The first complete and balanced history of the Black Panther Party--powerful and provocative

"Until The Shadow of the Panther there have been no serious book-length attempts to examine the Panthers' history and to evaluate their significance. . . . A Notable Book of the Year."--New York Times Book Review (front page)

"A keenly observed, often brilliant, Panther-busting book. . . . Pearson nevertheless portrays the Panthers' rise as an understandable reaction against . . . white chauvinism."--Los Angeles Times Book Review

"This book will awaken profound misgivings--about gun-barrel rhetoric, about armed rebellion, about the ambiguities of justice."--The New Yorker

"A bracing experience . . . Pearson has been able to present enough hard evidence to draw a chilling portrait of Murder Incorporated in revolutionary dress."--New York Newsday

"Pearson . . . set out to write a very different book about his boyhood hero [Huey Newton] but didn't blink at the truth . . . honest and compelling judgment."--Detroit News

PROSE Award- Music and Performing Arts Category Winner

A framework for understanding the deep archive of Black performance in the digital era

In an era of Big Data and algorithms, our easy access to the archive of contemporary and historical Blackness is unprecedented. That iterations of Black visual art, such as Bert Williams’s 1916 silent film short “A Natural Born Gambler” or the performances of Josephine Baker from the 1920s, are merely a quick YouTube search away has transformed how scholars teach and research Black performance.

While Black Ephemera celebrates this new access, it also questions the crisis and the challenge of the Black musical archive in a moment when Black American culture has become a global export. Using music and sound as its primary texts, Black Ephemera argues that the cultural DNA of Black America has become obscured in the transformation from analog to digital. Through a cross-reading of the relationship between the digital era and culture produced in the pre-digital era, Neal argues that Black music has itself been reduced to ephemera, at best, and at worst to the background sounds of the continued exploitation and commodification of Black culture. The crisis and challenges of Black archives are not simply questions of knowledge, but of how knowledge moves and manifests itself within Blackness that is obscure, ephemeral, fugitive, precarious, fluid, and increasingly digital.

Black Ephemera is a reminder that for every great leap forward there is a necessary return to the archive. Through this work, Neal offers a new framework for thinking about Black culture in the digital world.

A scholar and activist’s brilliant socio-political examination of Asian Americans who refuse to assimilate and instead build their own belonging on their own terms outside of mainstream American institutions.

In this hard-hitting and deeply personal book, a combination of manifesto and memoir, scholar, sociologist, and activist Bianca Mabute-Louie transforms the ways we understand race, class, citizenship, and the concept of assimilation and its impact on Asian American communities from the nineteenth century to present day.

UNASSIMILABLE opens with a focus on the San Gabriel Valley (SGV), the first Asian ethnoburb in Los Angeles County and in the nation, where she grew up. A suburban neighborhood with a conspicuous Asian immigrant population, SGV thrives not because of its assimilation into Whiteness, but because of its unapologetic catering to its immigrant community.

Mabute-Louie then examines “Predominantly White Institutions With A lot of Asians” and how these institutions shape the racial politics of Asian Americans and Asian internationals, including the fight against affirmative action and the fight for ethnic studies. She moves on to interrogate the role of the religion, showing how the immigrant church is a sanctuary even as it is an extension of colonialism and the American Empire. In the book’s conclusion, Bianca looks to the future, boldly proposing a reconsideration of the term Asian American for a new label that better clarifies who Asians in America are today.

UNASSIMILABLE offers a radical vision of Asian American political identity informed by a refusal of Whiteness and collective care for each other. It is a forthright declaration against assimilation and in service of cross-racial, anti-imperialist solidarity and revolutionary politics. Scholarly yet accessible, informative and informed, this book is a major addition to Ethnic Studies and American Studies.

Oceania is a vast sea of islands, large scale political struggles and immensely significant historical phenomena. Pasifika Black is a compelling history of understudied anti-colonial movements in this region, exploring how indigenous Oceanic activists intentionally forged international connections with the African world in their fights for liberation.

Drawing from research conducted across Fiji, Australia, Vanuatu, Papua New Guinea, Britain, and the United States, Quito Swan shows how liberation struggles in Oceania actively engaged Black internationalism in their diverse battles against colonial rule. Pasifika Black features as its protagonists Oceania's many playwrights, organizers, religious leaders, scholars, Black Power advocates, musicians, environmental justice activists, feminists, and revolutionaries who carried the banners of Black liberation across the globe. It puts artists like Aboriginal poet Oodgeroo Noonuccal and her 1976 call for a Black Pacific into an extended conversation with Nigeria’s Wole Soyinka, the Nuclear Free and Independent Pacific’s Amelia Rokotuivuna, Samoa’s Albert Wendt, African American anthropologist Angela Gilliam, the NAACP’s Roy Wilkins, West Papua’s Ben Tanggahma, New Caledonia’s Déwé Gorodey, and Polynesian Panther Will ‘Ilolahia. In so doing, Swan displays the links Oceanic activists consciously and painstakingly formed in order to connect Black metropoles across the Atlantic, Pacific, and Indian Oceans.

Powerful interviews with scholars, organizers, and activists who are leading the movement to end policing and prison.

Award-winning journalist Kolhatkar presents a visionary outlook for a future rooted in liberation, freedom, and justice.

Abolitionist thinkers have been envisioning police-free communities for decades, but only in the aftershock of the racial justice uprisings of 2020 have their radical ideas entered into mainstream discourse. In Talking About Abolition, award-winning journalist Sonali Kolhatkar presents an inspiring collection of her conversations with scholars, movement figures, and activists who are leading the movement to end policing and prisons. From articulating the best counter-arguments to pervasive “copaganda,” to exposing the moral bankruptcy of reformism, each conversation connects the dots between past and present while imagining a collective future rooted in liberation, freedom, and justice.

Featuring interviews with Alicia Garza, Ruth Wilson Gilmore, Leah Penniman, Gina Dent, Cat Brooks, Andrea Ritchie, Eunisses Hernandez, Noelle Hanrahan, Ivette Alé-Ferlito, Melina Abdullah, Reina Sultan, and Dylan Rodriguez, and with an introduction by Robin D. G. Kelley.

An incisive, culturally observant analysis of the evolving mores, manners and taboos of social justice (“anti-racist”) orthodoxy, which has profoundly influenced how we think about diversity and freedom of expression, often with complex or paradoxical consequences.

In this provocative book, Thomas Chatterton Williams, one of the most revered and reviled social commentators of our time, paints a clear and detailed picture of the ideas and events that have paved the way for the dramatic paradigm shift in social justice that has taken place over the past few years. Taking aim at the ideology of critical race theory, the rise of an oppressive social media, the fall from Obama to Trump, and the twinned crises of COVID-19 and the murder of George Floyd, Williams documents the extent to which this transition has altered media, artistic creativity, education, employment, policing, and, most profoundly, the ambient language and culture we use to make sense of our lives.

Williams also decries how liberalism—the very foundation of an open and vibrant society—is in existential crisis, under assault from both the right and the left, especially in our predominantly networked, Internet-driven monoculture.

Sure to be highly controversial, Summer of Our Discontent is a compelling look at our place in a radically changing world.

A delightful romp exploring African traditions around sexual pleasure, with the personal goal of self-discovery and liberation, by one of Africa's preeminent feminists.

While working on her first book, The Sex Lives of African Women, acclaimed feminist and activist Nana Darkoa Sekyiamah had access to the wildest dreams and spiciest realities of Black women from around the world. But so often, she noticed that something was holding them back from achieving full liberation and unfettered joy. So, she set out to apply sankofa--which means learning from the past to inform the future--to sexuality and pleasure, reclaiming African traditions in a quest to achieve true freedom.

In Seeking Sexual Freedom, Sekyiamah takes readers across the African continent, from Senegal to Tanzania and beyond, where she meets and trains with gurus, "witches", and aunties whose job it is to guide girls through puberty rites and later through "marital training." She discusses practices like beading and pulling, while highlighting the spiritual and gender-fluid nature of African traditional religions. With the "interruption" of colonialism, Sekyiamah explores why we have lost our way, how western patriarchal norms led to our warped ideals of beauty and shame, internalized racism, as well as to state and interpersonal violence. Sankofa, she explains, can help rid us of these obstacles that stand in the way of our sexual liberation. Using practical advice and prompts, Sekyiamah concludes this adventure by giving us the tools we need to establish a more joyful and free sexual practice of our own.

Part travelogue, part manifesto, Seeking Sexual Freedom is the powerful and bold call to pleasure women of all backgrounds need today.

During the course of the struggle of African people against European racism, brutality and domination, many innovative thinkers have risen from our ranks. The greatest and most courageous scholars have devoted their lives to the pursuit of an explanation for the virtually inherent animosity most white people appear to have toward people of color. Unlike her predecessors, Dr. Frances Cress Welsing, a brilliant, Washington D.C. psychiatrist has rejected conventional notions about the origin and perpetuation of racism. Dr. Welsing's theories, lectures and scientific papers have provoked controversy for over twenty years. Now the compilation of her work in [this book] is destined to change the course of history.

Since the discovery of African art by the Cubists, the primitive strength of its motifs has held a fascination for contemporary artists and designers and has exercised a considerable infl uence on the development of modern art. This book brings together an unusually varied selection of African designs which will find many uses in advertising and in the creation of book designs, bookplates, labels, and patterns for textiles and wallpaper; or may simply serve as inspiration for the creation of original designs. Rendered in stark black-and-white, they may be reproduced, enlarged, reduced or altered at will.
Symbolic and simple geometric motifs, repetitive designs and textural patterns, representations of human beings, animals and mythical figures, masks, abstract motifs, and artifacts and objects with figural components are reproduced from the work of the Ndebele, Ashanti, Zulu, Masai, Bushongo, Mangbetu, Bariba, Toma, Baule and many other tribes. There are designs from carved ivory pendants and bracelets, helmet masks, wooden combs, altar slabs and shields, and designs printed on cloth and painted on doors and walls. Each is identified by original use, and the source is listed for each.
Geoffrey Williams, himself a practicing designer, has reproduced most of these designs by means of linocut prints in order to capture the power of the originals. His sources have been artifacts in museums and private collections with a few designs gathered from the pages of important publications on the subject. A bibliography refers the reader not only to the sources of material used for this book, but to other major sources of information about African tribal art.

This is a spiritual guidebook on how to successfully use the ancestral energy of cultural sheroes and heroes in the fight against persecution, privilege, white supremacy, reproduction restrictions, and LGBTQIA+ discrimination. This is a war manual intent on aiding its readers with the specifics of how to thrive in a world hell-bent on our annihilation.

By working magick with the 12 Hoodoo saints in this book, we learn how to create a more balanced society that supports and honors all BIPOC and AAPI folks. Using the tools in book, readers will explore everyday ways to tell the world, "I matter, and I refuse to be silenced." Conjuring the Calabash author Mawiyah Kai EL-Jamah Bomani introduces these revolutionary warriors and explains why their energy is necessary right now. She even teaches how to canonize our own elevated ancestor or spiritual icon.

Hoodoo is conjure; it is rootwork; it is Black folks' spiritual hygiene and a weapon for social change. Hoodoo is a way of communicating with the universal spirits; it is a channeling of powerful and beloved figures. This book shares inspiring stories, shows how to incorporate those saints into daily spell work, and expands any practitioner's repertoire through rituals, dice divination, altar work, and more.

Uncovers a haunting yet vital record of bodies commodified, archived, and performed Currencies of Cruelty is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America. Danielle Bainbridge traces how the transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers - often denied traditional labor opportunities - became highly lucrative attractions. At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called "original Siamese Twins," Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued-exploited for their spectacle yet rendered abject within traditional labor economies. Blending historical analysis with innovative archival theory, Currencies of Cruelty challenges conventional narratives of labor, freedom, and human worth. Bainbridge introduces the concept of the "future perfect" archive-one that anticipates what will have been rather than merely recording the past-offering a radical new way to engage with histories of enslavement, disability, and performance. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today.

A concise history that uncovers the roots of this most pernicious American divide and makes an urgent call for reparations.

Why has the racial wealth gap between the median white households and median Black households remained stagnant over the past century, never narrowing below six to one? Leading expert on race and financial equality Mehrsa Baradaran attempts to answer this question in this sweeping yet accessible history. She shows how decades of the laws rooted in white supremacy―from slavery and the broken Reconstruction-era promise of “40 acres and a mule,” to the racist policies of the Jim Crow and New Deal eras―have restricted Black access to capital, credit, homeownership, and other mechanisms of wealth creation while subsidizing the rising economic fortunes of white families.

In The Racial Wealth Gap, Baradaran outlines two tectonic forces that have driven apart the economic fortunes of white and Black families: wealth creation for white Americans, who have been systematically receiving financial subsidies in the century and a half since emancipation, and wealth destruction for Black Americans―either by vigilante violence or by official means, such as allowing Black banks to collapse or building highways through segregated Black communities. These forces, combined with the racist notion that Black communities fail to rise because of their own moral, intellectual, or economic shortcomings, have kept Black families behind their white counterparts, despite decades of civil rights activism and national economic growth―a deep injustice that can only be achieved through reparations.

An infuriating and compelling read, The Racial Wealth Gap offers a devastating analysis of one of America’s most pressing systemic issues.

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NATIONAL BESTSELLER

“Angela Garbes has given us the definitive explanation for something we all share: the sense that something is not right about our society’s treatment of parenting. Essential Labor is a beautifully written, painstakingly researched, and courageously personal book. Garbes reveals the way systems exploit caregiving and shows us how the essential work of mothering can fix not just family life, but society. A timely and unforgettable book.”—Heather McGhee, New York Times bestselling author of The Sum of Us

From the acclaimed author of Like a Mother comes a reflection on the state of caregiving in America, and an exploration of mothering as a means of social change.

The Covid-19 pandemic shed fresh light on a long-overlooked truth: mothering is among the only essential work humans do. In response to the increasing weight placed on mothers and caregivers—and the lack of a social safety net to support them—writer Angela Garbes found herself pondering a vital question: How, under our current circumstances that leave us lonely, exhausted, and financially strained, might we demand more from American family life? 

In Essential Labor, Garbes explores assumptions about care, work, and deservedness, offering a deeply personal and rigorously reported look at what mothering is, and can be. A first-generation Filipino-American, Garbes shares the perspective of her family's complicated relationship to care work, placing mothering in a global context—the invisible economic engine that has been historically demanded of women of color. 

Garbes contends that while the labor of raising children is devalued in America, the act of mothering offers the radical potential to create a more equitable society. In Essential Labor, Garbes reframes the physically and mentally draining work of meeting a child's bodily and emotional needs as opportunities to find meaning, to nurture a deeper sense of self, pleasure, and belonging. This is highly skilled labor, work that impacts society at its most foundational level.

Part galvanizing manifesto, part poignant narrative, Essential Labor is a beautifully rendered reflection on care that reminds us of the irrefutable power and beauty of mothering.

Rastafari is an Afrocentric social and religious movement that emerged among Afro-Jamaican communities in the 1930s and has many adherents in the Caribbean and worldwide today. This book is a groundbreaking account of Rastafari, demonstrating that it provides a normative conception of Blackness for people of African descent that resists Eurocentric and colonial ideas.

Vivaldi Jean-Marie examines Rastafari’s core beliefs and practices, arguing that they constitute a distinctively Black system of norms and values―at once an ethos and a cosmology. He traces Rastafari’s origins in enslaved people’s strategies of resistance, Jamaican Revivalism, and Garveyism, showing how it incorporates ancestral religious traditions and emancipatory politics. An Ethos of Blackness draws out the significance of practices such as avoiding technological exploitation of natural artifacts and the belief in living in harmony with the natural order. Jean-Marie considers Rastafari’s theology, exploring its reinterpretation of biblical scriptures and its foundations in the rejection of Christianity’s Eurocentrism and racism. However, he insists, before Rastafari can fulfill its promise of liberation for people of African descent, it must confront its failure to include women and redress sexism.

Through rigorous and sensitive reflections on Rastafari culture and cosmology, this book offers deeply original insights into the Black theological imagination.

Porter's work analyzes the important developments and individuals in African American painting and sculpture from the pre-Civil War period to World War II. "James A. Porter was an art historian, educator, curator, and visual artist. He is first remembered by academics as an art historian who taught some of the best minds and visual artists who studied at Howard University during the span of his teaching career. "A pioneer in establishing the field of African American art history," writes Jeffreen M. Hayes, who rightly declares that:

James A. Porter was instrumental as the first scholar to provide a systematic, critical analysis of African American artists and their works of art. An artist himself, he provided a unique and critical approach to the analysis of the work. Dedicated to educating and writing about African American artists, Porter set the foundation for artists and art historians to probe and unearth the necessary skills essential to their artistic and scholarly endeavors. The canon is borne from Porter's determination to document and view African American art in the context of American art."

In an other, Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE’s incarnation as an animal liberation group; uses sovereignty in Morrison’s A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett’s films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives.

Although much Black religious scholarship has engaged with feminist theory and womanist thought, a gap remains where little work has been done in religious studies to investigate the Black male experience. A Misrepresented People explores how African American men grapple with identity and masculinity in relation to Black religious thought. This book counters the dominant portrayal of Black men in American society as suspicious, morally defective, and irredeemable, and showcases the strength and relevance of Black religious thought in developing alternative notions of Black manhood.

Drawing on womanist discourses, African American religious thought, literature, and Black male studies, as well as an examination of the writings and sermons of Howard Thurman and Martin Luther King Jr., Darrius D’wayne Hills offers a vision of Black male identity that is grounded in interpersonal relationships and connection. Positioning identity formation as a religious concern, Hills expands the application of religious scholarship toward the complex social and material realities faced by Black men. In doing so, this volume offers a much-needed new model for understanding Black male gender identity, illustrating how religious thought fosters more holistic and livable futures for African American men.

A collection of essential writings from the iconic foremother of Black women's intellectual history, feminism, and activism, who helped pave the way for modern social justice movements like Black Lives Matter and Say Her Name

Winner of the American Library Association Award for Best Historical Materials 

A Penguin Classic

The Portable Anna Julia Cooper brings together, for the first time, Anna Julia Cooper's major collection of essays, A Voice from the South, along with several previously unpublished poems, plays, journalism and selected correspondences, including over thirty previously unpublished letters between Anna Julia Cooper and W. E. B. Du Bois. The Portable Anna Julia Cooper will introduce a new generation of readers to an educator, public intellectual, and community activist whose prescient insights and eloquent prose underlie some of the most important developments in modern American intellectual thought and African American social and political activism.

Recognized as the iconic foremother of Black women's intellectual history and activism, Cooper (1858-1964) penned one of the most forceful and enduring statements of Black feminist thought to come of out of the nineteenth century. Attention to her work has grown exponentially over the years--her words have been memorialized in the US passport and, in 2009, she was commemorated with a US postal stamp. Cooper's writings on the centrality of Black girls and women to our larger national discourse has proved especially prescient in this moment of Black Lives Matter, Say Her Name, and the recent protests that have shaken the nation.

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From "Assimilation" to "Decolonization," "Black Wall Street" to "Police Brutality," and "Colorism" to "White Supremacy," this book equips you with the language to engage in crucial conversations around anti-Black racism.

The Anti-Racist Vocab Guide is a boldly illustrated visual glossary that distills complex subjects into comprehensive yet accessible definitions of terms and provides concise and insightful explanations of historical moments. With reflection questions to use for introspection or as a starting point for hard conversations with those close to you, this book will encourage both your learning and unlearning—no matter where you are in your journey to understanding race in America.

THOROUGH AND APPROACHABLE: This book presents huge topics in easy-to-understand language that welcomes readers of every experience.

REFLECTION QUESTIONS: Each entry is followed by questions to encourage readers to continue their education and translate their new understanding into positive action in their daily lives.

BEYOND THE BUZZWORDS: This is an invaluable resource guide that breaks down and goes beyond common phrases to provide actionable awareness.

EVOCATIVE ART: Author Maya Ealey's striking art provides conceptual illustrations of each term explained in the book in her bold, passionate style.

Perfect for:

• Anyone interested in learning more about race in America
• People who want help understanding the complicated subject of racism
• Parents, teachers, and students
• Readers of instructive and informative best sellers such as How to Be an Antiracist, White Fragility, The 1619 Project, and Do the Work!: An Antiracist Activity Book

New York Times Bestseller • Notable Book of the Year • Editors' Choice Selection
One of Bill Gates’ “Amazing Books” of the Year
One of Publishers Weekly’s 10 Best Books of the Year
Longlisted for the National Book Award for Nonfiction
An NPR Best Book of the Year
Winner of the Hillman Prize for Nonfiction
Gold Winner • California Book Award (Nonfiction)
Finalist • Los Angeles Times Book Prize (History)
Finalist • Brooklyn Public Library Literary Prize

This “powerful and disturbing history” exposes how American governments deliberately imposed racial segregation on metropolitan areas nationwide (New York Times Book Review).

Widely heralded as a “masterful” (Washington Post) and “essential” (Slate) history of the modern American metropolis, Richard Rothstein’s The Color of Law offers “the most forceful argument ever published on how federal, state, and local governments gave rise to and reinforced neighborhood segregation” (William Julius Wilson). Exploding the myth of de facto segregation arising from private prejudice or the unintended consequences of economic forces, Rothstein describes how the American government systematically imposed residential segregation: with undisguised racial zoning; public housing that purposefully segregated previously mixed communities; subsidies for builders to create whites-only suburbs; tax exemptions for institutions that enforced segregation; and support for violent resistance to African Americans in white neighborhoods. A groundbreaking, “virtually indispensable” study that has already transformed our understanding of twentieth-century urban history (Chicago Daily Observer), The Color of Law forces us to face the obligation to remedy our unconstitutional past. 13 illustrations

The Black Power movement represented a key turning point in American politics. Disenchanted by the hollow progress of federal desegregation during the 1960s, many black citizens and leaders across the United States demanded meaningful self-determination. The popular movement they created was marked by a vigorous artistic renaissance, militant political action, and fierce ideological debate.

Exploring the major political and intellectual currents from the Black Power era to the present, Cedric Johnson reveals how black political life gradually conformed to liberal democratic capitalism and how the movement’s most radical aims—the rejection of white aesthetic standards, redefinition of black identity, solidarity with the Third World, and anticapitalist revolution—were gradually eclipsed by more moderate aspirations. Although Black Power activists transformed the face of American government, Johnson contends that the evolution of the movement as a form of ethnic politics restricted the struggle for social justice to the world of formal politics.

Johnson offers a compelling and theoretically sophisticated critique of the rhetoric and strategies that emerged in this period. Drawing on extensive archival research, he reinterprets the place of key intellectual figures, such as Harold Cruse and Amiri Baraka, and influential organizations, including the African Liberation Support Committee, the National Black Political Assembly, and the National Black Independent Political Party in postsegregation black politics, while at the same time identifying the contradictions of Black Power radicalism itself.

Documenting the historical retreat from radical, democratic struggle, Revolutionaries to Race Leaders ultimately calls for the renewal of popular struggle and class-conscious politics.

Cedric Johnson is assistant professor of political science at Hobart and William Smith Colleges.

From the cofounder of the Amazon Labor Union, a definitive how-to guide to workplace organizing told through a David vs. Goliath chronicle for the ages.

On April 1, 2022, the Amazon warehouse known as JFK8, in Staten Island, notched an improbable victory when its workers voted to become the company’s first unionized facility. Miraculously, a completely self-taught and worker-led union had defeated one of the most powerful corporations on the planet. In the aftermath, two of the founders of the Amazon Labor Union, Derrick Palmer and Chris Smalls, began traveling across the country to help workers at Amazon and other corporations form their own unions. Unsurprisingly, nearly everyone they met had the same question: How did they do it?

In Handbook for the Revolution, Derrick Palmer, who continues to work at JFK8, provides the answer in the form of a how-to guide to organizing in today’s workplace while providing gripping, never before-told anecdotes from the ALU's fight and its plans for the future. Practical, philosophical, and full of personality, Palmer’s manual-cum-manifesto is an accessible step-by-step playbook for the often contentious and complex process of unionization, and a powerful call for equality―and greater understanding―through worker solidarity.

Full of hard-won lessons and personal experience, and written in the context of mass consolidation, fluctuating labor laws, and an ever widening wealth gap, Handbook for the Revolution is an invaluable resource for the modern labor movement, a thrilling chronicle of persistence, and an inspiring push for change in the workplace―and beyond.

A boundary-breaking astrophysicist reimagines the universe—and our place within it—in this audacious journey through the Nine Realms of the cosmos.

The universe gave rise to everything: stars and cells, minds and memories, purpose and pain. But it doesn’t care about us. It follows its own rules. And now, according to Dr. Hakeem Oluseyi, we finally understand enough about those rules to ask the big questions like we mean it: Why do we exist? Are we alone? How did we get here? What comes next? And—perhaps most urgently—is there reason to hope?

Heck yeah, there is!

Dr. Oluseyi is no ordinary scientist. A former street kid turned world-renowned cosmologist, he realized something bold: The story of existence can be told as a passage through nine interwoven realms—each revealing a new layer of cosmic truth.

There’s the Middle Realm, where we live; the Realm of Life, where organisms flourish across the vastness of space; the Cosmological Realm, where galaxies dance and collide; the Dark Realm, dominated by unseen energy and invisible forces; the Quantum Realm, where reality defies intuition; the Temporal Realm, where time begins, flows, and perhaps ends; the Multiverse Realm, where our universe may be one among many; the Realm Beyond Horizons, where observation breaks down; and the Realm of Imagination, where insight, curiosity, and creativity shape our understanding of it all.

In Why Do We Exist?, Dr. Oluseyi cracks open these realms with clarity, humor, and radical honesty, bridging cutting-edge physics, personal narrative, and philosophy. The result is a blueprint for understanding reality itself and a surprising case for human potential in an indifferent cosmos.

This isn’t just a science book. It’s a survival manual for the universally curious.

A NEW YORK PUBLIC LIBRARY BEST BOOK OF THE YEAR • A powerful, incisive reckoning with the impacts of school desegregation that traces four generations of the author’s family to show how the implementation of integration decimated Black school systems and did much of the Black community a disservice

"Rooks deftly sketches this lamentable, sobering history."—The Atlantic

On May 17, 1954, Brown v. Board of Education determined that racial segregation in schools was unconstitutional. Heralded as a massive victory for civil rights, the decision’s goal was to give Black children equitable access to educational opportunities and clear a path to a better future. Yet in the years following the ruling, schools in predominantly Black neighborhoods were shuttered or saw their funding dwindle; Black educators were fired en masse; and Black children faced discrimination and violence from white peers and educators as they joined resource-rich schools that were reticent to accept the new students.

Award-winning scholar Noliwe Rooks weaves together sociological data, cultural history, and personal records to challenge the idea that integration was a boon for Black children. At once assiduously researched and deeply engaging, Integrated tells the story of how education has remained both a tool for community progress and a seemingly inscrutable cultural puzzle. Rooks’s deft hand turns the story of integration’s past and future on its head and shows how we may better understand and support generations of students to come.

Pulitzer-Prize winning journalist Jose Antonio Vargas, called “the most famous undocumented immigrant in America,” tackles one of the defining issues of our time in this explosive and deeply personal call to arms.

“This is not a book about the politics of immigration. This book––at its core––is not about immigration at all. This book is about homelessness, not in a traditional sense, but in the unsettled, unmoored psychological state that undocumented immigrants like myself find ourselves in. This book is about lying and being forced to lie to get by; about passing as an American and as a contributing citizen; about families, keeping them together, and having to make new ones when you can’t. This book is about constantly hiding from the government and, in the process, hiding from ourselves. This book is about what it means to not have a home.

After 25 years of living illegally in a country that does not consider me one of its own, this book is the closest thing I have to freedom.”

―Jose Antonio Vargas, from Dear America

An exposé of the extractive industries powering globalization —and a primer on fighting back

Laleh Khalili reflects on the hidden stories behind late capitalism, from seafarers abandoned on debt-ridden container ships to the nefarious reach of consultancy firms and the cronyism that drives record-breaking profits. Piercing, wry, and constantly revealing, Extractive Capitalism brings vividly to light the dark truths behind the world’s most voracious industries.

Whether it is pumping oil, mining resources, or shipping commodities across oceans, the global economy runs on extraction. Promises of frictionless trade and lucrative speculation are the hallmarks of our era, but the backbone of globalization is still low-cost labor and rapacious corporate control. Extractive capitalism is what made—and what maintains—our unequal world.

A TIME AND WASHINGTON POST BEST BOOK OF THE YEAR • The New York Times Book Review Editors' Choice • A stunning personal manifesto on memory, family, and history that explores how we in America might—together—come to a new view of our shared past

“A vulnerable, honest look at a life lived in a country still struggling with its evils...Hopeful...Beautiful and haunting.” —Eddie S. Glaude Jr., author of Begin Again

In 2020, heartsick from constant assaults on Black life, Tracy K. Smith found herself soul-searching and digging into the historical archive for help navigating the “din of human division and strife.” With lyricism and urgency, Smith draws on several avenues of thinking—personal, documentary, and spiritual—to understand who we are as a nation and what we might hope to mean to one another.

To Free the Captives touches down in Sunflower, Alabama, the red-dirt town where Smith’s father’s family comes from, and where her grandfather returned after World War I with a hero’s record but difficult prospects as a Black man. Smith considers his life and the life of her father through the lens of history. Hoping to connect with their strength and continuance, she assembles a new terminology of American life.

Bearing courageous witness to the terms of Freedom afforded her as a Black woman, a mother, and an educator in the twenty-first century, Smith etches a portrait of where we find ourselves four hundred years into the American experiment. Weaving in an account of her growing spiritual practice, she argues that the soul is not merely a private site of respite or transcendence, but a tool for fulfilling our duties to each other, and a sounding board for our most pressing collective questions: Where are we going as a nation? Where have we been?

The author of the critically acclaimed The Viral Underclass (one of Kirkus Reviews best books of 2022) is back with The Overseer Class, which explores what happens when members of historically minoritized groups are selected for high-visibility positions of power within existing institutions—but under the conditions of a kind of Faustian bargain.

Our society places so much weight and attention on those who become the first or only of their identifying group that we miss one of the inherent issues in that model. This book is about the kinds of compromises made by a small but influential group of people from minoritized groups in the United States as they have entered segregated institutions in highly visible positions. People in the overseer class wield enormous institutional power, even necropolitical power over who lives and who dies; it’s just that their power is predicated upon repressing other people who look (or speak/have sex/come from places) like them.
The most obvious contemporary overseer is the Black police officer. The Overseer Class begins with this quote from James Baldwin from 1967:
“The poor, of whatever color, do not trust the law and certainly have no reason to, and God knows we didn't. ‘If you must call a cop,’ we said in those days, ‘for God's sake, make sure it's a white one.’ We did not feel that the cops were protecting us, for we knew too much about the reasons for the kinds of crimes committed in the ghetto; but we feared black cops even more than white cops, because the black cop had to work so much harder--on your head--to prove to himself and his colleagues that he was not like all the other n******.”
But this dynamic does not only exist within law enforcement, it exists in many different spheres and The Overseer Class explores what it looks like in mass media, universities, corporate America, the military, and government. A powerful current and local example of this quandary can be seen right here in the ongoing saga of New York's Mayor Adams. At the end of the day, The Overseer Class aims not only to educate us and start this discussion but to provide a framework for challenging that dynamic. It is a weighty topic but one that Dr. Thrasher is well-equipped to handle.

Law in Light is a groundbreaking book on the resurgence and transformation of Akan path spiritual communities in the United States and Ghana. Drawing on extensive collaborative ethnographic research, the book offers powerful portraits of priestesses, priests, and others on their spiritual journeys, in their ancestral reconnections, and in their everyday lives. The book spotlights a queen mother, shrine elders, priests, and priestesses of a prominent shrine house in Maryland, as well as leaders at a legendary Asuo Gyebi source shrine in Ghana. In exploring worlds of healing, empowerment, and justice, Lauren Coyle Rosen argues for the importance of two novel theoretical concepts, which she calls copresent jurisdictions and constellations of subjectivity. The book urges a broader retheorization of alternative spiritual orders within contemporary theopolitical, cosmopolitical, and postjuristocratic debates.

Black performance theory is a rich interdisciplinary area of study and critical method. This collection of new essays by some of its pioneering thinkers—many of whom are performers—demonstrates the breadth, depth, innovation, and critical value of black performance theory. Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance. They examine the work of contemporary choreographers Ronald K. Brown and Reggie Wilson, the ways that African American playwrights translated the theatricality of lynching to the stage, the ecstatic music of Little Richard, and Michael Jackson's performance in the documentary This Is It. The collection includes several essays that exemplify the performative capacity of writing, as well as discussion of a project that re-creates seminal hip-hop album covers through tableaux vivants. Whether deliberating on the tragic mulatta, the trickster figure Anansi, or the sonic futurism of Nina Simone and Adrienne Kennedy, the essays in this collection signal the vast untapped critical and creative resources of black performance theory.

Contributors. Melissa Blanco Borelli, Daphne A. Brooks, Soyica Diggs Colbert, Thomas F. DeFrantz, Nadine George-Graves, Anita Gonzalez, Rickerby Hinds, Jason King, D. Soyini Madison, Koritha Mitchell, Tavia Nyong'o, Carl Paris, Anna B. Scott, Wendy S. Walters, Hershini Bhana Young

A reissue of Greg Tate's classic, out-of-print collection of essays, with a new introduction by Hanif Abdurraqib and a new foreword by Questlove.

From one of the most original, creative, and provocative culture critics comes an eye-opening collection of essays and tales about American music and culture.

Under the guise of writing about a single subject, Greg Tate’s essays in Flyboy in the Buttermilk branch out from his usual and explore social, pop cultural, political, and economic subjects. Taking on a wide diversity of topics―from the rise of hip-hop; the art of Jean-Michel Basquiat; the music of Miles Davis, James Brown, Jimi Hendrix, Bad Brains, and many others; to the crisis of the Black intellectual and the irony of the GOP recruiting Black Americans― Tate writes in a brave and distinctive voice that is angry, joyous, anxious, and funny.

In every piece of this collection, Tate offers informed insight into where America is going and why.