his father to suicide. Recently, he lost his godson to the same fate. Still, as mental health discourse hits the mainstream, it leaves the most vulnerable out of the conversation: Black men.
 
In America, we teach that strength means holding back tears and shaming your own feelings. In the Black community, these pressures are especially poignant. Poor mental health outcomes-- including diagnoses of depression and anxiety, reliance on prescription drugs, and suicide-- have skyrocketed in the past decade. Institutionalized racism, microagressions, and stress caused by socioeconomic factors have led Black individuals to face worse mental health outcomes than any other demographic.
 
In  this book, Courtney B. Vance seeks to change this trajectory. Along with professional expertise from famed psychologist Dr. Robin Smith (popularly known as “Dr. Robin”), Courtney B. Vance explores issues of grief, relationships, identity, and race through the telling of his own most formative experiences. Together, Courtney and Dr. Robin provide a guide for Black men navigating life’s ups and downs, reclaiming  mental well-being, and examining  broken pieces to find whole, full-hearted living. Self-care is an act of revolution. It’s time to revolutionize mental health in the Black community.

An expanded edition of Parks’ classic account of race relations in America, with previously unpublished images and texts

This expanded edition of Gordon Parks: Segregation Story includes around 30 previously unpublished photographs, as well as enhanced reproductions created from Parks’ original color transparencies; newly discovered descriptions Parks wrote for the photographs; a manuscript of film-developing instructions and captions Parks authored with Samuel F. Yette; previously published texts by the late art historian Maurice Berger and the esteemed journalist and civil rights activist Charlayne Hunter-Gault; and a new essay by artist Dawoud Bey.
After the photographs were first presented in a 1956 issue of Life magazine, the bulk of Parks’ assignment was thought to be lost. In 2011, five years after Parks’ death, the Gordon Parks Foundation found more than 200 color transparencies belonging to the series. In 2014 the series was first published as a book, and since then new photographs have been uncovered.
In the summer of 1956, Life magazine sent Gordon Parks to Alabama to document the daily realities of African Americans living under Jim Crow laws in the rural South. The resulting color photographs are among Parks’ most powerful images, and, in the decades since, have become emblematic representations of race relations in America. Pursued at grave danger to the photographer himself, the project was an important chapter in Parks’ career-long endeavor to use the camera as a weapon for social change.
Gordon Parks (1912–2006) was born into poverty and segregation in Fort Scott, Kansas, in 1912. An itinerant laborer, he worked as a brothel pianist and railcar porter, among other jobs, before buying a camera at a pawnshop, training himself and becoming a photographer. He evolved into a modern-day Renaissance man, finding success as a film director, writer and composer. The first African American director to helm a major motion picture, he helped launch the blaxploitation genre with his film Shaft (1971). Parks died in 2006.

A powerful, incisive reckoning with the impacts of school desegregation that traces four generations of the author’s family to show how the implementation of integration decimated Black school systems and did much of the Black community a disservice

On May 17, 1954 the landmark case Brown v. Board of Education determined that racial segregation in schools was unconstitutional. Heralded as a massive victory for civil rights, the decision's goal was to give Black children equitable access to educational opportunities and clear a path to a better future. Yet in the years following the ruling, schools in predominantly Black neighborhoods were shuttered or saw their funding dwindle, Black educators were fired en masse, and Black children faced discrimination and violence from their white peers as they joined resource-rich schools that were ill-prepared for the influx of new students.

Award-winning interdisciplinary scholar of education and Black history Noliwe Rooks weaves together sociological data and cultural history to challenge the idea that integration was a boon for Black children. She tells the story of her grandparents, who were among the thousands of Black teachers fired following the Brown decision; her father, who was traumatized by his experiences at an almost exclusively-white school; her own experiences moving from a flourishing, racially diverse school to an underserved inner-city one; and finally her son and his Black peers, who over half-century after Brown still struggle with hostility and prejudice from white teachers and students alike. She also shows how present-day discrimination lawsuits directly stem from the mistakes made during integration.

At once assiduously researched and deeply engaging, Integrated tells the story of how education has remained both a tool for community progress and a seemingly inscrutable cultural puzzle. Rooks' deft hand turns the story of integration's past and future on it's head, and shows how we may better understand and support generations of students to come.

The bestselling, definitive study of African Americans throughout American history, now with a new introduction by noted scholar V. P. Franklin.

In The Negro in the Making of America, eminent historian Benjamin Quarles provides one of the most comprehensive and readable accounts ever gathered in one volume of the role that African Americans have played in shaping the destiny of America. Starting with the arrival of the slave ships in the early 1600s and moving through the Colonial period, the Revolutionary and Civil Wars, and into the last half of the twentieth century, Quarles chronicles the sweep of events that have brought blacks and their struggle for social and economic equality to the forefront of American life.

Through compelling portraits of central political, historical, and artistic figures such as Nat Turner, Frederick Douglass, Duke Ellington, Malcolm X, and the Reverend Martin Luther King, Jr., Quarles illuminates the African American contributions that have enriched the cultural heritage of America. This classic history also covers black participation in politics, the rise of a black business class, and the forms of discrimination experienced by blacks in housing, employment, and the media.

Quarles's groundbreaking work not only surveys the role of black Americans as they engaged in the dual, simultaneous processes of assimilating into and transforming the culture of their country, but also, in a portrait of the white response to blacks, holds a mirror up to the deeper moral complexion of our nation's history. The restoration of this history holds a redemptive quality—one that can be used, in the author's words, as a "vehicle for present enlightenment, guidance, and enrichment."

Celebrate the release of Did Everyone Have an Imaginary Friend (or Just Me)?  with Jay Ellis!

EVENT DEETS

When: Tuesday, August 6, 2024 @ 7PM (Doors Open at 6PM)

Where: STAGES (800 Rosine St, HTX, 77019)

How: Grab your ticket today! Each ticket come with a signed copy of Did Everyone Have an Imaginary Friend (Or Just Me)?: Adventures of Boyhood.  Books will be available for pick up at the event.

*NO REFUNDS*

ABOUT THE BOOK

What to do when you're the perpetual new kid, only child, military brat hustling school-to-school each year and everyone's looking to you for answers? Make some shit up, of course! And a young Jay Ellis does just that, with help from every child's favorite co-conspirator—their imaginary best friend. Born in the perfect storm of especially ferocious rain and a sugar-fueled imagination, Mikey, his imaginary best friend, steps in to figuratively hold Jay's hand through various youthful shenanigans. 

A testament to the importance of imagination, trusting oneself, and making space for your creativity, Did Everyone Have an Imaginary Friend or Just Me? is a story of a 90s kid who confided in his imaginary sidekick to navigate everything from parallel pop culture universes, like watching Fresh Prince alongside John Hughes movies or listening to Ja Rule and Dave Matthews, to a lifetime of birthday disappointment (being a Christmas season Capricorn will do that to you) and hoop dreams gone bad. Mikey also guides him through greater tragedies, like losing his teenage cousin in a mistaken-target driveby and the shame and fear of being pulled over by cops almost a dozen times the year he got his driver's license. 

As imaginary friend morphs into adult consciousness, Ellis charts an unforgettable story of looking within yourself for guidance to some of life’s biggest (and smallest) challenges, told in the roast-you-with-love voice of your closest homie.

ABOUT THE AUTHOR

Born in Sumter, South Carolina, to a military family, Jay Ellis spent his childhood inventing new personas for every town he landed in. Too many to count. After college, he realized the NBA wasn’t good enough for him and he didn’t want to crush other players’ dreams as he dominated the league so he decided to take his one-man show to Hollywood, where he got his start on BET’s The Game. Now an accomplished actor, philanthropist, and entrepreneur, Ellis is best known for his role as Lawrence on HBO’s Insecure, for which he won an NAACP Image Award. He appeared alongside Tom Cruise, flying jets through the skies, in the Oscar-nominated film in Top Gun: Maverick. When he’s not on set filming he spends the majority of his days cleaning up the messes that his daughter’s imaginary friend “Jack” made. Karma.

ABOUT THE CONVERSATION PARTNER

Kendrick Sampson is an actor, producer and activist who leverages his platform and storytelling to shift culture for good. 

Growing up in Houston and Missouri aka “Mo City”, Texas, Kendrick Sampson was dropped into a unique and deeply rooted culture of music and art.

His most acclaimed and notable characters from "Nathan" on HBO's Emmy-nominated comedy series, Insecure, to "Ethan" in Prime’s popular romantic comedy Something from Tiffany’s and his personal favorite, the surrealist satire I am a Virgo from Boots Riley - Kendrick has been achieving his lifelong goal of shifting culture through storytelling and uplifting nuanced, diverse, and authentic portrayals of Black men.

He uses his platform to amplify transformational grassroots work in intersectional mental health justice, sexual health and liberation and fighting state violence. Kendrick co-founded BLD PWR which includes a production company and social impact (501c3) arm whose mission is to “Reimagine and Realize the liberated future we know our people deserve” by organizing Hollywood and shifting the culture toward nourishing and protecting nuanced Black, Indigenous, and marginalized leaders and everyday people, especially our storytellers and their stories.