In her searing collection of essays, Mikki Kendall takes aim at the legitimacy of the modern feminist movement arguing that it has chronically failed to address the needs of all but a few women. Drawing on her own experiences with hunger, violence, and hypersexualization, along with incisive commentary on politics, pop culture, the stigma of mental health, and more, Hood Feminism delivers an irrefutable indictment of a movement in flux. An unforgettable debut, Kendall has written a ferocious clarion call to all would-be feminists to live out the true mandate of the movement in thought and in deed.

Nikki Giovanni’s extraordinary final collection—a landmark of American literature—speaks to the fury of our current political moment while reflecting on the tragedies and triumphs of her early life.

For decades, Nikki Giovanni’s poetry has been at the forefront of American culture. The New Book is a towering work of protest against the divisions of our time, leavened with moments of joy and reflection about her indelible legacy, her family history, and the small pleasures of her richly lived life.

In The New Book, Nikki Giovanni slashes at the ridiculousness of our cultural and political climate: “We have no secrets/since the world shrunk/and the icebergs melted/and all the year books/are digitized./… and we press Like/or No Like/as if it mattered.”

She remembers 2020 and its cataclysmic reckoning with police brutality and white supremacy: “I do understand that republicans/Are cowards and so are those nazis/Cheering/And those kkk we now call police killing/Not to mention father and sons chasing unarmed Black men/and running their cars into crowds/Pretending they are brave or something/They are not only cowards/And nazis but evil fools/And who go to bed white/Wake up American/And hate themselves for having/To share this earth/They will not overcome/And we will not love them.”

But also in the same poem: “But what does 2020 mean to me/A chance to learn to open oysters/Talk to my friends/Catch up on my reading/Tell myself I am going to dust the house/Lie about it/...Enjoy my own company not to mention football/And remember there will be tomorrow/Because there will be/And evil will go and good will come/I am Black/We have seen much worse.”

With this collection, which includes brief letters and short prose from her life as well as poetry, Giovanni reaffirms her place as a giant of literature, a canny truth-teller, an indispensable radical orator, and one of America’s preeminent cultural critics. It is a book to be savored, and shared.

"If there was a need for poetry that galvanized and inspired, there was also a demand for poetry that comforted and unified — and Ms. Giovanni provided on both counts." — The Washington Post

The complete early work of the renowned poet—available for the first time ias a Harper Perennial Modern Classic. . . . “Nikki Giovanni is one of our national treasures.”—Gloria Naylor

Ackowledged by Oprah WInfrey as “one of the 25 women who changed her life,” Nikki Giovanni is a living legend. When her poems first emerged during the Black Arts Movement in the 1960s, Giovanni immediately became one of the most celebrated, controversial, and influential poets of the era. Today, Giovanni remains one of the most commanding and luminous voices to grace our political and poetic landscape.

This omnibus includes her first seven volumes of poetry from her early years, 1967 to 1983: Black Feeling Black Talk; Black Judgement; Re: Creation; My House; The Women and the Men; Cotton Candy on a Rainy Day; and Those Who Ride the Night Winds. A timeles classic, it is both a refelction of the changes in her own life and an evocation of a nation’s past and its present.

 *All pre-orders are signed/personalized and come with exclusive art and bookmarks.*

 From Joya Goffney, author of Excuse Me While I Ugly Cry, comes her third stunning YA novel, a stirring coming-of-age, best friends-to-lovers romance about a girl named Nikki who plans to run away from small-town Texas but ultimately finds that her oldest friend, Mal, just might be the one who’s been there for her all along. Filled with Joya’s signature heart and humor, this book captures complex family dynamics, friendship, and love. For fans of I Wanna Be Where You Are by Kristina Forest and Counting Down with You by Tashie Bhuiyan.

The poetry of Nikki Giovanni has spurred movements, turned hearts and informed generations. She’s been hailed as a firebrand, a radical, a healer, and a sage; a wise and courageous voice who has spoken out on the sensitive issues, including race and gender, that touch our national consciousness.

As energetic and relevant as ever, Nikki now offers us an intimate, affecting, and illuminating look at her personal history and the mysteries of her own heart. In A Good Cry, she takes us into her confidence, describing the joy and peril of aging and recalling the violence that permeated her parents’ marriage and her early life. She pays homage to the people who have given her life meaning and joy: her grandparents, who took her in and saved her life; the poets and thinkers who have influenced her; and the students who have surrounded her. Nikki also celebrates her good friend, Maya Angelou, and the many years of friendship, poetry, and kitchen-table laughter they shared before Angelou’s death in 2014.

“I had no idea
Grandmother had to beg
A white man to let me
enroll in Austin High
Where I needed clothes
From Miller and Rich’s
Shoes a coat and stuff
All I knew then
Was the sound
Of my father hitting
My mother every Saturday
Night until I heard
Her say ‘Gus, please
Don’t hit me.’
And I knew my choice: Leave or kill him
Both were sad
I am in the hospital
Room
With yellow tulips
From Nancy and Diana
And a beautiful bouquet
From the English Department
I am trying to learn
how to cry
It’s not that my life
has been a lie
But that I repressed
My tears.”
—From Baby West

Acclaimed poet Nikki Grimes and award-winning illustrator Cozbi A. Cabrera celebrate the joy of family, friends, and of feeling thankful. The Bulletin of the Center for Children’s Books says that Thanks a Million “offers a variety of reasons for giving thanks and feeling appreciation.” An inspirational and useful picture book that is perfect for educators, parents, and aspiring poets.

What does it mean to connect with someone? What does it mean to feel thankful? Award-winning poet Nikki Grimes and Caldecott Honor artist Cozbi A. Cabrera honor human relationships—from family to friendships to community bonds—and the moments that bring us together.

*Ships in 7-10 Business Days*

There's so much happening on Fulton Street, you'd need a newsletter to keep on top of all the action . . . and Nikki and Deja are just the girls to write it!

Newsy news is not just regular news. It's news that's interesting and exciting. Nikki and Deja know that there's plenty of newsy news happening on their block and at Carver Elementary, just waiting to be reported. Luckily, Nikki has her special pen and notepad, Deja has the use of Auntie Dee's computer, and they both have lots of ideas. Before long, the Fulton Street Newsy News Newsletter is born. At first, everyone wants to read what the girls have written. But after just one issue, some unexpected problems arise. Will Nikki and Deja's plans to become celebrated journalists succeed?

Like the first two Nikki and Deja stories, this accessible chapter book shines with emotional depth and humor, perfectly capturing the complexities and joys of elementary school girls' friendships.

When the students in Nikki and Deja’s class find out that their school is going to hold its first-ever election for student body president, some kids are more excited than others. But none is as excited as Deja, who figures she’s a shoo-in for the third grade nomination. Deja decides that Nikki will be her campaign manager, of course, and puts her to work right away. But will Deja’s tendency to rush into things and boss people around alienate her best friend when she needs her most, and spoil her chances of becoming president of Carver Elementary?

This is a charming new entry in a chapter book series praised for its humor and authentic characters.

An amateur online sleuth must enlist the help of a jaded PI to clear her name while taking down a shady tech start-up in this exhilarating romantic suspense novel.

Fiona Addai is ready to set her plan in motion. To honor the anniversary of her brother’s death, she’s going to steal back his brilliant invention from the ruthless corporation that stole and claimed it as their own. As a famed Reddit detective known as @Princess_PI, Fiona has used her online connections and sleuthing skills to time every step down to the minute. But with one disastrous misstep, instead of getting justice, Fiona finds herself accused of murder.

Maurice Bennett is no stranger to insomnia. These days, he’s not losing sleep over the cases he’s solving—but running from the one he couldn’t. Instead, he’s been settling for small-time scandals that don’t stir up the guilt he’s buried. But when he spots Fiona Addai at the center of a murder investigation, something clicks. And for the first time in a long while, Maurice feels that old spark of intrigue.

However, Fiona is not the helpless damsel she appears to be. Sure, she needs Maurice’s help to clear her name, but she’s got conditions of her own: she wants a crash course in real-world detective work. Maurice isn’t exactly thrilled. With every late-night stakeout and tension-filled interrogation, their partnership, rife with tension and unexpected chemistry, unravels a dangerous web of corporate crime and familial secrets. To bring the real killer to light, they'll need to trust each other and that might be the most dangerous gamble of all.

A major survey chronicling Thomas’ vibrant, rhinestone-adorned paintings

New York–based artist Mickalene Thomas’ critically acclaimed and extensive body of work spans painting, collage, print, photography, video and immersive installations. With influences ranging from 19th-century painting to popular culture, Thomas’ art articulates a complex and empowering vision of womanhood while expanding on and subverting common definitions of beauty, sexuality, celebrity and politics. This major survey publication further affirms Thomas’ status as a key figure of contemporary art. It features notable works that are arranged in thematic chapters throughout the book.
The book also features an interview with the artist by Rachel Thomas, and is followed by essays from Beverly Guy-Sheftall, Darnell L. Moore, Claudia Rankine, Ed Schad, T.K. Smith and Christine Y. Kim, which cover her distinct visual vocabulary, drawing on themes of intergenerational female empowerment, autobiography, memory and tenets of Black feminist theory. In particular, they explore how Thomas subverts art history to reclaim the notions of repose, rest and leisure in works that celebrate self-expression and joy. For the artist, repose is a radical act, pointing to "what is able to happen once you have the agency."
Mickalene Thomas (born 1971) is an international, award-winning, multidisciplinary artist whose work has yielded instantly recognizable and widely celebrated aesthetic languages within contemporary visual culture. She is known for her elaborate portraits of Black women composed of rhinestones, acrylic and enamel.

Three years ago, I decided to have my first one-night stand. The plan was simple: research how to do it and meet a man at the bar before nerves playing with my guts got the best of me. I wanted to ring in the new year between a stranger's legs. Someone with good hygiene and exceptional tensile strength to take the edge off of studying mechanical engineering.

Then he walked in.

I'd heard whispers about "a night with Knight," tales of toe cramps and matted hair. Antonio is the biggest player and not the man to relieve me of my pent-up tension. His thick thighs, veiny forearms, and charming smile promised a trip to the hospital.

I shouldn't have followed him back to his condo, but I did.

Dinner turned into a kiss, and that kiss led to accidental humping. That's how we ended up in the emergency room. He had a broken nose, and my wig was stuck on his watch.

Three years and a PhD later, Antonio has cemented himself in my life as my best friend. Moving to the city where my sister lives-and where he plays professional rugby-wasn't a big deal at first. But everything changed when we hugged. His cologne surrounded me, and his eyes stayed locked on mine.

Our friendship is platonic, ironclad after the one-night stand gone wrong. So why can't I shake the feeling that we've barely scratched the surface?