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This celebration of Black resistance, from protests to art to sermons to joy, offers a blueprint for the fight for freedom and justice -- and ideas for how each of us can contribute

Many of us are facing unprecedented attacks on our democracy, our privacy, and our hard-won civil rights. If you're Black in the US, this is not new. As Colorlines editors Akiba Solomon and Kenrya Rankin show, Black Americans subvert and resist life-threatening forces as a matter of course. In these pages, leading organizers, artists, journalists, comedians, and filmmakers offer wisdom on how they fight White supremacy. It's a must-read for anyone new to resistance work, and for the next generation of leaders building a better future.

Featuring contributions from:

• Ta-Nehisi Coates
• Tarana Burke
• Harry Belafonte
• Adrienne Maree brown
• Alicia Garza
• Patrisse Khan-Cullors
• Reverend Dr. Valerie Bridgeman
• Kiese Laymon
• Jamilah Lemieux
• Robin DG Kelley
• Damon Young
• Michael Arceneaux
• Hanif Abdurraqib
  
• Dr. Yaba Blay
  
• Diamond Stingily
  
• Amanda Seales
• Imani Perry
  
• Denene Millner
  
• Kierna Mayo
  
• John Jennings
  
• Dr. Joy Harden Bradford
  
• Tongo Eisen-Martin

A collection of essays, fiction, journalism, folklore, and autobiography, preserving the legacy of one of the Harlem Renaissance’s greatest writers.

The foundational, classic anthology that revived interest in the author of Their Eyes Were Watching God—"one of the greatest writers of our time"—and made her work widely available for a new generation of readers (Toni Morrison).

During her lifetime, Zora Neale Hurston was praised for her writing but condemned for her independence and audacity. Her work fell into obscurity until the 1970s, when Alice Walker rediscovered Hurston's unmarked grave and anthologized her writing in this groundbreaking collection for the Feminist Press. 

I Love Myself When I Am Laughing... And Then Again When I Am Looking Mean and Impressive established Hurston as an intellectual leader for future generations of black writers. A testament to the power and breadth of Hurston's oeuvre, this edition—newly reissued for the Feminist Press's fiftieth anniversary—features a new preface by Walker.

"Through Hurston, the soul of the black South gained one of its most articulate interpreters." —The New York Times

A MOST ANTICIPATED BOOK OF THE YEAR • A hilarious new essay collection from #1 New York Times bestselling unabashed fan-favorite Samantha Irby invites us to share in the gory particulars of her real life, all that festers behind the glitter and glam.

“Irby is back with a new and hilariously relatable essay collection...[she] will have you crying and laughing.” —TODAY

Samantha Irby’s career has taken her to new heights. She dodges calls from Hollywood and flop sweats on the red carpet at premieres (well, one premiere). But nothing is ever as it seems online, where she can crop out all the ugly parts.

Irby got a lot of weird emails about Carrie Bradshaw, and not only is there diarrhea to avoid, but now—anaphylactic shock. She is turned away from restaurants for being inappropriately dressed and looks for the best ways to cope, i.e., reveling in the offerings of QVC and adopting a deranged pandemic dog. Quietly Hostile makes light as Irby takes us on another outrageously funny tour of all the gory details that make up the true portrait of a life behind the screenshotted depression memes. Relatable, poignant, and uproarious, once again, Irby is the tonic we all need to get by.

A vibrant collection of personal and lyric essays in conversation with archival objects of Black history and memory.

What are the politics of nature? Who owns it, where is it, what role does it play in our lives? Does it need to be tamed? Are we ourselves natural? In A Darker Wilderness, a constellation of luminary writers reflect on the significance of nature in their lived experience and on the role of nature in the lives of Black folks in the United States. Each of these essays engages with a single archival object, whether directly or obliquely, exploring stories spanning hundreds of years and thousands of miles, traveling from roots to space and finding rich Blackness everywhere.

Erin Sharkey considers Benjamin Banneker’s 1795 almanac, as she follows the passing of seasons in an urban garden in Buffalo. Naima Penniman reflects on a statue of Haitian revolutionary François Makandal, within her own pursuit of environmental justice. Ama Codjoe meditates on rain, hair, protest, and freedom via a photo of a young woman during a civil rights demonstration in Alabama. And so on—with wide-ranging contributions from Carolyn Finney, Ronald Greer II, Alexis Pauline Gumbs, Sean Hill, Michael Kleber-Diggs, Glynn Pogue, Katie Robinson, and Lauret Savoy—unearthing evidence of the ways Black people’s relationship to the natural world has persevered through colonialism, slavery, state-sponsored violence, and structurally racist policies like Jim Crow and redlining.

A scrapbook, a family chest, a quilt—and an astounding work of historical engagement and literary accomplishment—A Darker Wilderness is a collection brimming with abundan

Self-described "black, lesbian, mother, warrior, poet" Audre Lorde is an unforgettable voice in twentieth-century literature, and one of the first to center the experiences of black, queer women. This essential reader showcases her indelible contributions to intersectional feminism, queer theory, and critical race studies in twelve landmark essays and more than sixty poems—selected and introduced by one of our most powerful contemporary voices on race and gender, Roxane Gay.

Among the essays included here are:

• "The Transformation of Silence into Language and Action"
• "The Master’s Tools Will Never Dismantle the Master’s House"
• "I Am Your Sister"
• Excerpts from the American Book Award–winning A Burst of Light

The poems are drawn from Lorde’s nine volumes, including The Black Unicorn and National Book Award finalist From a Land Where Other People Live. Among them are:

• "Martha"
• "A Litany for Survival"
• "Sister Outsider"
• "Making Love to Concrete"

A critical collection of conversations with Toni Morrison, Alice Walker, Gayl Jones and other Black women writers that changed the scope of Black literature in the 20th century and beyond.

“Black women writers and critics are acting on the old adage that one must speak for oneself if one wishes to be heard.” —Claudia Tate, from the introduction

Long out of print, Black Women Writers at Work is a vital contribution to Black literature in the 20th century. 

Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks, Alexis De Veaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Sonia Sanchez, Ntozake Shange, Alice Walker, Margaret Walker, and Sherley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women writers whose work laid the foundation for many who have come after.

Responding to questions about why and for whom they write, and how they perceive their responsibility to their work, to others, and to society, the featured playwrights, poets, novelists, and essayists provide a window into the connections between their lives and their art.

Finally available for a new generation, this classic work has an urgent message for readers and writers today.

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In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly.

In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of Black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car.

In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

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With race and policing once more burning issues, this classic work from one of America’s giants of black radicalism has lost none of its prescience or power

One of America’s most historic political trials is undoubtedly that of Angela Davis. Opening with a letter from James Baldwin to Davis, and including contributions from numerous radicals such as Black Panthers George Jackson, Huey P. Newton, Bobby Seale and Erica Huggins, this book is not only an account of Davis’s incarceration and the struggles surrounding it, but also perhaps the most comprehensive and thorough analysis of the prison system of the United States.

Since the book was written, the carceral system in the U.S. has seen unprecedented growth, with more of America’s black population behind bars than ever before. The scathing analysis of the role of prison and the policing of black populations offered by Davis and her comrades in this astonishing volume remains as pertinent today as the day it was first published.

Featuring contributions from George Jackson, Bettina Aptheker, Bobby Seale, James Baldwin, Ruchell Magee, Julian Bond, Huey P. Newton, Erika Huggins, Fleeta Drumgo, John Clutchette, and others.

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"These are the stories that came to me to be told after the close of a magical marriage to an extraordinary man that ended in a less-than-magical divorce. I found myself unmoored, unmated, ungrounded in a way that challenged everything I'd ever thought about human relationships. Situated squarely in that terrifying paradise called freedom, precipitously out on so many emotional limbs, it was as if I had been born; and in fact I was being reborn as the woman I was to become."

So says Pulitzer Prize-winning author Alice Walker about her beautiful new book, in which "one of the best American writers today" (The Washington Post) gives us superb stories based on rich truths from her own experience. Imbued with Walker's wise philosophy and understanding of people, the spirit, sex and love, The Way Forward Is with a Broken Heart begins with a lyrical, autobiographical story of a marriage set in the violent and volatile Deep South during the early years of the civil rights movement. Walker goes on to imagine stories that grew out of the life following that marriage—a life, she writes, that was "marked by deep sea-changes and transitions." These provocative stories showcase Walker's hard-won knowledge of love of many kinds and of the relationships that shape our lives, as well as her infectious sense of humor and joy. Filled with wonder at the power of the life force and of the capacity of human beings to move through love and loss and healing to love again, The Way Forward Is with a Broken Heart is an enriching, passionate book by "a lavishly gifted writer" (The New York Times Book Review).

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A tour-de-force collection of stories about the Black experience, by award-winning, bestselling, and emerging African American YA authors.

Black is... two sisters navigating their relationship at summer camp in Portland, Oregon as written by Renée Watson.

Black is… Jason Reynolds writing about three guys walking back from the community pool talking about nothing and everything.

Black is… Nic Stone’s bougie debutante dating a boy her momma would never approve of.

Black is …two girls kissing in Justina Ireland’s story set in Maryland.

Black is urban and rural, wealthy and poor, mixed race, immigrants, and more—because there are countless ways to be Black enough.

Edited by National Book Award finalist Ibi Zoboi, this is an essential collection of captivating stories about what it’s like to be young and Black in America.

Contributors:

Justina Ireland

Varian Johnson

Rita Williams-Garcia

Dhonielle Clayton

Kekla Magoon

Leah Henderson

Tochi Onyebuchi

Jason Reynolds

Nic Stone

Liara Tamani

Renée Watson

Tracey Baptiste

Coe Booth

Brandy Colbert

Jay Coles

Ibi Zoboi

Lamar Giles

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Marquis Bey meditates on the antagonistic relationship between blackness and cisgender, showing that as a category, cisgender cannot capture how people depart from gender alignment and its coding as white.

In Cistem Failure Marquis Bey meditates on the antagonistic relationship between blackness and cisgender. Bey asks, What does it mean to have a gender that “matches” one’s sex---that is, to be cisgender---when decades of feminist theory have destroyed the belief that there is some natural way to be a sex? Moving from the The Powerpuff Girls to the greeting “How ya mama’n’em?” to their own gender identity, Bey finds that cisgender is too flat as a category to hold the myriad ways that people who may or may not have undergone gender-affirmative interventions depart from gender alignment. At the same time, blackness, they contend, strikes at the heart of cisgender’s invariable coding as white: just as transness names a non-cis space, blackness implies a non-cis space. By showing how blackness opens up a way to subvert the hegemonic power of the gender binary, Bey makes a case for an antiracist gender abolition project that rejects cisgender as a regulatory apparatus.

An intimate and electrifying collection of essays from the New York Times bestselling author of The Book of Delights  

In these gorgeously written and timely pieces, prize-winning poet and author Ross Gay considers the joy we incite when we care for each other, especially during life’s inevitable hardships. Throughout Inciting Joy, he explores how we can practice recognizing that connection, and also, crucially, how we expand it.

In “We Kin” he thinks about the garden (especially around August, when the zucchini and tomatoes come on) as a laboratory of mutual aid; in “Share Your Bucket” he explores skateboarding’s reclamation of public space; he considers the costs of masculinity in “Grief Suite”; and in “Through My Tears I Saw,” he recognizes what was healed in caring for his father as he was dying.

In an era when divisive voices take up so much air space, Inciting Joy offers a vital alternative: What might be possible if we turn our attention to what brings us together, to what we love? Full of energy, curiosity, and compassion, Inciting Joy is essential reading from one of our most brilliant writers.

The voice of Bad Feminist meets the lessons of The Sum of Us in this timely and biting deep dive from the former Senior Campaign Director at Color of Change about the growing undercurrent of disillusionment in Black voters, culture, and even herself.

Brandi Collins-Dexter had spent her career fighting for racial justice, progressive politics, and the Democratic party. And so in the aftermath of the 2016 election, questions swirled in Brandi’s mind. How had it come to this? And, most pressing, Who had voted for him?

Many white voters, as we now know. But talking with loved ones, Brandi began to notice something baffling: dozens of them, all Black, had also voted for Trump. Brandi was shocked. She had always assumed that Black Americans would vote Democrat--an alliance she had long taken for granted.

Thus began the origins of BLACK SKINHEAD, as Brandi realized she needed to reconsider every assumption she had about Black political identity. In this eye-opening book, Brandi dives headfirst into the growing phenomenon of Black voters moving away from the Democratic party, embarking on a strange and unexpected journey to understand them. It’s a journey that takes her through niche subcultures, dark corners of the internet, and even Kanye West, and leads Brandi to uncover what she deems the Black Skinhead: disillusioned, Black outsiders in politics and culture who have turned from the political party they feel has failed them. It’s a journey that flips all of Brandi’s assumptions and eventually leads her to reconsider her own politics, history, and relationship to Blackness.

In BLACK SKINHEAD, through essays that span the political, cultural, and deeply personal, Brandi seeks to understand the fraying bonds between Black voters and the Democratic party, ultimately painting a portrait of decades of Black disillusionment that can be mapped as much through hip hop lyrics as it can through voting statistics.

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Literary Nonfiction. Poetry. African & African American Studies. LGBTQIA Studies. Women's Studies. 2019 Over the Rainbow Booklist Selection for Nonfiction. Poets Audre Lorde and Pat Parker first met in 1969; they began exchanging letters regularly five years later. Over the next fifteen years, Lorde and Parker shared ideas, advice, and confidences through the mail. They sent each other handwritten and typewritten letters and postcards often with inserted items including articles, money, and video tapes. SISTER LOVE: THE LETTERS OF AUDRE LORDE AND PAT PARKER 1974-1989 gathers this correspondence for readers to eavesdrop on Lorde and Parker. They discuss their work as writers as well as intimate details of their lives, including periods when each lived with cancer. SISTER LOVE is a rare opportunity to glimpse inside the minds and friendship of two great twentieth century poets.

This fresh, voice-driven feminist anthology reimagines Helen Gurley Brown’s seminal work Sex and the Single Girl in time for its 60th anniversary, featuring twenty-four essays from acclaimed and bestselling authors, including Kristen Arnett, Morgan Parker, Evette Dionne, and Melissa Febos.

In May 1962, Helen Gurley Brown's Sex and the Single Girl sent shockwaves through the United States, selling more than two million copies in three weeks. The future Cosmopolitan Editor-in-Chief’s book promoted the message that a woman’s needs, ambition, and success during her single years could actually take precedence over the search for a husband.  

While much of Brown’s advice is outdated and even offensive by today’s standards, her central message remains relevant. In this exceptional anthology, Eliza Smith and Haley Swanson bring together insights from many of today’s leading feminist thinkers and writers to pay homage to Brown’s original work and reinterpret it for a new generation. These contributors provide a much-needed reckoning while addressing today’s central issues, from contraception and abortion (topics the publisher banned from the original) to queer and trans womanhood, racial double standards, dating with disabilities, sexual consent, singlehood by choice, single parenting, and more. 

Written for today’s women, this revisionist anthology honors Brown’s irreverent spirit just as it celebrates and validates women’s sexual lives and individual eras of singlehood, encouraging us all to reclaim joy where it’s so often been denied.

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For much of American history, Black people have been conceived and legally defined as nonpersons, a subgenre of the human. In Being Property Once Myself, prize-winning poet Joshua Bennett shows that Blackness has long acted as the caesura between human and nonhuman and delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal―the rat, the cock, the mule, the dog, the shark―in the works of Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the valuation and sale of animals and enslaved people―all place Black and animal life in fraught proximity.

Bennett suggests that animals are deployed to assert a theory of Black sociality and to combat dominant claims about the limits of personhood. And he turns to the Black radical tradition to challenge the pervasiveness of anti-Blackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a groundbreaking articulation of undertheorized notions of dehumanization and the Anthropocene.

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Deeply personal and powerfully moving, a short and timely series of reflective essays by one of the most clear-sighted and essential writers of our time.

Written during the early months of lockdown, Intimations explores ideas and questions prompted by an unprecedented situation. What does it mean to submit to a new reality--or to resist it? How do we compare relative sufferings? What is the relationship between time and work? In our isolation, what do other people mean to us? How do we think about them? What is the ratio of contempt to compassion in a crisis? When an unfamiliar world arrives, what does it reveal about the world that came before it?

Suffused with a profound intimacy and tenderness in response to these extraordinary times, Intimations is a slim, suggestive volume with a wide scope, in which Zadie Smith clears a generous space for thought, open enough for each reader to reflect on what has happened--and what should come next.

The author will donate her royalties from the sale of Intimations to charity.

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In Just Us, Claudia Rankine invites us into a necessary conversation about Whiteness in America. What would it take for us to breach the silence, guilt, and violence that arise from addressing Whiteness for what it is? What are the consequences if we keep avoiding this conversation? What might it look like if we step into it? “I learned early that being right pales next to staying in the room,” she writes.


This brilliant assembly of essays, poems, documents, and images disrupts the false comfort of our culture’s liminal and private spaces―the airport, the theater, the dinner party, the voting booth―where neutrality and politeness deflect true engagement in our shared problems. Rankine makes unprecedented art out of the actual voices and rebuttals of others: White men responding to, and with, their White male privilege; a friend clarifying her unexpected behavior at a play; and women on the street expressing the political currency of dyeing their hair blond, all running alongside fact-checked notes and commentary that complement Rankine’s own text, complicating notions of authority and who gets the last word. Funny, vulnerable, and prescient, Just Us is Rankine’s most intimate and urgent book, a crucial call to challenge our vexed reality.

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The expansion of Marvel and DC Comics’ characters such as Black Panther, Luke Cage, and Black Lightning in film and on television has created a proliferation of poetry in this genre—receiving wide literary and popular attention.

This groundbreaking collection highlights work from poets who have written verse within this growing tradition, including Terrance Hayes, Lucille Clifton, Gil Scott-Heron, A. Van Jordan, Glenis Redmond, Tracy K. Smith, Teri Ellen Cross Davis, Joshua Bennett, Douglas Kearney, Tara Betts, Frank X Walker, Tyree Daye, and others. In addition, the anthology will also feature the work of artists such as John Jennings and Najee Dorsey, showcasing their interpretations of superheroes, Black comic characters, Afrofuturistic images from the African diaspora.

A New York Times Notable Book

A revised collection with thirteen essays, including six new to this edition and seven from the original edition, by the “star in the American literary firmament, with a voice that is courageous, honest, loving, and singularly beautiful” (NPR).

Brilliant and uncompromising, piercing and funny, How to Slowly Kill Yourself and Others in America is essential reading. This new edition of award-winning author Kiese Laymon’s first work of nonfiction looks inward, drawing heavily on the author and his family’s experiences, while simultaneously examining the world—Mississippi, the South, the United States—that has shaped their lives. With subjects that range from an interview with his mother to reflections on Ole Miss football, Outkast, and the labor of Black women, these thirteen insightful essays highlight Laymon’s profound love of language and his artful rendering of experience, trumpeting why he is “simply one of the most talented writers in America” (New York magazine).

Introduction by New York Times bestselling author Henry Louis Gates Jr. 

Spanning more than 35 years of work, the first comprehensive collection of essays, criticism, and articles by the legendary author of the Harlem Renaissance, Zora Neale Hurston, showcasing the evolution of her distinctive style as an archivist and author.

“One of the greatest writers of our time.”—Toni Morrison

One of the most acclaimed artists of the Harlem Renaissance, Zora Neale Hurston was a gifted novelist, playwright, and essayist. Drawn from three decades of her work, this anthology showcases her development as a writer, from her early pieces expounding on the beauty and precision of African American art to some of her final published works, covering the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing a white doctor. Among the selections are Hurston’s well-known works such as “How It Feels to be Colored Me” and “My Most Humiliating Jim Crow Experience.” 

The essays in this essential collection are grouped thematically and cover a panoply of topics, including politics, race and gender, and folkloric study from the height of the Harlem Renaissance to the early years of the Civil Rights movement. Demonstrating the breadth of this revered and influential writer’s work, You Don't Know Us Negroes and Other Essays is an invaluable chronicle of a writer’s development and a window into her world and time.

From African American to Asian American, indigenous to immigrant, "multiracial" to "mixedblood," the diversity of cultures in this world is matched only by the diversity of stories explaining our cultural origins: stories of creation and destruction, displacement and heartbreak, hope and mystery. With writing from Jamaica Kincaid on the fallacies of national myths, Yusef Komunyakaa connecting the toxic legacy of his hometown, Bogalusa, LA, to a blind faith in capitalism, and bell hooks relating the quashing of multiculturalism to the destruction of nature that is considered "unpredictable" amongst more than 35 other examinations of the relationship between culture and nature — this collection points toward the trouble of ignoring our cultural heritage, but also reveals how opening our eyes and our minds might provide a more livable future. 

The question "Do black landscapes matter?" cuts deep to the core of American history. From the plantations of slavery to contemporary segregated cities, from freedman villages to northern migrations for freedom, the nation’s landscape bears the detritus of diverse origins. Black landscapes matter because they tell the truth. In this vital new collection, acclaimed landscape designer and public artist Walter Hood assembles a group of notable landscape architecture and planning professionals and scholars to probe how race, memory, and meaning intersect in the American landscape.

Essayists examine a variety of U.S. places—ranging from New Orleans and Charlotte to Milwaukee and Detroit—exposing racism endemic in the built environment and acknowledging the widespread erasure of black geographies and cultural landscapes. Through a combination of case studies, critiques, and calls to action, contributors reveal the deficient, normative portrayals of landscape that affect communities of color and question how public design and preservation efforts can support people in these places. In a culture in which historical omissions and specious narratives routinely provoke disinvestment in minority communities, creative solutions by designers, planners, artists, and residents are necessary to activate them in novel ways. Black people have built and shaped the American landscape in ways that can never be fully known. Black Landscapes Matter is a timely and necessary reminder that without recognizing and reconciling these histories and spaces, America’s past and future cannot be understood.

The New York Times bestselling book of essays celebrating ordinary delights in the world around us by one America's most original and observant writers, award-winning poet Ross Gay.

As Heard on NPR's This American Life

“Ross Gay’s eye lands upon wonder at every turn, bolstering my belief in the countless small miracles that surround us.” —Tracy K. Smith, Pulitzer Prize winner and U.S. Poet Laureate

The winner of the NBCC Award for Poetry offers up a spirited collection of short lyrical essays, written daily over a tumultuous year, reminding us of the purpose and pleasure of praising, extolling, and celebrating ordinary wonders.

In The Book of Delights, one of today’s most original literary voices offers up a genre-defying volume of lyric essays written over one tumultuous year. The first nonfiction book from award-winning poet Ross Gay is a record of the small joys we often overlook in our busy lives. Among Gay’s funny, poetic, philosophical delights: a friend’s unabashed use of air quotes, cradling a tomato seedling aboard an airplane, the silent nod of acknowledgment between the only two black people in a room. But Gay never dismisses the complexities, even the terrors, of living in America as a black man or the ecological and psychic violence of our consumer culture or the loss of those he loves. More than anything other subject, though, Gay celebrates the beauty of the natural world--his garden, the flowers peeking out of the sidewalk, the hypnotic movements of a praying mantis.

The Book of Delights is about our shared bonds, and the rewards that come from a life closely observed. These remarkable pieces serve as a powerful and necessary reminder that we can, and should, stake out a space in our lives for delight.

A collective work of art whose time has come. Of lasting value for all lovers of literature and the erotic, this is a glorious, groundbreaking celebration of black sensuality, including works by Alice Walker, Ntozake Shange, and many more.