A deeply transformative memoir that reframes how we think about death and how it can help us lead better, more fulfilling and authentic lives, from America’s most visible death doula.

"A truly unique, inspiring perspective on the time we have, what we do with it, and how we let go of this world.... There is no one I'd trust more to guide me through an understanding of death, and how it informs life." — Jodi Picoult, New York Times bestselling author of Mad Honey and The Book of Two Ways

"Briefly Perfectly Human is a beautiful, raw, light-bringing experience. Alua's voice is shimmering, singular, and pulses with humor, vulnerability, insight, and refreshing candor.... Be prepared for it to grab you, hold you tight, and raise the roof on the power of human connection." — Tembi Locke, author of From Scratch: A Memoir of Love, Sicily, and Finding Home

For her clients and everyone who has been inspired by her humanity, Alua Arthur is a friend at the end of the world. As our country’s leading death doula, she’s spreading a transformative message: thinking about your death—whether imminent or not—will breathe wild, new potential into your life.

Warm, generous, and funny AF, Alua supports and helps manage end-of-life care on many levels. The business matters, medical directives, memorial planning; but also honoring the quiet moments, when monitors are beeping and loved ones have stepped out to get some air—or maybe not shown up at all—and her clients become deeply contemplative and want to talk. Aching, unfinished business often emerges. Alua has been present for thousands of these sacred moments—when regrets, fears, secret joys, hidden affairs, and dim realities are finally said aloud. When this happens, Alua focuses her attention at the pulsing center of her clients’ anguish and creates space for them, and sometimes their loved ones, to find peace.

This has had a profound effect on Alua, who was already no stranger to death’s periphery. Her family fled a murderous coup d’état in Ghana in the 1980s. She has suffered major, debilitating depressions. And her dear friend and brother-in-law died of lymphoma. Advocating for him in his final months is what led Alua to her life’s calling. She knows firsthand the power of bearing witness and telling the truth about life’s painful complexities, because they do not disappear when you look the other way. They wait for you.

Briefly Perfectly Human is a life-changing, soul-gathering debut, by a writer whose empathy, tenderness, and wisdom shimmers on the page. Alua Arthur combines intimate storytelling with a passionate appeal for loving, courageous end-of-life care—what she calls “death embrace.” Hers is a powerful testament to getting in touch with something deeper in our lives, by embracing the fact of our own mortality. “Hold that truth in your mind,” Alua says, “and wondrous things will begin to grow around it.”

Celebrate the paperwork release of Death Doula, Alua Arthur's book, Briefly Perfectly Human! 

EVENT DEETS

When: Tuesday, April 29 @ 7PM

Where: Kindred Stories (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to reserve your copy of Briefly Perfectly Human. If you already have a hardcover copy of Briefly Perfectly Human and you would like to get your book signed, please use the RSVP WITH SIGNING option. 

Note: There are limited RSVP ONLY tickets. Please be sure that you can attend before checking out. Additionally, paperback copies of Briefly Perfectly Human will not be allowed in the venue. 

ABOUT THE BOOK

 For her clients and everyone who has been inspired by her humanity, Alua Arthur is a friend at the end of the world. As our country’s leading death doula, she’s spreading a transformative message: thinking about your death—whether imminent or not—will breathe wild, new potential into your life.

ABOUT THE AUTHOR 

New York Times bestselling author Alua Arthur is the most visible and active death doula working in America today. She is a recovering attorney and the founder of Going with Grace, a death doula training and end-of-life planning organization. Her TED Talk titled, “Why Thinking About Death Helps You Live a Better Life,” went online in July 2023 and has already received 1.5 million views. A frequent guest on TV and radio, Arthur has been featured on CBS’s The Doctors and in Disney's Limitless docu-series with Chris Hemsworth, as well as in national print media outlets, such as Vogue, InStyle, the Los Angeles Times, The Cut, The New Yorker, and the New York Times. International newspaper features on Arthur include Brazil’s Estadão and Norway’s Årets Avis. She has appeared on dozens of podcasts, and a Refinery29 video feature on Arthur and her work received ten million views across social platforms. She travels the country and world as a keynote speaker, addressing audiences of several hundred to several thousand people at medical and end-of-life conferences, universities, seminaries, senior citizens’ communities, and more.

“In these kaleidoscopic stories of Jamaica and its diaspora we hear many voices at once: some cultivated, some simple, some wickedly funny, some deeply melancholic. All of them shine.”—Zadie Smith

Tenderness and cruelty, loyalty and betrayal, ambition and regret—Alexia Arthurs navigates these tensions to extraordinary effect in her debut collection about Jamaican immigrants and their families back home. Sweeping from close-knit island communities to the streets of New York City and midwestern university towns, these eleven stories form a portrait of a nation, a people, and a way of life.

From the author of the Oprah's Book Club Selection An American Marriage, here is a beautifully evocative novel that proves why Tayari Jones is "one of the most important voices of her generation" (Essence).

I Will Keep You in Good Company brings together pages and fragments from over twenty of Ghanaian-Russian artist Liz Johnson Artur’s personal workbooks – handmade volumes she has kept since the early 1990s. Part diary, part experimental playground, these books are where she shaped her photographic language through layering, cutting, annotating, and assembling: a space for processing not only images, but life itself. Each page is a tactile surface, combining photographic prints on canvas, tracing paper, faxes, and photo stock with screen-prints, handwriting, and clipped texts. The result is a sensorial, intimate archive of moments lived and witnessed – of friends, family, strangers, lovers – held with care and attention. ‘I like to be right next to it, in the middle of it, to take it home’, Johnson Artur writes. ‘To keep them close is a way of giving importance and appreciation.’ These workbooks are acts of presence – visual thinking made physical – and the foundation for her celebrated Black Balloon Archive, a project that honours communities across the African diaspora. I Will Keep You in Good Company is a candid, generous record of a photographer learning not only how to look, but how to stay close.

“This debut has it all: music, books, aliens, adventure, resistance, queerness, and a bold heroine tying it all together. ”—Ms. Magazine

Can a girl who risks her life for books and an Ilori who loves pop music work together to save humanity?

When a rebel librarian meets an Ilori commander…

Two years ago, a misunderstanding between the leaders of Earth and the invading Ilori resulted in the death of one-third of the world’s population. Today, seventeen-year-old Ellie Baker survives in an Ilori-controlled center in New York City. All art, books and creative expression are illegal, but Ellie breaks the rules by keeping a secret library.

When young Ilori commander Morris finds Ellie’s illegal library, he’s duty-bound to deliver her for execution. But Morris isn’t a typical Ilori…and Ellie and her books might be the key to a desperate rebellion of his own.

When a girl's confidence is shaken and she begins to shrink, her grandmother is there to remind her of who she is in this empowering picture book about self-esteem.

Amoya Blackwood is loud, bold and carefree. She always has the answer in class. And she knows just what to say to make her friends laugh.

Amoya Blackwood shows up with a smile on her face. She enters a room and takes up space.

But one day Amoya Blackwood starts noticing that the adults around her want to be less loud, less bold, less carefree. They want her to take up less space, and so she does. She gets smaller and smaller and smaller.

She gets so small she hardly recognizes herself.

But then, a conversation with her Gran reminds Amoya of who she is. And a surprising thing happens . . .

In her stunning debut, the creator of Black Liturgies braids stories from three generations of her family alongside contemplative reflections to discover the “necessary rituals” that connect us with our belonging, dignity, and liberation.

“From the womb, we must repeat with regularity that to love ourselves is to survive. I believe that is what my father wanted for me and knew I would so desperately need: a tool for survival, the truth of my dignity named like a mercy new each morning.”
 
So writes Cole Arthur Riley in her unforgettable book of stories and reflections on discovering the sacred in her skin. In these deeply transporting pages, Arthur Riley reflects on the stories of her grandmother and father and encounters of enfleshed, embodied spirituality. As she also writes memorably of her own lived experiences of childhood and selfhood, Arthur Riley boldly explores some of the most urgent questions of life and faith: How can spirituality not silence the body, but instead allow it to come alive? How do we honor, lament, and heal from the stories we inherit? In this indelible work of contemplative storytelling, Arthur Riley invites us to ponder the site of soul by examining our capacity to rest, wonder, joy, rage, and repair, and finding that our humanity is not an enemy to faith but evidence of it.

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In A Black Gaze, Tina Campt examines Black contemporary artists who are shifting the very nature of our interactions with the visual through their creation and curation of a distinctively Black gaze. Their work—from Deana Lawson’s disarmingly intimate portraits to Arthur Jafa’s videos of the everyday beauty and grit of the Black experience, from Khalil Joseph’s films and Dawoud Bey’s photographs to the embodied and multimedia artistic practice of Okwui Okpakwasili, Simone Leigh, and Luke Willis Thompson—requires viewers to do more than simply look; it solicits visceral responses to the visualization of Black precarity.

*Ships/ready for pick-up in 7-10 business days*

Trinidad. Sixteen-year-old Audre is despondent, having just found out she's going to be sent to live in America with her father because her strictly religious mother caught her with her secret girlfriend, the pastor's daughter. Audre's grandmother Queenie (a former dancer who drives a white convertible Cadillac and who has a few secrets of her own) tries to reassure her granddaughter that she won't lose her roots, not even in some place called Minneapolis. "America have dey spirits too, believe me," she tells Audre. Minneapolis. Sixteen-year-old Mabel is lying on her bed, staring at the ceiling and trying to figure out why she feels the way she feels--about her ex Terrell, about her girl Jada and that moment they had in the woods, and about the vague feeling of illness that's plagued her all summer. Mabel's reverie is cut short when her father announces that his best friend and his just-arrived-from-Trinidad daughter are coming for dinner. Mabel quickly falls hard for Audre and is determined to take care of her as she tries to navigate an American high school. But their romance takes a turn when test results reveal exactly why Mabel has been feeling low-key sick all summer and suddenly it's Audre who is caring for Mabel as she faces a deeply uncertain future. Junauda Petrus's debut brilliantly captures the distinctly lush and lyrical voices of Mabel and Audre as they conjure a love that is stronger than hatred, prison, and death and as vast as the blackness between the stars.

Marrying the memoir and essay forms while exploring desire, Prince, and racism, Hilton Als’s My Pinup expands and delivers love.

In this brilliant two-part memoir, the Pulitzer Prize–winning writer Hilton Als distills into one cocktail the deep and potent complexities of love and of loss, of Prince and of power, of desire and of race. It’s delicious and it’s got the kick of a mule, especially as Als swirls into his mix the downtown queer nightclub scene, the AIDS crisis, Prince’s ass in his tight little pants, an ill-fated peach pie, Dorothy Parker, and his desire for true love. Always surprising and stealthily—even painfully—moving, Als plumbs longing: “I inched closer to him as he danced to you, Prince. But already he was you, Prince, in my mind. He had the same coloring, and the same loneliness I wanted to fill with my admiration. I couldn’t love him enough. We were colored boys together. There is not enough of that in the world, Prince—but you know that. Still, when other people see that kind of fraternity they want to kill it. But we were so committed to each other, we never could work out what that violence meant. There was so much love between us. Why didn’t anyone want us to share it?”