The long-awaited first major monograph on the iconic portraitist of Black Americans

This is the first comprehensive monograph on acclaimed painter Amy Sherald, whose distinctive style of simplified realist portraiture features African American subjects rendered against colorful monochrome backdrops or in everyday settings. Sherald rose to fame after being chosen by former first lady Michelle Obama to paint her official portrait for the National Portrait Gallery in Washington, DC, in 2018, becoming the first African American woman to receive this honor. In addition to reproductions of Sherald’s recent works, the book—published to accompany her solo exhibition at Hauser & Wirth London in fall 2022—includes illustrations of earlier paintings, as well as an intimate glimpse into Sherald’s process and practice through a series of in-studio photographs. Newly commissioned texts include an art historical analysis of the artist’s work by Jenni Sorkin; a meditation on the politics and aesthetics of Sherald's portraiture by cultural scholar Kevin Quashie; and a conversation between Sherald and acclaimed author Ta-Nehisi Coates.
Amy Sherald was born in Georgia in 1973 and received her MFA in Painting from the Maryland Institute College of Art in 2004. She has been included in countless group shows at galleries and museums worldwide as well as the subject of solo exhibitions at Hauser & Wirth and Spelman College Museum of Fine Art, among others. Sherald lives in Baltimore and New Jersey.

Amy Sherald’s work, life, and significance for American art, as revealed in her powerful figurative paintings of Black subjects
 
Bringing together nearly all of her artwork to date, this lavishly illustrated volume situates the work of Amy Sherald (b. 1973) within the context of American realist and figurative painting. Encompassing the full arc of her career, from her poetic early works to the distinctive figure paintings and portraits that have become her hallmark, Amy Sherald: American Sublime unfolds her method of selecting individuals she meets on the street and using facial expression, body language, and clothing choices to create paintings that transcend portraiture and expand the canon of American art. Essays by curators Sarah Roberts and Rhea Combs; poet and writer Elizabeth Alexander; artist Dario Calmese; and renowned scholar Deborah Willis contextualize and illuminate Sherald’s creation of a new form of imaginative portraiture. Often depicting her subjects’ skin in gray monochrome, surrounded by few markers of place, time, or context beyond the clothes they wear, Sherald challenges the assumption that Black life is inextricably bound with struggle, creating images that engage in more expansive thinking about race and representation and the wide-open possibilities and complexities of every individual. Whether a passerby or the former first lady Michelle Obama, Sherald’s subjects are at ease with themselves, the world, and one another.
 
Published in association with the San Francisco Museum of Modern Art
 
Exhibition Schedule:
 
San Francisco Museum of Modern Art
(November 16, 2024–March 9, 2025)
 
Whitney Museum of American Art, New York
(April 9–August 3, 2025)
 
National Portrait Gallery, Washington, DC
(September 2025–January 2026)

This exploration of Black dandy fashion and its representation in art and literature highlights the vibrant, complicated legacy of a recognizable yet constantly shifting style, from its origins in Enlightenment Europe to the contemporary art and fashion worlds
 
Superfine: Tailoring Black Style traces the complex and vibrant legacy of menswear across three centuries of Black culture—from today’s hip-hop aesthetic and popular street trends, through its use during the Harlem Renaissance and the civil rights movement as a symbol of creative and political agency, to its surprising origins as an imposed uniform for servants and enslaved people. Organized by key characteristics of dandyism that resonate across time, including presence, distinction, disguise, and respectability, this fresh interpretation of a centuries-old aesthetic draws on prominent Black voices in fashion, literature, and art—among them, Dandy Wellington, Amy Sherald, Iké Udé, and André 3000. Self-described dandies and high-fashion models feature in a stunning photo essay by artist Tyler Mitchell, who also contributes evocative new photography of garments by contemporary designers such as Virgil Abloh, Pharrell Williams, and Grace Wales Bonner. These works are shown alongside historical attire worn by Black luminaries including Frederick Douglass, Alexandre Dumas père, Muhammad Ali, and André Leon Talley. Scholar Monica L. Miller contextualizes these objects in her text and shows how the evolution of dandy style inspired new visions of Black masculinity that use the power of clothing and dress as a means of self-expression.
 
Published by The Metropolitan Museum of Art/Distributed by Yale University Press
 
Exhibition Schedule:
 
The Metropolitan Museum of Art, New York
(May 10–October 26, 2025)

Catalogue design by Pacific (Elizabeth Karp-Evans and Adam Turnbull)

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Black figuration and portraiture as realized in the works of Amy Sherald, Jordan Casteel and other contemporary artists

“There is never a time in the future in which we will work out our salvation. The challenge is in the moment, the time is always now,” wrote James Baldwin. Published in conjunction with the eponymous exhibition at the National Portrait Gallery, London, The Time is Always Now is edited by curator Ekow Eshun, former director of the Institute of Contemporary Arts in London. The book brings together 22 contemporary African diasporic artists working primarily in the United Kingdom and the United States, whose practices―whether through painting, drawing or sculpture―foreground the Black figure. Acknowledging the paradox of race as both a “socially constructed fiction” and a “lived reality,” as Eshun writes, The Time is Always Now celebrates these Black figurative artworks against a background of heightened cultural visibility. Through a three-part structure, this book examines Black figuration as a means to address the absence and distortion of Black presence within Western art history. Each artist receives a detailed biographical profile alongside reproductions of their included works. The catalog is also supplemented by three original essays from Dorothy Price, Professor of Modern and Contemporary Art and Critical Race Art History at the Courtauld Institute of Art; Bernardine Evaristo, Booker Prize–winning author of Girl, Woman, Other; and Esi Edugyan, two-time Giller Prize winner for her novels Half-Blood Blues and Washington Black.

Artists include: Njideka Akunyili Crosby, Hurvin Anderson, Michael Armitage, Jordan Casteel, Noah Davis, Godfried Donkor, Kimathi Donkor, Denzil Forrester, Lubaina Himid, Claudette Johnson, Titus Kaphar, Kerry James Marshall, Wangechi Mutu, Chris Ofili, Toyin Ojih Odutola, Jennifer Packer, Thomas J. Price, Nathaniel Mary Quinn, Lorna Simpson, Amy Sherald, Henry Taylor, Barbara Walker.

The first major publication on Baltimore-based painter Jerrell Gibbs, whose contemplative portraits of Black sitters thrum with a vivid sense of place and reflect the complexity and emotional depth of everyday Black life.

This book captures a prolific period of self-examination and observation for contemporary artist Jerrell Gibbs (b. 1988). Known for his luminously rendered, expressionistic oil paintings, Gibbs uses the figure as a dynamic and recurring motif to explore themes of Black masculinity, fatherhood, legacy, and remembrance.

Drawing from archival family photographs, Gibbs emphasizes placement, size, and proportion, blending intimate mark-making with bold painterly gestures. By complicating and subverting visual stereotypes, Gibbs engages deeply with the materiality of painting, offering tender, emotionally evocative portrayals of Black men as husbands, fathers, brothers, and sons. These allegorical and autobiographical works underscore quiet moments of joy, sorrow, and beauty as vital components of Black life. Additionally, commissioned portraits of such figures as Elijah Cummings and August Wilson are juxtaposed with allegorical figures from Gibbs’s dreams, reflecting his growth as an artist and individual. Gibbs’s work offers a fresh approach to painting the human form, following in the footsteps of other Black figurative painters Kerry James Marshall, Henry Taylor, and Amy Sherald.

A celebratory visual chronicle of the many ways in which Black Americans have used portraiture to envision themselves

Spanning over two centuries from around 1800 to the present day, Black American Portraits chronicles the ways in which Black Americans have used portraiture to envision themselves in their own eyes. Remembering Two Centuries of Black American Art, curated by David C. Driskell at LACMA 45 years ago, this book is a companion to the exhibition of the same name that reframes portraiture to center Black American subjects, sitters and spaces. This selection of approximately 140 works from LACMA’s permanent collection highlights emancipation, scenes from the Harlem Renaissance, portraits from the Civil Rights and Black Power eras, multiculturalism of the 1990s and the spirit of Black Lives Matter.
Countering a visual culture that often demonizes Blackness and fetishizes the spectacle of Black pain, these images center love, abundance, family, community and exuberance. Black American Portraits depicts Black figures in a range of mediums such as painting, drawing, prints, photography, sculpture, mixed media and time-based media. In addition to work by artists of African descent, Black American Portraits includes several works by artists of other backgrounds who have exemplified a thoughtfulness about, sensitivity toward and commitment to Black artists, communities, histories and subjects.
Artists include: Alvin Baltrop, Edward Biberman, Bisa Butler, Jordan Casteel, Njideka Akunyili Crosby, Bruce Davidson, Stan Douglas, rafa esparza, Shepard Fairey, Charles Gaines, Sargent Claude Johnson, Deana Lawson, Kerry James Marshall, Alice Neel, Lorraine O'Grady, Catherine Opie, Amy Sherald, Ming Smith, Henry Taylor, Tourmaline, Mickalene Thomas, James Van Der Zee, Carrie Mae Weems, Charles White, Kehinde Wiley and Deborah Willis.

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Replete with complexities, abjection, beauty and joy, Women Painting Women offers new ways to imagine the portrayal of women, from Alice Neel to Jordan Casteel

A thematic exploration of nearly 50 female artists who choose women as subject matter in their works, Women Painting Women includes nearly 50 portraits that span the 1960s to the present. International in scope, the book recognizes female perspectives that have been underrepresented in the history of postwar figuration. Painting is the focus, as traditionally it has been a privileged medium for portraiture, particularly for white male artists. The artists here use painting and women as subject matter and as vehicles for change. They range from early trailblazers such as Emma Amos and Alice Neel to emerging artists such as Jordan Casteel, Somaya Critchlow and Apolonia Sokol. All place women—their bodies, gestures and individuality—at the forefront.
The pivotal narrative in Women Painting Women is how the artists included use the conventional portrait of a woman as a catalyst to tell another story outside of male interpretations of the female body. They conceive new ways to activate and elaborate on the portrayal of women by exploring themes of the Body, Nature Personified, Selfhood and Color as Portrait. Replete with complexities, realness, abjection, beauty, complications, everydayness and joy, the portraits in this volume make way for women artists to share the stage with their male counterparts in defining the image of woman and how it has evolved.
Artists include: Rita Ackermann, Njideka Akunyili Crosby, Emma Amos, María Berrío, Louise Bonnet, Lisa Brice, Joan Brown, Jordan Casteel, Somaya Critchlow, Kim Dingle, Marlene Dumas, Celeste Dupuy-Spencer, Nicole Eisenman, Tracey Emin, Natalie Frank, Hope Gangloff, Eunice Golden, Jenna Gribbon, Alex Heilbron, Ania Hobson, Luchita Hurtado, Chantal Joffe, Hayv Kahraman, Maria Lassnig, Christiane Lyons, Danielle Mckinney, Marilyn Minter, Alice Neel, Elizabeth Peyton, Paula Rego, Faith Ringgold, Deborah Roberts, Susan Rothenberg, Jenny Saville, Dana Schutz, Joan Semmel, Amy Sherald, Lorna Simpson, Arpita Singh, Sylvia Sleigh, Apolonia Sokol, May Stevens, Claire Tabouret, Mickalene Thomas, Nicola Tyson and Lisa Yuskavage.

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Tabitha Brown’s path to stardom was a long and winding one. For years she pursued acting while raising a family and dealing with undiagnosed chronic autoimmune pain. Before she became vegan, her condition made her believe she wouldn’t live to see forty. Now she’s one of the most popular personalities in the world, with millions of followers on TikTok, Instagram, and Facebook whom she inspires to live and eat well with her blend of homespun wisdom and delicious home cooking. With her relatable personality and health struggles, approachable and nonjudgmental take on plant-based living, and warm voice reflecting her Southern upbringing, Tabitha connects with readers with a good story and gentle hand. The most important lesson Tabitha shares with readers is how to make a life for themselves that is rooted in kindness and love, both for themselves and for others.

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The ultimate hands-on workbook for anyone looking to get their finances in order—from budgeting to investing and everything in between—by Tiffany "The Budgetnista" Aliche, the New York Times bestselling author of the smash hit Get Good with Money

We all want to live within our means, save for retirement, invest a little, and yet still have some left over each month for fun. But as most people know, real life can get in the way of even our best intentions! To help us set realistic goals and keep us on track to meeting them, New York Times bestselling financial educator Tiffany “The Budgetnista” Aliche has an invaluable 10-step action plan: Made Whole. With her signature down-to-earth style, she offers worksheets, checklists, and action items for ten important building blocks—from the ins and outs of budgeting, investing, credit rating, and estate planning, to getting insurance and getting the flow of our money automated. A hardworking tool for getting our financial ducks in a row, it also includes:

• Clear explanations of intimidating financial terminology
• Simple instruction on calculating our present situation and future needs

• Invaluable worksheets for keeping track of the numbers

• Handy hacks for increasing your credit score, making savings "hard to access," and finding support to stay on track to your goals

A masterclass in taking charge of your money, Made Whole has what every reader needs to achieve financial savvy, stability, and security.

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From award-winning, bestselling author Ibi Zoboi and prison reform activist Yusef Salaam of the Exonerated Five comes a powerful YA novel in verse about a boy who is wrongfully incarcerated. One of the most acclaimed YA novels of the year—this Walter Award–winning, New York Times and Indie bestseller is now available in paperback—a must-read for fans of Jason Reynolds, Walter Dean Myers, and Elizabeth Acevedo. 

The story that I thought

was my life

didn’t start on the day

I was born

Amal Shahid has always been an artist and a poet. But even in a diverse art school, because of a biased system, he’s seen as disruptive and unmotivated. Then, one fateful night, an altercation in a gentrifying neighborhood escalates into tragedy. “Boys just being boys” turns out to be true only when those boys are white.

The story that I think

will be my life

starts today

Suddenly, at just sixteen years old, Amal is convicted of a crime he didn’t commit and sent to prison. Despair and rage almost sink him until he turns to the refuge of his words, his art. This never should have been his story. But can he change it?

With spellbinding lyricism, award-winning author Ibi Zoboi and prison reform activist Yusef Salaam tell a moving and deeply profound story about how one boy is able to maintain his humanity and fight for the truth in a system designed to strip him of both. 

The soul-stirring intersectional biography of the most famous Islamic woman scholar working today, from the two-time Pulitzer Prize finalist author of If the Oceans Were Ink and Home, Land, Security.

“A testament to what it means to labor for justice from inside a faith tradition—to love it enough to transform it . . . The Lady Imam is right on time to ignite our courage.”—Valarie Kaur, bestselling author of See No Stranger and Sage Warrior

A feminist scholar-activist, single mother of five, and queer advocate, amina wadud has led a struggle against Islam’s patriarchal establishment that’s been felt keenly all over the world. Like Martin Luther King, Jr. and Malcolm X before her, wadud has mobilized faith’s potential as an engine of equality. Yet this American trail-blazer’s story has never been told in book form—until now.

Born Mary Teasley, the daughter of a Methodist preacher, wadud grew up in Maryland with a rare vantage on socioeconomic divides, living through poverty and her sister’s death from an illegal abortion. A gifted student, teenage wadud was sent to live with affluent white families in Weston, Massachusetts. After cross-country hitchhiking and a stint in a Buddhist ashram, she converted to Islam as a twenty-year-old Ivy League student.

wadud devoted her life to studying the Qur’an and challenged centuries of patriarchal interpretations, finding in it equality for all. In Manhattan in 2005, she became the world’s most famous—and infamous—Islamic scholar when she became the first woman in 1400 years to lead men and women together in public Friday prayers.

The Lady Imam chronicles the life of a singular figure not only in Islam, but also in feminism, Black history, and gender studies. With unprecedented access through years of interviews and archival research, Carla Power has written the definitive account of wadud's extraordinary life while shedding light on our deepest questions about faith, family, and social justice.

Event Details:

When: Friday, October 8 at 7:00 PM CST

Where: The Fountain of Praise, 13950 Hillcroft Ave, Houston, TX 77085

How:  Ticket required for entry.  Every ticket includes a copy of Tabitha Brown's book, Feeding the Soul (becasue it's my business), which will be available for pick-up when checking in at the venue. 

Cost: $40 via Eventbrite (includes book)

We hope to see you there!

About the Book:

From the actress and TikTok vegan superstar who became known as "America's Mom" for her warm, upbeat, encouraging messages--a warmth, funny, generous book of life lessons in in trademark style.

Brown's path to stardom was an unlikely one. While pursuing acting, she raised a family and struggled with a painful and debilitating autoimmune disorder that was finally cured by switching to a vegan diet, which she started talking about on TikTok.

Now she's one of the most popular personalities in the world, with millions of fans who follow her homespun wisdom. The book is filled with these stories about her life, career, faith, and family--and is organized around Tab's now-famous catchphrases like "That's your business," "Have the most amazing day," and "But don't go messin' up no one else's."

Marked by humor, warmth, generosity, inspiration and faith, it's a book fans will return to again and again--and want to give others.

About the Author:

Tabitha Brown literally and metaphorically satisfies the hunger of millions with her unique approach to veganism and her wholesome, comedic personality. Whether it be a new recipe, acquiring some imparted wisdom, enjoying a laugh, or melting away to a soulful, soothing voice, Tabitha Brown is home base. The North Carolina born actress, vegan lifestyle personality, mother, and wife, has amassed over 11 million followers across platforms, gaining 2 million followers over a five-week period on TikTok, earning her the coined title of “America’s mom.” Brown’s unique journey to veganism highlights the intersection of personal discovery, food, and health. With a passion for acting, Brown traveled around the States to pursue her career. She landed notable theatrical features including NBC’s hit comedy Will & Grace, ABC drama Switched at Birth and Showtime’s The CHI.

Brown has developed a role for herself, with her own script, direction, and audience. An unconventional way to rise to stardom, Brown paved a path to achieve her dream of being in front of a camera without sacrificing – and, in fact embracing – who she is and the unique, wholesome qualities that make her Tabitha Brown.

Event guidelines subject to change.