NATIONAL BESTSELLER • In “one of Morrison’s most haunting works” (The New York Times),the acclaimed Nobel Prize winner reveals what lies beneath the surface of slavery. But at its heart, like Beloved, it is the story of a mother and a daughter—a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment.

One of the New York Times’s 100 Best Books of the 21st Century

In the 1680s the slave trade in the Americas is still in its infancy. Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small holding in the harsh North. Despite his distaste for dealing in “flesh,” he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, who can read and write and might be useful on his farm. Rejected by her mother, Florens looks for love, first from Lina, an older servant woman at her new master's house, and later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives.

This rich and moving novel traces the lives of two black heroines from their close-knit childhood in a small Ohio town, through their sharply divergent paths of womanhood, to their ultimate confrontation and reconciliation.

Nel Wright has chosen to stay in the place where she was born, to marry, raise a family, and become a pillar of the black community. Sula Peace has rejected the life Nel has embraced, escaping to college, and submerging herself in city life. When she returns to her roots, it is as a rebel and a wanton seductress. Eventually, both women must face the consequences of their choices. Together, they create an unforgettable portrait of what it means and costs to be a black woman in America.

Honor the legacy of Toni Morrison and the transformative power of literature with our “Books Are Political Action” enamel pin. Inspired by Morrison’s iconic words, this pin celebrates the radical, world-shaping force of storytelling—and the readers who carry that truth with them.

Crafted with high-quality hard enamel and a smooth, elegant finish, this pin features a bold, beautifully lettered design that stands out on totes, denim jackets, backpacks, and lanyards. Its durable construction ensures it stays secure through every march, meeting, book club, and bookstore visit.

Perfect for educators, organizers, book lovers, and anyone who believes in the power of stories to spark change, this pin is more than an accessory—it’s a declaration.

Wear it as a reminder of the work, the beauty, and the responsibility of reading with intention.

An insightful exploration that unveils the lesser-known dimensions of this legendary writer and her legacy, revealing the cultural icon’s profound impact as a visionary editor who helped define an important period in American publishing and literature.

A multifaceted genius, Toni Morrison transcended her role as an author, helping to shape an important period in American publishing and literature as an editor at one of the nation’s most prestigious publishing houses. While Toni Morrison's literary achievements are widely celebrated, her editorial work is little known. Drawing on extensive research and firsthand accounts, this comprehensive study discusses Morrison's remarkable journey from her early days at Random House to her emergence as one of its most important editors. During her tenure in editorial, Morrison refashioned the literary landscape, working with important authors, including Toni Cade Bambara, Leon Forrest, and Lucille Clifton, and empowering cultural icons such as Angela Davis and Muhammad Ali to tell their stories on their own terms.

Toni Morrison herself had great enthusiasm about Dana Williams's work on this story, generously sharing memories and thoughts with the author over the years, even giving her the book's title. From the manuscripts she molded, the authors she nurtured, and the readers she inspired, Toni at Random demonstrates how Toni Morrison has influenced American culture beyond the individual titles or authors she published. Morrison’s contribution as an editor transformed the broader literary landscape and deepened the cultural conversation. With unparalleled insight and sensitivity, Toni at Random charts this editorial odyssey.

The beloved novel about a New York City girlhood that heralded a renaissance in Black women’s literature, with a new foreword by Nicole Dennis-Benn, the bestselling author of Patsy and Here Comes the Sun

One of The New York Times Magazine’s 25 Most Significant New York City Novels from the Last 100 Years

A Penguin Classic

Selina Boyce comes of age in 1940s New York as the daughter of two immigrants from Barbados: a free-spirited father she adores and who dreams of returning to his Caribbean island home, and a disciplined, hardworking mother she admires and who is determined to purchase their Brooklyn brownstone. When her father comes into an unexpected inheritance, Selina is torn between his nostalgia for the past and her mother’s ambition for the future, all while negotiating racism, sexuality, Depression-era poverty, and the competing values of African Americans and her West Indian immigrant community.

First published in 1959, Brown Girl, Brownstones opened a window into the rich inner life of Black women and today ranks with A Tree Grows in Brooklyn as one of the great New York City novels. With her autobiographical debut, Paule Marshall paved the way for Toni Morrison, Alice Walker, Audre Lorde, June Jordan, and Maya Angelou—and took her place in the American literary canon.

Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A new edition of the classic New York Times bestseller edited by Toni Morrison, offering an encyclopedic look at the black experience in America from 1619 through the 1940s with the original cover restored.

When Toni Morrison was a senior editor at Random House, she worked with four prominent collectors of black memorabilia to develop this extraordinary “scrapbook” of more than five hundred images detailing the rich cultural and social history of African Americans—from the era of the transatlantic slave trade through the start of the Civil Rights movement. Now, as the nation marks the four hundredth anniversary of the first enslaved Africans’ arrival on these shores, The Black Book returns to print in hardcover, featuring the original jacket design.

An illuminating, electrifying exploration of the work of Toni Morrison by an award-winning novelist and Harvard professor

Toni Morrison, Nobel Laureate and one of our most beloved writers, has inspired generations of readers. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Namwali Serpell puts it, “she is our only truly canonical black, female writer—and her work is highly complex.” In On Morrison, Serpell brings her unique experience as both an award-winning writer and professor who teaches a course on Morrison to illuminate her masterful experiments with literary form.

This is Morrison as you’ve never encountered her before, a journey through her oeuvre—her fiction and criticism, as well as her lesser-known dramatic works and poetry—with contextual guidance, archival discoveries, and original close readings. At once accessible and uncompromisingly rigorous, On Morrison is a primer not only on how to read one of the most significant American authors of all time, but also on how to read great works of literature in general. This dialogue on the page between two black women artist-readers is stylish, edifying, and thrilling in its scope and intelligence.

How Black maternal grief sustains, resists, and remakes Black life

In 1955, Mamie Till-Mobley’s decision to display her son’s brutalized body transformed private mourning into public activism, establishing a paradigm of "grief capital." In Mama, Don’t You Weep, Rhaisa Kameela Williams interrogates this phenomenon, arguing that Black maternal grief functions simultaneously as a political and financial commodity and a deeply embodied experience. Williams traces how Black women navigate the "murky waters" where their pain is leveraged as symbolic currency―reproducible, marketable, and subject to contract―while they simultaneously perform the quiet, ongoing labor of living with loss.

Spanning the years 1955 to 1986, Williams employs performance studies to analyze the shift from the racial liberalism of the Civil Rights era to the rise of liberal multiculturalism. She examines a diverse archive, contrasting the "grief tours" of Mamie Till-Mobley with the debt resistance of the National Welfare Rights Organization and the creative works of Toni Morrison and Gloria Naylor. Williams challenges the "frozen image" of the strong Black mother, distinguishing between grievance―the linear, legal demand for justice―and grief, which is cyclical, messy, and pervasive. By shifting focus away from the spectacle of murdered Black men and toward the material realities of the women left behind, Mama, Don’t You Weep reveals how Black maternal grief is generative, capacious, and inextricably bound to the nation’s political economy.