One of the most important African American leaders of the twentieth century and perhaps the most influential woman in the civil rights movement, Ella Baker (1903–1986) was an activist whose remarkable career spanned fifty years and touched thousands of lives. A gifted grassroots organizer, Baker shunned the spotlight in favor of vital behind-the-scenes work that helped power the Black freedom struggle. Making her way in predominantly male circles while maintaining relationships with a vibrant group of women, students, and activists, Baker was a national officer and key figure in the NAACP, a founder of the Southern Christian Leadership Conference, and a prime mover in the creation of the Student Nonviolent Coordinating Committee.

In this definitive biography, Barbara Ransby chronicles Baker’s long and rich career, revealing her complexity, radical democratic worldview, and enduring influence on group-centered, grassroots activism. Beyond documenting an extraordinary life, Ransby paints a vivid picture of the African American fight for justice and its intersections with other progressive struggles worldwide throughout the twentieth century.

From a NAACP award-winning historian and Fulbright scholar, a history of education in the United States from the end of the Civil War to the historic ruling of Brown v. Board of Education.

In The Battle for the Black Mind, Dr. Karida Brown explores the struggle to define and control the education of African Americans amid shifting societal attitudes and forms of systemic exclusion. From the perspective of freed slaves seeking empowerment and liberation through education, to the white elites aiming to shape the future of the workforce and consolidate power, The Battle for the Black Mind explores the formation of segregated education systems and the influence of philanthropic organizations, religious institutions, and Black educators themselves in shaping these structures. It also examines the global reach of these education models, particularly their impact on African societies under colonial rule. 

Ultimately, Dr. Brown presents a critical investigation of the foundational roots of racial inequality in American education, arguing that it wasn't just about the separation of institutions—but about controlling access to the ideals of American democracy.

FINALIST FOR THE 2020 NATIONAL BOOK CRITICS CIRCLE AWARD FOR POETRY
FINALIST FOR THE 2021 NAACP IMAGE AWARD FOR POETRY

Danez Smith is our president

Homie is Danez Smith’s magnificent anthem about the saving grace of friendship. Rooted in the loss of one of Smith’s close friends, this book comes out of the search for joy and intimacy within a nation where both can seem scarce and getting scarcer. In poems of rare power and generosity, Smith acknowledges that in a country overrun by violence, xenophobia, and disparity, and in a body defined by race, queerness, and diagnosis, it can be hard to survive, even harder to remember reasons for living. But then the phone lights up, or a shout comes up to the window, and family―blood and chosen―arrives with just the right food and some redemption. Part friendship diary, part bright elegy, part war cry, Homie is the exuberant new book written for Danez and for Danez’s friends and for you and for yours.

This #OwnVoices lyrical bedtime picture book is a must-have for every sweet brown baby.

From sunset to bedtime, two brown-skinned parents lovingly care for their beautiful brown baby: first, they play outside, then it is time for dinner and a bath, and finally a warm snuggle before bed.

With Spanish words sprinkled throughout and featuring warm art by New York Times–bestselling and NAACP-Award–winning illustrator AG Ford, Brown Baby Lullaby is the perfect new baby or baby shower gift.

Presented in partnership with Project Row Houses

Join us for a virtual author talk in celebration of Clint Smith's newest book, How the Word is Passed: A Reckoning With the History of Slavery Across America, which debuted as a #1 New York Times Bestseller. This conversation will be moderated by Clint's former history teacher, Mr. Jeffrey Page.  

Event Deets:

When: Monday, September 20 at 7:00 pm CST

Where: Virtual via Crowdcast

How:  Registration is required by adding a ticket to your cart and checking out.  There are 3 options for securing a ticket to the event.  Use the dropdown to the right to select the following ticket types:

1) Select TICKET & BOOK to receive a book with your ticket.  Your book will be shipped within 14 days after the event.

2) Select TICKET & DONATION to receive a ticket to the event.  This option allows you to make a $5 donation to our store.  These events are not free to execute so we appreciate your support!

3) Select TICKET ONLY to receive a ticket to the event only.  This ticket option does not include a book.

We hope to see you there!

About the Book:

Beginning in his own hometown of New Orleans, Clint Smith leads the reader through an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—that offer an intergenerational story of how slavery has been central in shaping our nation’s collective history, and ourselves.

It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving over 400 people on the premises. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned maximum security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers.

In a deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country’s most essential stories are hidden in plain view-whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods—like downtown Manhattan—on which the brutal history of the trade in enslaved men, women and children has been deeply imprinted.

Informed by scholarship and brought alive by the story of people living today, Clint Smith’s debut work of nonfiction is a landmark work of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in making sense of our country and how it has come to be.

About the Author:

Clint Smith is a staff writer at The Atlantic and the author of the poetry collection Counting Descent. The book won the 2017 Literary Award for Best Poetry Book from the Black Caucus of the American Library Association and was a finalist for an NAACP Image Award. He has received fellowships from New America, the Emerson Collective, the Art For Justice Fund, Cave Canem, and the National Science Foundation. His writing has been published in The New Yorker, The New York Times Magazine, Poetry Magazine, The Paris Review and elsewhere. Born and raised in New Orleans, he received his B.A. in English from Davidson College and his Ph.D. in Education from Harvard University.

About the Moderator:

Jeffrey Page is a native of Detroit, Michigan. He recently retired from The Awty International School where he taught History and Global Politics beginning in 2004. He has also served as an Adjunct Instructor of History at Texas Southern University and Houston Community College. In addition, he was an administrator at the Texas Department of Protective and Regulatory Services (Children's Protective Services), served as the Assistant Director of Children’s Division of the Mental Health Mental Retardation Authority of Harris County Texas, and has worked at Memorial Hermann Heights Hospital as a Medical Social Worker. He also worked as a Hospice Social Worker at the Hospice at the Texas Medical Center.

About Project Row Houses:

Project Row Houses is a community platform that enriches lives through art with an emphasis on cultural identity and its impact on the urban landscape. We engage neighbors, artists, and enterprises in collective creative action to help materialize sustainable opportunities in marginalized communities.

Project Row Houses occupies a significant footprint in Houston’s Historic Third Ward, one of the city’s oldest African-American neighborhoods. The site encompasses five city blocks and houses 39 structures that serve as home base to a variety of community-enriching initiatives, art programs, and neighborhood development activities. PRH programs touch the lives of under-resourced neighbors, young single mothers with the ambition of a better life for themselves and their children, small enterprises with the drive to take their businesses to the next level, and artists interested in using their talents to understand and enrich the lives of others. Although PRH’s African-American roots are planted deeply in Third Ward, the work of PRH extends far beyond the borders of a neighborhood in transition. The Project Row Houses model for art and social engagement applies not only to Houston, but also to diverse communities around the world.

To learn more or to make a donation to Project Row Houses visit www.projectrowhouses.org

EVENT DEETS: 

When: December 5 at 630 PM

Where: Kindred Stories (2304 Stuart Street, HTX 77004)

How: RSVP for your time with Glory. Please purchase On Girlhood if you have not to support our programming. 

About The Book

Proudly introducing the Well-Read Black Girl Library Series, On Girlhood is a lovingly curated anthology celebrating short fiction from such luminaries as Rita Dove, Alice Walker, Toni Morrison, and more.

Featuring stories by: Jamaica Kincaid, Toni Morrison, Dorothy West, Rita Dove, Camille Acker, Toni Cade Bambara, Amina Gautier, Alexia Arthurs, Dana Johnson, Alice Walker, Gwendolyn Brooks, Edwidge Danticat, Shay Youngblood, Paule Marshall, and Zora Neale Hurston.

“When you look over your own library, who do you see?” asks Well-Read Black Girl founder Glory Edim in this lovingly curated anthology. Bringing together an array of “unforgettable, and resonant coming-of-age stories” (Nicole Dennis-Benn), Edim continues her life’s work to brighten and enrich American reading lives through the work of both canonical and contemporary Black authors—from Jamaica Kincaid and Toni Morrison to Dana Johnson and Alexia Arthurs. Divided into four themes—Innocence, Belonging, Love, and Self-Discovery—On Girlhood features fierce young protagonists who contend with trials that shape who they are and what they will become. At times heartbreaking and hilarious, the stories within push past flat stereotypes and powerfully convey the beauty of Black girlhood, resulting in an indispensable compendium for every home library.

About The Author

*Ships in 7-10 business days*

One of our preeminent historians of race and democracy argues that the period since 2008 has marked nothing less than America’s Third Reconstruction

In The Third Reconstruction, distinguished historian Peniel E. Joseph offers a powerful and personal new interpretation of recent history. The racial reckoning that unfolded in 2020, he argues, marked the climax of a Third Reconstruction: a new struggle for citizenship and dignity for Black Americans, just as momentous as the movements that arose after the Civil War and during the civil rights era. Joseph draws revealing connections and insights across centuries as he traces this Third Reconstruction from the election of Barack Obama to the rise of Black Lives Matter to the failed assault on the Capitol.

America’s first and second Reconstructions fell tragically short of their grand aims. Our Third Reconstruction offers a new chance to achieve Black dignity and citizenship at last—an opportunity to choose hope over fear.

*Ships/ready for pick up in 5-8 business days*

This celebration of Black resistance, from protests to art to sermons to joy, offers a blueprint for the fight for freedom and justice -- and ideas for how each of us can contribute

Many of us are facing unprecedented attacks on our democracy, our privacy, and our hard-won civil rights. If you're Black in the US, this is not new. As Colorlines editors Akiba Solomon and Kenrya Rankin show, Black Americans subvert and resist life-threatening forces as a matter of course. In these pages, leading organizers, artists, journalists, comedians, and filmmakers offer wisdom on how they fight White supremacy. It's a must-read for anyone new to resistance work, and for the next generation of leaders building a better future.

Featuring contributions from:

• Ta-Nehisi Coates
• Tarana Burke
• Harry Belafonte
• Adrienne Maree brown
• Alicia Garza
• Patrisse Khan-Cullors
• Reverend Dr. Valerie Bridgeman
• Kiese Laymon
• Jamilah Lemieux
• Robin DG Kelley
• Damon Young
• Michael Arceneaux
• Hanif Abdurraqib
  
• Dr. Yaba Blay
  
• Diamond Stingily
  
• Amanda Seales
• Imani Perry
  
• Denene Millner
  
• Kierna Mayo
  
• John Jennings
  
• Dr. Joy Harden Bradford
  
• Tongo Eisen-Martin

Let's celebrate a few of the new-ish Black women mystery writers! 

EVENT DEETS

When: Monday, August 11, 2025 @ 6:30 PM CT

Where: Virtual! Sign up and we'll send you the link to the Zoom. 

How: RSVP ONLY to get the link to the Zoom! RSVP WITH BUNDLE to get a copy of each of the authors' book and support the bookstore!

ABOUT THE AUTHORS

Zoe B. Wallbrook is a recently tenured professor whose academic research has appeared in outlets such as the New York Times and The New Yorker. She was selected for mentorship by LA Times bestseller Elizabeth Little, and History Lessons, her first novel, was a runner-up for the Eleanor Taylor Bland Award. Zoe’s hobbies include beginning all emails with, “My sincerest apologies for my slow reply,” pretending to understand how astrological signs work, and crying at the end of every Call the Midwife episode. She and her husband live with their stalker, a black lab/pittie mix named Sophie.

SANDRA JACKSON-OPOKU is the author of Hot Johnny and the Women Who Loved Him and the award-winning novel The River Where Blood is Born. She also coedited the anthology Revise the Psalm: Work Celebrating the Writing of Gwendolyn Brooks. Her fiction, nonfiction, and dramatic works have been published and produced in Adi Magazine, Midnight & Indigo, Aunt Chloe, Africa Risen: A New Era of Speculative Fiction, New Daughters of Africa, Obsidian, storySouth, the Chicago Humanities Festival, and others.

Elise Bryant is the NAACP Image Award-nominated author of Happily Ever Afters, One True Loves, Reggie and Delilah’s Year of Falling, and It’s Elementary. For many years, Elise had the joy of working as a special education teacher, and now she spends her days reading, writing, and eating dessert. She lives with her husband and two daughters in Long Beach, California. You can visit her online at www.elisebryant.com.

Registration is closed via our website, but please register directly via Crowdcast

ORDER South to America here for an exclusive signed copy!

We all think we know the South. Even those who have never lived there can rattle off a list of signifiers: the Civil War, Gone with the Wind, the Ku Klux Klan, plantations, football, Jim Crow, slavery. But the idiosyncrasies, dispositions, and habits of the region are stranger and more complex than much of the country tends to acknowledge. In SOUTH TO AMERICA: A Journey Below the Mason-Dixon to Understand the Soul of a Nation, one of our most important thinkers and critics, acclaimed author Imani Perry tackles her most ambitious project yet, moving across the color line to grapple with the mix of intimacy and racial violence in Southern and American history, showing that what it means to be American is inextricably linked with the South.  

Imani Perry will be in conversation with Dr. Melanye Price of Prairie View University

Event Details

When: Tuesday, February 1 @ 6:30 PM CST

Where: Virtual via Crowdcast

How:  Register here or on Crowdcast.  Although the event is free, we encourage you to support our store and future programming by purchasing the book here.

About the Author: 

Imani Perry is the Hughes-Rogers Professor of African American Studies at Princeton University where she also teaches in Gender and Sexuality Studies, Law and Public Affairs and Jazz Studies. She has a J.D. from Harvard Law School and a Ph.D in the history of American civilization from Harvard University. Perry is the author of Looking for Lorraine: The Radiant and Radical Life of Lorraine Hansberry, winner of the Bograd-Weld Biography Prize of 2019 from the Pen America Foundation. She is also the author of Breathe: A Letter to My Sons, Vexy Thing: On Gender and Liberation, and May We Forever Stand: A History of the Black National Anthem, which was a finalist for the NAACP Image Award for Outstanding Literary Nonfiction. Perry, a native of Birmingham, Alabama, who grew up in Cambridge, Massachusetts, and Chicago, lives outside of Philadelphia with her two sons.

About the Moderator:

Dr. Melanye Price is Endowed Professor of Political Science at Prairie View A&M University and principle investigator for their African American Studies Initiative, which is funded by grants and gifts from the Mellon Foundation. Her research/teaching interests include black politics, public opinion, political rhetoric, and social movements. Her most recent book, The Race Whisperer: Barack Obama and the Political Uses of Race (NYU, 2016) examines the multiple and strategic ways that President Obama uses race to deflect negative racial attitudes and engage with a large cross-section of voters. Her first book, Dreaming Blackness: Black Nationalism and African American Public Opinion (NYU, 2009) examined contemporary support for Black Nationalism. Her new project is called “Mountaintop Removal: Martin Luther King, Trump and the Racial Mountain,” which uses MLK’s “Mountaintop Speech” as a lens for understanding the rise of Trump and the 2016 election.

From the NAACP Image Award–nominated author of Happily Ever Afters comes a dual POV rom-com about Reggie and Delilah, who fall in love through missed connections and chance meetings on holidays over the course of a year. 

Delilah always keeps her messy, gooey insides hidden behind a wall of shrugs and yeah, whatevers. She goes with the flow—which is how she ends up singing in her friends’ punk band as a favor, even though she’d prefer to hide at the merch table.

Reggie is a D&D Dungeon Master and self-declared Blerd. He spends his free time leading quests and writing essays critiquing the game under a pseudonym, keeping it all under wraps from his disapproving family.

These two, who have practically nothing in common, meet for the first time on New Year’s Eve. And then again on Valentine’s Day. And then again on St. Patrick’s Day. It’s almost like the universe is pushing them together for a reason.

Delilah wishes she were more like Reggie—open about what she likes and who she is, even if it’s not cool. Except . . . it’s all a front. Reggie is just role-playing someone confident. The kind of guy who could be with a girl like Delilah.

As their holiday meetings continue, the two begin to fall for each other. But what happens once they realize they’ve each fallen for a version of the other that doesn’t really exist?

A comprehensive and inspiring collection of essays by Larry Neal, a founder of the seminal Black Arts Movement

“The Black Arts Movement is radically opposed to any concept of the artist that alienates him from his community. Black Art is the aesthetic and spiritual sister of the Black Power concept. As such, it envisions an art that speaks directly to the needs and aspirations of Black America.”
—Larry Neal, The Drama Review, 1968

Larry Neal, a poet, dramatist, and critic, was a founding figure of the Black Arts Movement in the 1960s and 1970s in New York. Writing as the arts editor for Liberator magazine, a radical journal published in Harlem, Neal called for Black artists to produce work that was politically oriented, rooted in the Black experience, and written for the Black community. Engaging with fiction, music, drama, and poetry in his texts, he challenged the dominance of the Western art-historical canon and charged Black artists and writers with reshaping artistic traditions according to their own history. As he proclaimed in his essay “The Black Writer’s Role,” written in 1966, “Black writers must listen to the world with their whole selves––their entire bodies. Must make literature move people. Must want to make our people feel, the way our music makes them feel.”

The writer Allie Biswas, who selected the texts Neal wrote from 1964 to 1978 included here, introduces the volume, illuminating the rich and varied context in which he produced his work.